Academic literature on the topic 'Tonnetz'
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Journal articles on the topic "Tonnetz"
Tymoczko, D. "The Generalized Tonnetz." Journal of Music Theory 56, no. 1 (March 1, 2012): 1–52. http://dx.doi.org/10.1215/00222909-1546958.
Full textMannone, Maria, Eri Kitamura, Jiawei Huang, Ryo Sugawara, and Yoshifumi Kitamura. "Musical combinatorics, tonnetz, and the CubeHarmonic." Zbornik Akademije umetnosti, no. 6 (2018): 104–16. http://dx.doi.org/10.5937/zbakum1801104m.
Full textHook, Julian. "Generic Sequences and the Generic Tonnetz." Journal of Music Theory 64, no. 1 (April 1, 2020): 63–103. http://dx.doi.org/10.1215/00222909-8033433.
Full textPark, Joon. "Reflections on (and in) Strunk's Tonnetz." Journal of Jazz Studies 11, no. 1 (November 19, 2016): 40. http://dx.doi.org/10.14713/jjs.v11i1.108.
Full textCohn, Richard. "Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations." Journal of Music Theory 41, no. 1 (1997): 1. http://dx.doi.org/10.2307/843761.
Full textDubau, Thierry. "Vers un Tonnetz polyvalent : prospections autour d’un nouveau modèle graphique." Musurgia Volume XXVII, no. 3 (September 10, 2021): 27–52. http://dx.doi.org/10.3917/musur.203.0027.
Full textMilne, Andrew J., and Simon Holland. "Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance." Journal of Mathematics and Music 10, no. 1 (January 2, 2016): 59–85. http://dx.doi.org/10.1080/17459737.2016.1152517.
Full textTanoko, Yoga, and Amalia Zahra. "Multi-feature stacking order impact on speech emotion recognition performance." Bulletin of Electrical Engineering and Informatics 11, no. 6 (December 1, 2022): 3272–78. http://dx.doi.org/10.11591/eei.v11i6.4287.
Full textBigo, Louis, Daniele Ghisi, Antoine Spicher, and Moreno Andreatta. "Representation of Musical Structures and Processes in Simplicial Chord Spaces." Computer Music Journal 39, no. 3 (September 2015): 9–24. http://dx.doi.org/10.1162/comj_a_00312.
Full textMannone, Maria, Irene Iaccarino, and Rosanna Iembo. "Dense Geometry of Music and Visual Arts: Vanishing Points, Continuous Tonnetz, and Theremin Performance." STEAM 3, no. 2 (2018): 1–13. http://dx.doi.org/10.5642/steam.20180302.15.
Full textDissertations / Theses on the topic "Tonnetz"
De, Maria Giovanna. "Matematica e musica grafi, tonnetz e teorie neo-riemanniane." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/12043/.
Full textBergomi, Mattia Giuseppe. "Dynamical and topological tools for (modern) music analysis." Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066465/document.
Full textIn this work, we suggest a collection of novel models for the representation of music. These models are endowed with two main features. First, they originate from a topological and geometrical inspiration; second, their low dimensionality allows to build simple and informative visualisations. We tackle the problem of music representation following three non-orthogonal directions. First, we propose an interpretation of counterpoint as a multivariate time series of partial permutation matrices, whose observations are characterised by a degree of complexity. After providing both a static and a dynamic representation of counterpoint, voice leadings are reinterpreted as a special class of partial singular braids, and their main features are visualised. Thereafter, we give a topological interpretation of the Tonnetz (a graph commonly used in computational musicology), whose vertices are deformed by both a harmonic and a consonance-oriented function. The shapes derived from these deformations are classified using the formalism of persistent homology. Thus, this novel representation of music is evaluated on a collection of heterogenous musical datasets. Finally, a combination of the two approaches is proposed. A model at the crossroad between the signal and symbolic analysis of music uses multiple sequences alignment to provide an encompassing, novel viewpoint on the musical inspiration transfer among compositions belonging to different artists, genres and time. Then, music is represented as a time series of topological fingerprints, allowing the comparison of pairs of time-varying shapes in both topological and musical terms
Cannas, Sonia. "Geometric representation and algebraic formalization of musical structures." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAD047/document.
Full textThis thesis presents a generalizations of the neo-Riemannian PLR-group, that acts on the set of 24 major and minor triads. The work begins with a reconstruction on the history of the Tonnetz, a graph associated with the three transformations that generate the PLR-group. The thesis presents two generalizations of the PLR-group for seventh chords. The first one acts on the set of dominant, minor, semi-diminished, major and diminished sevenths, the second one also includes minor major, augmented major, augmented, dominant seventh flat five. We considered the most parsimonious operations exchanging two types of sevenths, moving a single note by a semitone or a whole tone. We also classified the most parsimonious transformations among the 4 types of triads (major, minor,augmented and diminished) and studied the group generated by them. Finally, we have introduced a general approach to define parsimonious operations between sevenths and triads, but also the operations already known between triads and those between sevenths
Bigo, Louis. "Représentations symboliques musicales et calcul spatial." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1074/document.
Full textMusical symbolic representations and spatial computing. The notion of symbolic space is frequently used in music theory, analysis and composition. Representing sequences in pitch (or chord) spaces, like the Tonnetz, enables to catch some harmonic and melodic properties that elude traditional representation systems. We generalize this approach by rephrasing in spatial terms different musical purposes (style recognition, melodic and harmonic transformations, all-interval series classification, etc.). Spaces are formalized as topological collections, a notion corresponding with the label- ling of a cellular complex in algebraic topology. A cellular complex enables the discrete representation of a space through a set of topological cells linked by specific neighborhood relationships. We represent simple musical objects (for example pitches or chords) by cells and build a complex by organizing them following a particular neighborhood relationship defined by a musical property. A musical sequence is represented in a complex by a trajectory. The look of the trajectory reveals some informations concerning the style of the piece, and musical strategies used by the composer. Spaces and trajectories are computed with MGS, an experimental programming language dedicated to spatial computing, that aims at introducing the notion of space in computation. A tool, HexaChord, has been developped in order to facilitate the use of these notions for a predefined set of musical spaces
Park, Joon. "Music, Motion, and Space: A Genealogy." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19354.
Full textJacobus, Enoch S. A. "A NEW GEOMETRIC MODEL AND METHODOLOGY FOR UNDERSTANDING PARSIMONIOUS SEVENTH-SONORITY PITCH-CLASS SPACE." UKnowledge, 2012. http://uknowledge.uky.edu/music_etds/10.
Full textBergomi, Mattia Giuseppe. "Dynamical and topological tools for (modern) music analysis." Electronic Thesis or Diss., Paris 6, 2015. http://www.theses.fr/2015PA066465.
Full textIn this work, we suggest a collection of novel models for the representation of music. These models are endowed with two main features. First, they originate from a topological and geometrical inspiration; second, their low dimensionality allows to build simple and informative visualisations. We tackle the problem of music representation following three non-orthogonal directions. First, we propose an interpretation of counterpoint as a multivariate time series of partial permutation matrices, whose observations are characterised by a degree of complexity. After providing both a static and a dynamic representation of counterpoint, voice leadings are reinterpreted as a special class of partial singular braids, and their main features are visualised. Thereafter, we give a topological interpretation of the Tonnetz (a graph commonly used in computational musicology), whose vertices are deformed by both a harmonic and a consonance-oriented function. The shapes derived from these deformations are classified using the formalism of persistent homology. Thus, this novel representation of music is evaluated on a collection of heterogenous musical datasets. Finally, a combination of the two approaches is proposed. A model at the crossroad between the signal and symbolic analysis of music uses multiple sequences alignment to provide an encompassing, novel viewpoint on the musical inspiration transfer among compositions belonging to different artists, genres and time. Then, music is represented as a time series of topological fingerprints, allowing the comparison of pairs of time-varying shapes in both topological and musical terms
Berry, Jane M. "Reinterpreting Schumann: A Study of Large-Scale Structural and Atmospheric Associations in Schumann's 'Frauenliebe und -leben' and 'Dichterliebe' Song Cycles." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20102.
Full textBergomi, M. G. "Dynamical and topological tools for (modern) music analysis." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/339068.
Full textdu, Plessis Janine. "Transformation Groups and Duality in the Analysis of Musical Structure." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/math_theses/66.
Full textBooks on the topic "Tonnetz"
Shubenkov, Alekseĭ. Tonnelʹ snov: Stikhi. Moskva: Izdatelʹskai͡a︡ firma "A.V. Turov", 1995.
Find full textTokyo (Japan). Daini Kensetsu Jimusho. Kassōro no shita no tonneru: Haneda Kūkō tonneru no sekkei shikō. Tōkyō: Tōkyō-to, 1994.
Find full textJimusho, Nihon Tetsudō Kensetsu Kōdan Sapporo Kōji. Tsugaru Kaikyōsen kōjishi: Seikan Tonneru. [Hakodate-shi]: Nihon Tetsudō Kensetsu Kōdan Seikan Kensetsukyoku, 1990.
Find full textUniversity of Wolverhampton. School of Art and Design., ed. 300 tonnes of clay. Wolverhampton: School of Art of Design, University of Wolverhampton, 1996.
Find full textTimm, Werner. Winfried Tonner: Bilder 1966-1986. Regensburg/Grünstadt: Garamond, 1986.
Find full textBook chapters on the topic "Tonnetz"
Coury-Hall, M. A. "I-Shaped Tiles in the Tonnetz." In Mathematics and Computation in Music, 227–41. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60638-0_18.
Full textAlbini, Giovanni, and Samuele Antonini. "Hamiltonian Cycles in the Topological Dual of the Tonnetz." In Communications in Computer and Information Science, 1–10. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02394-1_1.
Full textAminian, Manuchehr, Eric Kehoe, Xiaofeng Ma, Amy Peterson, and Michael Kirby. "Exploring Musical Structure Using Tonnetz Lattice Geometry and LSTMs." In Lecture Notes in Computer Science, 414–24. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50417-5_31.
Full textŽabka, Marek. "Generalized Tonnetz and Well-Formed GTS: A Scale Theory Inspired by the Neo-Riemannians." In Communications in Computer and Information Science, 286–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02394-1_26.
Full textBaroin, Gilles, and Hugues Seress. "The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis." In Mathematics and Computation in Music, 315–20. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20603-5_32.
Full textHason Rudd, David, Huan Huo, and Guandong Xu. "An Extended Variational Mode Decomposition Algorithm Developed Speech Emotion Recognition Performance." In Advances in Knowledge Discovery and Data Mining, 219–31. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-33380-4_17.
Full textKirsten, Marlene. "»Papierbedarf: 0,3 Tonnen«." In Lettre, 265–76. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839461723-015.
Full textKühn, Christian. "Elf Tonnen heisse Luft." In Ringstraße ist überall, 58–60. Vienna: Springer Vienna, 2008. http://dx.doi.org/10.1007/978-3-211-75786-4_18.
Full textPolitycki, Matthias, and Andreas Urs Sommer. "Rein in die Tonne ? Raus aus der Tonne ?" In Haltung finden, 83–84. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04994-0_28.
Full textTam, V. W. Y., K. N. Le, I. M. C. S. Illankoon, C. N. N. Tran, D. Rahme, and L. Liu. "Economic Impacts of Environmentally Friendly Blocks: The Case of Nu-Rock Blocks." In Lecture Notes in Civil Engineering, 483–90. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3330-3_49.
Full textConference papers on the topic "Tonnetz"
Humphrey, Eric J., Taemin Cho, and Juan P. Bello. "Learning a robust Tonnetz-space transform for automatic chord recognition." In ICASSP 2012 - 2012 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2012. http://dx.doi.org/10.1109/icassp.2012.6287914.
Full textGuichaoua, Corentin, José Besada, Erica Bisesi, and Moreno Andreatta. "The Tonnetz Environment: A Web Platform for Computer-aided “Mathemusical” Learning and Research." In 2nd International Special Session on Computer Supported Music Education. SCITEPRESS - Science and Technology Publications, 2021. http://dx.doi.org/10.5220/0010532606800689.
Full textGordon, David M., Scott A. Ryan, and Steve K. Twartz. "Gas Re-Injection in the Laminaria and Corallina Fields, Timor Sea: Established Techniques, New Environmental and Commercial Benefits." In ASME 2002 Engineering Technology Conference on Energy. ASMEDC, 2002. http://dx.doi.org/10.1115/etce2002/ee-29141.
Full textHatton, Janice, and Peter Bulionis. "A Case Study of the Selective Catalytic Reduction (SCR) System at the Algonquin Power Energy-From-Waste Facility." In 16th Annual North American Waste-to-Energy Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/nawtec16-1903.
Full textHalladay, A., V. Oropeza Bacci, S. O'Brien, J. Duer, L. Rock, and S. Kassam. "Quest CCS at Two Million Tonnes." In Fourth Sustainable Earth Sciences Conference. Netherlands: EAGE Publications BV, 2017. http://dx.doi.org/10.3997/2214-4609.201702141.
Full textHydes, Kevin, Kevin Courneya, and Rosamund Hyde. "Meeting the 1000 Tonne Challenge." In 2006 IEEE EIC Climate Change Conference. IEEE, 2006. http://dx.doi.org/10.1109/eicccc.2006.277243.
Full textAl Hatmi, Khalid Hamdan, Asa’d Nasser Al Mashrafi, and Mohammed Salim Shaikh. "An Innovative and Well-Demonstrated Approach Toward Achieving Zero-Flaring." In ADIPEC. SPE, 2022. http://dx.doi.org/10.2118/210913-ms.
Full textBain, Graham. "CCS Potential in Louisiana." In SPE Energy Transition Symposium. SPE, 2023. http://dx.doi.org/10.2118/215742-ms.
Full textBinti, Q., J. Rudge, F. Jin, and R. Maddalena. "Waste Foundry Sand (WFS) as Aggregate Replacement for Green Concrete." In Cardiff University Engineering Research Conference 2023. Cardiff University Press, 2024. http://dx.doi.org/10.18573/conf1.m.
Full textSelvi, Marco. "XENON1T results from 1 tonne×year WIMP search." In Neutrino Oscillation Workshop. Trieste, Italy: Sissa Medialab, 2019. http://dx.doi.org/10.22323/1.337.0094.
Full textReports on the topic "Tonnetz"
Skone, Timothy J. Coal Stockpile Stacker, 450 Tonnes, Construction. Office of Scientific and Technical Information (OSTI), January 2010. http://dx.doi.org/10.2172/1509013.
Full textErckmann, Emile, and Alexandre Chatrian. Le Chant de la Tonne. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/luc.25.26.11.
Full textReid, Douglas J., John L. Orrell, James E. Fast, and Estanislao Aguayo Navarrete. Majorana One-Tonne Cryostat Cooling Conceptual Feasibility Study. Office of Scientific and Technical Information (OSTI), February 2011. http://dx.doi.org/10.2172/1013302.
Full textReid, Douglas J., James E. Fast, John L. Orrell, and Estanislao Aguayo Navarrete. Majorana One-Tonne Cryostat Cooling Conceptual Feasibility Study Rev 1. Office of Scientific and Technical Information (OSTI), June 2011. http://dx.doi.org/10.2172/1021286.
Full textCloutier, Jacinthe, Karima Afif, and Marie-Claude Roy. Réduction des pertes et gaspillages alimentaires au Québec : barrières et facteurs de succès. CIRANO, April 2024. http://dx.doi.org/10.54932/hazd6827.
Full textCloutier, Jacinthe, Karima Afif, and Marie-Claude Roy. Réduire le gaspillage et les pertes alimentaires : Quels sont les facteurs de succès ? CIRANO, May 2024. http://dx.doi.org/10.54932/psqb4320.
Full textWinslow, Lindley. R&D Toward CUPID, a Tonne-Scale Bolometric 0vBB Experiment (Final Report). Office of Scientific and Technical Information (OSTI), March 2021. http://dx.doi.org/10.2172/1773094.
Full textAlshehri, Thamir, Jan Frederik Braun, Anwar Gasim, and Mari Luomi. What Drove Saudi Arabia’s 2020 Fall in CO2 Emissions? King Abdullah Petroleum Studies and Research Center, December 2021. http://dx.doi.org/10.30573/ks--2021-ii10.
Full textKarali, Nihan, Nikit Abhyankar, Ben Sharpe, and Anup Bandivadekar. Improving fuel efficiency for heavy-duty vehicles of 3.5–12 tonnes in India: Benefits, costs, and environmental impacts. Office of Scientific and Technical Information (OSTI), February 2019. http://dx.doi.org/10.2172/1498692.
Full textLeece, A., and C. Jiang. A preliminary techno-economic assessment of lithium extraction from flowback and produced water from unconventional shale and tight hydrocarbon operations in Western Canada. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331879.
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