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1
David, Thiel, and Popular Woodworking Books (Firm), eds. The insider's guide to buying tools: Best of Popular woodworking magazine. Cincinnati, OH: Popular Woodworking Books, 2000.
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2
Somerson, Paul. PC magazine DOS power tools: Techniques, tricks, and utilities. 2nd ed. Toronto: Bantam Books, 1990.
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3
Media analysis tools: For selecting the proper periodicals for the advertising schedule. Santa Barbara, CA: Richler & Co., 1997.
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4
Mcdermott, Leeanne. GamePro Presents: Sega Genesis Games Secrets: Greatest Tips. Rocklin: Prima Publishing, 1992.
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5
High-performance parts buyers' guide: Hot rod magazine special : problem-solving tool section. [Los Angeles, CA: Petersen Pub. Co., 1988.
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6
West, E. James. Ebony Magazine and Lerone Bennett Jr. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043116.001.0001.
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This study reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century, stretching from its formation in 1945 to its role in the movement to establish a national holiday for Dr. Martin Luther King Jr. during the 1980s. Benefitting from unprecedented access to new archival materials at Chicago State and Emory University, it focuses on the impact of Lerone Bennett, Jr., the magazine’s in-house historian and senior editor. More broadly, West highlights the value placed upon Ebony’s role as a “history book” by its contributors and readers. Using Ebony as a window into the trajectory of the post-war “modern black history revival”, this study offers a bold reinterpretation of the magazine’s place within modern American cultural and intellectual history and highlights its role as a critical tool for black history empowerment and education on a local, national and international scale.
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Duffy, Brooke Erin. Off the Page. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0007.
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This chapter examines the explicit conventions and implicit assumptions of magazine producers about medium-specific content. It first considers the complexities of media convergence before discussing the tension between medium-specific cultures and the rhetoric of cross-platform branding in women's magazines, leading to theoretical and conceptual questions about medium identity. It then describes how producers' working patterns and assumptions vary across different media (web, magazine, and iPad) in three significant ways: the importance of the editorial voice, quality standards for editorial content, and expectations about the extent of advertiser influence on content. It also highlights the distinctions between print and online; tablet devices, for example, are being positioned as a tool that can elide medium-specific challenges while also serving as a test bed for advertising/editorial relations within digital environments. The chapter suggests that magazine content does not appear to easily flow off the printed page, but goes through many crosscurrents.
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Etty, John. Graphic Satire in the Soviet Union. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496820525.001.0001.
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Krokodil produced state-sanctioned satirical comments on Soviet and international affairs from 1922 onward. Authored by professional and non-professional contributors, and published by Pravda in Moscow, it became the satirical magazine with the largest circulation in the world. Every Soviet citizen and every scholar of the USSR was familiar with Krokodil as the most significant and influential source of graphic satire in the USSR. This book uses an original framework for reconsidering the forms, production, consumption, and functions of Krokodil magazine. It considers the magazine's content, structures and conventions; it also uses modern cultural and media theory to look beyond content analysis to consider visual language and the performative construction of character. Empirical analysis of Krokodil is thus used to extend and nuance our understanding of Soviet graphic satire beyond state-sponsored propaganda. In several ways, this book challenges existing approaches. It conducts close readings of a large range of different types of cartoons that have not before been discussed in depth, and it does so in ways that reveal new insights. It shows that Krokodil's satire was complex, subtle and intermedial. It highlights the importance of Krokodil's readers' and artists' collaborative exploration and shaping of the boundaries of permissible discourse, and it argues that Krokodil's cartoons simultaneously affirmed, refracted and critiqued official discourses, counterposing them with visions of Soviet citizens' responses. Ideology, Krokodil's satire suggests, is an interpretive tool for negotiating everyday reality and official discourses, and it was not always to be taken seriously.
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Raleigh, Duane. Ice: Tools & Technique (Climbing Magazine). Elk Mountain Press, 1997.
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13
Raleigh, Duane, and Michael Benge. Rock: Tools and Technique (Climbing Magazine). 2nd ed. Elk Mountain Press, 1995.
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16
Magazine, Editors of Wood. Wood Magazine: Build Your Own Shop Jigs & Fixtures (Wood Magazine:). Sterling, 2007.
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19
Magazine, Editors of Wood. Wood Magazine: Making Great Boxes (Wood Magazine). Sterling, 2007.
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20
Magazine, Editors of Wood. Wood Magazine: Home Storage Solutions (Wood Magazine). Sterling, 2005.
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21
Clay, Catherine. Time and Tide. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474418188.001.0001.
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This book reconstructs the first two decades of the feminist magazine Time and Tide, founded in 1920 by Lady Margaret Rhondda and other women who had been involved in the women’s suffrage movement. Unique in establishing itself as the only female-run general-audience intellectual weekly in what press historians describe as the ‘golden age’ of the weekly review, Time and Tide both challenged persistent prejudices against women’s participation in public life and played an instrumental role in redefining women’s gender roles and identities in the interwar period. Drawing on extensive new archival research the book recovers the contributions to this magazine of both well- and lesser-known British women writers, editors, critics and journalists and explores a cultural dialogue about literature, politics and the arts that took place beyond the parameters of modernist ‘little magazines’. Offering insights into the history and workings of this periodical that no one has dealt with to date, the book makes a major contribution to the history of women’s writing and feminism in Britain between the two world wars. The book is organised chronologically in three parts, tracing Time and Tide’s evolution from its ‘Early Years’ as an overtly feminist magazine (1920-28), to its ‘Expansion’ and rebranding in the late 1920s as a more general-audience weekly review (1928-35), and, finally, to its ‘Reorientation’ in the mid-1930s in response to a world in crisis (1935-39).
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Magazine, Editors of Wood. Wood Magazine: 35 Great Outdoor Projects (Wood Magazine). Sterling, 2005.
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Magazine, Editors of Wood. Wood Magazine: Router Tips, Jigs & Techniques (Wood Magazine). Sterling, 2005.
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24
Magazine, Editors of Wood. Wood Magazine: Arts and Crafts Furniture (Wood Magazine). Sterling, 2006.
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26
Magazine, Editors of Wood. Wood Magazine: How to Build a Great Home Workshop (Wood Magazine). Sterling, 2007.
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27
Fine woodworking on hand tools: 38 articles selected by the editors of Fine woodworking magazine. Newtown, Conn: Taunton Press, 1986.
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28
Somerson, Paul. PC Magazine DOS Power Tools with Disk: Techniques, Tricks and Utilities. Bantam Books, 1988.
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29
Craftsmen, Guild of Master, ed. Woodcarving for beginners: Projects, techniques, tools : the best from Woodcarving magazine. Lewes: Guild of Master Craftsman, 1996.
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32
From the archives of Hildifons Took, formerly of Tuckborough: A collection of publications by fans and students of the works of J.R.R. Tolkien. [Milwaukee, Wis.]: Marquette University, Memorial Library, Dept. of Special Collections & University Archives, 1988.
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34
Coyer, Megan. Medical Humanism and Blackwood’s Magazine at the Fin de Siècle. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474405607.003.0007.
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If Blackwood’s helped to generate a recuperative medical humanism in the first half of the nineteenth century, what was its legacy? This ‘Coda’ turns to the fin de siècle to trace some key examples of a resurgence of the magazine’s mode of medical humanism at a time of perceived crisis for the medical profession, when many began ‘to worry that the transformation of medicine into a science, as well as the epistemological and technical successes of the new sciences, may have been bought at too great a price’....
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Berrettini, Mark L. Interviews with Hal Hartley. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252035951.003.0002.
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This chapter presents two interviews of Hal Hartley. The first, conducted by Justin Wyatt, was originally published in the fall 1998 issue of Film Quarterly. The second, conducted by Robert Avila in 2007, originally appeared on SF360.org, the San Francisco Film Society's online magazine. Topics covered in these interviews include the darker tone of the film Henry Fool; Hartley's views about the label “independent” after being heralded as one of the most important voices in American independent cinema; whether the conflicted attitude toward technology and the corporate world seen in his films reflect his own ambivalence in these areas; whether he is concerned that his films may be straying too far to the side of self-consciousness and self-reflexivity; whether he sees a of Hollywood movies; and whether there are times when he finds writing difficult.
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Williams, Thomas A. Publish Your Own Magazine, Guide Book, or Weekly Newspaper: How to STart Manage, and Profit from a Homebased Publishing Company (Culture Tools). Sentient Publications, 2002.
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37
Tucker, Amy. Blurred Lines. Edited by Jay Williams. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199315178.013.35.
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Where writers like James, Howells, and Wharton disdained illustrations, regarding them as a distraction from the psychological realism of their fiction, Jack London welcomed the visual embellishment. He recognized how pictures helped sell books and magazines. Throughout his career he lobbied for favorite artists and criticized others, argued for the usefulness of pictures as reading guides and marketing tools, and requested pieces of original artwork for his private collection. His motivation, however, wasn’t strictly commercial. The discursive and visual elements surrounding any publication inevitably leave their impress on our experience of the work. In London’s case, they suggest a more collaborative relationship between texts and paratexts than has previously been recognized. Equally important, they point to a postmodern self-referentiality that becomes increasingly pronounced as London’s career progresses.
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Southern Innovator Magazine Issue 1: Mobile Phones and Information Technology: How these tech tools can aid in the push to meet the MDGs. New York, USA: United Nations Office for South-South Cooperation, 2011.
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39
Mitchell, Jasmine. Imagining the Mulatta. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043284.001.0001.
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Imagining the Mulatta: Blackness in U.S. and Brazilian Media demonstrates how mixed-race women of African and European descent are harnessed in popular media as a tool to uphold white supremacy and discipline people of African descent to uphold state policies of antiblackness. Uncovering the racialized and gendered paradigms of U.S. and Brazilian media, the book uses case studies of texts from a broad range of popular culture media—film, telenovelas, television shows, music videos, magazines, newspapers, and Olympic ceremonies—to elucidate how the U.S. mulatta and Brazilian mulata figures operates within and across the United States and Brazil as a response to racial anxieties and notions of white superiority. These shared concepts of race, gender, and sexuality crystallize in the mulatta/mulata figure as representative of interlinked racial projects in Brazil and the United States. Focusing on popular culture and political events of the 2000s, the book demonstrates how the mulatta and mulata figures facilitated multicultural and postracial discourses. Exploring representations, definitions, and meanings of blackness in the context of the Americas, the book traverses the cultural conditions of racializations in the United States alongside Brazil to unveil the workings of pervasive racial and gender inequalities.
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Inside content marketing: EContent magazine's guide to roles, tools, and strategies for thriving in the age of brand journalism. 2016.
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41
Esterhammer, Angela. The Improvisation of Poetry, 1750–1850. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.24.
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The “Romantic century” (1750–1850) saw the rise and decline of a distinctive type of improviser: theimprovvisatoreorimprovvisatrice, a solo poet-performer who spontaneously composed verses on subjects assigned by the audience. As this primarily Italian tradition spread across Europe, it generated wide-ranging debates about poetics, aesthetics, and the role of improvisation in political rhetoric and communal leadership. Often this discussion focused on the relationship between modern poetic improvisers and the rhapsodes of classical antiquity, especially Homer. Variations on the questions “Was Homer animprovvisatore?” and “Areimprovvisatorithe descendants of Homer?” show up in antiquarian, poetic, and political discourses, influencing Romantic ideas about the public role of poets while changing the direction of Homeric scholarship. Since the performances of poetic improvisers and the debates they generated took place in the midst of a rapidly expanding culture of periodical magazines and other print media, the reception of orally improvised poetry during the Romantic era also affects the evolving relationship of orality and print.
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Editors of Fine Woodworking Magazine. Fine Woodworking Techniques 2: Practical information about cabinetmaking, the workshop, tools and finishing wood, taken from issues Nos. 8 through 13 of Fine Woodworking Magazine. Taunton Press Inc.,U.S., 1985.
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43
Cohen, Ronald D., and Rachel Clare Donaldson, eds. Further Developments, 1957–1958. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038518.003.0006.
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This chapter describes the folk music scene from 1957 to 1958. It discusses the emergence of the Kingston Trio that energized the folk revival; folk festivals and recordings; the continued popularity of skiffle in Great Britain; magazines the covered the folk music scene, including Sing Out! and Caravan; and Alan Lomax's return to the United States after seven years of folk-song collecting across Europe. According to Greenwich Village musician Dave Van Ronk, “the last years of the 1950s were a great time to be in the Village.” “It was not too crazy yet, but there was an exhilarating sense of something big right around the corner. As for the folk scene, it was beginning to look as if it might have a future, and me with it.” What was happening in Greenwich Village was rapidly spreading around the country. Folk music, broadly defined, appeared to have a bright future, while spanning the Atlantic Ocean.
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Lavan, Rosie. Seamus Heaney and Society. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198822974.001.0001.
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Seamus Heaney and Society presents a comprehensive and dynamic new engagement with the work of one of the most celebrated poets of the modern period. In approaching Heaney’s poetry it also recognizes the value of the other roles he took on in the course of his career, notably in education, journalism, and broadcasting, appreciating how his work as a poet was shaped by his work as a teacher, lecturer, critic, and public figure. Mindful of the various spheres of his career it assesses his achievements and status in Ireland, Britain, and the United States. Drawing on a range of archival material, it seeks to revive the network of associations in which Heaney’s work was written, published, and circulated—including newspapers and magazines in London, radio and television programmes in Northern Ireland, and manuscript drafts of key writings now held in the National Library of Ireland. Through asserting the significance of the cultural, institutional, and historical circumstances of Heaney’s writing life, it offers a re-examination of the writer in public, the social lives of the work of art, and the questions of obligation and responsibility which Heaney confronted throughout his career. Throughout, though, its primary concern is with the nature and singularity of poetry, and the ways in which these qualities are asserted, challenged, and sustained in Heaney’s work.
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Woods, Philip. Reporting the Retreat. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190657772.001.0001.
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The British defeat in Burma at the hands of the Japanese in 1942 marked the longest retreat in British army history and the beginning of the longest campaign in the Second World War. It also marked a beginning of the end of the British empire, not only in Burma but also in south and south-east Asia altogether. There have been many studies of the military and civilian experiences during the retreat but this is the first book to look at the way the campaign was represented through the western media: newspapers, pictorial magazines, and newsreels. There were some twenty-six accredited war correspondents covering the campaign, and almost half of them wrote books about their experiences, mostly within a year or two of the defeat. Their accounts were heavily criticized by government officials as being misinformed and sensationalist. More recent historians, on the other hand, have criticized them for being too patriotic and optimistic in their coverage and thus giving the public an unrealistic view of how the war was progressing. This book assesses the validity of these criticisms by using original sources. It is the first book to seriously evaluate the contributions of the war correspondents and will be of value to students of journalism, media history, history and war.
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Smolla, Rodney A. Confessions of a Free Speech Lawyer. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749650.001.0001.
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This personal and frank book offers an insider's view on the violent confrontations in Charlottesville during the “summer of hate.” Blending memoir, courtroom drama, and a consideration of the unhealed wound of racism in our society, the book shines a light on the conflict between the value of free speech and the protection of civil rights. The author has spent his career in the thick of these tempestuous and fraught issues, from acting as lead counsel in a famous Supreme Court decision challenging Virginia's law against burning crosses, to serving as co-counsel in a libel suit brought by a fraternity against Rolling Stone magazine for publishing an article alleging that one of the fraternity's initiation rituals included gang rape. The author has also been active as a university leader, serving as dean of three law schools and president of one and railing against hate speech and sexual assault on US campuses. Well before the tiki torches cast their ominous shadows across the nation, the city of Charlottesville sought to relocate the Unite the Right rally; the author was approached to represent the alt-right groups. Though the author declined, he came to wonder what his history of advocacy had wrought. Feeling unsettlingly complicit, the author joined the Charlottesville Task Force, and realized that the events that transpired there had meaning and resonance far beyond a singular time and place. Why, he wonders, has one of our foundational rights created a land in which such tragic clashes happen all too frequently?
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Lasc, Anca I. Interior decorating in nineteenth-century France. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526113382.001.0001.
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This book analyzes the early stages of the interior design profession as articulated within the circles involved in the decoration of the private home in the second half of nineteenth-century France. It argues that the increased presence of the modern, domestic interior in the visual culture of the nineteenth century enabled the profession to take shape. Upholsterers, cabinet-makers, architects, stage designers, department stores, taste advisors, collectors, and illustrators, came together to “sell” the idea of the unified interior as an image and a total work of art. The ideal domestic interior took several media as its outlet, including taste manuals, pattern books, illustrated magazines, art and architectural exhibitions, and department store catalogs. The chapters outline the terms of reception within which the work of each professional group involved in the appearance and design of the nineteenth-century French domestic interior emerged and focus on specific works by members of each group. If Chapter 1 concentrates on collectors and taste advisors, outlining the new definitions of the modern interior they developed, Chapter 2 focuses on the response of upholsterers, architects, and cabinet-makers to the same new conceptions of the ideal private interior. Chapter 3 considers the contribution of the world of entertainment to the field of interior design while Chapter 4 moves into the world of commerce to study how department stores popularized the modern interior with the middle classes. Chapter 5 returns to architects to understand how their engagement with popular journals shaped new interior decorating styles.
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Tullett, William. Smell in Eighteenth-Century England. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198844136.001.0001.
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In England during the period between the 1670s and the 1820s a transformation took place in how smell and the senses were viewed. This book traces that transformation. The role of smell in creating medical and scientific knowledge came under intense scrutiny and the equation of smell with disease was actively questioned. Yet a new interest in smell’s emotive and idiosyncratic dimensions offered odours a new power in the sociable spaces of eighteenth-century England. Using a wide range of sources from diaries, letters, and sanitary records to satirical prints, consumer objects, and magazines, William Tullett traces how individuals and communities perceived the smells around them. From paint and perfume to onions and farts, this book highlights the smells that were good for eighteenth-century writers to think with. In doing so, the study challenges a popular, influential, and often cited narrative. Smell in Eighteenth-Century England is not a tale of the medicalization and deodorization of English olfactory culture. Instead, the book demonstrates that it was a new recognition of smell’s asocial-sociability, its capacity to create atmospheres of uncomfortable intimacy, that transformed the relationship between the senses and society. To trace this shift, the book also breaks new methodological ground. Smell in Eighteenth-Century England makes the case for new ways of thinking about the history of the senses, experience, and the body. Understanding the way past peoples perceived their world involves tracing processes of habituation, sensitization, and attention. These processes help explain which odours entered the archive and why they did so. They force us to recognise that the past was, for those who lived there, not just a place of unmitigated stench
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Slovo of the National School of Judges of Ukraine. The National School of Judges of Ukraine, 2021. http://dx.doi.org/10.37566/2707-6849-2020-5.
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The special edition of the national professional scientific and practical legal magazine “The Slovo of the National School of Judges of Ukraine” was published, which contains reports delivered at the online conference "Ensuring the unity of judicial practise: the legal positions of the Grand Chamber of the Supreme Court and standards of the Council of Europe", held on the occasion of the third anniversary of the Grand Chamber of the Supreme Court. time of thematic sessions and webinars for judges of each of the courts of cassation in the Supreme Court, as well as joint sessions for judges of different jurisdictions at the end of 2020. The National School of Judges of Ukraine held these events together with the Supreme Court and in synergy with the Council of Europe projects "Support to Judicial Reform in Ukraine", "Further Support for Ukraine's Implementation in the Context of Article 6 of the European Convention on Human Rights", USAID New Justice Program, OSCE Project Coordinator in Ukraine. These are projects that support various aspects of judicial reform in Ukraine, compliance with Council of Europe standards and recommendations, offering best practices from member states to help make priorities in the national reform process. The conference and training events were attended by more than 550 participants - judges of the Supreme Court, other courts, leading Ukrainian and foreign experts, representatives of the legal community. Trainers and all structural subdivisions of the National School of Judges of Ukraine were involved, the training activities of which were identified by the CCEJ in one of its conclusions as one of the important tools to ensure the unity of judicial practice. Programs of activities included reports on the role of the Grand Chamber of the Supreme Court in ensuring the unity of judicial practice and the impact on the legal system; unity of judicial practice in the context of standards - improving access to justice in Ukraine: removing procedural obstacles and ensuring the right to an impartial court, approaches to identifying cases of minor complexity and cases of significant public interest or exceptional importance for a party in the context of access to court of cassation: practice the supreme courts of the member states of the Council of Europe and the European Court of Human Rights; key positions of the Supreme Court - application of the provisions of the procedural codes on the grounds for transferring the case to the Chamber, the joint chamber or the Supreme Court, the impact of its decisions on legislative activity, ensuring the specialization of courts and judges, the practice of the Supreme Court of the Supreme Court on administrative cases, the practice of considering cases of disciplinary liability of judges, conclusions on the rules of criminal law, review of court decisions in criminal proceedings in exceptional circumstances; the impact of the case law of the European Court of Human Rights on the case law of national courts and the justification of court decisions and the "balance of rights" in civil cases in its practice, the development of the doctrine of human rights protection; ECtHR standards on evidence and the burden of proof, the conclusions of the CCEJ and their reflection in judicial practice; judicial rule-making in the activities of European courts of cassation, etc. The issues raised are analyzed in the Ukrainian and international contexts from report to report, which, we hope, will be appreciated by every lawyer - both practitioners and theorists. As well as the fact that the depth of disclosure of each of the topics through the practice of application serves the development of law and contributes to the formation of the unity of judicial practice of the Supreme Court, the creation of case law is a contribution to rulemaking and lawmaking. The conversion of intellectual discourse into the practice of Ukrainian courts is an important step towards strengthening public confidence in the judiciary. And here the unifying force of the Supreme Court can be especially important, as the Chairman of the Supreme Court Valentyna Danishevska rightly remarked, speaking about the expectations of the society.