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1

Britta, Timm Knudsen, and Waade Anne Marit, eds. Tourism, place and emotions. Channel View Publications, 2010.

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2

Walsh, Bernadine M. Ritual reality? - indigenous participation and its role in cultural sustainability and authenticity in a tourismproduct: A socio-cultural analysis of Maori cultural heritage tourism operation in New Zealand. [University of Surrey], 1994.

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3

Rickly, Jillian M., and Elizabeth S. Vidon, eds. Authenticity & Tourism. Emerald Publishing Limited, 2018. http://dx.doi.org/10.1108/s1571-5043201824.

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4

Authentic and Inauthentic Places. Taylor & Francis Group, 2017.

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5

Chhabra, Deepak. Resilience, Authenticity and Digital Heritage Tourism. Taylor & Francis Group, 2021.

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6

Chhabra, Deepak. Resilience Authenticity and Digital Heritage Tourism. Taylor & Francis Group, 2021.

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7

Resilience, Authenticity and Digital Heritage Tourism. Taylor & Francis Group, 2021.

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8

Rickly, Jillian M. Authenticity & Tourism: Materialities, Perceptions, Experiences. Emerald Publishing Ltd, 2018.

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9

Aspray, William, and James W. Cortada. Authenticity. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9798881810122.

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This book studies authenticity, which is a kind of truth to self, through the study of heritage tourism. When a heritage site is inauthentic, it leads to misinformation. Tourism scholars have been studying authenticity for about 50 years, and this book draws upon the theories and approaches of tourism studies to understand better misinformation, which has become a major topic of study since the US presidential elections in 2016. The book includes a discussion of common-sense and academic notions of authenticity, surveys a half century of scholarship on authenticity, and provides three case studies of heritage tourism sites: Lindsborg, KS (known as Little Sweden, USA), Colonial Williamsburg in Virginia, and the Gettysburg battlefield in Pennsylvania.
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10

Rickly, Jillian M., and Elizabeth S. Vidon. Authenticity and Tourism: Materialities, Perceptions, Experiences. Emerald Publishing Limited, 2018.

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11

Rickly, Jillian M., and Elizabeth S. Vidon. Authenticity and Tourism: Materialities, Perceptions, Experiences. Emerald Publishing Limited, 2018.

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12

Carnaffan, Jane. Authenticity and Sustainability in Responsible Tourism. Oxford University Press, 2015. http://dx.doi.org/10.1093/acrefore/9780190228637.013.191.

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13

Chhabra, Deepak. Resilience, Authenticity and Digital Heritage Tourism. Taylor & Francis Group, 2021.

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14

Nuenen, Tom. Scripted Journeys: Authenticity in Hypermediated Tourism. de Gruyter GmbH, Walter, 2021.

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15

Nuenen, Tom. Scripted Journeys: Authenticity in Hypermediated Tourism. de Gruyter GmbH, Walter, 2021.

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16

Scripted Journeys: Authenticity in Hypermediated Tourism. de Gruyter GmbH, Walter, 2021.

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17

Bull, Chris, and Jane Lovell. Authentic and Inauthentic Places in Tourism. Taylor & Francis Group, 2019.

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18

Knudsen, Britta Timm, and Anne Marit Waade. Re-Investing Authenticity: Tourism, Place and Emotions. Channel View Publications, Limited, 2010.

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19

Knudsen, Britta Timm, and Anne Marit Waade. Re-Investing Authenticity: Tourism, Place and Emotions. Channel View Publications, Limited, 2010.

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20

Bull, Chris, and Jane Lovell. Authentic and Inauthentic Places in Tourism: From Heritage Sites to Theme Parks. Taylor & Francis Group, 2017.

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21

Bull, Chris, and Jane Lovell. Authentic and Inauthentic Places in Tourism: From Heritage Sites to Theme Parks. Taylor & Francis Group, 2017.

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22

Chen, Andy Lihua. Pseudo-Authenticity and Tourism: Preservation, Miniaturization, and Replication. Taylor & Francis Group, 2023.

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23

Knudsen, Britta Timm, and Anne Marit Waade. Re-Investing Authenticity: Tourism, Place and Emotionsanthropological Insights. Channel View Publications, Limited, 2010.

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24

Pseudo-Authenticity and Tourism: Preservation, Miniaturization, and Replication. Taylor & Francis Group, 2023.

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25

Chen, Andy Lihua. Pseudo-Authenticity and Tourism: Preservation, Miniaturization, and Replication. Taylor & Francis Group, 2023.

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26

Long, Lucy M. Culinary Tourism. Edited by Jeffrey M. Pilcher. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199729937.013.0022.

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A product of both world history and contemporary mass culture, culinary tourism is a scholarly field of study that is emerging as an important part of the tourism industry. Also known as gastronomic tourism, tasting tourism, and simply food tourism, culinary tourism refers to adventurous eating, eating out of curiosity, exploring other cultures through food, intentionally participating in the foodways of an Other, and the development of food as a tourist destination and attraction. In culinary tourism, the primary motivation for travel is to experience a specific food. Culinary tourism parallels the globalization of food production and consumption and reflects issues inherent in tourism. It has the potential to address some of the controversial issues in tourism in general, such as questions of authenticity, commodification of tradition, identity construction, intellectual property and intangible heritage, as well as the ecological, economic, and cultural sustainability of food cultures in response to tourism.
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27

Cortada, James W., and William Aspray. Authenticity: Understanding Misinformation Through the Study of Heritage Tourism. Rowman & Littlefield Publishers, Incorporated, 2022.

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28

Authenticity: Understanding Misinformation Through the Study of Heritage Tourism. Rowman & Littlefield Publishers, Incorporated, 2024.

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29

Practically Invisible: Coastal Ecuador, Tourism, and the Politics of Authenticity. Vanderbilt University Press, 2015.

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30

Smith, Kimbra. Practically Invisible: Coastal Ecuador, Tourism, and the Politics of Authenticity. Vanderbilt University Press, 2015.

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31

Artifak: Cultural Revival, Tourism, and the Recrafting of History in Vanuatu. Berghahn Books, 2018.

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32

Authentic American. Taylor & Francis Group, 2019.

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33

Lovell, Jane, and Sam Hitchmough. Authenticity in North America: Place, Tourism, Heritage, Culture and the Popular Imagination. Taylor & Francis Group, 2019.

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34

Lovell, Jane, and Sam Hitchmough. Authenticity in North America: Place, Tourism, Heritage, Culture and the Popular Imagination. Taylor & Francis Group, 2019.

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35

Lovell, Jane, and Sam Hitchmough. Authenticity in North America: Place, Tourism, Heritage, Culture and the Popular Imagination. Taylor & Francis Group, 2019.

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36

Lovell, Jane, and Sam Hitchmough. Authenticity in North America: Place, Tourism, Heritage, Culture and the Popular Imagination. Taylor & Francis Group, 2022.

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37

Lovell, Jane, and Sam Hitchmough. Authenticity in North America: Place, Tourism, Heritage, Culture and the Popular Imagination. Taylor & Francis Group, 2019.

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38

Leite, Naomi M., ed. Ethnography of Tourism. Lexington Books, 2019. https://doi.org/10.5040/9781978736870.

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**Winner of the 2020 Edward M. Bruner Book Award from the Anthropology of Tourism Interest Group** "Leite, Castaneda, and Adams's volume is a beautiful retrospective of the enduring importance of Ed Bruner's work and legacy in our field, and we have no doubt that it will be used as a central historical, theoretical, and teaching text by many." - Prize Committee What does it mean to study tourism ethnographically? How has the ethnography of tourism changed from the 1970s to today? What theories, themes, and concepts drive contemporary research? Thirteen leading anthropologists of tourism address these questions and provide a critical introduction to the state of the art. Focusing on the experience-near, interpretive-humanistic approach to tourism studies widely associated with anthropologist Edward Bruner, the contributors draw on their fieldwork to illustrate and build upon key concepts in tourism ethnography, from experience, encounter, and emergent culture to authenticity, narrative, contested sites, the borderzone, embodiment, identity, and mobility. With its comprehensive introductory chapter, keyword-based organization, and engaging style, The Ethnography of Tourism will appeal to anthropology and tourism studies students, as well as to scholars in both fields and beyond. For more information, check out A Conversation with the Editors of the Ethnography of Tourism: Edward M. Bruner and Beyond and In Memoriam: Ed Bruner.
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39

Visitors’ Perception Based Authenticity in Tourism Development Project: A Case Study of Xietang Old Street in Suzhou, China. [publisher not identified], 2019.

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40

Labadi, Sophia. UNESCO, Cultural Heritage, and Outstanding Universal Value. Bloomsbury Publishing, 2012. https://doi.org/10.5040/9798881809140.

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This book explores the international legal framework developed by UNESCO to identify and protect world heritage and its implementation at the national level. Drawing on close policy analysis of UNESCO’s major documents, extensive professional experience at UNESCO, as well as in-depth analyses of case studies from Asia, Europe, and Latin America, Sophia Labadi offers a nuanced discussion of the constitutive role of national understandings of a universalist framework. The discussion departs from considerations of the World Heritage Convention as Eurocentric and offers a more complex analysis of how official narratives relating to non-European and non-traditional heritage mark a subversion of a dominant and canonical European representation of heritage. It engages simultaneously with a diversity of discourses across the humanities and social sciences and with related theories pertaining not only to tangible and intangible heritage, conservation, and archaeology but also political science, social theory, tourism and development studies, economics, cultural, and gender studies. In doing so, it provides a critical review of many key concepts, including tourism, development, sustainability, intangible heritage, and authenticity.
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41

Cannady, Kimberly. Echoes of the Colonial Past in Discourse on North Atlantic Popular Music. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.11.

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This chapter brings a postcolonial perspective into the study of popular music in Iceland and the North Atlantic. The argument is that the fascination with Icelandic culture and nature, in which popular music plays a key role, evolves from a sense of “discovery” in the 1980s in Anglophone media that echoes a longer colonial history. The fascination with the present is grounded in the familiar myth of an isolated culture and nature untouched by modernity. Iceland’s authenticity is thus inseparable from the country’s mythical status as a deep freeze for Old Norse heritage and its location at the margins of Scandinavian modernity. The argument is demonstrated through analysis of the “discovery” motif in international media and in Icelandic record shops, festivals, and tourism marketing. The analysis opens up for a more nuanced understanding of the North Atlantic, looking beyond late twentieth-century dichotomies.
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42

Inauthentic Archaeologies: Public Uses and Abuses of the Past. Left Coast Press, 2007.

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43

Inauthentic Archaeologies: Public Uses and Abuses of the Past. Left Coast Press, 2006.

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44

Museums and the Culture of Copies. Taylor & Francis Group, 2018.

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45

Benger Alaluf, Yaara. The Emotional Economy of Holidaymaking. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198866152.001.0001.

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It is often taken for granted that holiday resorts sell intangible commodities such as freedom, enjoyment, pleasure, and relaxation. But how did the desire for a ‘happy holiday’ emerge, how was ‘the right to rest’ legitimized, and how are emotions produced by commercial enterprises? To answer these questions, The Emotional Economy of Holidaymaking explores the rise of popular holidaymaking in late-nineteenth-century Britain. Drawing on a wide range of texts, including medical literature, parliamentary debates, advertisements, travel guides, and personal accounts, the book unravels the role emotions played in British spa and seaside holiday cultures. Introducing the concept of an ‘emotional economy’, Yaara Benger Alaluf traces the overlapping impact that psychological and economic thought had on moral ideals and performative practices of work and leisure. Through a vivid account of changing attitudes toward health, pleasure, social class, and gender in late-Victorian and Edwardian Britain, she explains why the democratization of holidaymaking went hand in hand with its emotionalization. Combining the history of emotions with the sociology of commodification, the book offers an innovative approach to the study of the leisure and entertainment industries and a better understanding of how medicalized conceptions of emotions influenced people’s dispositions, desires, consumption habits, and civil rights. Looking ahead to the central place of tourism in twenty-first-century societies and its relation to stress and burnout, The emotional economy of holidaymaking calls on future research of past and present leisure cultures to take emotions seriously and to rethink notions of rationality, authenticity, and agency.
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46

Fox, Neil. Music Films. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839023477.

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InMusic Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such asA Hard Day's Night(1964),Dig!(2004), andAmazing Grace(2006), critically lauded works likeMilford Graves Full Mantis(2018) andMistaken for Strangers(2013), and lesser-studied films includingJazz on a Summer’s Day(1959) andOrnette: Made in America(1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall,Music Filmstraces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena.
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47

Williams, Keith, ed. Travels in Scottland: Poems for Walter Scott @250. University of Dundee, 2021. http://dx.doi.org/10.20933/100001227.

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Welcome to the fifth collection by Wyvern Poets, in collaboration with the University of Dundee. 2021 marks the 250th anniversary of the birth of Sir Walter Scott (1771-1832), father of the historical novel and, effectively, of a new kind of mass ‘time travel’. Scott’s prolific output exported an image of his homeland with global appeal, if not always scrupulous authenticity. Stuart Kelly’s 2011 biography, Scott-land, is subtitled The Man Who Invented a Nation, perhaps without too much exaggeration. Scott’s antiquarian vision transformed a turbulent past into a pre-industrial landscape for the Romantic imagination, virtually overwhelming its place of origin or at least melding with it, as he rapidly became one the best-selling authors on earth. John Davidson’s ‘The Salvation of Nature’ (1891), fantasised a future Scotland bought out by an entertainment conglomerate. The World’s Pleasance Company, Ltd. demolishes anything built after 1700, ‘rewilding’ Scotland into a kind of neo-medieval theme park re-staging the past for tourists. Davidson’s story was both satirical exaggeration and backhanded tribute to Scott’s work for bringing history to life in a certain form. Hence this collection considers the many ways in which Scott’s evocative, but also problematic reimagining of his homeland remains relevant to our time and beyond.
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