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Books on the topic 'Tony Bennett'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Scorsese, Martin. Tony Bennett. LIFE Books, an imprint of Time Home Entertainment Inc., 2014.

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2

Tony Bennett. MetroBooks, 1997.

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3

undifferentiated, Tony Bennett. Tony Bennett. Catto Gallery, 2000.

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4

Tony, Bennett. Tony Bennett: What my heart has seen. Rizzoli, 1996.

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5

Tony, Bennett. Forty years: The artistry of Tony Bennett. Columbia, 1991.

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6

Bennett, Tony. The good life: The autobiography of Tony Bennett. Simon & Schuster, 1998.

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7

Baron, Judith Van. Tony Bennett: Pinnacle Gallery, April 30-May 16, 1998. Savannah College of Art and Design, 1998.

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8

All the things you are: The life of Tony Bennett. John Wiley & Sons, 2011.

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9

All the things you are: The life of Tony Bennett. Thorndike Press, 2011.

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10

Bennett, Tony. Life is a gift: The zen of Bennett. HarperLuxe, 2012.

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11

Tony, Bennett. Life is a gift: The zen of Bennett. Harper, 2012.

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12

Arts, Exploring the. Exploring the Arts Gala 2009: Honoring John Kluge on his 95th birthday, hosted by Nathan Lane with performances by Tony Bennett and k.d. lang. Exploring the Arts, 2009.

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13

editor, Williams Marcia 1945, and Austen Jane 1775-1817, eds. Lizzy Bennet's diary: 1811-1812. Candlewick Press, 2014.

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14

Tony Bennett: Steppin' Out. Warner Bros Pubns, 1997.

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15

undifferentiated, Tony Bennett. Tony Bennett MTV Unplugged. Alfred Publishing Company, 1997.

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16

Tony Bennett: Perfectly Frank. Warner Bros Pubns, 1997.

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17

Tony Bennett - Tracked Down. Regency Press (London & New York) Ltd, 1996.

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18

undifferentiated, Tony Bennett. Tony Bennett: Perfectly Frank. Astorbooks, 1995.

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19

The Tony Bennett Songbook. Warner Bros Pubns, 1999.

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20

undifferentiated, Tony Bennett. Tony Bennett - Songs Recorded By. Professional Music Institute, 2006.

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21

undifferentiated, Tony Bennett. Tony Bennett Duets- An American Classic. Alfred Publishing, 2006.

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22

undifferentiated, Tony Bennett. Tony Bennett: The Art of Romance. Alfred Publishing, 2005.

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23

Tony Bennett: Here's to the Ladies. Warner Bros Pubns, 1997.

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24

Tony, Bennett. Tony Bennett onstage and in the studio. 2018.

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25

undifferentiated, Tony Bennett. The Good Life: The Autobiography Of Tony Bennett. Atria, 2007.

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26

undifferentiated, Tony Bennett. Tony Bennett: Music of the Stars Volume 1. Professional Music Institute, 2010.

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27

Bennett, Tony. The Good Life: The Autobiography Of Tony Bennett. Atria, 1998.

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28

Tony Bennett Sings The Ultimate American Songbook Vol 1. Alfred Publishing Co., Inc., 2008.

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29

undifferentiated, Tony Bennett. Tony Bennett on Holiday: A Tribute to Billie Holiday. Warner Bros Pubns, 1998.

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30

Sullivan, Robert, and Tony Bennett undifferentiated. Tony Bennett in the Studio: A Life of Art & Music. Sterling, 2007.

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31

The Good Life: The Autobiography Of Tony Bennett Uk Edition. Simon & Schuster, 1998.

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32

undifferentiated, Tony Bennett. Tony Bennett: In the Studio (The Florentine Edition): A Life of Art & Music. Sterling, 2007.

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33

undifferentiated, Tony Bennett. Tony Bennett: In the Studio (The New York Edition): A Life of Art & Music. Sterling, 2007.

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34

Nicholson, Steve. The History Boys GCSE Student Guide. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474229869.

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Premiered at the National Theatre and winner of both the Olivier and Tony Awards for Best Play, Alan Bennett’s The History Boys confronts issues of education, sexuality, and peer pressure through a group of boys preparing for their Oxbridge exams. Written specifically for Key Stage 4 students, this GCSE Student Guide offers a critical commentary on the text through an overview of the play and extensive analysis of themes, characters, contexts, dramatic technique, critical reception and related works. In addition, there is a section on how to write about the play, a glossary of dramatic terms a

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35

Hoover, Lou Henry. To be a Showboy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0002.

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Lou Henry Hoover writes about his experience of creating persona-driven performance, performing gender, and using camp to toe the line between comedy and tragedy. As an artist, Lou works at the intersection of drag king-ing, burlesque, and modern dance to create a persona—“Lou Henry Hoover—as a way to draw attention to the artifice of gende sexuality. In the essay, Hoover discusses how the stage offers a platform to borrow from the drag queen performance, the genre of queer performance most often association with play with artifice, and then remix that better known form of camp with other danc

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36

Maslon, Laurence. Was There Too Much of a Crowd, All Too Lush and Loud? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199832538.003.0011.

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The decade of the 1960s provided the last fertile commercial field for pop singers interpreting Broadway material. Songs from incipient Broadway scores were introduced to America far ahead of their debuts on the New York stage; likewise, there was an important cadre of pop singers who were associated with Broadway material: Tony Bennett, Bobby Darin, Louis Armstrong, to name a few. Even more compellingly, there were pop singers who also performed to acclaim on Broadway: Steve Lawrence and Eydie Gormé, Robert Goulet, Sammy Davis, Jr., and Barbra Streisand. The symbiotic relationship between the

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