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Relevant bibliographies by topics / Tony Bennett

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Academic literature on the topic 'Tony Bennett'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Tony Bennett"

1

Bennett, Tony. "Interview with Tony Bennett." Communication and Critical/Cultural Studies 10, no. 1 (2013): 98–123. http://dx.doi.org/10.1080/14791420.2013.766377.

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2

Laberge, Yves. "Bennett Tony, Making Culture, Changing Society." Recherches sociologiques et anthropologiques 46, no. 1 (2015): 212–13. http://dx.doi.org/10.4000/rsa.1482.

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Gibson, Lisanne. "Tony Bennett,Culture: a reformer's science." International Journal of Cultural Policy 16, no. 1 (2010): 29–31. http://dx.doi.org/10.1080/10286630902785631.

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Dias, Nélia. "Tony Bennett, Pasts Beyond Memory. Evolution, Museums, Colonialism." L'Homme, no. 177-178 (June 1, 2006): 513–16. http://dx.doi.org/10.4000/lhomme.2291.

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Grabow, Sven, Dominique Poulot, Emma Waterton, Sheila K. Hoffman, and Masaaki Morishita. "Books." Museum Worlds 6, no. 1 (2018): 160–76. http://dx.doi.org/10.3167/armw.2018.060112.

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Book Review EssaysSustaining the Past into the Future: Some Reflections on Mechanisms to Keep Heritage Meaningful and SustainableTheory and Practice in Heritage and Sustainability: Between Past and Future. Elizabeth Auclair and Graham Fairclough, eds. London: Routledge, 2015.Crowdsourcing our Cultural Heritage, Mia Ridge, ed. Farnham, UK: Ashgate, 2014.Museums, Power, Knowledge: Selected Essays. Tony Bennett. London: Routledge, 2018.Book ReviewsCollecting, Ordering, Governing: Anthropology, Museums, and Liberal Government. Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, I

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Petch, Alison. "Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government (Bennett et al)." Museum Anthropology Review 11, no. 1-2 (2017): 34–35. http://dx.doi.org/10.14434/mar.v11i1.23547.

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This work is a book review considering the title Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government by Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, Ira Jacknis, and Conal McCarthy.

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Jenkins, Keith. "Marxism and Historical Knowledge: Tony Bennett and the Discursive Turn." Literature & History 3, no. 1 (1994): 16–30. http://dx.doi.org/10.1177/030619739400300102.

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Soapes, Thomas F. "The Birth of the Museum: History, Theory, Politics. Tony Bennett." Library Quarterly 67, no. 1 (1997): 78–79. http://dx.doi.org/10.1086/629913.

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Jin, Huimin. "The Intellectual Genealogies and Possible Futures of Cultural Studies: An Interview with Tony Bennett." Cultural Politics: an International Journal 4, no. 2 (2008): 161–82. http://dx.doi.org/10.2752/175174308x310884.

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Virginás, Andrea. "Embodied memories of geographical and social mobility: White-collar women in post-communist films about Romania." Journal of European Studies 48, no. 3-4 (2018): 278–94. http://dx.doi.org/10.1177/0047244118796093.

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This article focuses on the ambivalent features of intellectual white-collar female characters in post-1989 films fully or partly produced in Romania ( The Oak, Fox-Hunter, The District, Sieranevada, Graduation and Toni Erdmann). Their ambivalence is examined in the framework of Pierre Bourdieu’s class habitus theory as interpreted by Tony Bennett and his colleagues, suggesting that the simultaneous presence of working-class, petit bourgeois and bourgeois/middle-class cultural capital types contributes to this effect. The performance of iconic actresses (from Maia Morgenstern to Sandra Hüller)

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Dissertations / Theses on the topic "Tony Bennett"

1

Peacock, Kurt. "Red Tory, the political ideas and legislative legacy of R.B. Bennett." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ48406.pdf.

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"The Museum, the Flâneur, and the Book: The Exhibitionary Complex in the Work of Henry James." Master's thesis, 2011. http://hdl.handle.net/2286/R.I.9032.

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abstract: The Victorian era was the age of museum development in the United States. In the wake of these institutions, another important figure of the nineteenth century emerged--the flâneur. The flâneur represents the city, and provided new mechanisms of seeing to the public. The flâneur taught citizens how to gaze with a panoptic eye. The increasing importance of cultural institutions contributed to a new means of presenting power and interacting with the viewing public. Tony Bennett's exhibitionary complex theory, argues that nineteenth-century museums were institutions of power that educat

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Books on the topic "Tony Bennett"

1

Scorsese, Martin. Tony Bennett. LIFE Books, an imprint of Time Home Entertainment Inc., 2014.

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2

Tony Bennett. MetroBooks, 1997.

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3

undifferentiated, Tony Bennett. Tony Bennett. Catto Gallery, 2000.

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4

Tony, Bennett. Tony Bennett: What my heart has seen. Rizzoli, 1996.

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5

Tony, Bennett. Forty years: The artistry of Tony Bennett. Columbia, 1991.

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6

Bennett, Tony. The good life: The autobiography of Tony Bennett. Simon & Schuster, 1998.

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7

Baron, Judith Van. Tony Bennett: Pinnacle Gallery, April 30-May 16, 1998. Savannah College of Art and Design, 1998.

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8

All the things you are: The life of Tony Bennett. John Wiley & Sons, 2011.

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9

All the things you are: The life of Tony Bennett. Thorndike Press, 2011.

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10

Bennett, Tony. Life is a gift: The zen of Bennett. HarperLuxe, 2012.

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Book chapters on the topic "Tony Bennett"

1

Anderson, Linda R. "Tono-Bungay." In Bennett, Wells and Conrad. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19149-9_9.

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2

"BENNETT, TONY." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-40.

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"Tony Bennett." In What's Become of Australian Cultural Studies? Routledge, 2018. http://dx.doi.org/10.4324/9781315543604-8.

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"Tony Bennett, Culture: a reformer's science." In Cultural Policy Review of Books. Routledge, 2014. http://dx.doi.org/10.4324/9781315872193-17.

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"TONY BENNETT AND JANET WOOLLACOTT, BOND AND BEYOND." In Reading Into Cultural Studies. Routledge, 2003. http://dx.doi.org/10.4324/9780203393123-9.

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Chapman, Con. "The Quality of Song." In Rabbit's Blues. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653903.003.0018.

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The chapter discusses the way many contemporary singers compared Johnny Hodges’s sound to human song. Top singers of his day including Bing Crosby, Frank Sinatra, and Tony Bennett all thought of his playing in terms of song, and said as much. This was both a blessing and a curse; his tone stood out from ensemble sections and was a luscious vehicle for a solo, but it sometimes would overshadow rather than complement a singer who performed with him. Hodges recorded albums with Ella Fitzgerald, Rosemary Clooney, Ellington vocalist Al Hibbler, and Jo Stafford. Hodges not only enhanced the performance of vocalists, but he also influenced vocal styles, as reflected in the singing of Ivie Anderson, Ellington’s long-time vocalist, and singers such as Sinatra, as evidenced by the ensembles that arranger Billy May created in imitation of Hodges’s style.

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Willis, John Thabiti. "‘The Performance of Servitude’: Gendered and Racialised Representations of Citizenship at the Bahrain National Museum." In The Art of Minorities. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443760.003.0003.

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This chapter explores a wedding exhibit near the entrance to the Customs and Traditions Hall in the Bahrain National Museum in Manama, Bahrain. It uses an African diaspora framework to analyse the mannequins and images that depict an olive or light-skinned bridal party and black musicians who accompany her during the most festive moments of the ceremony. Drawing from the work of historian and philosopher Michel Foucault on governance and power and sociologist Tony Bennett, it argues that the exhibit serves as both a parable of Bahraini society and as a way of naturalising and validating racial and gender hierarchies. The museum helps to shape the world of a population of subjects by functioning as part of the contract between a nation-state (embodied by a dynastic monarchy) and its citizens (non-royals).

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Favors, Jelani M. "Race Women." In Shelter in a Time of Storm. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469648330.003.0004.

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This chapter examines the fascinating history of Bennett College – one of only two single sex colleges dedicated to educating African American women. Although Bennett would not make that transition until 1926, the institution played a vital role in educating African American women in Greensboro, North Carolina from the betrayal of the Nadir to the promises of a New Negro Era. The latter period witnessed Bennett, under the leadership of David Dallas Jones, mold scores of young girls into politically conscious race women who were encouraged to resist Jim Crow policies and reject the false principals of white supremacy. Their politicization led to a massive boycott of a theatre in downtown Greensboro and helped to set the tone for Greensboro’s evolution into a critical launching point for the modern civil rights movement.

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"• Morag Schiach, Discourse on Popular Culture (Cambridge: Polity Press, 1989), 238 pp., £29.50 • Tony Bennett (ed.), Popular Fiction: Technology, Ideology, Production, Reading (London and New York: Routledge, 1990), 486 pp., £10.99 • John Fiske, Understanding Popular Culture (London: Unwin Hyman, 1989), 206 pp., £8.95 • John Fiske, Reading the Popular (London: Unwin Hyman, 1989), 228 pp., £8.95." In Textual Practice. Routledge, 2005. http://dx.doi.org/10.4324/9780203989241-15.

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10

Havard, John Owen. "Austen and the Cultural Logic of Late Toryism." In Disaffected Parties. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833130.003.0005.

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This chapter revises accounts of the early nineteenth-century rightward turn in Britain by emphasizing that shift’s Tory character and affective dimension. Examining how the cultural logic of this ‘late’ Toryism took shape in and beyond political culture, the chapter takes up Jane Austen’s Mansfield Park (1814) as its central case. Austen’s novel was not only compatible with the reinvention of royal prerogative and increased emphasis on order but actively sought to bolster their operations. Rather than aligning Austen’s authorship entirely with this shift, however, detailed attention to the novel reveals challenges (in the guise of characters who exceed their ‘place’) to the harmonious workings of this wider cultural-political system. The chapter concludes by reflecting on how those elements of Mansfield Park that threaten to elude these channels of control—and the ‘wayward’ heroines of her novels, beginning with Elizabeth Bennet of Pride and Prejudice—call the political status of Austen’s own writings into question.

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