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Relevant bibliographies by topics / Tony Williams

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Academic literature on the topic 'Tony Williams'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Tony Williams"

1

Ainley, David G. "The Penguins Tony D. Williams." Auk 113, no. 2 (April 1996): 519–20. http://dx.doi.org/10.2307/4088925.

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Nuernberg, Susan M. "Jack London—The Movies, an Historical Survey by Tony Williams." Western American Literature 28, no. 2 (1993): 173–74. http://dx.doi.org/10.1353/wal.1993.0024.

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Prince, Stephen. "Larry Cohen: The Radical Allegories of an Independent Filmmaker Tony Williams." Film Quarterly 52, no. 2 (December 1998): 61. http://dx.doi.org/10.2307/1213283.

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Prince, Stephen. ": Larry Cohen: The Radical Allegories of an Independent Filmmaker . Tony Williams." Film Quarterly 52, no. 2 (December 1998): 61. http://dx.doi.org/10.1525/fq.1998.52.2.04a00170.

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CALVEZ, E. L. "Review. L'Education sentimentale: Les scenarios. Edition preparee par Tony Williams. Flaubert." French Studies 47, no. 4 (October 1, 1993): 482. http://dx.doi.org/10.1093/fs/47.4.482.

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Reynolds, Matthew. ": Hearths of Darkness: The Family in the American Horror Film . Tony Williams." Film Quarterly 51, no. 4 (July 1998): 42–44. http://dx.doi.org/10.1525/fq.1998.51.4.04a00110.

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van Parijs, Philippe. "Reciprocity and the Justification of an Unconditional Basic Income. Reply to Stuart White." Political Studies 45, no. 2 (June 1997): 327–30. http://dx.doi.org/10.1111/1467-9248.00084.

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1 Earlier versions of this reply were incorporated in talks I gave at Nuffield College, Oxford (3 November 1995) and at the Political Thought Seminar, University of Cambridge (21 January 1996). Many thanks to Tony Atkinson, Jerry Cohen, John Dunn, Cécile Fabre, Sue James, David Miller, Adam Swift, Stuart White, Andrew Williams and others (whose names I have forgotten or never knew) for stimulating discussions on these two occasions.

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WILLIAMS, SHIRLEY, and TONY WRIGHT. "Shirley Williams in Conversation with Tony Wright: Church House, Westminster, 9 September 2010." Political Quarterly 81 (September 2010): S187—S191. http://dx.doi.org/10.1111/j.1467-923x.2010.02230.x.

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Kooyman, Gerald L. "The Penguins Spheniscidae. Bird Families of the World, Volume 2.Tony D. Williams." Quarterly Review of Biology 71, no. 1 (March 1996): 133–34. http://dx.doi.org/10.1086/419312.

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Weinsheimer, Joel. ": Jane Austen. . Tony Tanner. ; Jane Austen: Six Novels and Their Methods. . Michael Williams." Nineteenth-Century Literature 42, no. 3 (December 1987): 368–71. http://dx.doi.org/10.1525/ncl.1987.42.3.99p0115t.

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Dissertations / Theses on the topic "Tony Williams"

1

Rogers, Seth A. "Metric Displacement of Tony Williams' Early Career." Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1274307983.

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Pugh, Christopher. "The late twentieth-century British father poem : searching for the male self." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391065.

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Robinson, Gregory Wright Hoerl Kristen E. "Burke's rhetoric of reorientation in Hank Williams' honky-tonk performance." Auburn, Ala., 2009. http://hdl.handle.net/10415/1808.

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Hall, A. "The disabled body in the writing of William Faulkner, Toni Morrison and J.M. Coetzee." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599853.

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This thesis considers the representation of disabled bodies in the fictional and critical writing of William Faulkner, Toni Morrison and J. M. Coetzee. Virginia Woolf’s claim, early in the twentieth century, that the experience of invalidity constituted an ‘undiscovered country’ in literature and criticism, is a starting point. The thesis is interdisciplinary, drawing upon the emerging field of disability studies as well as literary criticism, philosophy, ethics and cultural studies. I examine the roles played by Faulkner, Morrison and Coetzee as academics, public intellectuals, curators and publishers, as well as writers of fiction. My project is engaged with shifting historical definitions and aesthetic understandings of disability which I show to be a fundamentally unstable concept. Diverse conditions of mental and physical disability are represented in the writing of the chosen authors, from Benjy’s ‘feeble mindedness’ in Faulkner’s’ The Sound and the Fury (1929) to the ageing, wasting bodies of Coetzee’s Diary of a Bad Year (2007). In the first chapter, I explore how Faulkner’s representation of mental impairment reconfigures sensory perception and the narrative mode itself. Morrison’s focus on conditions of physical disability, I argue, is bound up with her fascination with the ambiguous beauty of ‘foreign bodies’ in both her novels and the exhibition that she curated at the Louvre in 2006. The two final chapters examine Coetzee’s notion of bodily and literary lateness through a depiction of the disabling process of ageing and the role of disability as metaphor in the Nobel Prize lectures of all three authors. The question of how an able-bodied author or reader might empathise with a disabled character is central to my examination of how literature can help us to better understand the experience of, and issues surrounding, disability in twentieth century literature and twenty first century society.

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Hawkins, Christiane. "Historiographic Metafiction and the Neo-slave Narrative: Pastiche and Polyphony in Caryl Phillips, Toni Morrison and Sherley Anne Williams." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/741.

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The classic slave narrative recounted a fugitive slave’s personal story condemning slavery and hence working towards abolition. The neo-slave narrative underlines the slave’s historical legacy by unveiling the past through foregrounding African Atlantic experiences in an attempt to create a critical historiography of the Black Atlantic. The neo-slave narrative is a genre that emerged following World War II and presents us with a dialogue combining the history of 1970 - 2000. In this thesis I seek to explore how the contemporary counter-part of the classic slave narrative draws, reflects or diverges from the general conventions of its predecessor. I argue that by scrutinizing our notion of truth, the neo-slave narrative remains a relevant, important witness to the history of slavery as well as to today’s still racialized society. The historiographic metafiction of the neo-slave narrative rewrites history with the goal of digesting the past and ultimately leading to future reconciliation.

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Baskin, Richard Lee. "Act I, Scene 2 of Hamlet: a Comparison of Laurence Olivier's and Tony Richardson's Films with Shakespeare's Play." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500951/.

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In act I, scene 2 of Shakespeare's Hamlet, one of the key themes presented is the theme of order versus disorder. Gertrude's hasty marriage to Claudius and their lack of grief over the recent death of King Hamlet violate Hamlet's sense of order and are the cause of Hamlet's anger and despair in 1.2. Rather than contrast Hamlet with his uncle and mother, Olivier constructs an Oedipal relationship between Hamlet and Gertrude--unsupported by the text--that undermine's the characterization of Hamlet as a man of order. In contrast, Tony Richardson presents Claudius' and Gertrude's actions as a violation of the order in which Hamlet believes.

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Kekeh-Dika, Andrée-Anne. "Lieux et stratégies de résistance dans les discours romanesques de Gayl Jones, Paule Marshall, Toni Morrison, Alice Walker et Sherley Anne Williams." Paris 7, 1991. http://www.theses.fr/1991PA070067.

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Cette these est une etude comparative des oeuvres de cinq romancieres afro-americainnes : gayl jones, paule marshall, toni morrison, alice walker et sherley anne williams, elle tende de mettre en evidence a travers la problematique de la resistance les correspondances, l'intertextualite qui unissent les imaginaires de cinq romancieres qui ont en commun une meme identite culturelle et sexuelle. Elle comporte deux parties : une partie theorique ou les conditions de production et d'interpretation de la litterature afro-americaine sont analysees. La deuxieme partie est une lecture textuelle des oeuvres qui se fonde sur la notion de resistance definie sur un mode historique, ideologique et feministe. A travers l'etude de differents themes (la memoire, l'histoire, le corps feminin, la fete, le reve, la danse) la these tente de voir comment la problematique de la resistance s'inscrit en filigrane dans les textes.

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Dirlam, Richard. "Klangfarbenmelodien in Anton Webern's Symphony, Op. 21, First Movement: A Lecture Recital, Together with Three Recitals of Selected Works of O. Messiaen, G.F. Handel. C.M.V. Weber, M. Ravel, F.T. Haydn, W.A. Mozart, and R. Vaughan Williams." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331268/.

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Klangfarbenmelodien is a term first mentioned by Schoenberg in his Harmonielehre (1911) in a discussion suggesting the idea of tone colors as a structural element equal to other musical components such as harmony, rhythm, pitch, and dynamics. The intent of this study is to investigate significant influences that led to Webern's adoption and application of Klangrfarben techniques in the Symphony, op. 21, first movement. Webern's expression of Klangfarbenmelodien was his method of dispersing melodic lines and the manipulation of a wide gamut of varying tone colors. A brief biography is included in the paper and Webern's professional career as a conductor is viewed and considered as to its affect on the creation of the Symphony with emphasis on his relationship with Schoenberg and the Society for Private Musical Performance. The genesis of the Symphony and its early performance history is examined, as well as the structure of op. 21 with specific examples of Klangrfarbenmelodien. These techniques include the presentation of melodic lines in terms of octave register, timbre, dynamics, articulation, durations, rhythm, and instrumentation.

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Li, Ping-leung. "Reading the past or reading the present? : human experience at the crossroads of narrative /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262567.

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Denham, Michelle. "Representations (of Time) in the Twentieth Century Novel." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/612948.

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In my dissertation, "Narrative Representations (of Time) in the 20th Century Novel" I examine the way in which depictions of time intersect with narrative representation in the modern and postmodern novel. I specifically focus on the use of parentheses as a way to capture differing types of chronology in narrative. The parenthesis, in a purely visual sense, physically disrupts the act of reading by creating a type of barrier around one text, separating it from the main narrative. I argue that it is with this disruption that 20th century authors were able to experiment with depictions of time and the disruption of linear narrative. Borrowing Gerard Genette's phrase "temporal ellipses" I examine how authors in the 20th century used the "temporal parentheses" in order to convey different temporal experiences in narrative. For Virginia Woolf's To The Lighthouse, the parenthesis works as a way of presenting simultaneity of experiences when spatially separated. For William Faulkner's Absalom, Absalom, the parenthesis creates a kind of compressed time, so that the past becomes a heavy burden upon the present, as represented by the way a narrative experience can be extended within parentheses. In Salman Rushdie's Midnight's Children the parenthesis is used to bridge and create a dialogue between the present moment of the telling and the past moment of the story. In Toni Morrison's Sula, the parenthesis calls attention to physical placement, representing the way in which personal identity is linked to physical place and the rejection of permanence in the novel.

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Books on the topic "Tony Williams"

1

Seán, Ó Héalaí, ed. Seanfhocail as Acaill le Tony Catherine Antoine William "FearPholl a' Bhroic". Indreabhán, Conamara: Cló Iar-Chonnachta, 1995.

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Producing American races: Henry James, William Faulkner, Toni Morrison. Durham, NC: Duke University Press, 1999.

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3

William, where are you? New York: Crown, 1985.

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Subversive voices: Eroticizing the other in William Faulkner and Toni Morrison. Knoxville: University of Tennessee Press, 2001.

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Pelzer, Karin. Autorschaft, Paternität und Text in den Werken William Faulkners und Toni Morrisons. Würzburg, Germany: Königshausen & Neumann, 1992.

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Steer, Dugald. The pirateology handbook: A course in pirate hunting [by] Captain William Lubber. Cambridge, Mass: Candlewick Press, 2008.

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Steer, Dugald. The pirateology handbook: A course in pirate hunting [by] Captain William Lubber. Cambridge, Mass: Candlewick Press, 2008.

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Laura, Robinson. William and the magic ring: A shadow casting bedtime story. Boston: Museum of Fine Arts, 1998.

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Hook, Edna M. Sir William Dawson and Henry Marshall Tory: The achievements and ideological attitudes of two great Canadian educators. Ottawa: Carleton University, 1990.

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Steer, Dugald. Pirateology: The sea journal of Captain William Lubber, pirate hunter general, Boston, Massachusetts. Cambridge, Mass: Candlewick Press, 2006.

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Book chapters on the topic "Tony Williams"

1

Leonard, Dick. "William Ewart Gladstone — From ‘Stern Unbending Tory’ to ‘the People’s William’." In Nineteenth-Century British Premiers, 286–309. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230227255_19.

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Carney, Jo Eldridge. "Toni Morrison and Rokia Traoré's Desdemona and William Shakespeare's Othello." In Women Talk Back to Shakespeare, 9–33. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003166580-1.

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Leonard, Dick. "William Henry Cavendish-Bentinck, 3rd Duke of Portland — Whig into Tory." In Nineteenth-Century British Premiers, 55–66. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230227255_5.

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Jacke, Christoph. "John Clarke, Toni Jefferson, Paul Willis und Dick Hebdige: Subkulturen und Jugendstile." In Schlüsselwerke der Cultural Studies, 138–55. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009. http://dx.doi.org/10.1007/978-3-531-91839-6_11.

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"WILLIAMS, TONY." In Music in the 20th Century (3 Vol Set), 672. Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-505.

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"Four Emergency! / Tony Williams." In Birds of Fire, 91–122. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822394389-006.

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"Milt “Bags” Jackson, Larry Young, Joe Farrell, and Tony Williams." In Whisper Not, 281–84. Temple University Press, 2016. http://dx.doi.org/10.2307/j.ctvrdf3bx.47.

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"TONY WILLIAMS THE DIRTY DOZEN The contradictory nature of screen violence." In The Action and Adventure Cinema, 361–73. Routledge, 2004. http://dx.doi.org/10.4324/9780203645154-30.

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"The Architecture of the Unconscious Collective: William Mann 2001." In Tony Fretton Architects, 247–51. Birkhäuser, 2013. http://dx.doi.org/10.1515/9783034610063.247.

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"COUNT TON GALGENSTEIN'S." In The William Makepeace Thackeray Library, 175–237. Routledge, 2018. http://dx.doi.org/10.4324/9781315475332-8.

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Conference papers on the topic "Tony Williams"

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Volovik, Valentina, and Anatoly Shpakov. "Cabbage crops in solving the problem feed protein in the Non-Chernozem zone." In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2021. http://dx.doi.org/10.33814/mak-2021-25-73-71-80.

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According to natural conditions, the non-black earth zone of Russia is the main region of concentration and specialization of meat and dairy cattle breeding, as well as pig and poultry breeding. In the near future, to ensure the food security of the region, including large industrial cities of Moscow, St. Petersburg and others, it will be necessary to produce about 20.8 million tons of milk, 4.6 million tons of meat, 16.6 billion eggs. To produce such a quantity of products, it is necessary to produce about 77 million tons of feed units, including 40 million voluminous and 37 million concentrated feed, including insurance funds and livestock re-production. The most important condition for the effective use of feed is provided with their protein (feed protein) [1–3]. Scientific and practical experience shows that in solving the problem of providing forage with protein, the leading role in the Non-Black Earth Zone belongs to cold and frost-resistant oilseeds, and above all rapeseed. In the Federal Williams Research Center of Forage Production & Agroecology, highly productive varieties have been created, technological bases for their cultivation have been developed, which ensure the seed productivity of spring forms up to 3.5 t/ha and winter crops - up to 6 t / ha of oilseeds. The development and implementation of the rapeseed sowing program in the zone will allow meeting the needs for vegetable oils, producing in the required volumes high-protein supplements in the form of oilcakes and meal for animal husbandry and poultry farming.

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