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Academic literature on the topic 'Toraja Architecture'
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Journal articles on the topic "Toraja Architecture"
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Rombe, Octaviana Sylvia Caroline, Hong Ching Goh, and Zuraini Md Ali. "Toraja Cultural Landscape: Tongkonan Vernacular Architecture and Toraja Coffee Culture." eTropic: electronic journal of studies in the Tropics 21, no. 1 (2022): 99–142. http://dx.doi.org/10.25120/etropic.21.1.2022.3822.
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Tongkonan is a style of vernacular architecture famous in Toraja, a mountainous region in Sulawesi, Indonesia. The Tongkonan traditional house is a symbol of the Toraja people, representing the ancestors and the entire cosmos of life – from birth to death. The houses and their arrangement within a settlement form a social and cultural space that gathers the extended family of the Tongkonan. This article explores the landscape of Tongkonan architecture and coffee cultivation, showing how Tongkonan is essential to Toraja's cultural landscape and a foundation of Toraja coffee culture. The study draws together literature reviews, interviews, photographic and video observation, as well as photo-elicitation interviews. The research reveals that although the existence of Tongkonan architecture precedes the introduction of coffee cultivation, the Tongkonan's geographical closeness to the coffee farms, the historic economic importance of coffee, and the social and cultural relevance of Tongkonan creates a cultural landscape entangling Tongkonan settlements and forests, coffee farms and coffee culture activities. Tongkonan and coffee form Toraja's unique cultural landscape. The space of the Tongkonan, which includes coffee community activities, serves as a basis of Toraja coffee culture.
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Lindarto, Dwi, and Devin Defriza Harisdani. "Resilience Of Toraja Architecture Towards Sustainability Architecture." E3S Web of Conferences 519 (2024): 03025. http://dx.doi.org/10.1051/e3sconf/202451903025.
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Indonesia has a cultural heritage of traditional architecture that is environmentally friendly and sensitive to sustainability issues. Toraja architecture, namely tongkonan (traditional house) and alang (traditional barn) are still widely standing. Toraja architecture is not value-free and vulnerable to social, economic, and cultural conditions, so this study aims to reveal how the Toraja people respond to adapt, transform to these influences for the sustainability of Toraja architecture in the future. This study is a type of revealing knowledge with qualitative case study method. Using the Miles and Huberman model analysis technique in the form of descriptive and pattern matching, the results of the study obtained that Toraja architecture has resilience in adapting and transforming to face current social, economic and cultural changes in the form of adaptability to current building material technology, carpentry skills, curved roof shape as Toraja identity, customary rules and adaptive-responsive abilities, social status symbols, low costs, customary preservation, are elements of resilience for the sustainability of alang architecture. The resilience of Toraja architecture is a model for sustainable development of Indonesian traditional architecture.
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Histanto, Enrico Nirwan, and Josephine Roosandriantini. "Kajian Bentuk Arsitektur Batak Toba dan Toraja sebagai Hasil Memori Kolektif Austronesia." ATRIUM: Jurnal Arsitektur 10, no. 1 (2024): 1–15. http://dx.doi.org/10.21460/atrium.v10i1.237.
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Title: Study of Toba and Toraja Batak Architectural Forms as a Result of Collective Austronesian Memory The archipelago (Indonesia) that we live in today is the distribution of the Austronesian people who lived in riverine areas in South China and North Vietnam in the mid-4th BC. Cultural development in an area results from a mixture of internal and external things. The mixing of culture and art by early settlers and new settlers resulted in diverse architectural forms, even though they share the same principles of traditional values (Austronesian collective memory). Toba and Toraja Batak architecture is hollow architecture with a similar roof shape that resembles the shape of a boat, a typology of houses and barns facing each other, and a housing complex oriented to form a particular axis. This research used an exploratory-qualitative approach, using literature sources combined with direct observations in the field. This research aims to find the level of closeness between Toba and Toraja Batak architecture based on the collective memory of the Austronesian people.
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Manurung, Parmonangan. "Daylighting and architectural concept of traditional architecture: The Tongkonan in Toraja, Indonesia." A/Z : ITU journal of Faculty of Architecture 14, no. 1 (2017): 111–26. http://dx.doi.org/10.5505/itujfa.2017.65487.
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Amirullah, Amirullah, Jumadi Jumadi, Ugo Chuks Okolie, and Mario Mario. "Tongkonan Papa Batu Tumakke Toraja: an Educational Center for the Culture and Traditions of the Toraja Society." Jurnal Ilmu Sosial Mamangan 13, no. 1 (2024): 84–94. http://dx.doi.org/10.22202/mamangan.v13i1.7703.
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This research discusses the role and evolution of Tongkonan Papa Batu in Toraja society, especially in Banga Village, from 1671 to 2023. Tongkonan Papa Batu is a typical Toraja traditional house which is unique in its architecture, carvings and cultural role. This research aims to understand cultural diversity, historical values, and changes in the function of Tongkonan Papa Batu from the past to the present. The research method used is a qualitative approach with case studies. Data was obtained through interviews and direct observation. Tongkonan Papa Batu is the main focus, with research covering aspects of architectural uniqueness, Toraja carvings, historical value, and changes in function from the past to modern developments. The results of the research show that Tongkonan Papa Batu in Banga Village has certain uniqueness, especially in its roof which is made of 1000 pieces of carved stone, creating a historical and cultural attraction. This Tongkonan has been around for approximately 700 years and is the center of traditional, ritual and religious activities. The novelty value of this research is that the change in the function of Tongkonan from a traditional house to a tourist destination also has a positive impact on the economy of the local community.
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Natsir, Taufiq, Bakhrani Rauf, Faisal Syafar, Ahmad Wahidiyat Haedar, and Faisal Najamuddin. "Visualization Mapping of the Socio-Technical Architecture based on Tongkonan Traditional House." JOIV : International Journal on Informatics Visualization 7, no. 3 (2023): 1007. http://dx.doi.org/10.30630/joiv.7.3.1788.
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The socio-technical architecture of constructing a community's traditional house is a zine-qua-non at the locus of developing tourism destinations in several areas worldwide. A socio-technical system is an old approach that is realigned with developing integrated tourism components, especially various tourist attractions based on local cultural treasures. The results of this qualitative research with a phenomenological approach analyze and explain the noumena (meaning) behind the phenomena (facts) regarding socio-technical architecture based on Tongkonan traditional houses in Tana Toraja, Indonesia. The study results found that architectural works are full of symbolic meaning in constructing Tongkonan traditional houses. The crystallization of basic values and value orientation as the noumena (meaning) behind the socio-technical architectural phenomenon of the Tongkonan traditional house that stands upright is because five pillars support it as a representation of 5A (Attractions, Accessibility, Accommodation, Amenity, Ansilarity) as a component of tourism development. The Tongkonan roof model, which at first glance looks like a person praying by raising their hands up or to God, the Creator of the universe, is proof of the basic values and orientation of the socio-cultural and spiritual values of the Toraja people. The image of a rooster, sun, and arrangement of horns mounted on the Tongkonan wall proves the rich treasures of local socio-cultural life (local wisdom, local genius) of the local community as a result of creativity and innovation that sustainably has value.
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Magfirah, Wahyuni, Rismawati Sudirman, and Andika Rusli. "PENETAPAN HARGA JUAL PADA KAIN TENUN BERBASIS KEARIFAN LOKAL BUDAYA TORAJA." jesya 6, no. 2 (2023): 1410–17. http://dx.doi.org/10.36778/jesya.v6i2.1128.
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Penetapan harga adalah proses yang menentukan berapa banyak pendapatan yang dihasilkan atau diterima perusahaan dari produk atau layanan yang dihasilkannya. Tenun menurut budaya Toraja merupakan bagian penting dalam kehidupan. Kain yang ditenun oleh orang Toraja bukanlah sembarang kain tetapi memiliki makna yang tersirat dalam setiap motif dan coraknya. Selain itu, tekstil Toraja juga merupakan simbol kekayaan dan kehormatan. Dalam penelitian ini penetapan harga pada kain tenun berbasis kearifan lokal budaya Toraja. Penelitian ini dilakukan dengan menggunakan metode kualitatif dengan pendekatan fenomenologi dimana pengumpulan data dilakukan melalui observasi, wawancara, studi pustaka, dan dokumentasi. Hasil penelitian ini menunjukkan bahwa harga kain tenun ditentukan oleh biaya bahan baku, biaya overhead pabrik dan biaya tenaga kerja langsung.
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Nabilunnuha, Muhammad Bintang, and Didit Novianto. "Prinsip Keberlanjutan dan Ketahanan Lingkungan pada Rumah Tongkonan Toraja." Jurnal Lingkungan Binaan Indonesia 11, no. 1 (2022): 28–38. http://dx.doi.org/10.32315/jlbi.v11i01.79.
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Rumah Tongkonan merupakan rumah adat Suku Toraja dari Provinsi Sulawesi Selatan yang mencoba bertahan hingga saat ini sebagai wujud kekayaan Arsitektur Nusantara. Meskipun begitu, rumah konstruksi kayu sudah mulai ditinggalkan karena diklaim tidak tahan lama dan tidak sesuai dengan kebutuhan manusia modern. Penelitian ini bertujuan untuk menganalisis tentang prinsip struktur, keberlanjutan, ketahanan, dan pemaknaan bangunan Rumah Tongkonan serta kaitannya terhadap lingkungan. Metode penelitian yang digunakan merupakan metode deskriptif-kualitatif melalui studi literatur dan analisis eksplorasi yang diharapkan mampu memperoleh pembuktian yang sulit didapat dari lapangan. Hasil dari analisis eksplorasi pada studi ini ditemukan bahwa, pertama, desain berwawasan lingkungan Rumah Tongkonan merupakan wujud respon arsitektural terhadap kondisi alam, iklim dan geografi di suatu daerah. Kedua, dari segi struktur dan konstruksi, struktur Tongkon pada Rumah Tongkonan menerapkan sistem konstruksi yang berkelanjutan dan memiliki ketahanan yang baik. Ketiga, rancangan berkelanjutan tidak hanya melalui bentuk fisik tetapi juga dari pemaknaan dalam Rumah Tongkonan melalui bahasa bentuk. Artikel ini menyimpulkan, karena keseluruhan prinsip desain arsitekturnya membuat rumah ini bertahan hingga kini maka Rumah Tongkonan masih relevan dan perlu diadaptasi serta dikembangkan dalam arsitektur kontemporer di Indonesia. Tongkonan is a traditional Toraja house from South Sulawesi that attempts to remain as an example of Archipelago (Nusantara) architecture. Nonetheless, due to concerns about longevity and compatibility with modern lives, timber-built houses have begun to be abandoned. The purpose of this research is to examine the Tongkonan building's structural principles, sustainability, resilience, significance, and relationship to the environment. The research methodologies included doing a descriptive-qualitative literature review and exploratory analysis to gather evidence that was difficult to get from the field survey. The findings revealed that, first and foremost, Tongkonan House's environmentally friendly design is a sort of architectural reaction to the site's natural circumstances, climate, and geography. Secondly, the Tongkon structure applied a sustainable construction system and was highly resilient in terms of structure and construction. Finally, in Tongkonan, sustainability is about physical form and meaning through the language of form. According to this report, the general architectural design principles have allowed this home to exist till now. Therefore, Tongkonan House is still relevant, and it has to be updated and improved in modern Indonesian architecture.
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Dinarti Tandira’pak. "Implementasi Pendidikan Multikultural Melalui Tongkonan Simbol Pemersatu Masyarakat Toraja." PIJAR: Jurnal Pendidikan dan Pengajaran 1, no. 1 (2022): 60–68. http://dx.doi.org/10.58540/pijar.v1i1.105.
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Tongkonan is a traditional house of the Toraja people who coincide in the province of South Sulawesi, Indonesia. The architecture of the tongkonan house is known for its distinctive shape through the lower, middle and upper structures which have their own uniqueness or beauty. The tongkonan traditional house, which is full of carvings, has a meaning that symbolizes the social status of the owner. The tongkonan is a place for fostering a family in the unity of harmony and inheritance in every family who is descended from the tongkonan so that it becomes the forerunner which will in turn shape the personality and culture and traditions that have been passed down from generation to generation in every family group or Toraja society. Then the tongkonan which is a traditional house typical of the Toraja people which is used as a place to live, the traditional house of power to become a place of socio-cultural life for the people of Toraja. The method used in this article is the qualitative method and the data collection method is carried out, namely through direct observation which is carried out when holding ceremonies or customs carried out in society, especially the Toraja people. Based on the results of the study, it is shown that one of the implementations of multicultural education is through the tongkonan which is a symbol of unifying the Toraja people where the tongkonan is used as a place to foster kinship regardless of the differences that exist in Toraja society.
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Salam, Sofyan, Tangsi Tangsi, and Muh Saleh Husain. "Perempuan Pengukir Kayu Tradisional Toraja di Kete’kesu." JURNAL IMAJINASI 6, no. 1 (2022): 9. http://dx.doi.org/10.26858/i.v6i1.32293.
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Penelitian ini bertujuan untuk mendeskripsikan berbagai aspek tentang perempuan pengukir kayu tradisional Toraja yang bermukim di Kete’Kesu. Penelitian ini tergolong penelitian kualitatif yang dilaksanakan di lapangan, yakni di Kete’Kesu, Toraja Utara. Sumber data penelitian ini adalah: (1) perempuan pengukir kayu tradisional Toraja yang bermukim di Kete’Kesu yang berjumlah 33 orang; (2) tokoh dan warga masyarakat Kete’ Kesu yang berjumlah 12 orang; dan (3) artefak berupa ukiran kayu yang dihasilkan oleh para perempuan pengukir tersebut. Teknik pengumpulan data yang digunakan adalah observasi, wawancara mendalam, dan dokumentasi. Data yang terkumpul dianalisis dengan model analisis interaktif dari Miles dan Huberman. Hasil penelitian menunjukkan bahwa: (1) perempuan pengukir kayu tradisional yang bermukim di Kete’Kesu memiliki latar belakang yang beragam dari segi usia, pendidikan formal, serta status sosial; (2) Karya ukiran kayu yang dihasilkan oleh perempuan pengukir tersebut bersifat ukiran non sakral berupa benda fungsional untuk cinderamata; (3) Hal yang melatarbelakangi eksistensi perempuan pengukir kayu tradisional Toraja adalah kebutuhan finansial dan adanya dukungan masyarakat; (4) Perempuan pengukir mengawali pengalamannya dalam mengukir atas dasar ajakan dari orang tua atau teman yang sekaligus mengajarkan pembuatan ukiran kayu secara informal. Dalam menjalani karier mengukir perempuan pengukir umunya memandang bahwa kegiatan mengukir merupakan pengalaman yang menyenangkan karena mereka mendapatkan dukungan dan apresiasi dari masyarakat.Kata kunci: Perempuan pengukir, ukiran kayu tradisional Toraja, dan Kete’Kesu. WOMEN WORKING AS TORAJA TRADITIONAL WOODCARVERS IN KETE’KESUABSTRACTThis research is aimed at describing several aspects of women working as Toraja traditional woodcarvers in Kete’Kesu. This research is classified as qualitative research carried out in the field, namely Kete’Kesu of North Toraja Regency. The data sources of this research are (1) women carvers who live in Kete Kesu totaling 33 persons; (2) community members of Kete’Kesu totaling 12 persons; and (3) artifacts in the form of Toraja traditional wood carvings produced by the women carvers. Data collection techniques used area: observation, in-depth interviews, and documentation. The collected data were analyzed using the interactive model of Miles and Huberman. The results showed that; (1) women carvers who live in Kete Kesu have a very diverse background in terms of age, formal education, and social status; (2) woodcarvings produced by women carvers in Kete Kesu are nonsacred carvings in the form of functional objects for souvenirs; (3) The reasons for the existence of women carvers in Kete’ Kesu are financial needs and community support; (4) Women carvers started their experience in wood carving because they were invited by their parents or friend who also taught them carving informally. In their careers, women carvers generally view carving as a pleasant experience because they get support and appreciation from society. Keywords: Women carver, Toraja traditional wood carving, Kete’Kesu.