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Journal articles on the topic 'Tony Bennett'

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Published: 4 June 2021

Last updated: 13 February 2022

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1

Bennett, Tony. "Interview with Tony Bennett." Communication and Critical/Cultural Studies 10, no. 1 (2013): 98–123. http://dx.doi.org/10.1080/14791420.2013.766377.

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Laberge, Yves. "Bennett Tony, Making Culture, Changing Society." Recherches sociologiques et anthropologiques 46, no. 1 (2015): 212–13. http://dx.doi.org/10.4000/rsa.1482.

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Gibson, Lisanne. "Tony Bennett,Culture: a reformer's science." International Journal of Cultural Policy 16, no. 1 (2010): 29–31. http://dx.doi.org/10.1080/10286630902785631.

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Dias, Nélia. "Tony Bennett, Pasts Beyond Memory. Evolution, Museums, Colonialism." L'Homme, no. 177-178 (June 1, 2006): 513–16. http://dx.doi.org/10.4000/lhomme.2291.

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Grabow, Sven, Dominique Poulot, Emma Waterton, Sheila K. Hoffman, and Masaaki Morishita. "Books." Museum Worlds 6, no. 1 (2018): 160–76. http://dx.doi.org/10.3167/armw.2018.060112.

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Book Review EssaysSustaining the Past into the Future: Some Reflections on Mechanisms to Keep Heritage Meaningful and SustainableTheory and Practice in Heritage and Sustainability: Between Past and Future. Elizabeth Auclair and Graham Fairclough, eds. London: Routledge, 2015.Crowdsourcing our Cultural Heritage, Mia Ridge, ed. Farnham, UK: Ashgate, 2014.Museums, Power, Knowledge: Selected Essays. Tony Bennett. London: Routledge, 2018.Book ReviewsCollecting, Ordering, Governing: Anthropology, Museums, and Liberal Government. Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, I

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Petch, Alison. "Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government (Bennett et al)." Museum Anthropology Review 11, no. 1-2 (2017): 34–35. http://dx.doi.org/10.14434/mar.v11i1.23547.

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This work is a book review considering the title Collecting, Ordering, Governing: Anthropology, Museums, and Liberal Government by Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, Ira Jacknis, and Conal McCarthy.

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7

Jenkins, Keith. "Marxism and Historical Knowledge: Tony Bennett and the Discursive Turn." Literature & History 3, no. 1 (1994): 16–30. http://dx.doi.org/10.1177/030619739400300102.

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Soapes, Thomas F. "The Birth of the Museum: History, Theory, Politics. Tony Bennett." Library Quarterly 67, no. 1 (1997): 78–79. http://dx.doi.org/10.1086/629913.

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Jin, Huimin. "The Intellectual Genealogies and Possible Futures of Cultural Studies: An Interview with Tony Bennett." Cultural Politics: an International Journal 4, no. 2 (2008): 161–82. http://dx.doi.org/10.2752/175174308x310884.

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Virginás, Andrea. "Embodied memories of geographical and social mobility: White-collar women in post-communist films about Romania." Journal of European Studies 48, no. 3-4 (2018): 278–94. http://dx.doi.org/10.1177/0047244118796093.

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This article focuses on the ambivalent features of intellectual white-collar female characters in post-1989 films fully or partly produced in Romania ( The Oak, Fox-Hunter, The District, Sieranevada, Graduation and Toni Erdmann). Their ambivalence is examined in the framework of Pierre Bourdieu’s class habitus theory as interpreted by Tony Bennett and his colleagues, suggesting that the simultaneous presence of working-class, petit bourgeois and bourgeois/middle-class cultural capital types contributes to this effect. The performance of iconic actresses (from Maia Morgenstern to Sandra Hüller)

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Frohman, Larry. "Tony Bennett and Patrick Joyce (eds),Material Powers. Cultural Studies, History and the Material Turn." Social History 36, no. 3 (2011): 378–80. http://dx.doi.org/10.1080/03071022.2011.601070.

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Solomon, Julie Robin. ""To Know, To Fly, To Conjure": Situating Baconian Science at the Juncture of Early Modern Modes of Reading." Renaissance Quarterly 44, no. 3 (1991): 513–58. http://dx.doi.org/10.2307/2862595.

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This is an Essay About Reading. Though my central texts are visual ones, with what we might now regard as journalistic or anthropologic aims, the thrust of my argument extends beyond any one medium of communication, specific subject, or genre of inquiry. My framing concern here is to examine a historically specific structure, one that Tony Bennett has called a "reading formation": "a set of discursive and intertextual determinations that organize and animate the practice of reading, connecting texts and readers in specific relations to one another by constituting readers and reading subjects o

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13

Glover, Stuart. "Revisiting the Cultural Policy Moment: Queensland Cultural Policy from Goss to Bligh." Queensland Review 18, no. 2 (2011): 190–206. http://dx.doi.org/10.1375/qr.18.2.190.

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An account of cultural policy-making in Queensland since the election of the Goss Labor government in 1989 requires revisiting the rise and fall of what Stevenson (2000) has called the ‘cultural policy moment’ in Australia.This period, from the early 1990s to the early 2000s, was characterised by political and scholarly interest in the civic and symbolic utility of culture, and in the outcomes achieved through its management. The cultural policy moment was produced simultaneously within government, the cultural sector and the academy. Within government, it was characterised by a new and highly

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Stainforth, Elizabeth, and Ana Baeza Ruiz. "Technologies of public culture: Heritage encounters with photography, television and the web." International Journal of Cultural Studies 22, no. 4 (2018): 595–611. http://dx.doi.org/10.1177/1367877918801036.

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The operations through which cultural heritage institutions perform their civic and governmental roles have been identified with a logic of visual apprehension by writers such as Tony Bennett. This article explores how these institutions have ordered and regulated contact with their publics via a negotiation of different visual communication technologies, specifically, photography, television and the web. Through analysis of individual cases, it is possible to discern the shifting relationship between public heritage institutions and their audiences, as mediated by these technologies. It is ar

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15

Smith, Philip. "Book Reviews : CULTURE: A REFORMER'S SCIENCE Tony Bennett Sydney, Allen and Unwin, 1998, ix, 262 pp., $35.00 (paperback)." Journal of Sociology 35, no. 3 (1999): 394–95. http://dx.doi.org/10.1177/144078339903500322.

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16

Peterson, Richard A. "Why 1955? Explaining the advent of rock music." Popular Music 9, no. 1 (1990): 97–116. http://dx.doi.org/10.1017/s0261143000003767.

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At the time, 1929, 1939, 1945 and 1968 all seemed important turning points in the track of our civilisation. By contrast, as anyone alive at the time will attest, 1955 seemed like an unexceptional year in the United States at least. Right in the middle of the ‘middle-of-the-road’ years of the Eisenhower presidency, 1955 hardly seemed like the year for a major aesthetic revolution. Yet it was in the brief span between 1954 and 1956 that the rock aesthetic displaced the jazz-based aesthetic in American popular music. Frank Sinatra, Tommy Dorsey, Patty Page, Perry Como, Nat King Cole, Tony Bennet

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17

Carniel, Jessica. "Tony Bennett (ed.), Challenging (the) humanities, Melbourne: Australian Scholarly Publishing, 2013, ISBN 9 7819 2500 3468, 168pp., A$34.95." Queensland Review 21, no. 2 (2014): 235–36. http://dx.doi.org/10.1017/qre.2014.29.

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Honorato, Cayo. "A museologia pós-crítica segundo os Tate Encounters." Mouseion, no. 33 (September 24, 2019): 93. http://dx.doi.org/10.18316/mouseion.v0i33.5440.

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Neste artigo, discutimos o conceito e o posicionamento da museologia pós-crítica, tal como elaborados pelo projeto de pesquisa e programa público Tate Encounters: Britishness and Visual Culture (2007-2010), em relação à museologia crítica. Para tanto, analisamos os argumentos registrados na principal publicação resultante do projeto, intitulada Post-critical Museology: Theory and Practice in the Art Museum (2013), assim como alguns títulos dos museum studies, assinados por Tony Bennett (1995), Carol Duncan (1995) e Eilean Hooper-Greenhill (1992). O resultado é um quadro comparativo mais nuança

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Lobo, Gregory. "Book review: Tony Bennett, Critical Trajectories: Culture, Society, Intellectuals. Malden, MA: Blackwell, 2007. ix + 207 pp. ISBN 9781405156998 £18.99 (pbk)." European Journal of Cultural Studies 13, no. 1 (2010): 131–34. http://dx.doi.org/10.1177/13675494100130010903.

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SULLIVAN, R. "Tony Bennett, Pasts Beyond Memory: Evolution, Museums, Colonialism, Routledge, London and New York (2004) 233 pp., $30.95 USD (ISBN: 0-415-24747-0)." Museum Management and Curatorship 20, no. 4 (2005): 365–67. http://dx.doi.org/10.1016/j.musmancur.2005.09.001.

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Sullivan, Robert. "Tony Bennett, Pasts Beyond Memory: Evolution, Museums, Colonialism (2004, Routledge, London and New York) 233 pp., $30.95 USD (ISBN: 0-415-24747-0)." Museum Management and Curatorship 20, no. 4 (2005): 365–67. http://dx.doi.org/10.1080/09647770501102004.

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22

Halawachy, Huda, and Nawar Alobaidy. "“Let us call it a truthful hyperbole!” A Semantic Perspective on Hyperbole in War Poetry on Iraq (2003)." International Journal of Language and Literary Studies 2, no. 4 (2020): 151–66. http://dx.doi.org/10.36892/ijlls.v2i4.439.

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As has long been known, though prevalent in everyday discourse across cultures, hyperbole is a neglected figurative language in the linguistic and/or literary sphere. In this talk, we propose a semantic taxonomy of hyperbole in American and British modern war poetry showing how this taxonomy helps readers figure out the poet’s meaning on a deeper level via a variety of hyperboles. The main objectives are to (1) identify the elements of such a trope in the corpora, (2) approach a semantic taxonomy of hyperbolic elements, and (3) come up with the true hidden messages and nature of the trope in a

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23

Simester, A. P. "Why Omissions are Special." Legal Theory 1, no. 3 (1995): 311–35. http://dx.doi.org/10.1017/s135232520000029x.

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The criminal law presently distinguishes between actions and omissions, and only rarely proscribes failures to avert consequences that it would be an offense to bring about. Why? In recent years it has been persuasively argued by both Glover and Bennett that,celeris paribus, omissions to prevent a harm are just as culpable as are actions which bring that harm about. On the other hand, and acknowledging that hitherto “lawyers have not been very successful in finding a rationale for it,” Tony Honoré has sought to defend the law's differential treatment. He proposes a “distinct-duties theory” tha

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24

Machado C. Melo, Sharine. "As políticas culturais como um campo de governo: artistas empreendedores de si." Revista Lusófona de Estudos Culturais 6, no. 2 (2019): 163–77. http://dx.doi.org/10.21814/rlec.2115.

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Este artigo apresenta alguns aspectos da obra do pesquisador inglês Tony Bennett (1988, 1998, 2008, 2011) sobre as políticas culturais e os circuitos artísticos. O autor adota o conceito de governamentalidade, proposto por Foucault (2016), e sugere que o encontro da estética pós-kantiana com o pensamento liberal, no final do século XVIII, criou condições para que as artes e a cultura passassem a ser vistas como um campo de governo. Essa tendência é visível no desenvolvimento das políticas culturais, especialmente a partir de meados do século XX e, mais recentemente, na difusão do conceito de e

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25

Cordin, Giulia. "Reseña. De “The Exhibitionary Complex” (1988) a “Thinking (with) Museums: From Exhibitionary Complex to Governmental Assemblage” (2015) de Tony Bennett. Una mirada a la práctica museística." Razón Crítica, no. 6 (April 1, 2019): 173–79. http://dx.doi.org/10.21789/25007807.1449.

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26

Street, John. "Rock and Popular Music: Politics, Policies, Institutions. Edited by Tony Bennett, Simon Frith, Lawrence Grossberg, John Shepherd and Graeme Turner. London and New York: Routledge, 1993306 pp." Popular Music 13, no. 3 (1994): 369–70. http://dx.doi.org/10.1017/s0261143000007339.

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27

Rowe, David, and Tony Bennett. "Tastes and practices in three Australian cultural fields: television, music and sport." Media International Australia 167, no. 1 (2018): 121–25. http://dx.doi.org/10.1177/1329878x18767937.

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This article introduces the Themed Section of Media International Australia, ‘Tastes and practices in three Australian cultural fields: television, music and sport’, which presents selected findings of the 2014-2015 survey of Australian cultural practices conducted as part of the Australian Research Council project Australian Cultural Fields: National and Transnational Dynamics (DP140101970). It briefly discusses the social organisation of the production of consumption of Australia in the period between the national cultural policies Creative Nation (1994) and Creative Australia (2013). The In

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28

Waters, Chris. "Tony Bennett, Colin Mercer and Janet Woollacott, editors, Popular Culture and Social Relations. Philadelphia: Open University Press; distributed by Taylor & Francis Group, Philadelphia, Pa. 1986. Pp. xix, 243. $48.00." Albion 19, no. 3 (1987): 474–75. http://dx.doi.org/10.2307/4050517.

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29

Bright, Brenda. "The Birth of the Museum: History, Theory, Politics by Tony Bennett/Civilizing Rituals: Inside Public Art Museums:The Birth of the Museum: History, Theory, Politics.;Civilizing Rituals: Inside Public Art Museums." Museum Anthropology 22, no. 1 (1998): 76–77. http://dx.doi.org/10.1525/mua.1998.22.1.76.

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30

Sheets-Pyenson, Susan. "Book Reviews : The birth of the museum: history, theory, politics. By Tony Bennett. London, Routledge. 1995. x + 278 pp. £45, cloth; £14.99, paper. ISBN 0 415 05387 0, cloth; 0415 053889, paper." Ecumene 4, no. 3 (1997): 360–61. http://dx.doi.org/10.1177/147447409700400318.

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31

Rossen, Jack. "When Museums Affected Government PolicyCollecting, Ordering, Governing: Anthropology, Museums, and Liberal Government. By Tony Bennett, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, Ira Jacknis, and Conal McCarthy. Durham, NC: Duke University Press, 2017." Current Anthropology 58, no. 5 (2017): 688–89. http://dx.doi.org/10.1086/694030.

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32

Reitzes, Peter. "The author's (Peter Reitzes) response to Toni Cilek and Dr. Ellen Bennett." Journal of Fluency Disorders 32, no. 3 (2007): 247–48. http://dx.doi.org/10.1016/j.jfludis.2007.05.003.

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33

Guha, Martin. "New Keywords: A Revised Vocabulary of Culture and Society200617Edited by Tony Bennett, Lawrence Grossberg and Meaghan Morris. New Keywords: A Revised Vocabulary of Culture and Society. Oxford and Malden, MA: Blackwell 2005. xxvi + 427 pp., ISBN: 0 631 22568 4 (hbck); 0 631 22569 2 (pbck) £60, $64.95 (hbck); £16.99, $29.95 (pbck)." Reference Reviews 20, no. 1 (2006): 27. http://dx.doi.org/10.1108/09504120610638474.

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Patil, Sangeeta. "Literature and Cultural Studies: A Tool in Criticism." Shanlax International Journal of Arts, Science and Humanities 8, S1-Feb (2021): 180–83. http://dx.doi.org/10.34293/sijash.v8is1-feb.3950.

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Cultural Studies is the process by which power relations between and within groups of human beings organize cultural artefact s- such as food habits, music, cinema, sports events and celebrity culture and their meanings. A field of academic study that finds its roots in the Birmingham Centre of Contemporary Cultural Studies (UK) and the work of critics like Raymond Williams, Richard Hoggart and later by Stuart Hall, Tony Bennet and others, Cultural Studies is a discipline between disciplines. It believes that the ‘Culture’ of a community includes various aspects; economic, spatial, ideological

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Ulas, Ted. "Book Review: Karen Robson and Chris Sanders (eds) Quantifying Theory: Pierre Bourdieu Springer, New York, 2009, £89.99 Hbk, (ISBN-10 1402094493, ISBN-13 978-1402094491), 227 pp. Tony Bennett, Mike Savage, Elizabeth B. Silva, Alan Warde, Modesto Gayo-Cal and David Wright Culture, Class, Distinction Routledge, London and New York, 2009, £25.99 Pbk (ISBN-10 0415560772, ISBN-13 978-0415560771), 311 pp." Cultural Sociology 5, no. 1 (2011): 167–69. http://dx.doi.org/10.1177/1749975510389921.

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Jacobs, Karen. "Bennett, Tony, Fiona Cameron, Nélia Dias, Ben Dibley, Rodney Harrison, Ira Jacknis & Conal McCarthy. Collecting, ordering, governing: anthropology, museums, and liberal government. xx, 340 pp., maps, illus., bibliogr. Durham, N.C.: Duke Univ. Press, 2017. £20.99 (paper)Bonshek, Elizabeth. Tikopia collected: Raymond Firth and the creation of Solomon Islands cultural heritage. 222 pp., maps, tables, illus., bibliogr. Canon Pyon, Heref.: Sean Kingston Publishing, 2017. £60.00 (cloth)." Journal of the Royal Anthropological Institute 27, no. 3 (2021): 694–96. http://dx.doi.org/10.1111/1467-9655.13555.

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Grincheva, Natalia. "The Online Museum: A "Placeless" Space of the "Civic Laboratory"." Museum Anthropology Review 8, no. 1 (2014): 1–21. http://dx.doi.org/10.14434/mar.v8i1.3187.

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Building on Tony Bennett’s (1995) understanding of a museum as a “civic laboratory,” this study advances this framework by researching a museum space in a virtual world. It shows that an online museum can be understood as a “placeless” space of a “civic laboratory” by analyzing visitor research methodologies that are utilized online. Through comparison of traditional museum-visitor research tools and methods with the ones that online museum spaces employ, this article seeks to demonstrate that the online museum environment is equipped with a plethora of tools that make it a laboratory-type res

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Land, William M., Gershon Tenenbaum, Paul Ward, and Christian Marquardt. "Examination of Visual Information as a Mediator of External Focus Benefits." Journal of Sport and Exercise Psychology 35, no. 3 (2013): 250–59. http://dx.doi.org/10.1123/jsep.35.3.250.

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Attunement to visual information has been suggested to mediate the performance advantage associated with adopting an external focus of attention (e.g., Al-Abood, Bennett, Moreno Hernandez, Ashford, & Davids, 2002; Magill, 1998). We tested this hypothesis by examining the extent to which online visual information underpins the external focus advantage. The study examined skilled golfers on a putting task under one of three attentional focus conditions: control (no instructions), irrelevant (tone counting), and external (movement effect focus), with either full or occluded vision. In additio

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O'Connor, Maureen Sarah. "Education in Motion: The Virginia Museum of Fine Arts Artmobile, 1953 – 1994." Museum and Society 17, no. 1 (2019): 19–36. http://dx.doi.org/10.29311/mas.v17i1.2780.

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This essay explores five exhibitions created for the Virginia Museum of Fine Arts Artmobile, the first mobile art museum in the United States. The mission of the Artmobile was to bring works of art directly to citizens throughout the state of Virginia from 1953 to 1994. In analyzing educational and exhibition materials, such as exhibition booklets, audio guide recordings, press releases, and speeches, this research examines the educational philosophies of each exhibition in relation to contemporaneous museum education literature. Applying Tony Bennett’s analysis of the impact of culture on the

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Karpovich, Angelina, David Lavery, Lez Cooke, et al. "Reviews: Life on Mars, Social Issues in Television Fiction, Watching the World: Screen Documentary and Audiences, Violent Femmes: Women as Spies in Popular Culture, Tony Garnett, a National Joke: Popular Comedy and English Cultural Identities, Alan Bennett, Quality TV: Contemporary American Television and Beyond, State of Play: Contemporary “High-End” TV Drama, Public Issue Television: World in Action, 1963–98, Television and Consumer Culture: Britain and the Transformation of Modernity, Beautiful TV: The Art and Argument of Ally McBeal." Critical Studies in Television: The International Journal of Television Studies 3, no. 2 (2008): 103–32. http://dx.doi.org/10.7227/cst.3.2.9.

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Bell, Travis R., and Jimmy Sanderson. "A Hit on American Football: A Case Study of Bottom-up Framing Through Op-Ed Readers’ Comments." International Journal of Sport Communication 9, no. 4 (2016): 499–518. http://dx.doi.org/10.1123/ijsc.2016-0075.

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In December 2015, the movie Concussion was released. The film portrayed the story of Dr Bennet Omalu, who is credited with discovering chromic traumatic encephalopathy in the brains of deceased National Football League players. Before the release, on December 7, 2015, Omalu penned an op-ed in The New York Times in which he opined that children should not play tackle football. This research explores 114 reader comments on Omalu’s op-ed through the lens of Nisbet’s bottom-up framing. Using a mixed-methods approach, the results indicated that participants framed the issue through health and safet

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Assad, Luciana Guimarães, and Lídia de Oliveira Viana. "Formas de aprender na dimensão prática da atuação do enfermeiro assistencial." Revista Brasileira de Enfermagem 58, no. 5 (2005): 586–91. http://dx.doi.org/10.1590/s0034-71672005000500016.

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Este estudo que foi desenvolvido em um hospital universitário na cidade do Rio de Janeiro e objetivou identificar formas de aprendizagem na prática assistencial do enfermeiro na organização hospitalar. O suporte teórico foi derivado da contribuição de Donald Shön, Philippe Perrenoud e Patricia Benner. Trata-se de um estudo de caso com abordagem qualitativa cujos dados foram coletados por meio de entrevista semi-estruturada e grupo focal. Na análise de dados, aplicou-se a técnica de análise de conteúdo. Os resultados sugerem que, na instituição, predominam duas modalidades de aprendizagem: a) q

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Marie, Caroline. "Virginia Woolf's Imaginary Museum of the Medieval in ‘The Journal of Mistress Joan Martyn’." Victoriographies 11, no. 2 (2021): 165–84. http://dx.doi.org/10.3366/vic.2021.0421.

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This article shows that the Middle Ages Virginia Woolf imagines in her 1906 short story ‘The Journal of Mistress Joan Martyn’ are influenced by the staging of the medieval in late-Victorian museums and reflects late-Victorian medievalism. From the perspective of material culture studies, Woolf's tale reflects the representation and fabrication of the medieval by the British Museum and the South Kensington Museum and shapes a similar narrative of the Middle Ages. Relying on Michel Foucault's definitions of ‘heterotopia’ as well as on Tony Bennett's analysis of Victorian museums, this article ar

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Davletbaeva, O. R., M. G. Ibragimbekov, and A. N. Khovrin. "EVALUATION OF A COLLECTION OF ONION ON THE GROUNDS OF A LEAF SOCKET AND BULB." Vegetable crops of Russia, no. 4 (July 27, 2018): 29–32. http://dx.doi.org/10.18619/2072-9146-2018-4-29-32.

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In commodity farms, the technology of growing onions is sown by sowing seeds from a one-year crop. This, in turn, introduces new requirements for growing technology, technical means and, most importantly, for varieties and hybrids of onions. The average yield of onion in Russia is at a low level - 20-30 tons / ha. New varieties and hybrids must have precocity, high yield, resistance to diseases and pests, good crabness. The success of selection work, as is known, is largely determined by the source material. The priority is to create heterotic hybrids of onion, showing increased viability, hig

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Guillaume, B., A. E. K. Jones, G. Breeze, and C. Smart. "Book reviewsPROTECTIVE MEASURES FOR HOUSING ON GAS-CONTAMINATED LAND. JohnsonR.. Construction Research Communications Ltd, 2001. BRE Report BR414 1 86081 460 3, £44, 65 pp.EXPLORING CONCRETE ARCHITECTURE: TONE TEXTURE FORM BennettD., Bertelsmann, Springer Publishing Group, 2001: 3 7643 6270 T, £35.50, 160 pp.BUILDING AERODYNAMICS. LawsonT.. Imperial College Press, 2001. 1 86094 187 7, £44, 275 pp.THE BEHAVIOUR AND DESIGN OF STEEL STRUCTURES TO BS 5950—(THIRD EDITION). TrahairN. S.BradfordM. A.NethercotD. A.. Spon Press, 2001. 0 419 26190 7, £45, 441 pp." Proceedings of the Institution of Civil Engineers - Structures and Buildings 152, no. 2 (2002): 193–95. http://dx.doi.org/10.1680/stbu.2002.152.2.193.

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Atait, Mariam, and Usman Shoukat Qureshi. "Efficacy of different primers on growth and yield of tulip (Tulipa gesneriana L.)." World Journal of Biology and Biotechnology 5, no. 2 (2020): 31. http://dx.doi.org/10.33865/wjb.005.02.0306.

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Tulip (Tulipa gesneriana L.) is an important and highly valuable flower of the cut flower industry. The most critical step in its cultivation is to break dormancy in order to initiate the growth, especially in tropical and sub-tropical areas of the world. Therefore, the current research was conducted to break bulb dormancy and foster the growth of tulip in Potohar region with the help of different primers. The objective of this study was the selection of best primer at appropriate concentration level to enhance growth, yield and vase life of the flower. Tulip bulbs were treated with different

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Schlunke (intro.), Katrina, John Frow, Tony Bennett, and Stephen Muecke. "Avatar, Identification, Pornography [by John Frow, with responses from Tony Bennett and Stephen Muecke]." Cultural Studies Review 18, no. 3 (2012). http://dx.doi.org/10.5130/csr.v18i3.2853.

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Fictional character is textually constructed in the play between positions of enunciation and figural constructs in the storyworld, and these positions are cumulatively and complexly filled during the course of a prose narrative or a lyric or a film or gameplay. This article explores that work through a discussion of the role of avatars in digital gaming and of the inscription of the reader or viewer into pornography.

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48

"Reviews : Tony Bennett, Outside Literature (London and New York, Routledge, 1990); Christopher Hampton, The Ideology of the Text (Milton Keynes and Philadelphia, Open University Press, 1990) Reviewed by Andrew Milner." Thesis Eleven 30, no. 1 (1991): 189–94. http://dx.doi.org/10.1177/072551369103000116.

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Pucheu, Alberto. "Poesia, Pós-Poesia, Pós-Espanto em A Morte de Tony Bennet, de Leonardo Gandolfi." Boletim de Pesquisa NELIC 12, no. 17 (2012). http://dx.doi.org/10.5007/1984-784x.2012v12n17p13.

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Köhnlein, Björn, and Yuhong Zhu. "Restricting the Power of Cophonologies: A Representational Solution to Stem Allomorphy in Uspanteko." Proceedings of the Annual Meetings on Phonology 7 (June 1, 2019). http://dx.doi.org/10.3765/amp.v7i0.4500.

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In Uspanteko, a Mayan language spoken in Guatemala, certain possessive prefixes lead to variation in stress and pitch accent and can sometimes trigger vowel length alternations or consonant deletion in roots. We argue that this complex pattern of stem allomorphy can be successfully analyzed within a morpheme-based model of morphology given two assumptions: i. underlying representations can contain metrical templates (e.g. Saba Kirchner 2013, Iosad 2016, Köhnlein 2016, 2019 for recent proposals); ii. pitch-accent contrasts in Uspanteko are a surface exponent of a difference between trochaic (fa

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