Relevant bibliographies by topics / Tonnetz

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Tonnetz'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Tonnetz"

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Tymoczko, D. "The Generalized Tonnetz." Journal of Music Theory 56, no. 1 (2012): 1–52. http://dx.doi.org/10.1215/00222909-1546958.

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Walden, Daniel K. S. "The Global Tonnetz." Journal of the American Musicological Society 77, no. 2 (2024): 447–509. http://dx.doi.org/10.1525/jams.2024.77.2.447.

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Abstract This article examines how the Tonnetz, widely considered the emblematic diagram of “Western” music theory, emerged in its modern form from a global network of scholars spanning Japan, Germany, and India. Part one consists of four microhistories of transnational connection. The first two focus on Tanaka Shōhei’s 1890 presentation of the Tonnetz as representative of a “mutually civilizing” discourse between Germany and Japan, and Hugo Riemann’s adaptations of Tanaka’s diagram in re-centering Germany’s musicological status. The second two focus on G. S. Khare’s use of the Tonnetz in 1918
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Mannone, Maria, Eri Kitamura, Jiawei Huang, Ryo Sugawara, and Yoshifumi Kitamura. "Musical combinatorics, tonnetz, and the CubeHarmonic." Zbornik Akademije umetnosti, no. 6 (2018): 104–16. http://dx.doi.org/10.5937/zbakum1801104m.

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Hook, Julian. "Generic Sequences and the Generic Tonnetz." Journal of Music Theory 64, no. 1 (2020): 63–103. http://dx.doi.org/10.1215/00222909-8033433.

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This article employs concepts from diatonic set theory, transformation theory, and neo-Riemannian theory in an investigation of sequences in generic (mod-7) pitch space. Sequences may be described using generic transposition operators, mod-7 analogs of the more familiar mod-12 chromatic transposition operators, and may be mapped in a generic Tonnetz analogous to the Tonnetz diagrams of neo-Riemannian theory. A complete classification of generic sequences with two-chord transposition blocks is derived from the paths described by the sequences in the Tonnetz. While it is tempting to regard gener
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Park, Joon. "Reflections on (and in) Strunk's Tonnetz." Journal of Jazz Studies 11, no. 1 (2016): 40. http://dx.doi.org/10.14713/jjs.v11i1.108.

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<p>Joon Park takes a closer look at Steven Strunk's innovative application of the neo-Riemannian Tonnetz to jazz. Strunk reinterprets neo-Riemannian transformations as geometric reflections—as opposed to more conventional group theory operations—showing his understanding of jazz performance practice. Park clarifies the difference between conventional methods and Strunk's. In addition to illustrating Steve’s close accord with jazz performance practice, Park extends his work by representing Z-related sets on the Tonnetz.</p>
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Lavacek, Justin. "Plotting Medieval Polyphony: An enchiriadis Tonnetz." Indiana Theory Review 40, no. 1 (2024): 19–53. https://doi.org/10.2979/itr.00010.

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Abstract: The musical examples of the anonymous ninth-century treatises Musica enchiriadis and Scolica enchiriadis are, for the most part, presented in the terms and structure of its unique gamut. While highly systematic and self-consistent, it is well known that this gamut proves an imperfect fit for the polyphony described in the same treatises. The authors variously ignore, amend, conceal, explain by way of miracle, or simply omit passages of noncongruence between theory and practice. This paper has two primary aims. First, to address two well-known deficiencies with the enchiriadis gamut t
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Cohn, Richard. "Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations." Journal of Music Theory 41, no. 1 (1997): 1. http://dx.doi.org/10.2307/843761.

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Dubau, Thierry. "Vers un Tonnetz polyvalent : prospections autour d’un nouveau modèle graphique." Musurgia Volume XXVII, no. 3 (2021): 27–52. http://dx.doi.org/10.3917/musur.203.0027.

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Milne, Andrew J., and Simon Holland. "Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance." Journal of Mathematics and Music 10, no. 1 (2016): 59–85. http://dx.doi.org/10.1080/17459737.2016.1152517.

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Tanoko, Yoga, and Amalia Zahra. "Multi-feature stacking order impact on speech emotion recognition performance." Bulletin of Electrical Engineering and Informatics 11, no. 6 (2022): 3272–78. http://dx.doi.org/10.11591/eei.v11i6.4287.

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One of the biggest challenges in implementing SER is to produce a model that performs well and is lightweight. One of the ways is using one-dimensional convolutional neural network (1D CNN) and combining some handcrafted features. 1D CNN is mostly used for time series data. In time series data, the order of information plays an important role. In this case, the order of stacked features also plays an important role. In this work, the impact of changing the order is analyzed. This work proposes to brute force all possible combinations of feature orders from five features: Mel-frequency cepstral
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Dissertations / Theses on the topic "Tonnetz"

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De, Maria Giovanna. "Matematica e musica grafi, tonnetz e teorie neo-riemanniane." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/12043/.

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Il primo capitolo verte su argomenti di musica e, dopo una breve premessa generale, ed alcuni cenni biografici di J. S. Bach, si passa ad una analisi strutturale di tipo aritmetico e geometrico su alcune sue famose composizioni, sottolineando in particolare la passione del grande compositore per la numerologia, esaminando l’importanza che il fattore numerologico sempre assume nelle sue opere. Il secondo capitolo verte su argomenti di matematica e tratta alcuni importanti aspetti della teoria dei grafi, del toro e dell’immersione di grafi in superfici. Il terzo capitolo, nel quale si fa rife
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Bergomi, Mattia Giuseppe. "Dynamical and topological tools for (modern) music analysis." Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066465/document.

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Cette thèse propose une collection des nouveaux outils pour la représentation musicale. Ces modèles ont deux caractéristiques principales. D'un côté, ils sont inspirés par la géométrie et la topologie. De l'autre côté, ils ont une basse dimensionnalité, afin de garantir une visualisation intuitive des caractéristiques musicales qu'ils représentent. On s'est attaqué au problème de l'analyse musicale à partir de trois points de vue. On a représenté le contrepoint en utilisant des séries temporelles multivariées de matrices de permutations partielles. On a visualisé la conduite des voix en utilis
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Cannas, Sonia. "Geometric representation and algebraic formalization of musical structures." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAD047/document.

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Cette thèse présente des généralisations u groupe néo-riemannien PLR, que agit sur l'ensemble des 24 triades majeures et mineures. Le travail commence par une reconstruction de l'histoire de Tonnetz, un graphe associé aux trois transformations qui génèrent le groupe PLR. La thèse présente deux généralisations du groupe PLR pour les accords de septième. Le premier agit sur le tournage des septièmes de dominantes, mineure, semi-diminuée, majeure et diminuée, le second comprend également la septième mineure majeur, majeure augmenté, l'augmentée et la septième dedominante bémol. Nous avons égaleme
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Bigo, Louis. "Représentations symboliques musicales et calcul spatial." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1074/document.

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Représentations symboliques musicales et calcul spatial. La notion d'espace symbolique est fréquemment utilisée en théorie, analyse et composition musicale. La représentation de séquences dans des espaces de hauteurs, comme le Tonnetz, permet de capturer des propriétés mélodiques et harmoniques qui échappent aux systèmes de représentation traditionnels. Nous généralisons cette approche en reformulant d'un point de vue spatial différents problèmes musicaux (reconnaissance de style, transformations mélodiques et harmoniques, classification des séries tous-intervalles, etc.). Les espaces sont for
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Park, Joon. "Music, Motion, and Space: A Genealogy." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19354.

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How have we come to hear melody as going “up” or “down”? Why does the Western world predominantly adopt spatial terms such as “high” and “low” to distinguish musical notes while other non-Western cultures use non-spatial terms such as “large” and “small” (Bali), or “clear” and “dull” (South Korea)? Have the changing concepts of motion and space in people’s everyday lives over history also changed our understanding of musical space? My dissertation investigates the Western concept of music space as it has been shaped by social change into the way we think about music today. In our understanding
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Jacobus, Enoch S. A. "A NEW GEOMETRIC MODEL AND METHODOLOGY FOR UNDERSTANDING PARSIMONIOUS SEVENTH-SONORITY PITCH-CLASS SPACE." UKnowledge, 2012. http://uknowledge.uky.edu/music_etds/10.

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Parsimonious voice leading is a term, first used by Richard Cohn, to describe non-diatonic motion among triads that will preserve as many common tones as possible, while limiting the distance traveled by the voice that does move to a tone or, better yet, a semitone. Some scholars have applied these principles to seventh chords, laying the groundwork for this study, which strives toward a reasonably comprehensive, usable model for musical analysis. Rather than emphasizing mathematical proofs, as a number of approaches have done, this study relies on two- and three-dimensional geometric visualiz
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Bergomi, Mattia Giuseppe. "Dynamical and topological tools for (modern) music analysis." Electronic Thesis or Diss., Paris 6, 2015. http://www.theses.fr/2015PA066465.

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Cette thèse propose une collection des nouveaux outils pour la représentation musicale. Ces modèles ont deux caractéristiques principales. D'un côté, ils sont inspirés par la géométrie et la topologie. De l'autre côté, ils ont une basse dimensionnalité, afin de garantir une visualisation intuitive des caractéristiques musicales qu'ils représentent. On s'est attaqué au problème de l'analyse musicale à partir de trois points de vue. On a représenté le contrepoint en utilisant des séries temporelles multivariées de matrices de permutations partielles. On a visualisé la conduite des voix en utilis
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Berry, Jane M. "Reinterpreting Schumann: A Study of Large-Scale Structural and Atmospheric Associations in Schumann's 'Frauenliebe und -leben' and 'Dichterliebe' Song Cycles." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20102.

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The study of song cycles poses difficulties for both analysts and performers. These challenges stem largely from two qualities intrinsic to the genre: (1) the inclusion of two semiotic systems, language and music, and (2) the use of multi-movement structures. Several scholars have addressed these issues; however, a model built on a balanced consideration of both text-based/dramatic events and purely musical elements, has yet to be offered. This study proposes such a model with separate applications for both performers and analysts. Focusing on the identification of features connecting song cyc
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Bergomi, M. G. "Dynamical and topological tools for (modern) music analysis." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/339068.

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Is it possible to represent the horizontal motions of the melodic strands of a contrapuntal composition, or the main ideas of a jazz standard as mathematical entities? In this work, we suggest a collection of novel models for the representation of music that are endowed with two main features. First, they originate from a topological and geometrical inspiration; second, their low dimensionality allows to build simple and informative visualisations. Here, we tackle the problem of music representation following three non-orthogonal directions. We suggest a formalisation of the concept of voice
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du, Plessis Janine. "Transformation Groups and Duality in the Analysis of Musical Structure." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/math_theses/66.

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One goal of music theory is to describe the resources of a pitch system. Traditionally, the study of pitch intervals was done using frequency ratios of the powers of small integers. Modern mathematical music theory offers an independent way of understanding the pitch system by considering intervals as transformations. This thesis takes advantage of the historical emergence of algebraic structures in musicology and, in the spirit of transformational theory, treats operations that form mathematical groups. Aspects of Neo-Riemannian theory are explored and developed, in particular the T/I and P
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Books on the topic "Tonnetz"

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Abdullaev, Chingiz. Tonnelʹ prizrakov. ĖKSMO-Press, 2000.

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Shubenkov, Alekseĭ. Tonnelʹ snov: Stikhi. Izdatelʹskai͡a︡ firma "A.V. Turov", 1995.

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Abdullaev, Chingiz. Rassudok manʹi͡a︡ka: Tonnelʹ prizrakov. AST, 2002.

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Tokyo (Japan). Daini Kensetsu Jimusho. Kassōro no shita no tonneru: Haneda Kūkō tonneru no sekkei shikō. Tōkyō-to, 1994.

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Tatsuo, Yōichi. Ta-kkun no kūchū tonneru. Iwasaki Shoten, 1987.

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Jimusho, Nihon Tetsudō Kensetsu Kōdan Sapporo Kōji. Tsugaru Kaikyōsen kōjishi: Seikan Tonneru. Nihon Tetsudō Kensetsu Kōdan Seikan Kensetsukyoku, 1990.

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University of Wolverhampton. School of Art and Design., ed. 300 tonnes of clay. School of Art of Design, University of Wolverhampton, 1996.

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Timm, Werner. Winfried Tonner: Bilder 1966-1986. Garamond, 1986.

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Marennyĭ, I͡A I. Tonneli s obdelkoĭ iz monolitno-pressovannogo betona. "Transport", 1985.

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Tokyo (Japan). Tama Toshi Seibu Honbu. Takuchi Zōsei Jimusho. Doboku Shisetsuka. Tama nyū taun Oyama Dairi Tonneru kōjishi. Tōkyō-to Tama Toshi Seibu Honbu, 1992.

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Book chapters on the topic "Tonnetz"

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Coury-Hall, M. A. "I-Shaped Tiles in the Tonnetz." In Mathematics and Computation in Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60638-0_18.

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Didiot-Cook, Tom. "Cellular Au-Tonnetz: A Unified Audio-Visual MIDI Generator Using Tonnetz, Cellular Automata, and IoT." In Lecture Notes in Computer Science. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-90167-6_4.

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Albini, Giovanni, and Samuele Antonini. "Hamiltonian Cycles in the Topological Dual of the Tonnetz." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02394-1_1.

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Aminian, Manuchehr, Eric Kehoe, Xiaofeng Ma, Amy Peterson, and Michael Kirby. "Exploring Musical Structure Using Tonnetz Lattice Geometry and LSTMs." In Lecture Notes in Computer Science. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50417-5_31.

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Žabka, Marek. "Generalized Tonnetz and Well-Formed GTS: A Scale Theory Inspired by the Neo-Riemannians." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02394-1_26.

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Baroin, Gilles, and Hugues Seress. "The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis." In Mathematics and Computation in Music. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20603-5_32.

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Hason Rudd, David, Huan Huo, and Guandong Xu. "An Extended Variational Mode Decomposition Algorithm Developed Speech Emotion Recognition Performance." In Advances in Knowledge Discovery and Data Mining. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-33380-4_17.

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AbstractEmotion recognition (ER) from speech signals is a robust approach since it cannot be imitated like facial expression or text based sentiment analysis. Valuable information underlying the emotions are significant for human-computer interactions enabling intelligent machines to interact with sensitivity in the real world. Previous ER studies through speech signal processing have focused exclusively on associations between different signal mode decomposition methods and hidden informative features. However, improper decomposition parameter selections lead to informative signal component l
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Kirsten, Marlene. "»Papierbedarf: 0,3 Tonnen«." In Lettre. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839461723-015.

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Marlene Kirsten widmet sich in diesem Beitrag einem bislang unbeachteten Aspekt der DDR-Literatur. Anlass für Überlegungen zum nachhaltigen Handeln der Verlagsindustrie bilden zwei aufwändig gestaltete Lyrikanthologien, »Bekanntschaft mit uns selbst« (1961) und »Sonnenpferde und Astronauten« (1964). Auf Basis von Archivmaterial wird untersucht, welche Überlegungen das Handeln des Mitteldeutschen Verlags leiteten. Der Blick auf die Verlagspraxis der DDR ermöglicht es, Nachhaltigkeit abseits ihrer gemeinhin üblichen ökologischen Bedeutung zu betrachten und in theoretischer Hinsicht um materialök
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Kühn, Christian. "Elf Tonnen heisse Luft." In Ringstraße ist überall. Springer Vienna, 2008. http://dx.doi.org/10.1007/978-3-211-75786-4_18.

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Politycki, Matthias, and Andreas Urs Sommer. "Rein in die Tonne ? Raus aus der Tonne ?" In Haltung finden. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04994-0_28.

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Conference papers on the topic "Tonnetz"

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Lockett, T. J., J. Saponja, and D. Queen. "Erosion During Underbalanced Drilling." In CORROSION 2000. NACE International, 2000. https://doi.org/10.5006/c2000-00082.

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Abstract This paper illustrates the process of erosion and erosion management during the UnderBalanced Drilling (UBD) of a series of gas wells in the Southern North Sea. In this context, tonnes of solids can be brought to the surface in a short time frame and induce erosion sufficient to threaten plant integrity. Preferred units for erosion are therefore mm/tonne of solids produced rather than the traditional units mm/yr derived from corrosion management. This paper presents: the role of an erosion assessment in advance of drillingthe practical measures put in place to minimise the risk from e
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Dumitrescu, Catalin, Alexandru-Polifron Chirita, Stefan-Mihai Sefu, Adriana-Mariana Bors, and Ana-Maria Carla Popescu. "HYDROSTATIC POWER TRANSMISSION SYSTEM FOR WIND TURBINES." In 24th SGEM International Multidisciplinary Scientific GeoConference 24. STEF92 Technology, 2024. https://doi.org/10.5593/sgem2024/4.1/s17.14.

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In 2023, 18.3 GW of new wind energy conversion capacity was installed in Europe; most of them (79%) represent onshore capacities. Most of this energy production is achieved with horizontal axis wind turbines. For this type of turbine, the location of the transmission coupled with an electric generator or a hydraulic group, in the turbine platform, leads to a significant increase in the mass of the platform, and implicitly in the mass of the pillar that supports the turbine. In addition, turbine maintenance becomes more difficult as the rotor diameter and installation height increase. The platf
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Lye, Rolf E., and Finn Ø. Jensen. "Cathodic Protection with Reduced Wave Load for an Offshore Steel Jacket." In CORROSION 1991. NACE International, 1991. https://doi.org/10.5006/c1991-91237.

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Abstract The Oseberg C steel jacket is an eight-legged jacket with a design life of 25 years. Considerable efforts were made to reduce weight and wave load on the jacket. This also included the corrosion protection system. Bracelet anodes were used in the wave affected zone to reduce wave load, and about 80% of the jacket is coated to reduce sacrificial anode weight. These measures saved many tonnes of steel and improved the fatigue life of the most stressed joints with about ten percent, with accompanying design and fabrication simplification. The bracelet anodes have a new design with expand
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Borisut, Prapatsorn, Bianca Williams, Aroonsri Nuchitprasittichai, and Selen Cremaschi. "Design and Optimization of Methanol Production using PyBOUND." In Foundations of Computer-Aided Process Design. PSE Press, 2024. http://dx.doi.org/10.69997/sct.194568.

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In this paper, we study the design optimization of methanol production with the goal of minimizing methanol production cost. One challenge of methanol production via carbon dioxide (CO2) hydrogenation is the reduction of operating costs. The simulation of methanol production is implemented within the Aspen HYSYS simulator. The feeds are pure hydrogen and captured CO2. The process simulation involves a single reactor and incorporates recycling at a ratio of 0.995. The methanol production cost is determined using an economic analysis. The cost includes capital and operating costs, which are dete
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Karnati, Manikanth, Adline S. Rebello, Nandana B, Indira Govindaraju, Bharath Prasad AS, and Nirmal Mazumder. "Spectroscopic Investigation of Physico-Chemical Characteristics of Rice Varieties." In JSAP-Optica Joint Symposia. Optica Publishing Group, 2024. https://doi.org/10.1364/jsapo.2024.19a_p08_5.

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Rice (Oryza sativa L.), a versatile grain, is a dietary staple enjoyed worldwide, cherished for its culinary adaptability and nutritional richness. Its widespread consumption underscores its integral role in diverse cuisines and as a vital source of sustenance for countless cultures. As a significant source of carbohydrates, rice production has been rising, reaching 510.6 million tonnes in 2017 (FAO, 2018) Starch, a prevalent carbohydrate in rice, comprises two primary constituents: amylose and 85 amylopectin. Long linear chains with limited branching characterize amylose, whereas amylopectin
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Humphrey, Eric J., Taemin Cho, and Juan P. Bello. "Learning a robust Tonnetz-space transform for automatic chord recognition." In ICASSP 2012 - 2012 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2012. http://dx.doi.org/10.1109/icassp.2012.6287914.

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Guichaoua, Corentin, José Besada, Erica Bisesi, and Moreno Andreatta. "The Tonnetz Environment: A Web Platform for Computer-aided “Mathemusical” Learning and Research." In 2nd International Special Session on Computer Supported Music Education. SCITEPRESS - Science and Technology Publications, 2021. http://dx.doi.org/10.5220/0010532606800689.

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Gordon, David M., Scott A. Ryan, and Steve K. Twartz. "Gas Re-Injection in the Laminaria and Corallina Fields, Timor Sea: Established Techniques, New Environmental and Commercial Benefits." In ASME 2002 Engineering Technology Conference on Energy. ASMEDC, 2002. http://dx.doi.org/10.1115/etce2002/ee-29141.

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This paper describes a gas re-injection project designed with the dual objectives of emissions reduction and enhanced oil recovery in an Australian offshore oil field. While gas injection for enhancing oil recovery is common oilfield practice, there are fewer projects that look exclusively at greenhouse gas (GHG) control (either by sequestration or emission reduction), although there is increasing environmental awareness in the industry on the benefits of doing so. The predominant contribution to total GHG CO2-e emissions is from flaring. Significant reductions in flaring have been achieved si
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Hatton, Janice, and Peter Bulionis. "A Case Study of the Selective Catalytic Reduction (SCR) System at the Algonquin Power Energy-From-Waste Facility." In 16th Annual North American Waste-to-Energy Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/nawtec16-1903.

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The Algonquin Power Energy-From-Waste (APEFW) facility is located in the suburban Toronto, Ontario city of Brampton. It receives approximately 140,000 metric tonnes (154,000 tons) of MSW per year from the Region of Peel (Region) and approximately 10,000 metric tonnes (11,000 tons) per year of international airport waste from the area’s two international airports. The APEFW facility commenced initial operations in 1992 and included four, 91 tonne (100 ton) per day Consumat two stage incinerators with heat recovery boilers and a dual-train air pollution control (APC) system consisting of evapora
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Wahshi, Khalifa, Ahmed Rashdi, Ananda Pranava, et al. "Driving High Performance and Decarbonizing Well Construction Carbon Dioxide CO2 Footprint: A Petroleum Development Oman PDO Case Study." In ADIPEC. SPE, 2024. http://dx.doi.org/10.2118/223023-ms.

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Abstract Petroleum Development Oman PDO has set an ambitious target of achieving net-zero emissions by 2050. In alignment with this goal, this paper showcases how high performance can be achieved while reducing the carbon footprint of well construction. Petroleum Development Oman PDO achieves high performance through a series of continuous improvement initiatives, known as the "Well Staircase." These initiatives encompass well design optimization, the adoption of new technologies, operational efficiency enhancements, and cementing design optimization. A comprehensive value creation workshop, i
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Reports on the topic "Tonnetz"

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Skone, Timothy J. Coal Stockpile Stacker, 450 Tonnes, Construction. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/1509013.

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2

Erckmann, Emile, and Alexandre Chatrian. Le Chant de la Tonne. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/luc.25.26.11.

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3

Reid, Douglas J., John L. Orrell, James E. Fast, and Estanislao Aguayo Navarrete. Majorana One-Tonne Cryostat Cooling Conceptual Feasibility Study. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1013302.

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4

Reid, Douglas J., James E. Fast, John L. Orrell, and Estanislao Aguayo Navarrete. Majorana One-Tonne Cryostat Cooling Conceptual Feasibility Study Rev 1. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1021286.

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5

Haneca, Kristof, and Koen De Groote. Ieper - De Meersen. Deel 5. Houten grafkisten, tonnen en gebruiksvoorwerpen: dendrochronologie, typologie en houtonderzoek. Agentschap Onroerend Erfgoed, 2024. http://dx.doi.org/10.55465/cnju8492.

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6

Winslow, Lindley. R&D Toward CUPID, a Tonne-Scale Bolometric 0vBB Experiment (Final Report). Office of Scientific and Technical Information (OSTI), 2021. http://dx.doi.org/10.2172/1773094.

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7

Cloutier, Jacinthe, Karima Afif, and Marie-Claude Roy. Réduction des pertes et gaspillages alimentaires au Québec : barrières et facteurs de succès. CIRANO, 2024. http://dx.doi.org/10.54932/hazd6827.

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« L’humanité gaspille plus d’un milliard de repas par jour. » C’est ce qu’affirmait le Programme des Nations Unies pour l’environnement (PNUE) le 27 mars 2024 à l’occasion de la publication du plus récent rapport sur l'indice de gaspillage alimentaire. Chaque habitant de la planète gaspillerait en moyenne 79 kg de nourriture, ce qui représente environ 1 milliard de tonnes de déchets alimentaires. Au Québec, la quantité totale de résidus alimentaires produite annuellement s’élève à plus de 3 millions de tonnes selon RECYC-QUÉBEC, ce qui équivaut à 1 kg par habitant par jour. Comment y remédier
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8

Cloutier, Jacinthe, Karima Afif, and Marie-Claude Roy. Réduire le gaspillage et les pertes alimentaires : Quels sont les facteurs de succès ? CIRANO, 2024. http://dx.doi.org/10.54932/psqb4320.

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« L’humanité gaspille plus d’un milliard de repas par jour. » C’est ce qu’affirmait le Programme des Nations Unies pour l’environnement (PNUE) le 27 mars 2024 à l’occasion de la publication du plus récent rapport sur l'indice de gaspillage alimentaire. Chaque habitant de la planète gaspillerait en moyenne 79 kg de nourriture, ce qui représente environ 1 milliard de tonnes de déchets alimentaires. Au Québec, la quantité totale de résidus alimentaires produite annuellement s’élève à plus de 3 millions de tonnes selon RECYC-QUÉBEC, ce qui équivaut à 1 kg par habitant par jour. Comment y remédier
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9

Karali, Nihan, Nikit Abhyankar, Ben Sharpe, and Anup Bandivadekar. Improving fuel efficiency for heavy-duty vehicles of 3.5–12 tonnes in India: Benefits, costs, and environmental impacts. Office of Scientific and Technical Information (OSTI), 2019. http://dx.doi.org/10.2172/1498692.

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10

Alshehri, Thamir, Jan Frederik Braun, Anwar Gasim, and Mari Luomi. What Drove Saudi Arabia’s 2020 Fall in CO2 Emissions? King Abdullah Petroleum Studies and Research Center, 2021. http://dx.doi.org/10.30573/ks--2021-ii10.

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In June 2021, the energy data provider Enerdata released its initial estimates for Saudi Arabia’s 2020 carbon dioxide (CO2) emissions. The data indicate that the Kingdom’s CO2 emissions from fuel combustion decreased by 3.3%, from 508.3 million tonnes of CO2 (MtCO2) in 2019 to 491.8 megatonnes of CO2 (MtCO2) in 2020.
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