Relevant bibliographies by topics / Toshi

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Toshi'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Toshi"

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Thornton, Takeshi Arthur. "S. Satoh and Jokamachi-toshi Study Group (2002) Jokamachi-toshi (Japanese castle towns) T.A. Thornton." Urban Morphology 10, no. 1 (2006): 78–79. http://dx.doi.org/10.51347/jum.v10i1.4484.

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Yoshida, Sanroku, and Ōe Kenzaburō. "Natsukashii toshi e no tegami." World Literature Today 62, no. 3 (1988): 510. http://dx.doi.org/10.2307/40144480.

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Riederer, Peter, Ryosuke Takahashi, and Nobutaka Hattori. "Toshiharu (Toshi) Nagatsu: an appreciation." Journal of Neural Transmission 125, no. 1 (2017): 1–2. http://dx.doi.org/10.1007/s00702-017-1826-4.

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OTA, Masafumi. "Towards the Sustainable “Den-en-toshi”." Japanese Journal of Real Estate Sciences 35, no. 2 (2021): 74–80. http://dx.doi.org/10.5736/jares.35.2_74.

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Galliano, Luciana. "Toshi Ichiyanagi, Japanese Composer and "Fluxus"." Perspectives of New Music 44, no. 2 (2006): 250–61. http://dx.doi.org/10.1353/pnm.2006.0012.

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Hashizume, Shin'ya. "Planning of "Kaen Toshi" by Reijo Ohya." Journal of the City Planning Institute of Japan 23 (October 25, 1988): 493–98. http://dx.doi.org/10.11361/journalcpij.23.493.

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Sasoh, A., and A. K. Hayashi. "In memoriam Prof. Toshi Fujiwara (1939–2016)." Shock Waves 27, no. 5 (2017): 817–18. http://dx.doi.org/10.1007/s00193-017-0746-4.

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Mamadayupova, Vasila. "Oʻzbekiston respublikasi konstitutsiyasining yaratilish tarixi va ahamiyati". Общество и инновации 3, № 11/S (2022): 283–87. http://dx.doi.org/10.47689/2181-1415-vol3-iss11/s-pp283-287.

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Oʻzbekiston oʻz mustaqilligini eʼlon qilgan sanadan eʼtiboran dunyo sahnida yangi, suveren davlat qaror topgan boʻlsa, birinchi Konstitutsiya qabul qilinishi barobarida mustaqillikning huquqiy tamal toshi oʻrnatildi. Ushbu maqolada davlatimiz ramzlaridan biri bo’lgan Konstitutsiya haqida ma’lumotlar beriladi.
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Venkatesan, Priya. "Toshi A Furukawa: pursuing humankind's best possible care." Lancet Psychiatry 7, no. 5 (2020): 393. http://dx.doi.org/10.1016/s2215-0366(20)30157-7.

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TATEYAMA, Noriko. "Occupational mobility and Personal Community in ‘Dento-Shohigata Toshi’." Annual review of sociology 1995, no. 8 (1995): 203–14. http://dx.doi.org/10.5690/kantoh.1995.203.

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Dissertations / Theses on the topic "Toshi"

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Fowler, Michael D. "Toshi Ichiyanagi's piano media finding parallelisms to patterns in Japanese culture /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1113278564.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2005.<br>Title from electronic thesis title page (viewed Apr. 15, 2006). Includes abstract. Keywords: Toshi Ichiyanagi; contemporary piano performance practise; Japanese Culture; musical analysis. Includes bibliographical references.
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FOWLER, MICHAEL D. "TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564.

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Finnie, Jimmy W. (Jimmy Wayne). "The Keyboard Percussion Trios of Toru Takemitsu and Toshi Ichiyanagi, a Lecture Recital, together with Three Recitals of Selected Works of Cahn, Maslanka, Miki, Miyoshi, Ptaszynska, Schultz, Wesley-Smith, and Others." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278139/.

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The purpose of this study is to examine the various signatures of compositional style as manifested in the keyboard percussion trios Rain Tree by Toru Takemitsu and Wind Trace by Toshi Ichiyanagi. Significant personal interaction between the aforementioned Japanese composers and American composer John Cage justifies an investigation of his influence on their compositional styles. Toru Takemitsu is currently one of the most prolific Japanese composers. In 1981, Takemitsu composed the percussion trio Rain Tree. Three years later (1984) the Japanese concert pianist Toshi Ichiyanagi composed Wind Trace using Rain Tree's identical instrumentation of marimba, vibraphone, and crotales. Rain Tree and Wind Trace are very similar in compositional style. Formally, both works are single-movement compositions employing rhythmic tension, harmonic dissonance, and visual imagery created by the use of polyrhythms, aleatory, nonfunctional harmony, and extra-musical references. This study investigates the Japanese philosophy of ma and its influence in Rain Tree and Wind Trace. Ma is the natural pause or interval between two or more phenomena occurring continuously. According to Takemitsu, ma is living space, more than actual space. Both compositions utilize space as an essential compositional technique to either connect compartmentalized activity or to complement melodic material. With the utmost respect for nature, Toru Takemitsu and Toshi Ichiyanagi have synthesized elements of Oriental and Occidental music into compositional styles that are unique yet universal. Functioning within both composer's strong personal aesthetics, the affective use of aleatoric and polyrhythmic structures reflect John Cage's influence. Takemitsu's decision to reevaluate the qualities of Japanese traditional music, and to consciously attempt to express the qualities of nature within his music, are attributable to his associations with John Cage. Rain Tree and Wind Trace are virtuosic vehicles of musical expression for which an understanding of the subtle elements within the Eastern and Western art forms is essential.
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Maufroid, Yannick. "Shimao Toshio et la méthode du rêve." Thesis, Paris, INALCO, 2019. http://www.theses.fr/2019INAL0010.

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Écrivain souvent décrit comme avant-gardiste et impénétrable, mais aussi comme l'un des derniers maîtres du shishôsetsu (roman personnel), Shimao Toshio (1917-1986) occupe une place singulière dans la littérature japonaise d'après-guerre. Son œuvre a traversé le XXe siècle dans un étrange état d'isolement, hautement estimée par ses pairs, mais restant méconnue et mal comprise. L'auteur tire un statut presque mythique de la particularité de son expérience de guerre (commandant d'un escadron de tokkôtai mobilisé dans les îles Ryûkyû) et des vicissitudes qui l'ont suivie, comme la maladie mentale de sa femme Miho. Celle-ci a inspiré son roman le plus célèbre, Shi no toge (L'Aiguillon de la mort, 1960-1976). Cette expérience de vie conflictuelle s'est prolongée par un conflit intérieur qui l'a vu épuiser l'ensemble des formes littéraires de la modernité, romantisme, naturalisme, surréalisme, sans jamais se satisfaire réellement d'aucune d'entre elles.Cependant, par-delà cette tendance au conflit, l'un des éléments les plus constants de l'œuvre de Shimao reste son intérêt pour le rêve. Si l'écriture onirique dans la littérature moderne se trouve au carrefour d'une tradition esthétique, de l'exploration de soi et de la contestation du réalisme, elle prend chez lui une dimension tant poétique qu'existentielle. Tour à tour expérimentation (anti-)romanesque, tentative de résolution des conflits et recherche du temps perdu, cette écriture devenue méthode fournit les outils de la compréhension de l'identité narrative de l'auteur. Tout en en faisant la « voie royale » pour comprendre Shimao, cette thèse se propose aussi de saisir en quoi le rêve peut servir la littérature<br>Often described as an avant-garde and impenetrable writer, but also as one of the last masters of the shishōsetsu genre, Shimao Toshio (1917-1986) occupies a special place in Japanese postwar literature. His work went through the 20th century in a strange state of isolation, widely acclaimed by his peers, but still insufficiently known and understood. Shimao acquired a near mythical status from the particularity of his war experience (he was the leader of a squad of kamikaze tokkōtai which was mobilized in the Ryūkyū islands) and its aftermath, like the madness of his wife Miho, which inspired his most famous novel, Shi no toge (The Sting of Death, 1960-1976). Along with these life antagonisms, he also endured an inner conflict which drew him towards most modern literary forms, romantism, naturalism, surrealism, without being really satisfied with either of them in the end.However, beyond this tendency to conflict, one of the most constant elements of Shimao's work is his interest in dreams. While dreamlike writing in modern literature often lies at the junction of aesthetic tradition, exploration of the self and contestation of realism, in Shimao's case, its importance is both poetic and existential. As a « method » of (anti-)novel experimentation, attempt at conflict resolution and research of lost time, the use of dreams provide the tools of the understanding of the author's narrative identity. Through the idea that this dream method can be the « royal road » to understand Shimao, this thesis also aims at making his work an example of the way dreams serve literature as a whole
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Tokumoto, Hiroko. "The god that failed : the literary trajectory of Shimao Toshio." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31148.

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The topic of this thesis is the literary career of Shimao Toshio, as far as possible considered as a whole. It is my contention that previous scholarship has merely focused on the details of his sometimes riotously surrealistic storytelling, and has almost entirely neglected to ask what was the course of his overall development and the forces which drove his evolution as a writer. The first chapter covers Shimao's early work, life, and wartime experiences. Drawing on his pre-war writings, which have been almost entirely neglected by previous scholars, I demonstrate that the sense of alienation engendered by his unusual life experiences and upbringing already flourished before he entered the military as a suicide pilot. His military career on the one hand reinforced earlier trends, in that he was never sent on an attack and was thus once again rejected by death, and on the other put him in a unnatural and displaced position, as he unwittingly became almost a deity to the simple islanders among which he was stationed. Marrying an island woman, he took this social displacement along with him in the microclimate of his family for the first decade of the peace. The second chapter covers Shimao's period of falseness, the time in which he still tried to maintain the unnaturally prominent position his experience on the island had thrust him into. His tensions erupt in his stories, many of which are set in entirely surrealistic surroundings. Any account of his career must explain why he writes precisely this type of story at just this time: the "dream" fiction is characteristic of this time, and he does not write it before or afterwards. The story "Everyday Life in a Dream" is analyzed as the novelist's hara no naka "inner reality" - a fantasy of utter passivity, resenting the present inability of the other, the one above, to take its superior place. (It is most definitely not allegorical of the birth of the writer, but rather of his dissolution.) During this time, the false god is rebelling against his fate, in concealed and indirect way. However, we note that he is also undermining himself in real life, by episodes of poorly concealed infidelity. The third chapter deals with the stories of retrospective confession he wrote after submitting to the leadership of his wife, which used a realistic mode of narration to relate how inadequate he really had been. They are dry relations of inferiority and internal conflict. "When We Never Left Port," the chief work under analysis here, could well have been subtitled, "Why I Was Never Fit to Become a God." The fourth chapter deals with The Sting of Death, the series of linked stories in which Shimao wrote a history of his fall and his wife's rise. "The Sting of Death" - is sin, but what is the primary sin in Christianity? The pride that leads man to set himself equal to or above god - read here, the pride that leads Shimao to set himself equal to or above his wife. His false pride must be broken before they can live in peace, through a long process of interrogation and humiliation. The end product is a reversal of roles, the symbolic death of incarceration in a mental home, and a rebirth into her mileau. The image of their rotten old bamboo fence being replaced with a new, white one drives home the reality of the new god in the shrine of the home. Images of darkness and rain are prominent - the bright, male deity is being extinguished and reborn as a follower Thus Shimao's career may be seen as a journey that began with him in a false role, sinning against his wife in the same way Lucifer sinned against God. "Beware pride, by that sin the angels fell." However, he has a chance to recompense his sin by sacrificing all his poor shreds of individuality on the altar of his wife's worship. When he does, they for the first time enter a state of solidly founded relative happiness, and his work ceases to show the surrealistic strain it demonstrated before. Indeed, it soon degenerates into something rather mediocre and workmanlike. Finally, we attempt a very brief comparison of Shimao and Tanizaki as woman-worshippers. Both are submissions based on blind idealization, but in Tanizaki's case, the submission is made freely - his characters blind themselves with open eyes, so to speak, as in A Portrait of Shunkin (where this is literally true). Tanizaki's "mad old man" chooses of his own free will to spend eternity beneath the feet of his daughter in law - he wants it, he schemes to have it, for the good reason that this is what he enjoys. Even in slavery he excercises his own powers of free choice. But poor Shimao has no such choice. He can merely struggle along, waiting to be put back in his natural position, that of the shadow. Only then is he happy.<br>Arts, Faculty of<br>Asian Studies, Department of<br>Graduate
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Kano, Mark Aaron. "A Performance Guide for Lyric Tenor: A Pedagogical Analysis of Ten Francesco Paolo Tosti Songs." UKnowledge, 2016. http://uknowledge.uky.edu/music_etds/59.

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This study provides background information, International Phonetic Alphabet (IPA) transcriptions and pronunciations, poetic translations, and pedagogical analyses of ten Francesco Paolo Tosti songs. Included is the connection between the rhythm and meter of the poetry and its’ influence on Tosti’s setting of the text to music. In addition, a portion is devoted to an overview of pedagogy, specifically, appoggio, registers and passaggi in the lyric tenor voice, range and, as well as chiaroscuro. This document addresses potential vocal challenges presented for the lyric tenor voice within each song, as well as the benefits. In particular, suggestions for vowel modifications in the passaggi of the lyric tenor voice in relationship with the provided IPA transcription are addressed. Finally, by gathering all of the necessary information on Aprile, Non t’amo più, Luna d’estate, Preghiera, La serenata, Ideale, A vucchella, In van preghi, L’alba sepàra dalla luce l’ombra, and L’ultima canzone, this performance guide creates a concise tool for teachers and singers in the vocal studio seeking ideal performance practice suggestions.
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Nikolaou, Athanasia [Verfasser], Nicola [Akademischer Betreuer] Tosi, Dieter [Gutachter] Breitschwerdt, Doris [Gutachter] Breuer, and Nicola [Gutachter] Tosi. "Numerical modeling of magma ocean solidification and concurrent atmosphere formation / Athanasia Nikolaou ; Gutachter: Dieter Breitschwerdt, Doris Breuer, Nicola Tosi ; Betreuer: Nicola Tosi." Berlin : Technische Universität Berlin, 2020. http://d-nb.info/1211392317/34.

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Kallunki, K. (Kamilla). "”Jos nainen tanssii, se on ihan normaalia, mutta jos mies tanssii, se on joko tosi outoa tai tosi cool”:sukupuoli ja sukupuolittavat käytännöt tanssissa." Master's thesis, University of Oulu, 2018. http://urn.fi/URN:NBN:fi:oulu-201801131070.

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Tanssi on liikkeen tekemistä merkittäväksi. Tanssi syntyy ja koetaan sisältä päin, eikä ole pelkästään ulkoista. Myös sukupuoli-identiteetti on kokemuksellista ja liittyy tuntemukseen ruumiistamme ja kehollisuudestamme. Tämän tutkielman tarkoituksena on selvittää, miten tanssi ja sukupuoli liittyvät toisiinsa, ja millaisia sukupuolittavia käytäntöjä tanssissa ilmenee Oulun yliopiston kasvatustieteen tiedekunnan opiskelijoiden kokemana. Tanssikasvatus on sekä liikunta- että taidekasvatusta, johon liittyy myös kulttuurikasvatus. Tanssiessaan ihminen ilmaisee monia eri asioita, kuten tunteitaan ja omaa itseään sekä toimii vuorovaikutuksessa ympäristön kanssa. Ihminen saa ja luo kokemuksia sekä tuntee koko kehollaan. Ruumis, kehollisuus ja kokemuksellisuus ovat tärkeitä sekä tanssissa että sukupuolessa. Sukupuolen määritteleminen on vaikeaa, sillä ihmisillä on erilaisia näkemyksiä siitä, miten sitä tulkitaan. Sukupuoli-identiteettimme ovat tapoja ilmaista kehoamme, ja kokemuksellisuus sekä kehollisuus vaikuttavat sukupuolen performanssiin. Tutkimuksen vastaukset kerättiin kyselylomakkeen avulla Oulun yliopiston kasvatustieteen tiedekunnan opiskelijoilta. Kyselylomakkeen vastaukset kerättiin vuoden 2017 helmikuun aikana ja vastauksia kyselyyn tuli yhteensä 46 kappaletta. Tutkimus on laadullinen ja sisältää fenomenologisia piirteitä, mutta ei edusta mitään tiettyä metodologiaa. Tulokset on analysoitu sisällönanalyysia käyttäen eli vastaukset tutkimusongelmiin on muodostettu kategorisointia käyttäen. Tutkimuksessa on myös viitteitä määrällisestä analyysista. Yleisesti sukupuoli näkyi vastauksissa oletetuissa sukupuolirooleissa ja käytösmalleissa, sukupuolittavissa käytännöissä ja osittain ympäristön vaikutuksessa. Tanssin ja sukupuolen yhteys näkyi tanssin leimautumisessa ja leimaamisessa, ryhmien ja henkilöiden määrinä tanssissa, oletetuissa (sukupuoli)rooleissa ja käytösmalleissa sekä ympäristön vaikutuksessa. Sosiaalisten normien ja ympäristön vaikutus näkyi oletetuissa (sukupuoli)rooleissa ja käytösmalleissa sekä yleisesti ympäristön vaikutuksena. Sukupuolittavia käytäntöjä ilmeni tanssissa sukupuolittavana puheena, tapoina ja toimintana. Sukupuolittava puhe oli joko suoraan tai selän takana tapahtuvaa huutelua, kiusaamista ja kommentointia. Sukupuolittavat tavat ja toiminta näkyivät tanssivien miesten ja poikien vähättelynä, mutta myös heidän arvostuksenaan, turhana ryhmien jaotteluna sukupuolen mukaan, epämiellyttävänä kontaktina, objektivointina ja tanssien hakutilanteissa. Tulosten perusteella voidaan päätellä, että tanssi ja sukupuoli liittyvät toisiinsa ainakin jollakin tasolla, ja että tanssissa ilmenee sukupuolittavia käytäntöjä.
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Kaufmann, Toschi Barbara [Verfasser]. "Clinical and subclinical endometritis in dairy cattle : prevalence, indicators, and therapy / Toschi Barbara Kaufmann." Berlin : Freie Universität Berlin, 2011. http://d-nb.info/1025239873/34.

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Jackson, Elaine. "Riding the tosh horse : women writers of popular romance between the wars." Thesis, University of Birmingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423625.

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Books on the topic "Toshi"

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1946-, Ōhama Keikichi, ed. Toshi to tochi seisaku. Waseda Daigaku Shuppanbu, 2002.

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1946-, Uchida Katsuichi, Urakawa Michitarō 1946-, and Kamata Kaoru 1948-, eds. Gendai no toshi to tochi shihō. Yūhikaku, 2001.

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Nishi Nihon Shinbunsha. Chiiki Hōdōbu. Toshin hōkai: Ningen toshi e no chōsen. Nihon Keizai Hyōronsha, 1995.

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Shunpei, Kumon, and Nihon Keikaku Gyōsei Gakkai, eds. Toshi zukuri kara no tochi mondai "saikō". Gakuyō Shobō, 1988.

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Ihara, Hiroshi. Chūgoku chūsei toshi kikō: Sōdai no toshi to toshi seikatsu. Chūō Kōronsha, 1988.

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Kenkyūkai, Kōen Ryokuchi Gyōsei, Japan, and Japan, eds. Gaisetsu atarashii Toshi ryokuchihō, Toshi kōenhō. Gyōsei, 2005.

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1965-, Suga Seiko, and Okamura Yukinori 1974-, eds. Iri to Toshi: Iri and Toshi. Ofisu Emu, 2017.

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Tōkeikyoku, Japan Sōmuchō. Toshi bunrui. Nihon Tōkei Kyōkai, 1990.

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Mochizuki, Teruhiko. Toshi minzokugaku. Miraisha, 1988.

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Ḣozhieva, Oĭdin. Tamal toshi. Ghafur Ghulom nomidagi Adabiët va sanʺat nashriëti, 1988.

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Book chapters on the topic "Toshi"

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Eckersall, Peter. "Singing Yokoo Tadanori: Ichiyanagi Toshi, the City, and the Aesthetics of Listening." In Performativity and Event in 1960s Japan. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137017383_4.

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Giannoulis, Elena. "Murakami Haruki: Shikisai o motanai Tazaki Tsukuru to, kare no junrei no toshi." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16867-1.

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Stephan, Ilja. "Hosokawa, Toshio." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_143.

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Shuyun, Sun, and Xu Kuangdi. "Toushi Stone." In The ECPH Encyclopedia of Mining and Metallurgy. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0740-1_16-1.

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Anetzberger, Georgia J. "Profile 6: Toshio Tatara." In The Worldwide Face of Elder Abuse. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-34888-4_14.

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Numajiri, Akinobu. "Review of Shūichi Takashima, Toshi Kinkō no Kōchi Seiri to Chiiki Shakai: Tokyo-Setagaya no Kōgai Kaihatsu (Urban Development and Local Communities in Interwar Tokyo)." In Monograph Series of the Socio-Economic History Society, Japan. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4097-9_5.

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De Vorkin, David. "Toshio Takamine’s Contact with Western Astrophysics." In Astrophysics and Space Science Library. Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-015-9862-0_12.

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Toshio, Gotō. "Foreword by Prof. Dr Gotō Toshio." In Long-lived Family Businesses in Japan: Factors of Success. V&R unipress, 2024. http://dx.doi.org/10.14220/9783737016810.15.

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Ludwig, Thomas. "Dynamic Quality Assessment of Citizen-Generated Content (TOCHI)." In Researching Complex Information Infrastructures. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-16921-3_6.

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McKenzie, Steven L. "David Toshio Tsumura, The First Book of Samuel." In Perspectives on Hebrew Scriptures IV, edited by Ehud Ben Zvi. Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463216238-066.

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Conference papers on the topic "Toshi"

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LAMEGO DE BARROS COSTA, GUSTAVO, LUIZA FERREIRA R TADEU, LETÍCIA NEVES MARTINS, MARIA LUÍSA TOSCANO MALAQUIAS HYBNER, MARIA VITÓRIA PADUA DE QUINTERO, and IARA FERNANDES PINTO ABREU. "BULLOUS TOPHI IN GOUT: A RARE MANIFESTATION." In Congresso Brasileiro de Reumatologia 2020. Sociedade Brasileira de Reumatologia, 2021. http://dx.doi.org/10.47660/cbr.2020.17333.

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Pascual, E., M. Andrés, and F. Sivera. "AB1025 Monosodium urate crystal formations from tophi in synovial fluid." In Annual European Congress of Rheumatology, EULAR 2018, Amsterdam, 13–16 June 2018. BMJ Publishing Group Ltd and European League Against Rheumatism, 2018. http://dx.doi.org/10.1136/annrheumdis-2018-eular.4718.

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Cavadas, Maria Beatriz da Silva, Vitoria Carvalho Junqueira, Hingryd Emmylly Ferreira Cunha, et al. "UNUSUAL PRESENTATION OF GOUTY TOPHI: A CASE OF NASAL GOUT." In XL Congresso Brasileiro de Reumatologia. Sociedade Brasileiro de Reumatologia, 2023. http://dx.doi.org/10.47660/cbr.2023.2332.

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4

Kuzmenko, Yu S. "Madness and Experience of War as Key Topics in Toshio Shimao’s Prose." In PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES: EUROPEAN POTENTIAL. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-261-6-18.

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Jeong, WooSeong, Jinseok Kim, and Joonhyouk Choi. "SAT0426 TOPHI, THE PREDICTIVE FACTOR OF ARTERIAL STIFFNESS IN PATIENTSWITH GOUT AND HYPERURICEMIA." In Annual European Congress of Rheumatology, EULAR 2019, Madrid, 12–15 June 2019. BMJ Publishing Group Ltd and European League Against Rheumatism, 2019. http://dx.doi.org/10.1136/annrheumdis-2019-eular.4444.

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Fahim, Ahmed. "Applicability of Enclosed Fog Systems in Rural Development Region [Study on Toshki-Egypt Region]." In 10th International Energy Conversion Engineering Conference. American Institute of Aeronautics and Astronautics, 2012. http://dx.doi.org/10.2514/6.2012-4188.

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Huang, Zhengping, Xiuqi Liu, Yuqi Liu, and LI Tianwang. "SAT0425 CLINICAL CHARACTERISTICS AND RISK FACTORS OF ULCERATION OVER TOPHI IN PATIENTS WITH GOUT." In Annual European Congress of Rheumatology, EULAR 2019, Madrid, 12–15 June 2019. BMJ Publishing Group Ltd and European League Against Rheumatism, 2019. http://dx.doi.org/10.1136/annrheumdis-2019-eular.2607.

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Camurdan, Aybige, Conrad Riemann, and Ingo Todt. "A rare case of tophi presentation in bilateral ears of an elderly, postmenoupause patient." In 95th Annual Meeting German Society of Oto-Rhino-Laryngology, Head and Neck Surgery e. V., Bonn. Georg Thieme Verlag KG, 2024. http://dx.doi.org/10.1055/s-0044-1784530.

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Muller, M., A. Mondot, D. Aime, N. Gierczynski, G. Ribes, and T. Skotnicki. "Totally Silicided (TOSI) Gates as an evolutionary metal gate solution for advanced CMOS technologies." In 2006 IEEE International Conference on IC Design and Technology. IEEE, 2006. http://dx.doi.org/10.1109/icicdt.2006.220816.

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Mondot, A., M. Muller, A. Talbot, et al. "Dual phase TOSI-gate process on High-K dielectrics in a CMP-less flow." In 2006 European Solid-State Device Research Conference. IEEE, 2006. http://dx.doi.org/10.1109/essder.2006.307652.

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Reports on the topic "Toshi"

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Allen, Herbert B. The Presence of Biofilms in Gouty Tophi. Science Repository OÜ, 2019. http://dx.doi.org/10.31487/j.cmr.2018.01.007.

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