Relevant bibliographies by topics / Tony Awards

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tony Awards'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Tony Awards"

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Hodge, Matthew. "21st-Century Broadway Musicals and the ‘Best Musical’ Tony Award: Trends and Impact." Arts 9, no. 2 (2020): 58. http://dx.doi.org/10.3390/arts9020058.

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Recent Broadway theatre seasons consistently saw record-breaking numbers of admissions and grosses, with musicals’ ticket sales making up 78–89% of annual Broadway grosses. The annual Tony Awards continue to serve as an influential theatre industry establishment that helps define a Broadway musical as exceptional and worthy of audiences, especially the awarding of the ‘Best Musical’ category (which can statistically have a profound impact on a production’s longevity). This article offers comprehensive surveying and discussions of significant components of a musical’s initial Broadway success i
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Warne, Russell Thomas. "“I Hope I Get It”: impact of Tony Award nominations and wins on Broadway production longevity." Arts and the Market 8, no. 1 (2018): 30–46. http://dx.doi.org/10.1108/aam-06-2017-0013.

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PurposeThe purpose of this paper is to ascertain the relative impact of different Tony Award nominations and wins on the financial success of a Broadway theater production, as defined by the length of the production’s run.Design/methodology/approachCox hazard regression was used to identify the impact of Tony Award nominations and wins (time-varying covariates), while controlling for several time-invariant covariates: type of production (play or musical, revival or original Broadway production), production costs (operationalized via the cast size), the month and year of opening, and initial ma
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Ye, Ya. "Interpretation of Conversational Implicature in the Film Green Book From the Perspective of the Cooperative Principle." Theory and Practice in Language Studies 12, no. 5 (2022): 943–47. http://dx.doi.org/10.17507/tpls.1205.15.

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Green Book, which premiered in September 2018, won various awards during the North American film awards season, culminating in the 2019 Academy Awards for Best Picture, Best Original Screenplay and Best Supporting Actor. The film follows the travels of African-American pianist Dr. Donald Shirley and his hired Italian chauffeur and bodyguard, Tony Lip, in the 1960s. Combining Grice's conversational implicature theory and cooperative principle theory, this paper analyzes the dialogue between Dr. Donald Shirley and Tony Lip in the film, explores the implication of conversation from the violation
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Watson, Ian. "Practical Aesthetics and the Formation of the Atlantic Theater Company." New Theatre Quarterly 24, no. 2 (2008): 189–200. http://dx.doi.org/10.1017/s0266464x08000158.

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The Atlantic Theater Company has been one of Off-Broadway's most successful theatre companies over the past twenty years, having won twelve Tony Awards, eight Lucille Lortel Awards, thirteen Obie Awards, and three Outer Critics Circle Awards. The company, originally founded in 1983 by the playwright David Mamet and the actor William H. Macy, has mounted over one hundred plays, many by new writers. Included among its successes are Martin McDonagh's The Lieutenant of Inishmore and The Beauty Queen of Leenane, Woody Allen's A Second Hand Memory and Writer's Block, the revival of David Mamet's Ame
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Sedgman, Kirsty. "‘What’s bigger than a standing ovation?’: Intimacy and spectacle at the Tony Awards." Studies in Musical Theatre 10, no. 1 (2016): 37–53. http://dx.doi.org/10.1386/smt.10.1.37_1.

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Seong, Chan-Kyeong. "The Importance of Arrangement focusing on Tony Awards Winners for Best Orchestration : with , , and." Journal of the Korea Entertainment Industry Association 14, no. 4 (2020): 121–31. http://dx.doi.org/10.21184/jkeia.2020.6.14.4.121.

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Hischak, Thomas S. "On Broadway: Art and Commerce on the Great White Way. By Steven Adler. Carbondale: Southern Illinois University Press, 2004; pp. 250. $27 paper; $55 cloth; Our Musicals, Ourselves: A Social History of the American Musical Theatre. By John Bush Jones. Brandeis University Press, Waltham, MA (Lebanon, NH: UPNE), 2003; pp. 383. $29.95 cloth." Theatre Survey 46, no. 2 (2005): 346–49. http://dx.doi.org/10.1017/s0040557405380203.

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While few would argue that commercial theatre on Broadway today is the artistic heart of the American theatre, fascination with Broadway and its productions has not diminished, as witnessed by Steven Adler's thorough and thought-provoking study of contemporary producing, On Broadway: Art and Commerce on the Great White Way. Having interviewed sixty-six professionals in the field over a period of five years, Adler is able to cover his subject from many angles as he allows each person to offer opinions on everything from the corporate involvement in Broadway to the absence of scenes from nonmusi
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Martonova, Andronika. "Your Communism Is Not Ours Communism’: the Contexts of Post-Totalitarian Bulgarian Cinema and Mina Mileva, Vesela Kazakova’s Disobedient Films." Balkanistic Forum 28, no. 3 (2019): 227–49. http://dx.doi.org/10.37708/bf.swu.v28i3.13.

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The study sketches out the contexts where Bulgarian film has been developing in the three decades of transition to democracy. The problems associated with the identity crisis, insufficient communication with the national audiences, Bulgarian films’ belonging to the European audiovisual and cultural continuum and critical reflection are partly broached. The cinematic environment has changed in Bulgaria after 2010 with the coming of emerging authors, who gave this country’s filmmaking a new physiognomy. Their works are much more adequate to the globalising world, providing genre diversity and de
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Shih, Yi-chin. "Uncommon Women’s Dilemmas in Wendy Wasserstein’s Quasi-Trilogy." International Journal of Applied Linguistics and English Literature 7, no. 4 (2018): 213. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.4p.213.

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Winning several important drama awards, such as the Pulitzer Prize and Tony Award, Wendy Wasserstein (1950~2006) is one of the significant playwrights in the history of American theatre. Especially, Wasserstein stimulates the public’s attention to women’s issues by recording many successful female characters in her plays. Aware of the impact of the women’s movement in the 1960s and 1970s, Wasserstein describes how the social movement influences women’s personal life and depicts the joy and pain that feminism brings them. While the backlash against feminism is saturated in the 1980s, Wasserstei
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Spector, Susan. "Telling the Story of Albee's Who's Afraid of Virginia Woolf?: Theatre History and Mythmaking." Theatre Survey 31, no. 2 (1990): 177–99. http://dx.doi.org/10.1017/s0040557400009340.

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Who's Afraid of Virginia Woolf? opened on Broadway on 13 October 1962. The author, producers, director and two leading actors won Tony Awards for that season; the play won the New York Drama Critics' Award, and two members of the Pulitzer Committee resigned when that group refused to give Virginia Woolf its top honor. This production of the play captured the vigor and emotional daring of off-Broadway, brought it uptown, and made it pay, running for 644 performances on Broadway. Early in 1964, when Uta Hagen and Arthur Hill repeated their roles in London for twelve weeks, Who's Afraid of Virgin
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Dissertations / Theses on the topic "Tony Awards"

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Hessel, Charles. "La décomposition automatique d'une image en base et détail : Application au rehaussement de contraste." Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLN017/document.

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Dans cette thèse CIFRE en collaboration entre le Centre de Mathématiques et de leurs Applications, École Normale Supérieure de Cachan et l’entreprise DxO, nous abordons le problème de la décomposition additive d’une image en base et détail. Une telle décomposition est un outil fondamental du traitement d’image. Pour une application à la photographie professionnelle dans le logiciel DxO Photolab, il est nécessaire que la décomposition soit exempt d’artefact. Par exemple, dans le contexte de l’amélioration de contraste, où la base est réduite et le détail augmenté, le moindre art
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Chiu, Chun Chia, and 邱俊嘉. "Tone- and Feature-Aware Circular Scribble Art." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/81727970173009294570.

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碩士<br>國立清華大學<br>資訊工程學系<br>103<br>Circular scribble art is a kind of line drawing where the seemingly random, noisy and shapeless circular scribbles at microscopic scale constitute astonishing grayscale images at macroscopic scale. Such a delicate skill has rendered the creation of circular scribble art a tedious and time-consuming task even for gifted artists. In this work, we present a novel method for automatic synthesis of circular scribble art. The synthesis problem is modeled as tracing along a virtual path using a parametric circular curve. To reproduce the tone and important edge struct
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Yao, Sheng-Kai, and 姚勝凱. "Rate-aware Power Control Mechanisms with Busy-tone Channels in Multi-rate Carrier-sensing Wireless Environments." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/v56snd.

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碩士<br>國立交通大學<br>電信工程研究所<br>106<br>With the rapid development of wireless mobile networks, the number of wireless network equipment also grows exponentially. Considering an enormous amount of data traffic, packet collision avoidance has become an important yet challenging issue. IEEE 802.11 uses CSMA/CA mechanism to avoid collisions, and RTS/CTS is further used to protect the data being transmitted. However, in such wireless networks, successful transmission depends heavily on the perceived SINR (Signal-to-Interference-and-Noise Ratio) at the receiver. We observe that using maximum transmission
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Chang, Jianghao. "Le rendu en demi-ton avec sensibilité à la structure." Thèse, 2011. http://hdl.handle.net/1866/5473.

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Dans ce mémoire nous allons présenter une méthode de diffusion d’erreur originale qui peut reconstruire des images en demi-ton qui plaisent à l’œil. Cette méthode préserve des détails fins et des structures visuellement identifiables présentes dans l’image originale. Nous allons tout d’abord présenter et analyser quelques travaux précédents afin de montrer certains problèmes principaux du rendu en demi-ton, et nous allons expliquer pourquoi nous avons décidé d’utiliser un algorithme de diffusion d’erreur pour résoudre ces problèmes. Puis nous allons présenter la méthode proposée qui est conceptue
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Prince, Peter Herman. "Aliens in their own land. 'Alien' and the rule of law in colonial and post-federation Australia." Phd thesis, 2015. http://hdl.handle.net/1885/101778.

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This thesis argues that the ‘rule of law’ was not followed in colonial and post-federation Australia in relation to a fundamental principle of the common law. According to the rule in Calvin’s Case (1608), no person born as a ‘subject’ in any part of the King’s dominions could be an ‘alien’. This was the legal position in Australia from the reception of English law until well after federation. In colonial and post-federation Australia the racial meaning of ‘alien’ was consistently used in political and legal contexts instead of its proper legal mea
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Books on the topic "Tony Awards"

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Tony, Grammy, Emmy, Country: A Broadway, television, and records awards reference. McFarland, 1986.

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1915-, Stevenson Isabelle, ed. The Tony Award: A complete listing with a history of the American Theatre Wing. Heinemann, 1994.

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1915-, Stevenson Isabelle, and Somlyo Roy A, eds. The Tony Award: A complete listing of winners and nominees of the American Theatre Wing's Tony Award with a history of the American Theatre Wing. Heinemann, 2001.

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Morrow, Lee Alan. The Tony Award book: Four decades of great American theater. Abbeville Press, 1987.

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The Tony Award book: Four decades of great American theater. Abbeville Press, 1987.

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Stevenson, Isabelle. The Tony Award: A complete listing, with a history of the American Theatre Wing. Crown, 1987.

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Kotōda, Chieko, and Hitomi Hagio. Burōdowei myūjikaru: Tonī-shō no subete = Broadway musical. Heibonsha, 1992.

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The art of rock: Posters from Presley to Punk. Abbeville Press, 1987.

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McDermid, Val. Fever of the bone: A novel. Harper Paperbacks, 2010.

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McDermid, Val. Fever of the bone. Sphere, 2010.

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Book chapters on the topic "Tony Awards"

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Gheno, Vera. "Di lessico e altre quisquilie: autopercezione ed eteropercezione linguistica nel social networking." In Competenza lessicale e apprendimento dell’Italiano L2. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-403-8.10.

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Digital writing and handwriting are cognitively different activities; thus, it is interesting to verify what happens to the written language when it is conveyed through a keyboard and no longer a pen. On the Net, where the text is stripped of all non-strictly linguistic clues such as tone of voice, facial expression, proxemics, gestures, etc., written words assume a large part of the communicative burden: in other words, we are what we type. Despite this, it often seems that users are not fully aware of how much their linguistic choices affect the construction of their reputation on the net. In this contribution, we reflect on the current state of the typed Italian, trying to hypothesize some future strategies to improve the condition of millions of novice and unprepared users.
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Ibrahim, Jimoh, Christoph Loch, and Kishore Sengupta. "The Ajaokuta Steel Project." In How Megaprojects Are Damaging Nigeria and How to Fix It. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96474-0_11.

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AbstractThe Ajaokuta Steel Project has been a widely visible symbol of Nigerian industrialization through steel production for 50 years. At the writing of this book, at least $5 billion have been spent, and a workforce of 3000 people live and work on site to maintain it, but not one ton of steel has been produced.The project started as an ambitious industrialization project in 1971, awarded to a Soviet contractor. After delays from limited financial and manpower capacity, it was stopped by a new government in 1983 under corruption charges and lay fallow for 17 years. In 2000, civilian President Obasanjo restarted the project that he had initiated in 1971 as military president, now in a public–private partnership (PPP) scheme. But this again fell apart because of corruption charges and then lawsuits from the firm that had purchased the licence and did not want to be pushed out. Today, the government is looking for a new private partner. The case also discusses the fundamental question of whether the idea of industrialization through steel (rather than other technologies) is still sufficiently relevant to justify the reviving of equipment that was designed 40 years ago.
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"Author's Resume and Awards Won." In Tony White's Animator's Notebook. Elsevier, 2012. http://dx.doi.org/10.1016/b978-0-240-81307-3.00033-5.

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Shaw, Rashida Z. "From the Margins to Center Stage: Tyler Perry’s Popular African American Theatre." In From Madea to Media Mogul. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496807045.003.0002.

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If Perry now functions as a platform onto himself, his career began with seemingly much less broad, but no less significant, aspirations. In her analysis of taste, class, and the popular, in Chapter TwoRashida D. Shaw places Tyler Perry’s career within the context of a Black performance and theatre history that extends back to the nineteenth century, as she centralizes the history of the “Chitlin Circuit” or “Urban Theatre.” After establishing a literary cultural history that frames and restages the popularity, appeal, and reception of Perry’s plays, Shaw’s analysis more closely explores the ramifications of Perry’s behind-the-scenes role and onstage presence at the 2012 Tony Awards during a year that resulted in numerous historic successes for not only African American theatre-makers, but also for African American–centric productions in general.
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Herbert, James. "AHRB: The Early Years." In Creating the AHRC. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264294.003.0003.

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The call for a separate Research Council for humanities was initially met with unfavourable comment. Although the government eventually announced support for the creation of such a research council, it was only after lengthy deliberations that the Dearing Report recommendations were finally granted, hence creating the Arts and Humanities Research Council (AHRC). This chapter discusses the early years of the AHRC. During these years, the funding of the ARHC was under the prerogative of the Higher Education Funding Council of England (HEFCE). The Funding Council was then initiating new models of funding institutions of higher education and the AHRC was generally given less funding. This neglect of the funding of AHRC discouraged humanities scholars to entail directed research. In 1998, the British Academy through Tony Wrigley asked for additional funds from the HEFCE. Upon the commencement of its official existence, the AHRC with its first chief executive Paul Langford prepared the new Board, planned the creation of the research awards department, and planned the integration of the postgraduate awards section in the British Academy within the overall structure of the new organisation. This new organisation was driven by the goal to improve the breadth and depth of the knowledge and understanding of human culture in the past and in the present and thereby enhance the quality of life and the creative output of the nation.
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Dominy, Jordan J. "American Canons, Southern Fiction, and the Institution of Literary Prizes." In Southern Literature, Cold War Culture, and the Making of Modern America. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826404.003.0003.

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This chapter examines Robert Penn Warren’s All the King’s Men and Ralph Ellison’s Invisible Man in the context of their winning of the Pulitzer Prize and the National Book Award, respectively. While considering the authors’ resistance to reading overt political commentary in their work, favoring a moral reading instead, the chapter argues that their insistence dovetails with the purpose of such large, national literary prizes: to reward works that best demonstrate the values important to the nation. Therefore, literary prizes such as the Pulitzer and National Book Award, as well as other cultural prizes (such as the Grammys, Academy Awards, Tonys, and Emmys) reveal themselves in the context of the Cold War to be awards that reinforce and reward correct ideological perspectives in the guise of good, democratic art.
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Marshall, Hallie. "The Early Years at the National Theatre: Harrison’s Molière and Racine." In New Light on Tony Harrison. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266519.003.0009.

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While Tony Harrison’s career as a poet was perhaps inevitable by the early 1970s with the publication of his award winning volume The Loiners (1970), this chapter argues that it was not a given that a significant portion of Harrison’s poetic output would be for the stage, nor that the British Theatre would readily welcome a contemporary poet writing verse plays. I argue that Harrison’s career in the theatre was fostered by his early commissions from the National Theatre and the collaborators he worked with in those early years, especially director John Dexter. Their work together on Harrison’s translations/adaptations of two seventeenth-century French plays—Molière’s Le Misanthrope (1666) and Racine’s Phèdre (1677), staged as The Misanthrope (1973) and Phaedra Britannica (1975)—allowed Harrison to bring to bear on his theatrical translations for the modern stage the ideas that he had been exploring in his doctoral thesis on Vergil and translation. Moreover, the close involvement of Harrison from commission to production served to reinforce his belief that writing for the stage and the page are very different things, with theatrical texts needing to facilitate a three dimensional performance. This would shape the nature of Harrison’s dramatic verse for decades to come. The success of The Misanthrope, which critics praised for the brilliance of its translation, was essential in establishing the claim of contemporary poets to a place on the modern British stage.
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Kreyling, Michael. "Tony Judt and Michael O ’Brien." In Insiders, Outsiders. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469663562.003.0011.

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What happens in the transitional zone between a mass of accumulated historical research and the shaped, written text that follows as its distillation? Which is closer to the essence of history: the research or the writing? Isaiah Berlin set the same question in his essay on Tolstoy, “The Hedgehog and the Fox,” where the former knows one big thing and the latter many things. How bring these two creatures together? Berlin set the question but did not exactly answer it. Two almost exactly contemporary historians, Tony Judt on modern Europe and Michael O’Brien on the US South, have given us history writing that explores the tricky borderland between history and writing history. Both leave traces—Judt in Postwar and other works, O’Brien in Conjectures of Order and his earlier work—of actively taking Berlin’s observation to heart and mind. Their responses to the fox/hedgehog dilemma energize their work and our reading by keeping us constantly aware of the creative tension between event and the reporting of event.
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Tipton-Martin, Toni. "A Message from My Muse." In Edna Lewis. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469638553.003.0004.

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Toni Tipton-Martin, award-winning culinary author and journalist, reminisces on the lessons that Lewis taught her about the struggles and authenticity of African American food history. Their relationship inspired Tipton-Martin to dive more deeply into the richness of black cooking.
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Propst, Andy. "A Follies Finish and Farewell." In They Made Us Happy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190630935.003.0019.

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Betty Comden and Adolph Green’s last outing on a new Broadway show came in 1991, when they provided lyrics for The Will Rogers Follies. With a book by Peter Stone, music by Cy Coleman, and direction and choreography by Tommy Tune, the show earned them yet another Tony Award, and the original cast recording garnered a Grammy for them as well. After this they settled into semi-retirement, enjoying additional accolades, such as a Kennedy Center Honor. They didn’t stop working entirely though. They revised older works, most notably A Doll’s Life, and maintained active lives as performers until their deaths in 2002 and 2006, respectively.
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Conference papers on the topic "Tony Awards"

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Abbate, Piero, and Silvio Sparano. "Saudi Aramco Awards Winning Project." In ADIPEC. SPE, 2022. http://dx.doi.org/10.2118/210896-ms.

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Abstract Operational since 26th December 2020 on Saudi Aramco's premises in Qurayyah (KSA), TVP Solar thermal plant has been conceived as a sizeable industrial pilot for Saudi Aramco to show the potential of energy and CO2 savings offered by the solar thermal technology of the Swiss company TVP Solar. Because of its proven performances, Qurayyah's TVP thermal solar plant has been awarded in 2021 with the Environment Excellence Award assigned to the See Water Injection Department (SWID) within Saudi Aramco and with the Energy Efficiency Award assigned both to SWID and the Research and Developme
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Masia, Belen, and Diego Gutierrez. "Content-Aware Reverse Tone Mapping." In 2016 International Conference on Artificial Intelligence: Technologies and Applications. Atlantis Press, 2016. http://dx.doi.org/10.2991/icaita-16.2016.58.

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Dun-Yu Hsiao and Hong-Yuan Mark Liao. "Target region-aware tone reproduction." In 2008 IEEE International Symposium on Circuits and Systems - ISCAS 2008. IEEE, 2008. http://dx.doi.org/10.1109/iscas.2008.4541408.

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Lee, Joon-Young, Kalyan Sunkavalli, Zhe Lin, Xiaohui Shen, and In So Kweon. "Automatic Content-Aware Color and Tone Stylization." In 2016 IEEE Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2016. http://dx.doi.org/10.1109/cvpr.2016.271.

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Wang, Lingfeng, Huaiyu Wu, and Chunhong Pan. "Tone-aware sparse representation for face recognition." In 2013 10th IEEE International Conference on Automatic Face & Gesture Recognition (FG 2013). IEEE, 2013. http://dx.doi.org/10.1109/fg.2013.6553711.

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Brickman, Dennis B., Erik D. Power, and Wilson C. Hayes. "Toy Asparagus Spear Risk Analysis." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80089.

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A tragic accident occurred in a day care center when a 5 year old child fell face down with a plastic toy asparagus spear in his mouth, puncturing the soft palate and dissecting the internal carotid artery. Approaches utilized in the risk analysis include: literature review, safety standards research, accident statistics survey, biomechanical testing, and evaluation of alternative toy asparagus designs. The goal of this investigation is to make toy designers and users more aware of the puncture/impaling hazard and to identify design alternatives to prevent similar injuries from occurring.
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Barnes, Jan M. "Ash Recycling: Partnering for Progress." In 9th Annual North American Waste-to-Energy Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/nawtec9-100.

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Abstract For several US communities municipal waste combustor (MWC) ash recycling has been a commercial reality for almost a decade with over 1 million tons processed and beneficially used to date. Yet, despite the successes to date a recent report by the Integrated Waste Services Association shows less than 5% of the 7.5 million tons of ash generated in the US is recycled and beneficially used [1]. The technological, scientific and myriad of commercial successes categorically demonstrate the feasibility of ash recycling. The next step is for communities, regulatory agencies, transportation de
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Li, Ying, Minglu Li, and Min-You Wu. "An Interference-Aware Busy Tone Based MAC Protocol." In 2007 IEEE 65th Vehicular Technology Conference. IEEE, 2007. http://dx.doi.org/10.1109/vetecs.2007.20.

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Garci´a de Herreros, David. "Trend Towards Integrated Facilities: Marseille." In 19th Annual North American Waste-to-Energy Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/nawtec19-5401.

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In May 2005, the Spanish based group URBASER was awarded by the “Metropolitan Provence of Marseille” with the Design, Financing, Construction and Operation for a 20 year period of an Integrated Waste Treatment Facility in the southern French city of Marseille. The Integrated Facility will treat 390,000 tons per year of mainly unsorted Municipal Solid Waste generated by 1 million inhabitants in the 18 towns of the Region.
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Wu, Eric Hsiao-Kuang, Hubert Chi-Yu Wu, Yi-Kai Chiang, Yu-Che Hsieh, Jih-Cheng Chiu, and Kuan-Ru Peng. "A Context Aware Interactive Robot Educational Platform." In 2008 Second IEEE International Conference on Digital Game and Intelligent Toy Enhanced Learning. IEEE, 2008. http://dx.doi.org/10.1109/digitel.2008.35.

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