Relevant bibliographies by topics / Totemism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Totemism'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 June 2025

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Journal articles on the topic "Totemism"

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Dhewangga Priatmojo and Sartini. "UNSUR-UNSUR TOTEMIK PADA PATUNG LORO BLONYO." Jurnal Budaya Nusantara 6, no. 3 (2024): 353–64. http://dx.doi.org/10.36456/jbn.vol6.no3.8423.

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Abstract This research aims to describe the elements of totemism in the Loro Blonyo statue. Totemism is a belief and practice with based on the belief that involves glorifying or honoring totems, which can be animals, plants, and inanimate objects. Totemism is often found in indigenous communities or ethnic groups that have strong connectivity to nature and the environment around them. Javanese society has various cultures. There are also Javanese cultural products that contain totemic elements, which is these totemic products are still considered important for the supporting community. One of the Javanese cultural products that contains totemism is the Loro Blonyo statue. The Loro Blonyo statue is usually placed around the central of the senthong room, which is a special room that is sacred in a traditional Javanese house, usually located in the middle room, and functions as a place to store heirloom objects as well as functioning as a place to carry out good rituals that have religion aspect or other mystical beliefs for the owner. Loro Blonyo is believed to be an object that has good luck, as well as a means to achieve the hope of fertility of offspring and prosperity in life. The aim of this research is to analyze the totemic elements contained in the Loro Blonyo statue. Keywords: Loro Blonyo, Senthong Tengah, Totemism, Javanese Culture
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Turganbayeva, Shakhizada, Yerkezhan Omarova, Saule Nurbay, and Svetlana Kirgizbekova. "Prerequisites for the emergence of the artistic movement of Tobaism in the fine arts of Kazakhstan." Innovaciencia 10, no. 1 (2022): 1–13. http://dx.doi.org/10.15649/2346075x.2972.

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Introduction: Based on the archetypal approach the authors of the article consider the preconditions for the emergence of one of the forms of ancient religion totemism and its reflection in the current tobaism at the present stage in the fine arts of Kazakhstan. The authors show that the development of totemism in the process of historical dynamics lines up in a sequential chain: the origin of religion - a complex of beliefs and rituals - totemism - religious and social system - remnants of totemism preserved in modern religions - transformations of totems images in modern art. Describes the features of artistic imagery of the paintings of the artist Kozhagulov Tokkozhi, dedicated to totem animals. Materials and Methods: This methodology implies a deep knowledge of the history of totemism, the study of its ancient origins based on the principle of meaningful continuity of cultural and historical experience. Results and Discussion We are talking about the recreation of the cult of totems as an experience of reproduction of ethno-cultural identity in modern conditions. Totemism is analyzed as a religious-social system in the space of modern culture, introduced into it based on a special methodology of recreation. Conclusions: The authors conclude that the artistic current of tobaism reflects the core of the spiritually forming creative method of the artist, in which beliefs and myths of our distant ancestors have found a reality, reflecting the system of spiritual, aesthetic and artistic values of the Kazakh ethnos. To substantiate the features of the emergence of a new artistic movement Tobaism.
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Medvedeva, E. I. "TOTEMISM CULT IN THE ERA OF TECHNICAL INNOVATIONS." Juvenis Scientia, no. 7 (2019): 22–27. http://dx.doi.org/10.32415/jscientia.2019.07.05.

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The article represents the study of the roots of religious totemism in modern advertisement. It has been noticed that the motives of marketers and advertising specialists who use totemic myths coincide with the motives of shamans who appeal to totems. Among them we can highlight the desire to get a kind of help from a totem animal, the desire to acquire the characteristics of an animal to adapt to the environment, and the need to expand the emotional background and unity with nature. Special attention is paid to advertising of innovative products - smartphones and cars. The motives for addressing totems in these two cases are the same. However, here we often see a modified totem: robots and computer models supersede animals. This is a new trend in the era of technical innovations, and there is reason to believe that it will continue to evolve.
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Yan, Zhilong, and Aixin Zhang. "Metaphors for Personalization：Modern Analysis of Egyptian and Chinese Human-Bird-Combination Eagle Totem Art as." International Journal of Social Sciences and Humanities Invention 9, no. 06 (2022): 7042–50. http://dx.doi.org/10.18535/ijsshi/v9i06.01.

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Egypt and China were essential in the evolution of human totemic culture. This paper focuses on their imaginative usage of anthropomorphic metaphors. According to research on totemism, the Chinese have three totemic concepts: totem-kin, totem-ancestor, and totem-God. If the concept of "anthropomorphic metaphor" is based on a variant of philosophical or theological terminology to focus on the "bird-totemic system of artistic meaning," it can be determined that the creative function of the institutional totems is explicit and the creative function of the individual totems is implicit, and that this manifestation of the institutional totems leads to their superficiality, with the result that a series of negative effects must inevitably ensue. To dispel the misunderstanding of the artistic connotation of the human-bird-eagle totems, it is necessary to promote our subjective consciousness through the self-conscious and speculative ideas in the individual totems in order to further liberate the life energy of humans in the contemporary spiritual construction. On the basis of Roland Barth's theory of symbol transmission, we attempt to investigate the notion that the individual consciousness represented by ancient totemic culture is power, which can assist in forming an understanding of the functioning in ancient culture.
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Lundager Jensen, Hans J. "Virkeligheder og religionshistorie: En introduktion til ontologier ifølge Philippe Descola." Religionsvidenskabeligt Tidsskrift, no. 71 (May 19, 2021): 1–33. http://dx.doi.org/10.7146/rt.v0i71.127008.

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 ENGLISH SUMMARY: A presentation of Philippe Descola’s model of four ontol-ogies (animism, totemism, analogism, and naturalism) and six forms of attach-ment (gift, exchange, etc.) and an argument for their relevance for the academic study of religion. The four ontologies overlap partly with Robert Bellah’s stages of cultural-religious evolution: Animism and totemism dominate in tribal religions, analogism in archaic and post-axial religions, naturalism (or natura-culturalism) in the post-Christian modernity.
 DANSK RESUME: En præsentation af Philippe Descolas model over fire ontolo-gier (animisme, totemisme, analogisme og naturalisme) og seks relationsformer (gave, bytte m.m.) med argumentation for deres relevans for religionsvidenskaben. De fire ontologier relateres til Robert Bellahs religionshistoriske stadier: Animisme og totemisme dominerer i tribale religioner, analogisme i arkaiske og post-aksiale religioner og naturalisme i den post-kristne modernitet.
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Czeremski, Maciej. "Totemism in the Scope of Prototype Theory." Anthropos 115, no. 2 (2020): 357–70. http://dx.doi.org/10.5771/0257-9774-2020-2-357.

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The article presents the concept of totemism as a prototype (as understood by Eleanor Rosch) of the phenomena characteristic of traditional thinking, i.e., as an idealised scheme structured by attributes of phenomena central to a given category. The first part of the article reviews the history of research on totemism, with emphasis on the reservations arising from the lack of coherence of “totemistic” forms. It covers the period of classic research, Claude Lévi-Strauss’s negation of totemism’s existence, as well as contemporary examples of the application of the concept (cognitive science, “ontological turn”). The second part of the article discusses the foundations of the prototype theory, particularly the issues of a non-Aristotelian way of generating categories and their structuring with the division into centre and periphery, as well as an idealised nature of prototype and prototype effects, and their application to the concept of totemism.
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Kirushikkah, Rajendran. "Totemism in Religious Theories: A Social Anthropological Perspective." Indian Journal of Tamil 3, no. 4 (2022): 15–22. http://dx.doi.org/10.54392/ijot2242.

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From the point of view of Social Anthropology, the rituals associated with religion and its upright modes of worship convey something to each individual and society. Among the rituals, the totemism propounded by the author explains the origin of religion and explains in detail how its effectiveness is established in society. In particular, this study includes the issues of religious rituals, the origin of Totemic religion, Totemic worship, its characteristics, and the position of Totemic worship in society. Therefore, the purpose of this study is to explain the performance, characteristics, and stability of Totemic worship, which is one of religious worship, from a social and anthropological point of view.
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Öztürk, Emrah. "Re-Defining the Villain in A Song of Ice and Fire from the Aspect of Totemism." Religions 11, no. 7 (2020): 360. http://dx.doi.org/10.3390/rel11070360.

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The confrontation between good and evil is one of the essential aspects of the fantasy genre. In George R.R. Martin’s epic fantasy novel series A Song of Ice and Fire (ASOIAF, 1996–2011), he approaches this conception from a critical point of view. Whilst Martin creates deep and challenging characters in his novels, he introduces the White Walkers to the audience as almost one-dimensional, classic antagonists. It can therefore be questioned whether this contradicts his approach towards the medieval ethos. In order to answer this question, I will approach the narration from the aspect of totemism, and will use totemic signs and values for my analysis. Firstly, I will establish a relationship between totemism and the Old Gods. Conceptions such as ‘sacred totem animal’, ‘totem as an emblem’, ‘restriction of incestuous intercourse’, and ‘spirits’ will be useful for comprehending the Old Gods. Furthermore, I will try to analyze the narration with the elements of totemism. Lastly, in the light of this examination, I will try to explain what theWhite Walkers represent within the narration.
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Jones, Rhys. "From Totemism to Totemism in Palaeolithic Art1." Mankind 6, no. 9 (2010): 384–92. http://dx.doi.org/10.1111/j.1835-9310.1967.tb01024.x.

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Onuora, Chijioke Noel, Nkem Fortyunes Alu, Samuel Ogba Echem, Stephen Ezeh Ezike, and Jovita Charles Ogu. "ILLUSTRATIONS IN TOTEMISM AND MYTHOLOGY AS PANACEA FOR ENHANCING CULTURAL STUDIES AMONG IGBO SECONDARY SCHOOL STUDENTS IN NIGERIA." Advances in Social Sciences Research Journal 7, no. 7 (2020): 238–60. http://dx.doi.org/10.14738/assrj.77.8543.

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Totemism is the philosophy in which animals and inanimate objects called totems are accepted as harmless co-habitants of man. Myths are folkloric tales of origins and existence, which are as doubtful as they are credible. In assessing Totemic and Mythological Imagery for cultural studies, the study specifically sought to; (i) measure the extent to which Igbo cultural images can hold students’ attention during cultural studies, and (ii) explore Igbo totemic and mythological themes for traditional synthesis in art. The research was experimental and descriptive survey. The 4-week long vacation experiment comprised 40 Junior Secondary School students of ages 12-14 (treatment, n=20; control, n=20) randomised from 60. The subject foci were; (i) Cultural Studies; Igbo, Social Studies and Agriculture, and (ii) Art; Fine art, Poetry and Drama. Three study instruments were used; (i) Igbo Totemic and Mythological Illustrations Scoring Chart (ITMI-SC), (ii) Igbo Totemic and Mythological Illustrations Mean Rating Table (ITMI-MRT), and (iii) Igbo Totemic and Mythological Illustrations Post-test Impact Assessment Mean Rating Table (ITMIPIA-MRT). The post-test course tagged; Igbo Totemic and Mythological Illustrations Post-test Impact Assessment Test (ITMI-PIAT) involved the treatment and control groups in a free-topic choice of artistic contents. Findings showed that the treatment group progressed in cultural studies with artistic illustrations and subsequently explored Igbo mythological contents freely in art. During the ITMI-PIAT post test, the treatment group excelled beyond the control group members who were significantly atelic. It is recommended that teachers adopt artistic pedagogies for ethnographical studies while injecting traditional contents in art learning processes.
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Dissertations / Theses on the topic "Totemism"

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Bleakley, Alan Douglas. "Animalizing and shamanizing : animal presence in Shamanism and archetypal psychology." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262595.

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Merz, Sharon. "'Crocodiles are the souls of the community' : an analysis of human-animal relations in northwestern Benin and its ontological implications." Thesis, University of Exeter, 2018. http://hdl.handle.net/10871/32861.

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In this thesis I explore human-animal relations amongst the Bebelibe of the Commune of Cobly, in the northwest of the Republic of Benin, West Africa, with a focus on how they relate to their tikedimɔmɔnte (true totem(s), literally “interdict(s)-true”). I start with an historical review of totemism, the debates it generated and how these contributed to the recent ontological turn in anthropology. I then explore the theoretical ideas I use for my analysis, which include “presencing” and the “ontological penumbra” (J. Merz 2017b; J. Merz and S. Merz 2017). Presencing builds on semiotics by explaining how people make meaning present through their engagement in and with the world around them, whilst ontological penumbras are the shadowy spaces of limbo that affect our whole being and that people need to negotiate as part of making sense of their engagement with the world. As part of these theoretical frameworks, I examine the “onton”, as introduced by Johannes Merz (2017b). Ontons are experiential, agentive and relational entities that are the result of presencing processes. Ontons, however, cannot be divided into representations (signifiers) and represented (signified) as signs can. An engagement in the world between different entities in an ontonic and thus nonrepresentational sense necessitates my introducing further notions including shared “ontonity” (instead of shared humanity) and “ontonhood” (rather than personhood). I demonstrate how these theoretical ideas work with reference to human-animal relations primarily amongst the Bebelibe in the Commune of Cobly. In order to do this, I provide an in-depth, “thick description” (Geertz 1973) ethnography that explores how people perceive and relate to animals through hunting, domestication, attitudes to eating meat, animal commodification, reincarnation, shapeshifting and totemism. As part of my analysis I also examine the impact of Christianity on human-animal relations by exploring several incidents involving Christians and their tikedimɔmɔnte.
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Durand-Rous, Caroline. "Le totem réinventé : exploration de l'identité et redéfinition de soi dans la fiction amérindienne contemporaine." Thesis, Perpignan, 2017. http://www.theses.fr/2017PERP0043/document.

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La quête de l'identité est au cœur des ouvrages de fiction écrits par les auteurs indiens d'Amérique du Nord au cours du XXe et du XXIe siècle. Les héros, voire anti-héros, de ces romans et de ces nouvelles tentent de reconquérir une dignité perdue et se trouvent confrontés à des épreuves, parfois absurdes, qu'ils surmontent tant bien que mal. Dans les descriptions souvent très crues du quotidien de la vie dans les réserves indiennes ou les réserves urbaines, surgit une part de magie qui s'immisce dans les situations les plus banales, habite les objets les plus inattendus, et transcende la fatalité des destins. Cette magie suscite des esprits tutélaires hybrides, entre monde occidental et traditions autochtones, qui déguisent leur présence pour fédérer les protagonistes en une sorte de clan moderne et revisité. Ce faisant, ils redonnent du sens aux errances existentielles des personnages. Ce procédé littéraire n'est pas sans rappeler le totémisme rituel, pratique animiste ancestrale que l'on croyait oubliée et qui a été largement documentée par les anthropologues dans le courant du XIXe siècle. Notre corpus se réduit à Louise Erdrich, David Treuer, Eden Robinson et Joseph Boyden qui imaginent de nouvelles figures totémiques pour aborder différemment la question identitaire. La présente thèse étudie comment cette réappropriation du totémisme par le biais de la réinvention littéraire engage un mouvement en trois temps qui permet de perpétuer, de régénérer et de (re)créer une certaine identité amérindienne<br>The quest for identity is a central topic of North American contemporary Native fiction which recurrently dwells on the ontological confusion experienced by Native and bicultural protagonists and the subsequent urge to come to terms with their distinctiveness. Indeed, in many novels and short-stories the heroes, or anti-heroes, attempt to recover their lost dignity for better or worse while overcoming obstacles and enduring ordeals that sometimes prove absurd. Meanwhile, an unexpected magic pervades the crude descriptions of modern day life on Canadian reserves and American reservations and intrudes in the most trivial situations eventually transcending fate and destiny. The hybrid tutelar spirits thus staged, symbolically referring as much to the Western world as to secular indigenous traditions, disguise their presence with the aim to bring together the estranged protagonists in a reshaped modern clan. By so doing, these supernatural forces endow the characters' physical and spiritual journeys with renewed meanings. Such a process directly alludes to ritualized totemism, an array of ancient animistic practices and beliefs thoroughly documented by 19th century anthropologists. Interestingly, many contemporary Native authors, among whom Louise Erdrich, David Treuer, Eden Robinson et Joseph Boyden, contrive new totems in order to address otherwise the identity issue. This thesis aims to demonstrate how their literary reinvention of totemism engages a threefold movement, to perpetuate, rejuvenate and (re)create a specific form of Native identity
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Moody, Meredith Harper. "Totems : a comparison and contrast of four totemic sculptures in northern exposure with Northwest Coast Native American totem poles." Honors in the Major Thesis, University of Central Florida, 1997. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/177.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Art
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Dahl, Rachel L. "Pocket Totems: Remembering the Ones we Love." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/587.

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This paper was an exploration of the history of portraiture and how that history related to the Senior Thesis show of studio art major Rachel Dahl. The focus of the paper is on the nostalgic and commemorative tendencies of portrait art throughout its history--namely the Italian Uomino Famosi of the fifteenth century, paintings commissioned of favorite horses and dogs, the portraits of recently deceased people, and the miniature eye portrait fad in Europe in the eighteenth and nineteenth centuries--and how these historic examples of portraiture influenced her work.
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Oppikofer-Brutsch, Françoise. "Gaston Chaissac : totems, masques, pierres et objets enluminés." Paris 1, 1990. http://www.theses.fr/1990PA010601.

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Mbamba, Mitamba Oswald. "Les usages contemporains des totems au Gabon (population nzèbi)." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0054/document.

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L’étude de la relation de l’homme avec la nature n’est pas un fait nouveau, surtout en ce qui concerne le triptyque homme/animaux/plantes. En effet, un bon nombre de travaux réalisés en sciences sociales a permis de mettre à jour différents niveaux de compréhension dans lequel l’humain met en évidence la faune et la flore dans ses activités quotidiennes. C’est le cas de notre sujet qui porte sur les usages et les représentations des totems chez les Nzèbi du Gabon. Toutefois, ce qui fait la richesse d’une recherche c’est avant tout sa spécificité et sa capacité à enrichir la science. Ainsi, notre recherche repose sur les discours et les légendes de la société nzèbi sur ses totems. Cette société qui se trouve repartie dans trois provinces sur les neuf que compte le Gabon, les nzèbi ont gardé une partie importante de leur héritage ancien, notamment celui qui les lie à leurs totems. Basée sur le principe de l’oralité, cette société véhicule l’essentiel des connaissances sur les totems par un enseignement qui se fait en des lieux et des circonstances souvent déterminé dans un cadre traditionnel. Si le totem a toujours fait partie de la cosmogonie nzèbi ; c’est-à-dire depuis la création de l’univers comme le présentent certains récits comme le mythe Koto, qui retrace l’histoire des Nzèbi, mais aujourd’hui, cette société ne vit pas en marge des évolutions contemporaines. C’est dans cette logique que cette étude tente aussi d’apprécier à partir des influences que connaissent les Nzèbi, de faire l’état actuel des usages et des représentations des totems dans la société contemporaine nzèbi<br>The study of the relation between man and nature is not a new fact, particularly regarding the triptych man / animals / plants. Indeed, many works in social sciences allowed to update various levels of understanding in how the human being highlights the flora and fauna in his daily activities. It is the case of our subject which concerns the uses and the representations of the totems among Nzèbi population, in Gabon. However, what makes the value of a research is the specificity and its capacity to enrich the science. Therefore, our research focuses on the speeches and the legends about totems in the nzèbi society. Nzèbi people which lives in three provinces on nine that count the Gabon, have guarded an important part of their old inheritance, in particular the one who binds them to its totems. Enriched by its oral tradition, this society conveys the main part of their knowledge on the totems by an education which takes place in a traditional frame that is in particular places and circumstances. Totems have always been a key element of the nzèbi cosmogony that is since the creation of the universe to today, as presented in the myth Koto which redraws the history of Nzèbi, but today, this society does not live outside the contemporary evolutions. It is in this perspective that our study also tries to analyse the present issues in nzèbi society, to understand the current state of the uses and the representations of the totems in the nzèbi contempory society
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Scholl, Camille Johann. "O "Enigma Bijag?" : saberes coloniais em disputa no Centro de Estudos da Guin? Portuguesa (1946-1967)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7620.

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Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-08-18T14:32:28Z No. of bitstreams: 1 DIS_CAMILLE_JOHANN_SCHOLL_COMPLETO.pdf: 1298782 bytes, checksum: 506966df07a502b76dac21db1b33c2d6 (MD5)<br>Made available in DSpace on 2017-08-18T14:32:29Z (GMT). No. of bitstreams: 1 DIS_CAMILLE_JOHANN_SCHOLL_COMPLETO.pdf: 1298782 bytes, checksum: 506966df07a502b76dac21db1b33c2d6 (MD5) Previous issue date: 2017-08-01<br>This work investigates the anthropological discourse built on the Bijago folks by Portuguese Guinea Studies Center?s members over the years that they produced the Portuguese Guin? Cultural Bulletins (1946-1973). The organizing principle of research is the discourse. This focuses on the concepts used by the authors to compose their arguments, that are matriarchy, totemism, animism and fetishism. They are the nucleus of the "bijago enigma" discussed by Jos? Mendes Moreira, Augusto Jos? de Santos Lima, Avelino Teixeira da Mota and Fernando Rogado Quintino within 1946-1947 and 1962-1967.<br>Este trabalho investiga o discurso antropol?gico constru?do a respeito dos Povos Bijag?s pelos membros do Centro de Estudos da Guin? Portuguesa ao longo dos anos que foram produzidos os Boletins Culturais da Guin? Portuguesa (1946-1973). O princ?pio organizador desta investiga??o ? o pr?prio discurso. Esta centra-se nos conceitos utilizados pelos autores para elaborar sua argumenta??o que s?o o matriarcado, totemismo, animismo e fetichismo. Tais comp?e o cerne da constru??o do ?enigma bijag?? por parte de Jos? Mendes Moreira, Augusto Jos? de Santos Lima, Avelino Teixeira da Mota e Fernando Rogado Quintino em dois contextos distintos, 1946-1947 e 1962-1967.
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Pettman, Dominic. "The Mole and the Serpent: A Totemic Approach to Societies of Control." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A71591.

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Animals are good to think with, or so they say. And animal totems have consistently found a hospitable ecosystem in Continental Philosophy. From Isaiah Berlin’s fox and hedgehog, to Friedrich Nietzsche’s menagerie of eagles and asses, to Donna Haraway’s companion species, different critters have been put to work at the service of The Concept. In Deleuze’s influential essay, “Postscript on the Societies of Control,” we encounter two particular animals: the mole and the serpent. (“We have passed from one animal to the other, from the mole to the serpent, in the system under which we live, but also in our manner of living and in our relations with others.” [2011: 140f]) The former is the emblem of the disciplinary society, which, according to Deleuze’s argument, is evolving swiftly into a control society, overseen by the oily coilings of the latter. What to make of this totemic distinction? What can the mole and the serpent tell us about the present moment, thirty years after Deleuze released them into our minds in this context? Since it is hardly more than a suggestive throw-away line in the original piece, we can only speculate.
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Rosa, Frederico Delgado. "L'âge d'or du totémisme ou l'histoire d'un débat anthropologique." Doctoral thesis, Université de Paris X - Nanterre, 1997. http://hdl.handle.net/10362/3944.

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Books on the topic "Totemism"

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Hill-Tout, Charles. Totemism: A consideration of its origin and import. J. Hope & Sons, 1997.

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Chao, Paul. Totemism and taboo in China. Hsing-Hua Publisher, 1997.

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Mikʻelaże, Merab. Totemi da żveli samqaro: "Kavkasia-Xmeltʻašua Zġva-Pireneebi". Gamomcʻemloba "Nekeri", 2001.

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Alfred, Adler. Totémismes. École Pratique des Hautes Études/CNRS, 1998.

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Sigrid, Hellbusch, Baumann Hermann 1902-1972, and Derungs Kurt, eds. Tier und Totem: Naturverbundenheit in archaischen Kulturen : Texte zum Totemismus. Edition Amalia, 1998.

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Kharanutova, E. I. Тотемическая лексика в мифологии народов Восточной Сибири. Izd.-poligraficheskiĭ kompleks FGOU VPO VSGAKI, 2006.

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Braffi, Emmanuel Kingsley. The Akan clans: Totemism and 'nton'. University Press, 1992.

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Ruisuo, Zhao, and Liu Yuqing 1954-, eds. Long de wen hua jie du: Shi su wen hua zhi pei xia de Zhongguo chuan tong ren sheng. Ren min chu ban she, 2009.

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Bleakley, Alan. The animalizing imagination: Totemism, textuality and ecocriticism. St. Martin's Press, 2000.

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Durkheim, Émile. Formele elementare ale vietii religioase. POLIROM, 1995.

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Book chapters on the topic "Totemism"

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Elwood, Patricia Anne. "Totemism." In A Jungian Approach to Spontaneous Drawing. Routledge, 2019. http://dx.doi.org/10.4324/9780429264535-10.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Explorations in Art and Technology. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0_20.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Springer Series on Cultural Computing. Springer London, 2018. http://dx.doi.org/10.1007/978-1-4471-7367-0_20.

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Toy, Crawford H. "Recent Discussions of Totemism." In Recent Discussions of Totemism. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463229559-001.

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Rocha, Everardo. "Totemism in the market." In Advertising and Consumption. Routledge, 2021. http://dx.doi.org/10.4324/9781003176794-3.

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Hays, H. R. "The Riddle of Totemism." In From Ape to Angel. Routledge, 2023. http://dx.doi.org/10.4324/9781003394167-25.

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Abbott, J. "Totemism and the Marāṭhā Devak1." In The Keys of Power. Routledge, 2022. http://dx.doi.org/10.4324/9781003174691-24.

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Wang, Keping. "The Pictographic Character and Totemism." In Beauty and Human Existence in Chinese Philosophy. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1714-0_1.

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James, E. O., and R. R. Marett. "The Food Quest and Totemism." In Primitive Ritual and Belief. Routledge, 2023. http://dx.doi.org/10.4324/9781003419709-6.

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Ingold, Tim. "Totemism, animism and the depiction of animals." In The Perception of the Environment. Routledge, 2021. http://dx.doi.org/10.4324/9781003196662-9.

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Conference papers on the topic "Totemism"

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Ribeiro, Cecília Rodrigues. "Totemismo e tabu hoje." In II SIMPÓSIO BIENAL DA SBPSP: Fronteiras da Psicanálise: a clínica em movimento. Editora Blucher, 2020. http://dx.doi.org/10.5151/iisbsbpsp-36.

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Zeng, Qiaoling, Mingu Lee, and Juhyun Eune. "Interactive Animation Design of Egyptian Totem Elements under the Digital Media Technology." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001937.

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This paper is a record of the creation process based on the cross-over study of visual, animation, and interaction design of ancientEgyptian totemic elements with the use of digital media technology. Through an in-depth analysis of the creation process of theanimation interaction work from an art design perspective, this paper points out the importance of theme setting as well as thepotential problems during the process of visual, animation, and interaction design, and puts forward the corresponding solutions.In addition, a systematic summary of the design concept in the animation interaction as well as other additional concepts is madethrough the work Tutan, which is presented in the paper.Tutan consists of 22 groups of single-module elements derived from ancient Egyptian totems, which were dismantled and reorganizedto reconstruct the main picture. Through the use of animation and interaction design, the designer aspires to build a connectionbetween people and the work Tutan, in an attempt to promote the ancient Egyptian culture among the general public, entertain theviewers, and establish a connection between culture, technology, viewers, and the work itself.
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Di Mascio, Tania, Sara Peretti, Federica Caruso, and Dajana Cassioli. "The “Great Beauty” of Diversity: Smart Totems to Promote Gender Uniqueness." In 2022 IEEE International Workshop on Metrology for Industry 4.0 & IoT (MetroInd4.0&IoT). IEEE, 2022. http://dx.doi.org/10.1109/metroind4.0iot54413.2022.9831745.

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Beard, J. W. "Change and learning in technology management: totems, toys, traps and transmogrification." In Proceedings of HICSS-29: 29th Hawaii International Conference on System Sciences. IEEE, 1996. http://dx.doi.org/10.1109/hicss.1996.495384.

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Narynbaeva, N. O. "ARTISTIC EMBODIMENT OF TOTEMIC IMAGES (COMPARATIVE ANALYSIS ON THE EXAMPLE OF KYRGYZ EPICS)." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-137-140.

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Hendricks, Genevieve. "Le Corbusier’s Postwar Painterly Mythologies." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.828.

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Abstract: Le Corbusier’s graphic output was prolific, consisting of hundreds of paintings, thousands of drawings and watercolors, and scores of collages, lithographs, and murals throughout his career. By the late 1940s his double-nature as artist-architect emerged as a key component to his work, as he highlighted the correlations and correspondences that informed his creative endeavors. His post-war works, specifically his series of Taureaux paintings, reveal the development of such themes as well as the transformation of earlier works as he turned to a mythologically-inspired vocabulary of totemic figures and animals, developing a private cosmology of sun and moon, male and female, the machine and Mediterraneità. Keywords: Le Corbusier, Visual Arts, Painting, Taureaux. DOI: http://dx.doi.org/10.4995/LC2015.2015.828
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Pears, Matthew, James Henderson, Anne-Marike Smit, et al. "LEARNING ANALYTICS OF TOTEMM VIRTUAL LEARNING RESOURCES -TRANSFORMING TRANSNATIONAL INTERCULTURAL SENSITIVITY FOR MIDWIFERY STUDENTS THROUGH AN INCLUSIVE MOBILITY MODEL." In 17th International Technology, Education and Development Conference. IATED, 2023. http://dx.doi.org/10.21125/inted.2023.2182.

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Mátéffy, A. "THE WONDERFUL DEER MOTIF SEQUENCE (AATH 401/ATU 400) AS AN INDIGENOUS TOTEMIC-LIKE SUBSTRATUM İN THE CENTRAL EURASİAN HEROİC EPİC TRADİTİONS." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-115-121.

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Smit, Anne-Marike, Maria Van Oost, Sara Borelli, et al. "TO ENHANCE INTERCULTURAL SENSITIVITY SKILLS BY INTERNATIONAL VIRTUAL MOBILITY LEARNING. THE TOTEMM PROJECT: AN INCLUSIVE VIRTUAL ERASMUS EXPERIENCE FOR STUDENT MIDWIVES." In 14th annual International Conference of Education, Research and Innovation. IATED, 2021. http://dx.doi.org/10.21125/iceri.2021.0957.

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