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1

Oursler, Tony. Tony Oursler. Frankfurt am Main: Portikus, 1995.

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2

Elizabeth, Janus, and Moure Gloria, eds. Tony Oursler. Barcelona: Ediciones Polígrafa, 2001.

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3

Oursler, Tony. Tony Oursler. Bordeaux: capcMusée d'art contemporain de Bordeaux, 1997.

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4

Elizabeth, Janus, Moure Gloria, Graham Dan 1942-, and Kelley Mike 1954-, eds. Tony Oursler. Barcelona: Ediciones Poligrafa, 2001.

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5

Simona, Lodi, and Galleria 1000eventi (Milan Italy), eds. Tony Oursler. Milano: Charta, 1998.

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6

Oursler, Tony. Tony Oursler. Frankfurt am Main: Portikus, 1995.

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7

Musée du jeu de paume (France), Domus Artium 2002, and Taidemuseo Tennispalatsi, eds. Tony Oursler. Paris: Flammarion, 2005.

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8

Gianni, Mercurio, Paparoni Demetrio, and Padiglione d'arte contemporanea (Milan, Italy), eds. Tony Oursler: Open obscura. Milano: 24 ore cultura, 2011.

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9

van, Noord Gerrie, Artangel (London England), and Public Art Fund (New York, N.Y.), eds. Tony Oursler the influence machine. London: Artangel, 2000.

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10

Kunstverein, Kasseler, ed. Tony Oursler: My drawings 1976-1996. Köln: Oktagon, 1997.

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11

Oursler, Tony. Tony Oursler: Introjection, mid-career survey, 1976-1999. Williamstown, Mass: Williams College Museum of Art, 1999.

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12

Oursler, Tony. Tony Oursler: Videotapes, dummies, drawings, photographs, viruses, light, heads, eyes, and CD-ROM. Tel-Aviv: Tel Aviv Museum of Art, 1999.

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13

Oursler, Tony. Tony Oursler: Videotapes, dummies, drawings, photographs, viruses, light, heads, eyes, and CD-ROM. Hannover: Kunstverein Hannover, 1998.

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14

Kelley, Mike. Interviews, conversations, and chit-chat, 1986-2004: (with AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, John Waters, and John C. Welchman). Zürich: JRP/Ringier, 2005.

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15

Mike, Kelley. Interviews, conversations, and chit-chat, 1986-2004: (with AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, John Waters, and John C. Welchman). Zürich: JRP/Ringier, 2005.

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16

C, Welchman John, ed. Interviews, conversations, and chit-chat, 1986-2004: (with AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, John Waters, and John C. Welchman). Zürich: JRP/Ringier, 2005.

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17

(Editor), Danilo Eccher, and Elixabeth Janus (Editor), eds. Tony Oursler. Electa, 2003.

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18

Tony Oursler. Art Data, 1999.

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19

Graham, Dan, Tony Oursler, Mike Kelley, Tony Conrad, Gloria Moure, and Raymond Bellour. Tony Oursler. Poligrafa, 2001.

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20

Lingwood, James, Louise Neri, Carlo McCormick, Marina Warner, and Tom Eccles. Tony Oursler: The Influence Machine. Artangel, 2002.

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21

Goetz, Sammlung, ed. Matthew Barney, Tony Oursler, Jeff Wall. München: Sammlung Goetz, 1996.

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22

Thomas Schutte, Raymond Pettibon, Tony Oursler. Zurich ; New York: Parkett, 1996.

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23

Williams College Museum of Art (Corporate Author), ed. Introjection: Tony Oursler Mid-Career Survey. Williams College Museum of Art, 2000.

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24

Eccles, Tom, Beatrix Ruf, Jordan Bear, Maja Hoffmann, and Karen Beckman. Imponderable: The Archives of Tony Oursler. JRP Ringier Kunstverlag AG, 2016.

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25

Oursler, Tony, Thomas Schutte, and Raymond Pettibon. Parkett No. 47 Tony Oursler, Raymond Pettibon, Thomas Schutte (Parkett). Parkett, 1996.

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26

Achille, Bonito Oliva, Eccher Danilo, and Bologna (Italy). Galleria d'arte moderna., eds. Appearance: Mariko Mori, Yasumasa Morimura, Luigi Ontani, Andres Serrano, Pierre & Gilles, Tony Oursler. Milano: Charta, 2000.

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27

Tony Oursler: Exposition, Paris, musée du Jeu de Paume, 15 mars-22 mai 200. Paris: Flammarion, 2005.

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28

Marc, Mayer, Buffalo Fine Arts Academy, and Albright-Knox Art Gallery, eds. Being & time: The emergence of video projection : Willie Doherty, Gary Hill, Bruce Nauman, Tony Oursler, Diana Thater, Bill Viola. Buffalo, NY: Buffalo Fine Arts Academy, 1996.

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29

Vernallis, Carol. Avant-Gardists and the Lure of Pop Music. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0014.

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This chapter provides methods and models for thinking about avant-garde and experimental films and videos that incorporate popular music. It sketches the history of intersections between avant-gardists and popular music. It also provides close readings of works by Kenneth Anger, Bruce Connor, Joseph Cornell, Derek Jarman, Tony Oursler, Pipilotti Rist, Andy Warhol and others. It claims that institutional, formal and cultural constraints not only limit the frequency with which avant-gardists participate with pop musicians and pop music, they also colour the audiovisual relations within the works themselves. Avant-garde films and videos with pop soundtracks emphasise particular kinds of audiovisual relation—relations that differ from sound-image connections in narrative films, YouTube clips, commercials and music videos. It is demonstrated that this experimental subgenre embodies a unique sort of sound-image relation and suggests, finally, that these videos can expand our knowledge of audiovisual relations more broadly.
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30

1952-, Blanchette Manon, Le Grand Jean-Pierre, and Walter Phillips Gallery, eds. Resistance or submission: Snatches of a Christian conversation : Mary Beth Edelson, Alex Grey, Komar and Melamid, Owen Land, Tony Oursler, Michael Tracy = Résistance ou soumission : bribes d'une conversation chrétienne. Banff, Alta: La Gallery, 1986.

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