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Books on the topic 'Top Chord'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

(COR), Hal Leonard Publishing Corporation. Top 100 Southern Gospel Songbook: Guitar Chord Songbook. Brentwood-Benson, 2006.

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2

Top 50 Most Performed Songsongs: Piano, Vocal, Chord. Alfred Publishing Company, 1999.

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3

Top Tier Mandolin Chord Progressions : Book 2: 200 Progressions. Independently Published, 2022.

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4

MusicResources. Top Tier Mandolin Chord Progressions : Book 1: 200 Progressions. Independently Published, 2022.

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5

Hal Leonard Publishing Corporation (COR). Top 100 Praise and Worship Songbook: Guitar Chord Songbook. Brentwood-Benson, 2006.

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6

Test Results from an Investigation of Parallel-Chord, Top-Chord-Bearing Wood Trusses (Research Report, No 85-1). Univ of Illinois Small Homes, 1985.

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7

A classic Christmas: For easy piano with top lines and chord symbols. Cramer Music Ltd., 1992.

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8

Kubicek, Ocie. Songs in Guitar : Top Easy Guitar Chord Songs for Beginners: Traditional Folk Music. Independently Published, 2021.

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9

Tornquist, Carol. 25 Top Praise and Worship Songs - Volume 4: For Solo Piano Includes Chord Symbols. Leonard Corporation, Hal, 2013.

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10

Hal Leonard Publishing Corporation (COR). Top Hits of 2022 for Ukulele: 16 Songs Arranged for Standard G-C-E-a Tuning with Vocal Melody, Lyrics and Chord Diagrams. Leonard Corporation, Hal, 2022.

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11

Petty, Tom. TOM PETTY GUITAR CHORD SONGBOOK (Guitar Chord Songbook). HAL LEONARD CORPORATION, 2007.

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12

Moroder, Giorgio, and Tom Whitlock. Top Gun - Piano/Vocal/Chords. Columbia Pictures Publications, 1986.

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13

Top Movie Hits Piano Vocal Chords. Alfred Publishing Co., Inc., 2008.

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14

(Group), Queen. Greatest hits II: Top line and chords. EMI Music Publishing, 1992.

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15

Ste chora ton mamouth. Kedros, 1986.

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16

The Top Pop Hits of 1996: Piano/Vocal/chords. Alfred Pub Co, 1996.

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17

Sinaisky, Georgy. Chem Chort Ne Shutit. Tom II. Lulu Press, Inc., 2022.

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18

Sinaisky, Georgy. Chem Chort Ne Shutit. Tom I. Lulu Press, Inc., 2022.

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19

(EDT), Alfred Publishing. The Top Pop Hits of the '90s: Piano/Vocal/chords. 6th ed. Alfred Pub Co, 1995.

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20

(EDT), Alfred Publishing. The Top Country Hits of 1996 for Piano/Vocal/chords. Alfred Publishing Company, 1996.

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21

Oh! Top 50 Swiss Chard Recipes Volume 1: A Swiss Chard Cookbook to Fall in Love With. Independently Published, 2021.

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22

Room Chore List - Cute Cursive Love Valentines Day Red Top for Women. Independently Published, 2021.

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23

Anthemides, Achilleas. Tourkia: He chora ton threskeutikon kai ethnikon meionoteton. Ekdotikos Oikos Adelphon Kyriakide, 1995.

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24

Smith, Susan E. Tom Petty Guitar Chord Songbook: 22 Songs Arranged for Piano/Vocal/Guitar. Independently Published, 2022.

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25

Staff, Hal Leonard Corp. Top Hits - Really Easy Guitar: 22 Songs with Chords, Lyrics and Basic Tab. Leonard Corporation, Hal, 2020.

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26

Staff, Hal Leonard Corp. Top Hits - Really Easy Guitar Songbook: 22 Songs with Chords, Lyrics and Basic Tab. Leonard Corporation, Hal, 2020.

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27

Perera, Gerard, HapHap Happy Publisher, and Remy Francis. Remembering Michael Jackson : TOP 20 SOLO HITS: SONGBOOK, LYRICS and CHORDS, COLORING BOOK VolUME 1. Independently Published, 2021.

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28

Guitar on Tap!: For Instant Access to Chords, Tunings, Riffs & Scales. Omnibus Press, 2001.

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29

Deahl, Lora, and Brenda Wristen. Maximizing Reach and Power. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190616847.003.0006.

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Chapter 6 explores strategies that will mitigate the most ubiquitous problem faced by pianists with small hands: dealing with large chords, broken chords, arpeggios, octaves, and other extended shapes that cannot be refingered or redistributed between the hands. The need for speed or power is a complicating factor. This is an area of concern because performance arts medicine practitioners have offered anecdotal evidence that playing with the hand extended for long periods of time can lead to injury. Strategies to maximize the reach and power of small-handed pianists are explored, including fac

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30

Nasrentin Chotzas: Histories kai chōrata apo tē Mikra Asia kai ton helladiko choro. Kentro Anatolikōn Glossōn kai Politismou, 2009.

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31

Temperley, David. Harmony. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0003.

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An exploration of the harmonic language of rock is presented, relying heavily on corpus data. Chords in rock are overwhelmingly root-position major and minor triads. The commonly-used triads are those within the “supermode”—a global scale containing all scale degrees except flat-2 and sharp-4. With regard to harmonic progression, rock shows an almost equal frequency of “classical” harmonic motions (descending fifths and thirds, ascending seconds) and “anti-classical” ones (ascending fifths and thirds, descending seconds). “Flat-side” chords (bVII, bIII, bVI) tend to cluster together, as do “sh

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32

Gann, Kyle. The Human Faith Theme and the Whole-Tone Hypothesis. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252040856.003.0003.

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The Concord Sonata is a cyclic work based on a theme that occurs in all four movements, known as the “Human Faith” theme. The appearances of this theme in various keys suggest an overarching harmonic structure based on the whole-tone scale, giving way frequently to an opposition between the keys of A and E-flat. A whole-tone scale plus one other note serves as an importance source-chord for the entire sonata.

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33

Yust, Jason. Graph Theory for Temporal Structure. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696481.003.0014.

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This chapter introduces mathematical graph theory and develops graph-theory concepts that are useful for temporal networks. By generating chord progressions from networks, the potential musical and temporal meaning of graph-theory concepts, especially cycles, is emphasized. A number of concepts related to trees are introduced to show hierarchical aspects of temporal structure, and to allow for a comparison of Fred Lerdahl and Ray Jackendoff’s prolongational trees to temporal structures. This suggests an enrichment of MOPs through spanning trees, and is channelled into a discussion of graph-the

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34

Patel, Aniruddh D. Music and the brain. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0019.

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This article presents the evidence for links between music and language. The focus is on perceptual processes, and on links between mechanisms involved in the processing of instrumental music and of ordinary, day-to- day language. Music and language may have a number of common processes that act on distinct types of information, e.g. on musical melodies vs. linguistic intonation contours, or on chord progressions vs. sequences of words. Thus, the distinction between the domain specificity of information vs. the generality of processing is an essential conceptual tool for research that examines

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35

Smith, Kenneth M. Desire in Chromatic Harmony. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190923426.001.0001.

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Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This book offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann’s three diatonic chord functions, extending them to account for chromatic chord progression and substitution. The three functions (tonic, subdominant, and dominant)

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36

Gaukroger, Stephen. Phantom Limbs. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190490447.003.0014.

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Phantom limbs pose a philosophical problem about the location of pains. The work of Descartes first used them to make a philosophical point about the brain in relation to the body. They have traditionally been thought of as being due to nerve endings on the pathway to the original limb being activated. However, it was subsequently discovered that the phenomenon occurs even when the spinal chord is severed, suggesting that it is rather a question of brain activity, part of a neurosignature through which the brain indicates the body is one’s own. More recent resarch suggests involvement not only

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37

Jacobson, Marion. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036750.003.0001.

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This introductory chapter discusses the cultural and historical significance of the accordion as an instrument and as a musical movement. It considers how accordionists and bands with accordions symbolized an appealing and popular manifestation of alternative musical cultures in the postpunk area. Here, the chapter delves into the author's own experiences with the accordion movement, before turning to a brief historical analysis of the history and documentation of musical instruments as tools for making culture. In addition, the chapter provides an overview of the particular instrument under s

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38

Clasen, Mathias. Trust No One. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0008.

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Ira Levin’s Rosemary’s Baby (1967) tells the story of a young woman, Rosemary, who is tricked into bearing Satan’s offspring, the Antichrist. This chapter argues that Levin’s famous novel struck a chord with readers because it successfully targets evolved fears of intimate betrayal, contamination of the body, and persecution by metaphysical forces of evil. Rosemary is victimized at the hands of power-crazed individuals using black magic to serve Satanic evil. This story of occultism and evil is set in contemporary Manhattan, in a world where God is dead but Satan is alive and where pleasant su

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39

Temperley, David. Strategies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0009.

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Strategies are recurrent structural patterns that combine the musical dimensions explored in previous chapters—key/tonality, harmony, melody, rhythm/meter, phrase structure, timbre, form—for structural or expressive effect. One set of strategies concerns the boundary between the first VCU (verse-chorus unit) and the second; here there often seems to be an effort to balance continuity and closure. Another set of strategies involves the IV chord, which is used in rather specific ways to achieve cadential effects. VCUs often reflect an overall trajectory of tension, either “middle-peaking” or “en

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40

Beal, Amy C. Sing Me Softly of the Blues. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036361.003.0003.

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This chapter examines Bley's early compositions. According to Bley, her earliest mature work is the twelve-bar blues in F called Donkey, which she probably composed in Los Angeles in 1958. In a collection of her piano music published in 1981, Bley called the melody of the piece “a blues line,” even though it flies by at a rapid pace and seems more akin to bebop melodies than to anything else. Likewise, the short explosion of Ictus (also dated 1958) is to be played “as fast as possible.” Unlike Donkey, which she considered a blues, Ictus does not have chord symbols written in the way then stand

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41

Lause, Mark A. Higher Laws. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036552.003.0005.

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This chapter explores antebellum secret associations formed by black Americans. Even as European revolutionaries applied the standards of fraternalism to national purposes, similar organizations contributed directly to shaping black identity in America. In fact, black orders bore far greater resemblance to the European societies than most of those among white Americans. Context made black associations more overtly more political and made one fundamental labor reform unavoidable for an African American leadership described as bound in “the triple chord of Masonry, Church fellowship and Anti-Sla

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42

Ockelford, Adam. Shape in music notation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0010.

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This chapter explores how perceptual domains function in the auditory and visual modalities, and sets out a model, using ‘zygonic’ theory, showing how different forms of mapping between the two may logically occur in cognition. Such mappings enable the perceived shapes of patterns in sound to be represented as two-dimensional visual shapes. Four types of inter-domain relationship are identified: ‘regular’, ‘irregular’ (the latter being ‘indirect’ or ‘arbitrary’) and ‘synaesthetic’. ‘Regular’, ‘indirect’ and ‘arbitrary’ representations are somewhat analogous to the threefold typology of signs d

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43

Wilson, Nicola. Working-Class Fictions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0006.

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This chapter explores why working-class fictions flourished in the period from the late 1950s through to the early 1970s and the distinctive contributions that they made to the post-war British and Irish novel. These writers of working-class fiction were celebrated for their bold, socially realistic, and often candid depictions of the lives and desires of ordinary working people. Their works were seen to herald a new and exciting wave of gritty social realism. The narrative focus on the individual signalled a shift in the history of working-class writing away from the plot staples of strikes a

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44

Tamberino, Philip. Uke Can Do It! The Rowman & Littlefield Publishing Group, 2025. https://doi.org/10.5040/9798881848088.

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Affordable, versatile, portable, and popular once again, the ukulele is an ideal instrument for lifelong music making that can also be an engaging component of school music programs. Uke Can Do It! is a guide for teachers who may be at various stages of developing school ukulele programs. This second edition includes vital updates and a page-by-page teacher’s guide to the classroom method book, Uke Can Do It 2!: Classroom Ukulele Method. The book includes: ·A guide for first-time ukulele buyers ·Beginner instruction in how to play the ukulele ·Extensive guide to the start-up process ·30 ukulel

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45

Lambert, Philip. The Music of Alec Wilder. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037603.003.0006.

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This concluding chapter evaluates Alec Wilder's music. Listeners are often struck by the tunefulness of Wilder's creations, whether a popular song or a concerto or sonata. Indeed, many of his melodies, in music of all types, easily satisfy one of his own standards of measurement in his book, American Popular Song (1972): that a good tune should be capable of standing alone, without accompaniment or any other contextualizing factors. At the same time, Wilder was equally devoted to a melody's harmonic setting. As he explained in American Popular Song, some effective melodies are “conceived in te

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46

Nettl, Bruno. Landmarks in the Study of Improvisation. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.009.

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Historically, research on improvisation has been related to the discovery of non-Western musics, folk music, and jazz, and has depended on the development of recording techniques for its principal kinds of data. The concept of improvisation is not unitary, but includes many vastly different kinds of un-notated music-making, which casts some doubt on the efficacy of the term itself. In the history of Western art music, improvisation was originally ignored or seen as craft rather than art, but since ca. 1980 it has occupied increased attention. The association of improvisation with oral transmis

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47

McNeill, Darrell M. The Isley Brothers' 3+3. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765106730.

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The Isley Brothers' 3+3, dissects The Isleys’ 50-year-old undisputed masterwork, an album that firmly established their music dynasty on a global scale, as well as heralding the boldest run of genre-defiant albums of their 65-year career. The 1973 watershed was their first multiplatinum release and is significant as a rare, crossover record by a Black act that struck a chord with urban, rock and pop consumers, despite the schisms between audiences due to bias-driven media and industry marketing. The book looks at the album from all angles: From The Isleys’ early career to their influence on ro

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48

Jerusalem y Stella, Ignacio. Requiem in E-flat Major (1760). Edited by Dianne Lehmann Goldman. A-R Editions, 2022. http://dx.doi.org/10.31022/c116.

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This volume presents the Requiem, including the Libera me responsory, that accompanied the celebration of the obsequies of King Ferdinand VI in Mexico, composed by Ignacio Jerusalem y Stella (1707–69). This work is the longest and most demanding composition of Jerusalem's career, and it is an impressive liturgical piece given the comprehensive array of compositional styles and instrumentation he employs. This particular piece, as well as Jerusalem's life and career as a whole, occupy the transitional phase between the baroque and classical styles better known as the galant style. In his Requie

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49

Deahl, Lora, and Brenda Wristen. Integration and Exploration. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190616847.003.0008.

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Chapter 8 integrates the adaptive strategies outlined in previous chapters and presents tables that small-handed pianists can use to diagnose and resolve commonly encountered problems. These tables focus on broad categories where obstacles encountered by pianists with small hands can be found—chords, arpeggios, leaps, octaves, broken intervals, legato, and voicing. The tables outline solutions drawn from throughout the book, thus integrating a variety of approaches to each problem. The effectiveness of these tools in a particular context should be evaluated on the basis of sound, comfort, reli

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50

Gable, Christopher. The Words and Music of Sheryl Crow. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798216038542.

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Offering commentary, musical analysis, and detailed interpretation of her songs’ lyrics, this book examines the qualities of Sheryl Crow’s music that have served to establish the artist’s success and popularity. Sheryl Crow continues to be celebrated for her legacy as a singer-songwriter and pop culture icon. This book provides an introduction to Sheryl Crow’s entire music catalog. Organized into chronological periods of time, the author weaves biographical facts throughout a narrative rich with details about her songs: how they were created, recorded, distributed, and modified in live perform

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