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Journal articles on the topic 'Tonk'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Gustafsson, Martin. "Wittgenstein and “Tonk”." Philosophical Topics 42, no. 2 (2014): 75–99. http://dx.doi.org/10.5840/philtopics201442220.

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2

Tonkens, Evelien. "De wedergeboorte van gezag in de sociologie." Sociologie 9, no. 2 (June 1, 2013): 227–31. http://dx.doi.org/10.5117/soc2013.2.tonk.

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3

Szögi, László. "Tonk Sándor Emlékkonferencia Kolozsváron." Gerundium 9, no. 3 (March 18, 2019): 171–73. http://dx.doi.org/10.29116/gerundium/2018/3/13.

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Memorial Conference for Sándor Tonk at Kolozsvár/Cluj. On 5th and 6th of October 2018 colleagues, friends and admirers remembered for the early died Mr. Sándor Tonk who was an excellent representative of the Transylvanian Hungarian histography. The memorial conference was organized by the Research Institute of the Transylvanian Museum Society, Sapientia Hungarian University of Transylvania, and Department of the Hungarian History of Babeş-Bolyai University. Those researchers of the above mentioned institutes and Hungarian historians took part at the conference whose research matter was close to the activity of Sándor Tonk or to the Transylvanian histography. The essay below reflects the summarized lectures of the conference and states that in Transylvania a new generation of historians has grown up which continues the work of Sándor Tonk and other historians and develops the Hungarian histography with their new conclusions.
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4

Wansing, Heinrich. "Connectives Stranger than Tonk." Journal of Philosophical Logic 35, no. 6 (May 19, 2006): 653–60. http://dx.doi.org/10.1007/s10992-006-9025-z.

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5

Cook, Roy T. "What’s Wrong with Tonk(?)." Journal of Philosophical Logic 34, no. 2 (April 2005): 217–26. http://dx.doi.org/10.1007/s10992-004-7805-x.

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6

FJELLSTAD, ANDREAS. "HOW A SEMANTICS FOR TONK SHOULD BE." Review of Symbolic Logic 8, no. 3 (February 3, 2015): 488–505. http://dx.doi.org/10.1017/s1755020314000513.

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AbstractThis paper explores how a semantics for Prior’s infamous connective tonk should be, a connective defined by inference rules that trivialize the logic of a deductive system if that logic is supposed to be transitive. To avoid triviality, one must reject transitivity and in a relatively recent paper, Roy Cook develops a semantics for tonk with non-transitive entailment. However, I show in this paper that a cut-free sequent calculus for tonk - the arguably most natural and simplest deductive system for a non-transitive logic - can neither be complete with respect to Cook’s semantics nor with respect to a semantics with non-transitive entailment based on a semantics for vagueness and transparent truth developed by Cobreros et al. It is argued that the failure to adequately represent tonk is connected with the fact that tonk is not uniquely defined in a cut-free sequent calculus system unless the logic is in addition non-reflexive. To remedy this, the paper develops a semantics with non-transitive and non-reflexive entailment based on the idea that complex formulae are true or false relative to them being assessed as premise or as conclusion.
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7

Redmond, Juan, and Shahid Rahman. "Armonía Dialógica: tonk, Teoría Constructiva de Tipos y Reglas para Jugadores Anónimos." THEORIA. An International Journal for Theory, History and Foundations of Science 31, no. 1 (February 17, 2016): 27–53. http://dx.doi.org/10.1387/theoria.13949.

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En la bibliografía reciente sobre lógica dialógica se estudia el caso de tonk y el concepto antirrealista de armonía. Ahora bien, desde la publicación de esos textos la teoría dialógica ha sido vinculada con la Teoría Constructiva de Tipos (CTT) la cual posee sus propios medios para responder a tonk. El objetivo principal del presente artículo es mostrar que, desde la perspectiva dialógica, la armonía de las reglas de la CTT es consecuencia de un nivel más fundamental de significado en el que las reglas se formulan independientemente del jugador que las aplica.
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8

Buacar, Natalia Mariana. "Tonk y la concepción semanticista del significado." Cuadernos de filosofía, no. 70 (February 2, 2018): 5. http://dx.doi.org/10.34096/cf.n70.6498.

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9

Neely, Emily. "Charline Arthur: The Unmaking of a Honky-Tonk Star." Southern Cultures 8, no. 3 (2002): 86–96. http://dx.doi.org/10.1353/scu.2002.0033.

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10

Singh, Namrata, and Bharat Nagar. "Analytical Study of Non- Revenue Water of Tonk City, Rajasthan." International Journal of Agriculture & Environmental Science 5, no. 3 (May 25, 2018): 80–95. http://dx.doi.org/10.14445/23942568/ijaes-v5i3p114.

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11

Sharma, Swati, and Dipjyoti Chakraborty. "Traditional medicinal plants used by tribal communities in Tonk district, Rajasthan." Plant Science Today 8, no. 1 (March 27, 2021): 225–28. http://dx.doi.org/10.14719/pst.2021.8.1.1077.

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Rajasthan is the third largest state of India. About 80% of the population live in the villages. The main tribes of Rajasthan are Bhil, Meena, Garasia, Saharia, Damor and Kathoudi. The study area comprises of Tonk district of Rajasthan, India which has seven divisions Deoli, Malpura, Todaraisingh, Uniara, Peeplu, Tonk and Newai. Survey method was followed covering five villages of each division. The data were collected through direct interviews with local people, priests, local physician and gardeners. A detailed questionnaire was designed and written in Hindi for the baseline study following standardised procedures. The tribal communities use plants and plant products in their day to day life, however there is a gap in knowledge in the younger generation. A total of 147 species belonging to 62 vascular plant families are reported. From these 145 species were reported to be used for medicinal applications, 135 species of which were used to treat more than one disease and remaining 8 species were used to treat only one disease. The most widely used plant part is leaves (95 species) and the, most common mode of application is oral (39.65%). The traditional knowledge about the plants can be used to produce to new products for medicinal use, food and fodder.
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12

Champion, Laurie, and Cecelia Tichi. "Readin' Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars." South Central Review 14, no. 2 (1997): 73. http://dx.doi.org/10.2307/3189951.

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13

Hillis, Craig. "The Broken Spoke: Austin's Legendary Honky-Tonk by Donna Marie Miller." Southwestern Historical Quarterly 122, no. 2 (2018): 238–39. http://dx.doi.org/10.1353/swh.2018.0092.

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14

Soni, Shyam, and RavinderaKumar Singh. "PHYSICAL AND CHEMICAL ANALYSIS OF GROUND WATER OF TONK CITY, RAJASTHAN, INDIA." International Journal of Advanced Research 6, no. 2 (February 28, 2018): 844–49. http://dx.doi.org/10.21474/ijar01/6502.

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15

Khan, Z., A. E. Sayers, M. U. Khattak, and I. R. Chambers. "Tonk Score; an Objective Method of Analysing Trauma & Orthopaedics Case Notes." International Journal of Surgery 8, no. 7 (2010): 537–38. http://dx.doi.org/10.1016/j.ijsu.2010.07.106.

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16

Parson, Joanna. "Lonesome Cowgirls and Honky Tonk Angels: The Women of Barn Dance Radio." Oral History Review 37, no. 2 (July 1, 2010): 299–301. http://dx.doi.org/10.1093/ohr/ohq075.

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17

Smith, Kim. "Honky Tonk Hairdos: Winifred Atwell and the Professionalization of Black Hairdressing in Britain." Fashion Theory 22, no. 6 (November 2, 2018): 593–616. http://dx.doi.org/10.1080/1362704x.2018.1533336.

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18

Morris, David. "Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity." Critical Studies in Media Communication 28, no. 5 (December 2011): 466–88. http://dx.doi.org/10.1080/15295036.2010.517778.

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19

Johnson, Alex M. "Bid Whist, Tonk, and United States v. Fordice: Why Integrationism Fails African-Americans Again." California Law Review 81, no. 6 (December 1993): 1401. http://dx.doi.org/10.2307/3480955.

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20

Khan, Zeeshan, Adele E. Sayers, Mohammad Usman Khattak, and Iain Richard Chambers. "The TONK score: a tool for assessing quality in trauma and orthopaedic note-keeping." SICOT-J 1 (2015): 29. http://dx.doi.org/10.1051/sicotj/2015029.

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21

Button, Tim. "Knot and Tonk: Nasty Connectives on Many-Valued Truth-Tables for Classical Sentential Logic." Analysis 76, no. 1 (January 2016): 7–19. http://dx.doi.org/10.1093/analys/anv106.

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22

Bush, Elizabeth. "Honky-Tonk Heroes & Hillbilly Angels: The Pioneers of Country & Western Music (review)." Bulletin of the Center for Children's Books 59, no. 11 (2006): 496–97. http://dx.doi.org/10.1353/bcc.2006.0468.

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23

RESTALL, GREG. "GENERALITY AND EXISTENCE 1: QUANTIFICATION AND FREE LOGIC." Review of Symbolic Logic 12, no. 1 (December 18, 2018): 1–29. http://dx.doi.org/10.1017/s175502031800031x.

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AbstractIn this paper, I motivate a cut free sequent calculus for classical logic with first order quantification, allowing for singular terms free of existential import. Along the way, I motivate a criterion for rules designed to answer Prior’s question about what distinguishes rules for logical concepts, like conjunction from apparently similar rules for putative concepts like Prior’s tonk, and I show that the rules for the quantifiers—and the existence predicate—satisfy that condition.
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24

Meena, Dinesh. "Avifaunal Diversity of Bisalpur Dam and nearby Area of Tehsil Deoli, District Tonk (Rajasthan), India." International Journal for Research in Applied Science and Engineering Technology 7, no. 6 (June 30, 2019): 698–709. http://dx.doi.org/10.22214/ijraset.2019.6121.

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25

Kinder, Chuck. "The Last Mountain Dancer: Hard-earned Lessons in Love, Loss and Honky-Tonk Outlaw Life." Appalachian Heritage 32, no. 3 (2004): 63–71. http://dx.doi.org/10.1353/aph.2004.0088.

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26

Himpele, Jeff. "Making a Film about a Sound: The Steel Guitar from Hawaii to the Honky-Tonk." Anthropology News 52, no. 1 (January 2011): 4–6. http://dx.doi.org/10.1111/j.1556-3502.2011.52104.x.

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27

Peterson, Richard A. "Lonesome Cowgirls and Honky-Tonk Angles: The Women of Barn Dance Radio (review)." American Studies 50, no. 3-4 (2009): 153–54. http://dx.doi.org/10.1353/ams.2009.0036.

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28

Kumari, Babita, and Hitesh Solanki. "AN INSIGHT HIGHLIGHT STORY ON THE BENEFICIAL AND PHYTOCHEMICAL IMPACT OF PROSOPIS CINERARIA IN TONK, RAJASTHAN (INDIA)." International Journal of Biological Innovations 03, no. 02 (2021): 257–63. http://dx.doi.org/10.46505/ijbi.2021.3202.

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29

Edwards, Leigh H. "Book Review: The Honky Tonk on the Left: Progressive Thought in Country Music edited by Mark Allan Jackson." Journal of Popular Music Studies 31, no. 1 (March 1, 2019): 179–82. http://dx.doi.org/10.1525/jpms.2019.311014.

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30

GRIFFITHS, OWEN. "HARMONIOUS RULES FOR IDENTITY." Review of Symbolic Logic 7, no. 3 (June 3, 2014): 499–510. http://dx.doi.org/10.1017/s1755020314000161.

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AbstractLogical inferentialists claim that the meanings of the logical constants are given by their inference rules. To rule out tonk-like expressions, it is often demanded that pairs of inference rules must be harmonious. The usual inference rules for the identity predicate are not harmonious, but most inferentialists want identity to be logical. Stephen Read has tried to formulate alternative, harmonious inference rules for identity. It will be proved, however, that his rules are precisely as strong as the old rules and that, because the old rules are not harmonious (as Read argues), nor are his. Further, it will be shown that no sound rules will be any improvement. Identity remains in need of satisfactory inferentialist treatment.
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31

Yadav, Ashok Kumar, Parveen Khan, and Sanjay K. Sharma. "Water Quality Index Assessment ofGroundwater in Todaraisingh Tehsil of Rajasthan State, India-A Greener Approach." E-Journal of Chemistry 7, s1 (2010): S428—S432. http://dx.doi.org/10.1155/2010/419432.

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This study deals with the statistical analysis and study of water quality index to assess hardness of groundwater in Todaraisingh tehsil of Tonk district of Rajasthan state. The study has been carried out to examine its suitability for drinking, irrigation and industrial purpose. The presence of problematic salts contains in groundwater due to local pollutants and affected the groundwater quality adversely. The estimated values were compared with drinking water quality standards prescribed by B.I.S. It was found that drinking water is severely polluted with hardness causing salts. This study reveals that people dependent on water sources of the study area are prone to health hazards of contaminated water and quality managements to hardness urgently needed.
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R.B. Sharma, Gitam Singh, and Mahendra Singh. "Green Fodder Production Potential of Oat cv. Kent under Semi-arid Climatic Conditions of Tonk-Rajasthan in Frontline Demonstration." International Journal of Current Microbiology and Applied Sciences 6, no. 3 (March 10, 2017): 2228–32. http://dx.doi.org/10.20546/ijcmas.2017.603.254.

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33

Courtney George. "“It Wasn’t God Who Made Honky-Tonk Angels”: Musical Salvation in Dorothy Allison’s Bastard Out of Carolina." Southern Literary Journal 41, no. 2 (2009): 126–47. http://dx.doi.org/10.1353/slj.0.0041.

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34

Maruyama, Yoshihiro. "Prior’s tonk, notions of logic, and levels of inconsistency: vindicating the pluralistic unity of science in the light of categorical logical positivism." Synthese 193, no. 11 (October 8, 2015): 3483–95. http://dx.doi.org/10.1007/s11229-015-0932-9.

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35

Barber, John C. K. "Atlas of human chromosome heteromorphisms, by Wyandt HE, Tonk VS (eds), 2004, Kluwer, Dordrecht, ISBN 1-4020-1303-5, £97.00, $154.00, hardcover." Human Genetics 117, no. 4 (May 24, 2005): 404–5. http://dx.doi.org/10.1007/s00439-005-1293-0.

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36

Pléh, Csaba. "Beérkezett könyvek." Magyar Pszichológiai Szemle 58, no. 3 (October 1, 2003): 425–26. http://dx.doi.org/10.1556/mpszle.58.2003.3.6.

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Tonk Márton és Veress Károly (szerk.): Értelmezés és alkalmazás. Hermeneutikai és alkalmazott filozófiai vizsgálódások. Scientia Kiadó, Kolozsvár, 2002, 261 oldal; Rákai Orsolya és Z. Kovács Zoltán (szerk.): A narratív identitás kérdései a társadalomtudományokban. Gondolat Kiadó, Budapest, 2003, 254 oldal; Kiefer Ferenc és Siptár Péter (szerk.): A magyar nyelv kézikönyve. Akadémiai Kiadó, Budapest, 2003, 611 oldal; Kontra Miklós (szerk.): Nyelv és társadalom a rendszerváltás-kori Magyarországon. Osiris Kiadó, Budapest, 2003, 372 oldal; Bezeczky Gábor: Metafora, narráció, szociolingvisztika. Akadémiai Kiadó, Budapest, 2002, 303 oldal; Ranschburg Jenő: A világ megismerése óvodáskorban. Okker Kiadó, Budapest, 2002, 136 oldal; Zoldos Márta: Gyengén tanuló kisiskolások családi és iskolai megítélése. Akadémiai Kiadó, Budapest, 2003, 142 oldal; Feketéné Szakos Éva. A felnőttek tanulása és oktatása - új felfogásban. Akadémiai Kiadó, Budapest, 2003, 142 oldal; Perjés István és Kovács Zoltán (szerk.): Életvilágok találkozása. Az iskola külső és belső világának interdiszciplináris vizsgálata. Aula Kiadó, Budapest, 2002, 164 oldal Karácsony Sándor: Magyarság és nevelés. Áron Kiadó, Budapest, 2003, 327 oldal
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37

Saha, Apala. "India’s Child Brides and Youngest Mothers: Beyond Popular Perceptions." Indian Journal of Human Development 13, no. 3 (December 2019): 325–43. http://dx.doi.org/10.1177/0973703019892213.

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Over one million girls in India are married off before they turn 15 years of age, and more than four hundred thousand among them bear children. This article aims to identify and locate regionally the youngest cohort of child brides and adolescent mothers. It seeks to highlight the associated complexities and challenges of this feature in the country using Census of India, 2011 data. The analysis shows that, at first level, this phenomenon represents in a broad east-west regional pattern; in the second level of disaggregation, it emerges in rural Rajasthan and urban parts of Gujarat and Maharashtra and, in the third level, it emerges in particular pockets like Bhilwara, Ajmer, Chittaurgarh, Tonk, Ahmedabad, Kheda and Gandhinagar. This article shows that the incidence of the phenomenon of child brides does not reflect a clear linkage with the regional location of population groups such as north India or rural India. The popular characterisation of this feature on regional lines fails to spot its incidence across the country and undermines the gravity of the issue in almost every district.
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38

Rubin, Mariela. "Constantes lógicas y la armonía de las reglas de inferencia." Revista de Humanidades de Valparaíso, no. 9 (July 23, 2017): 103. http://dx.doi.org/10.22370/rhv.2017.9.852.

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A lo largo de la literatura la pregunta por qué es una constante lógica ha recibido distintas respuestas desde los acercamientos de la teoría de modelos (Tarski; 1966), (Sher; 1991), (Gómez Torrente; 2003), (Bonnay; 2007) hasta las respuestas que centran el significado en las reglas de uso (Dummett; 1991), (Prawitz; 1965). Frente a la segunda corriente filosófica se han presentado algunos inconvenientes ineludibles, en particular la constante ‘tonk’ (Prior; 1960 ) frente a la que los defensores del inferencialismo en lógica han presentado varias soluciones, en particular la armonía. El objetivo de este artículo es mostrar que los distintos criterios de ‘armonía’ que se utilizan en semántica de la prueba para establecer qué es una constante lógica no cumplen con su objetivo ya que no son necesario o suficientes. Presentaré las razones filosóficas por las que surge el concepto de ‘armonía’ y luego describiré las distintas formas en las que la literatura suele entender el concepto de ‘armonía’. Luego mostraré que o bien sobregeneran o bien subgeneran conectivas en base a una serie de contraejemplos. Finalmente, desarrollaré algunas razones filosóficas que deberían delimitar por dónde continuar la búsqueda de una definición satisfactoria del concepto de ‘armonía’.
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39

Humm, Peter. "Cecelia Tichi (ed.), Readin' Country Music: Steel Guitars, Opry Stars and Honky Tonk Bars (Durham, NC: The South Atlantic Quarterly, Winter1995, $10 paper). Pp. 370. ISSN 0038–2876." Journal of American Studies 30, no. 2 (August 1996): 307–8. http://dx.doi.org/10.1017/s0021875800027298.

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40

Wolf, M. Montgomery. "Lonesome Cowgirls and Honky-Tonk Angels: The Women of Barn Dance Radio. By Kristine M. McCusker (Urbana and Chicago: University of Illinois Press, 2008. xi plus 194 pp.)." Journal of Social History 43, no. 4 (2010): 1074–76. http://dx.doi.org/10.1353/jsh.0.0344.

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41

Smith, David J. "Introduction to the Special Issue on National Cultural Autonomy in Diverse Political Communities: Practices, Challenges, and Perspectives." Nationalities Papers 48, no. 2 (January 7, 2020): 224–34. http://dx.doi.org/10.1017/nps.2019.94.

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Numerous contemporary examples attest to the continued political salience of ethnic identification. This is the case even in multi-ethnic societies bound together by a strong overarching sense of patriotism, but it is most especially so in contexts where ethnicity has historically functioned as the building block of modern nations (Rudolph 2006). Since today’s world contains many more ethnoculturally defined nations than it does states, a tension persists between the principle of self-determination of peoples and the principle of territorial integrity of existing polities (Dembinska, Máracz, and Tonk 2014). The almost invariable overlapping of different ethno-national populations within the same territorial space renders the nation-state concept inherently problematic as a modality for ethnically based self-determination, for while all nation-state projects dictate cultural uniformity, all must contend with differing degrees of pluralism. Within the nation-state frame, those who do not profess belonging to the dominant ethnocultural community are consigned to the category of “national minority” and thereby deemed an anomaly and a barrier to the creation of a “good political order.”1 In this context, claims by minority national and ethnic communities for recognition of collective rights can be easily construed as a threat to the security of the state and its dominant ethno-national group, leading to situations of tension and—in the worst case—open conflict.
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42

Fenster, Mark. "Buck Owens, country music, and the struggle for discursive control." Popular Music 9, no. 3 (October 1990): 275–90. http://dx.doi.org/10.1017/s0261143000004098.

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In the early- and mid-1960s, as mainstream popular music began to reach and exploit the growing youth market, the country music genre was going through a number of important transformations (see Malone 1985; Hemphill 1970). During this period the country music industry, including record companies, recording studios, managing and booking agents, music publishers and musicians, was becoming more fully consolidated in Nashville. In addition, a different kind of dominant sound was beginning to coalesce, based on a more ‘uptown’ feel and intended for a more cosmopolitan audience accustomed to mainstream, adult pop music. The beat and whine of the honky-tonk song, as epitomised by the rural twang in the music of Hank Williams, Lefty Frizzell and Webb Pierce, was being replaced as the dominant country music sound by the smooth and urbane ballad styles of Eddy Arnold, Jim Reeves and Patsy Cline. This shift was both caused by and helped to foster the development of a steady set of studio musicians who would appear on thousands of country recordings per year. The musical style that coalesced in Nashville studios through the regular collaboration of these musicians and the record label producers who loosely arranged them became known as the ‘Nashville Sound’, a marketable and identifiable name for a particular set of musical conventions. This sound, nearly as similar to Rosemary Clooney as it was to Hank Williams, called into question the generic boundaries between ‘country’ music and mainstream ‘pop’ music.
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43

van Tongeren, Paul. "Wat kan een wijsgerige ethiek met theologale deugden?" Algemeen Nederlands Tijdschrift voor Wijsbegeerte 106, no. 2 (August 1, 2014): 101–20. http://dx.doi.org/10.5117/antw2014.2.tong.

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Abstract Can theological virtues be integrated in a secular moral philosophy?In the early days of the revival of virtue ethics (in Germany and France since the beginning of the 20th century, in the Anglophone world since the 19-fifties) the ‘theological’ or ‘Christian virtues’ (faith, hope and charity) played an important role. In contemporary virtue ethics they seem to almost be forgotten outside of theology. The question is asked whether (and if: how) these virtues can be integrated in a secular moral philosophy. This seems at first hand to be very problematic, because of their definition, which states among other things that these virtues are God-given and orientated towards God. However: hypothesizing that religious conceptions are related to general human experiences, it may be worth the effort to try and also interpret these theological virtues in a philosophical theory about what makes a human life flourishing. The suggestion is made that these virtues remind us of the importance of a certain passivity or receptivity and of an transcendental openness of our conceptions of happiness.
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van Tongeren, Paul. "Empathie, autonomie en de dood." Algemeen Nederlands Tijdschrift voor Wijsbegeerte 111, no. 2 (June 1, 2019): 223–27. http://dx.doi.org/10.5117/antw2019.2.008.tong.

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45

Torka, Nicole, and Anna Bos-Nehles. "(Zelf)leiderschap en werkdruk aan Nederlandse universiteiten." Tijdschrift voor HRM 22, no. 4 (February 1, 2020): 23–47. http://dx.doi.org/10.5117/thrm2019.4.tork.

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Steeds meer Nederlandse werkgevers onderkennen de noodzaak om werkdruk actief aan te pakken. Dit is niet verbazingwekkend, want werkdruk en andere genoemde oorzaken van werkstress zijn kostbaar. In dit artikel wordt onderkend dat werkdrukbeheersing een taak ofwel verantwoordelijkheid is van organisaties en medewerkers. Ook de Nederlandse academische sector heeft een groot werkdruk-probleem en daarom moeten alle Nederlandse universiteiten aan de slag om de werkdruk beheersbaar te maken. Concreet stellen we de vraag wat nodig is voor het versterken van (zelf )leiderschap ten bate van werkdrukbeheersing aan Nederlandse universiteiten. Om deze onderzoeksvraag te kunnen beantwoorden maken we gebruik van de Ability-Motivation-Opportunity (AMO)-theorie en passen deze voor de eerste keer toe in de context van werkdrukbeheersing bij Nederlandse universiteiten.<br/> Leidinggevenden en medewerkers kunnen en moeten gezamenlijk aan werkdrukbeheersing werken. De verantwoordelijkheid voor werkdrukmanagement ligt echter niet alleen maar bij (toekomstige) leidinggevenden en medewerkers. Ook HR en de organisatietop zijn aan zet. Voor deze actoren worden specifieke aanbevelingen ontwikkeld die antwoord geven op de vraag welke AMO medewerkers en leidinggevenden nodig hebben ten bate van werkdrukbeheersing.
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46

Tono, Yukio. "Commentary on Four Studies for JALT Vocabulary SIG." Vocabulary Learning and Instruction 8, no. 1 (2019): 39–52. http://dx.doi.org/10.7820/vli.v08.1.tono.

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The four papers in this volume focused on mainly three areas: readability (Pinchbeck), wordlist evaluation (Ishikawa; Culligan), and data-driven learning (McGuire). The author would argue that whilst applied corpus linguistics and L2 vocabulary research are closely related to each other, there has not been much interaction between the two disciplines. The review of the four papers has also shown such lack of interaction between the two fields. By reviewing each study, some additional concepts and previous related studies in corpus linguistics will be presented in order to fill those gaps.
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Portilla Chaves, Mario. "Tono en el criollo inglés de Costa Rica." Revista de Filología y Lingüística de la Universidad de Costa Rica 21, no. 1 (August 30, 2015): 135. http://dx.doi.org/10.15517/rfl.v21i1.20267.

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El autor afirma que el inglés criollo costarricense, también conocido como criollo limonense, contiene un contraste tono. El artículo incluye una descripción sincrónica de tres normas que afectan a la realización fonética del tono en esta variedad: el aumento de tono, tono descendente y la asimilación de tonoThe author asserts that the English-based Costa Rican Creole, also known as Limonese Creole, includes tone contrast. The article includes a synchronic description of three rules that affect the phonetic realization of tone in this variety: rising tone, falling tone and tone assimilation.
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Sundaresan, Sulekha. "A Lengthened Epitaph Reverberating the Elegiac Tone in Tony Harrison’s Poems about His Parents." International Journal of Literature and Arts 2, no. 3 (2014): 69. http://dx.doi.org/10.11648/j.ijla.20140203.13.

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49

Ferlus, Michel. "Les Systèmes De Tons Dans Les Langues Viet-Muong." Diachronica 15, no. 1 (January 1, 1998): 1–27. http://dx.doi.org/10.1075/dia.15.1.02fer.

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SUMMARY The Viet-Muong languages present a wide variety of systems having four to six tones, and reflecting two earlier systems: a six-tone system and a four-tone system in which final -h is preserved. Vietnamese, Muòng and Cuoi are representative of a pure six-tone system in the traditional definition. Sách/ Ruc and Thavung have a four-tone system in which vowel breathiness is preserved in the low tone series. When in such a system breathiness is lost too fast, as in Maleng, the result is a kind of eroded two-tone system. In some languages like Pong and some Vietnamese dialects, final -h was lost without giving contrastive tones, the result being a kind of heterodox four-tone system. The situation of tone systems in Viet-Muong languages is of the highest importance for the theory of tonogenesis. RÉSUMÉ Les langues viet-muong offrent un large éventail de systèmes tonals, de quatre à six tons, provenant tous de deux systèmes antérieurs de base: l'un à six tons et l'autre à quatre tons où le -h final est préservé. Le vietnamien, le muròng et le cuôi sont représentatifs d'un pur système à six tons dans leur définition la plus classique. Le sách/ruc et le thavung ont un système à quatre tons avec des voyelles soufflées sous les tons de la série basse. La chute trop rapide du caractère soufflé, comme en maleng, donne une sorte de système érrodé à deux tons. En pong et dans certains dialectes vietnamiens le -h final est tombé sans entraîner la création de tons supplémentaires, le résultat étant la formation de systèmes tonals hétérodoxes à quatre tons. La variété des systèmes tonals en viet-muong représente un apport important à une théorie de la tonogénèse. ZUSAMMENFASSUNG Die Viet-Muong-Sprachen stellen eine groBe Varietät von Systemen zwi-schen vier und sechs Tonen dar; sie reflektieren zwei frühere Systeme, und zwar ein Sechstonsystem und ein Viertonsystem, in welchen ein finales -h erhalten geblieben ist. Vietnamesisch, Muòng and Cuoi sind repräsentativ fur ein reines Sechstonsystem der herkommlichen Art. Sách/Ruc und Thavung hingegen haben ein Viertonsystem, in welchem eine rauhe Vokalbehauchung in der niederen Tonreihe erhalten geblieben ist. Wenn in einem solchen System die rauhe Behauchung zu schnell verlorengeht, wie im Maleng, ist das Ergebnis eine Art heruntergekommenes Zweitonsystem. In solchen Sprachen wie Pong und einigen vietnamesischen Dialekten war das End-h verlorenge-gangen, ohne jedoch kontrastierende Tone zu erhalten: das Ergebnis war eine Art heterodoxes Viertonsystem. The Situation der Tonsysteme in den Viet-Muong-Sprachen ist von groBter Wichtigkeit fur die Theorie der Tongenese.
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Tongiorgi, Duccio. "Nella ferragine delle sminuzzate parti. Modernità e divisione del lavoro: ancora su Rasori e Il Conciliatore." Colloquium 9788879168946 (October 2019): 233–38. http://dx.doi.org/10.7359/894-2019-tong.

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