Relevant bibliographies by topics / Tours, Cathedral

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  2. Dissertations / Theses
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Academic literature on the topic 'Tours, Cathedral'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Tours, Cathedral"

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Brennan, Brian. "Text and Image: "Reading" the Walls of the Sixth-century Cathedral of Tours." Journal of Medieval Latin 06 (January 1996): 65–83. http://dx.doi.org/10.1484/j.jml.2.304067.

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Tătărușanu, Maria, Gina Ionela Butnaru, Valentin Niță, Angelica-Nicoleta Neculăesei, and Elena Ciortescu. "The Influence of Interpretation through Guiding Tour, Quality of Reception and Relics’ Worship on the Satisfaction of Pilgrims Attending the Iasi Feast." Sustainability 13, no. 12 (June 18, 2021): 6905. http://dx.doi.org/10.3390/su13126905.

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Recently, in line with the increased attention paid to cultural tourism in general and to religious tourism in particular, researchers and practitioners have become increasingly interested in the analysis of various aspects related to cultural heritage in order to capitalize on its value by means of its interpretation, thus providing beneficial effects both for tourists and for tourism’s sustainable development. The aim of this research is to analyze the extent to which the methods of interpretation of the religious cultural heritage: guiding tours, quality reception, and relic worship influence the satisfaction of tourists participating in the “Saint Parascheva” pilgrimage, held annually by the Metropolitan Cathedral in Iasi. The data were collected by means of a survey (N = 932) and the information was processed by using the SPSS version 25 program. Our results indicate the significant influence that the potential to worship relics has on pilgrims’ satisfaction compared to other interpretation methods, such as the relationship with the Cathedral’s staff or the possibility of participating in guided tours. Pilgrims’ satisfaction is also perceived differently depending on certain aspects of their socio-demographic profile, i.e., their age and the perceived faith level. This study is relevant for researchers, managers, and students interested in the field of cultural heritage interpretation in genera, and in the field of religious heritage in particular, and could significantly contribute to improving pilgrims’ satisfaction as well as cultural heritage preservation.
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RHEUBOTTOM, NICHOLAS. "SIXTEENTH BIENNIAL INTERNATIONAL CONFERENCE ON BAROQUE MUSIC UNIVERSITÄT MOZARTEUM SALZBURG, 9–13 JULY 2014." Eighteenth Century Music 12, no. 1 (February 17, 2015): 141–43. http://dx.doi.org/10.1017/s1478570614000608.

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The Sixteenth Biennial International Conference on Baroque Music (ICBM) was held at the beautiful Universität für Musik und darstellende Kunst Mozarteum in Salzburg, Austria. Thanks to the tireless efforts of Professor Thomas Hochradner and his effective team of assistants, approximately 250 participants could choose from papers and lecture-recitals that covered a wide spectrum of topics and methodologies. These included new research on notable composers, geographical influences upon musical genres and interdisciplinary approaches. The organizers also offered guided tours on one of the afternoons, which allowed participants to trace the music of the city, learn about the autographs vault of the Mozarteum, listen to the organs at the Metropolitan Church or explore the cathedral quarters (Domquartier).
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Eckersley, Rosanna. "An Awkward Fit? Winifred Knights’ Scenes from the Life of Saint Martin of Tours, Canterbury Cathedral." Visual Culture in Britain 18, no. 2 (May 4, 2017): 192–216. http://dx.doi.org/10.1080/14714787.2017.1326292.

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Farges, François, Marie-Pierre Etcheverry, André Scheidegger, and Daniel Grolimund. "Speciation and weathering of copper in “copper red ruby” medieval flashed glasses from the Tours cathedral (XIII century)." Applied Geochemistry 21, no. 10 (October 2006): 1715–31. http://dx.doi.org/10.1016/j.apgeochem.2006.07.008.

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Sarapina, Ievgeniia. "Memory heterotopias in Ukraine: Sites to re-imagine the past." Tourism and Hospitality Research 16, no. 3 (June 6, 2016): 223–41. http://dx.doi.org/10.1177/1467358415589657.

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In the contemporary globalized world, tourist practices deal mostly with appropriated memory. Famous sights are arranged into classical routes proposed by guidebooks and guided tours presenting an official narrative of community’s collective memory. However, should a traveller step aside from major auto routes in Ukraine, direct liaison with the past at the forgotten historical sites is promised. A decade ago, Ukrainian travellers began to discover previously unknown to the public abandoned castles, palaces, manors, churches, cathedral, mills, etc. deep in the province and started to share travelogues after their quest-like trips around Ukraine. Sites that would be considered as heritage in the neighbouring countries, in Ukraine exist as ‘heterotopias’ (places outside usual society’s renderings). Based on the analysis of the Internet travelling community and author’s field trips, this article proposes to consider an alternative mode of tourism that provides potentially inclusive contact with the past.
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Bardill, Jonathan. "A NEW TEMPLE FOR BYZANTIUM: ANICIA JULIANA, KING SOLOMON, AND THE GILDED CEILING OF THE CHURCH OF ST. POLYEUKTOS IN CONSTANTINOPLE." Late Antique Archaeology 3, no. 1 (2006): 339–70. http://dx.doi.org/10.1163/22134522-90000048.

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The extent to which the design of Anicia Juliana’s church of St. Polyeuktos influenced Justinian’s cathedral of St. Sophia is an issue that has attracted much attention. There is broad agreement that Juliana’s church is likely to have been crowned with a brick dome on pendentives (a precursor of that crowning St. Sophia). But a reconsideration of the literary and archaeological evidence suggests that this was not the case. I argue here that a tale related by Gregory of Tours on the gilding of the roof of St. Polyeuktos reliably describes the church’s panelled wooden ceiling, and that the account is consonant with the archaeological evidence from the excavated site. Juliana commissioned for her church a ceiling similar to that which had adorned Solomon’s Temple in Jerusalem. Inspired by political and religious circumstances, she claimed to have built a copy of the New Temple, which, according to Biblical prophecy, would descend from heaven in the eschatological era and surpass the defiled Solomonic Temple.
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Maxwell, Robert. "Pilgrimage and the Dynamics of Urbanism Reconsidered: Faubourg Architecture in Romanesque Aquitaine." Architectural History 53 (2010): 41–76. http://dx.doi.org/10.1017/s0066622x00003865.

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Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same time, the subject was also for a long while a source of heated debate fuelled by nationalist interests, occasionally lapsing even into ad hominem squabbles. The matter has in recent decades generated calmer discussion, including new perspectives introduced by studies of other complementary cultural phenomena. Urban and economic historians, in particular, have looked to the role of pilgrimage in relation to urban growth and the rise of commercial markets. This scholarship has contributed to re-evaluations among art historians and has shed greater light, for example, on the predatory fervour with which certain bishops, cathedral chapters and abbots enticed pilgrims to destinations like Chartres, Santiago de Compostela or Cluny, just as the infusion of interdisciplinary perspectives has helped architectural historians reassess so-called pilgrimage architecture. After all, not all churches of that type were on the pilgrimage roads, nor do all churches on those roads reflect the Toulousain-Compostelan model. The relative importance of the paradigmatic five churches has been called into question.
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Jouquand, Anne-Marie, Frédéric Champagne, Xavier Rodier, Philippe Husi, and Alain Wittmann. "La fouille des " abords de la cathédrale " de Tours (Indre-et-Loire) : Antiquité — haut Moyen Âge / The excavation of the "surroundings of Tours cathedral " (Indre-et- Loire) : Antiquity - Early Middle Ages." Revue archéologique du Centre de la France 38, no. 1 (1999): 7–98. http://dx.doi.org/10.3406/racf.1999.2818.

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Lefebvre, Bastien. "Une maison du quartier cathédral de Tours (Indre-et-Loire) : évolution architecturale et techniques de construction / A house in the cathedral close of Tours (Indre-et-Loire): its architectural evolution and construction techniques." Revue archéologique du Centre de la France 43, no. 1 (2004): 223–46. http://dx.doi.org/10.3406/racf.2004.2962.

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Dissertations / Theses on the topic "Tours, Cathedral"

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DERBEZ, MICHAEL. "Role des apports atmospheriques dans l'alteration de calcaires tendres en environnement urbain : la cathedrale de tours." Paris 12, 1999. http://www.theses.fr/1999PA120047.

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Certaines alterations du tuffeau blanc de la cathedrale saint-gatien de tours et du cloitre de la psalette sont controlees par les migrations d'eau d'origine atmospherique (precipitations ou condensation). Parmi les principales degradations, on observe la dissolution superficielle et la desquamation en plaques blanches des tuffeaux exposes a la pluie et dans les zones abritees, le developpement de plaques noires et grises qui se detachent. A proximite des restaurations en pierre de richemont, les alterations des tuffeaux sont amplifiees. En tenant compte des proprietes petrophysiques du tuffeau et des apports atmospheriques humides a tours, nous avons justifie le developpement de ces alterations en reconstituant le cheminement des solutions par capillarite et la concentration des sels dans les zones soumises a evaporation. Toutefois, dans les zones abritees ou les solutions ne peuvent pas migrer, le mecanisme de formation des plaques noires et grises est different car il resulte de la condensation de la vapeur d'eau et des apports atmospheriques secs. Nous avons montre que les solutions acides se forment par dissolution et oxydation du so 2 dans l'eau de condensation. Cette eau se forme au sein de la pierre par condensation capillaire et en surface par condensation de type rosee et solvatation des sels atmospheriques tels que les particules de sulfates d'ammonium. Ces sels sont tres abondants lors des episodes de pollution, en hiver, au cours des phenomenes d'inversion de temperature et en ete, par vent faible et temperatures elevees. Enfin, la pierre de richemont dont les proprietes petrophysiques contrastent avec celles du tuffeau de la cathedrale, bloque les transferts capillaires et favorise ainsi l'imbibition des tuffeaux voisins. Cela explique pourquoi ces tuffeaux s'alterent plus vite. Le tuffeau de saint-cyr aux proprietes petrophysiques plus proches des pierres d'origine ne presente pas ces inconvenients.
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Books on the topic "Tours, Cathedral"

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La cathédrale de Tours. La Crèche [France]: Geste, 2010.

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Mayland, Jean. Discovering women in Durham Cathedral: A women's tour and pilgrimage. [Durham, Eng.]: N.E.E.W.G., 1995.

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Mark, Flaisher, Herbst Larry, Yap Kalika Nacion, and Zvardoň František, eds. A short tour of the Cathedral of Our Lady of the Angeles, Los Angeles. Strasbourg, France: Éditions du Signe, 2002.

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A tour of evil. New York: Philomel Books, 2005.

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Yerburgh, David S. A tour of the abbeys, priories & cathedrals of Wales: An itinerant's exhibition : a pictorial journey around the major abbeys, priories and cathedrals of Wales, illustrated by engravings in the collections of the National Library of Wales and of Canon David Yerburgh. Salisbury: D. S. Yerburgh, 1999.

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Inc, Penton Overseas. Cathedrals of Florence: Complete Walking Tour (Tapeguide Walking Tours). Penton Overseas, 1998.

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Florence, Italy - 4 Self Guided Walking Tours: Baptistery of San Giovanni, Duomo "Cathedral of Santa Mar Ia Dell Fiore," Galleria Accademia "David," S ... Discoveries Personal Audio Guides: Florence). WhiteHot Productions, 2005.

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Ripon Cathedral. Dean and Chapter., ed. Minster alive: A tour of Ripon Cathedral. Ripon: Dean and Chapter of Ripon Cathedral, 1985.

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9

Kleege, Georgina. Touch Tourism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190604356.003.0005.

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The chapter begins with an account of a touch tour at New York’s Museum of Modern Art and goes on to describe similar programs elsewhere. These programs vary widely in terms of their understanding and expectations of blind perception. I will also discuss sites that require visitors to interact with architecture or landscape nonvisually. The “Cathedrals through Touch and Sound” program in England promotes recognition that appreciating architecture engages senses beyond sight. Similarly, a topiary reproduction of Georges Seurat’s “Sunday Afternoon on the Island of La Grande Jatte,” though not designed for blind visitors, gives a tactile and kinaesthetic understanding of the painting’s perspective and composition. Ultimately, the chapter calls on museum educators to find ways to collect the observations of blind visitors. Since everyone does not have the opportunity to touch the art, it makes sense to capture the insights of those who do in the interest of enlarging cultural knowledge.
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Stillwell, Richard. The Chapel of Princeton University. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691195209.001.0001.

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Like the medieval English cathedrals that inspired it, the Princeton University Chapel is an architectural achievement designed to evoke wonder, awe, and reflection. This book is the essential illustrated guide to this magnificent architectural and cultural landmark. Now with new color photos throughout, the book traces the history of the chapel and describes its architecture, sculpture, woodwork, and furnishings. The author knew the building from its planning stages through its construction, dedication, and long use. This book offers unique insights into the vision of architect Ralph Adams Cram and the artistry of Charles J. Connick, who designed the chapel's breathtaking cycle of stained-glass windows. The book gives readers an opportunity to enjoy the chapel as both an aesthetically beautiful structure and a moving religious statement. It reveals how the building's composition is meant to provide spiritual access to as many seekers as possible and instill in them an extraordinary message of hope. The book is a guided tour of an inspiring structure that has served as the spiritual home to one of America's leading universities.
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Book chapters on the topic "Tours, Cathedral"

1

Kenny, Neil. "Two Deaths in the Family: 1526, 1626." In Born to Write, 299–301. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852391.003.0020.

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Chapters 20–23 are a case study of the family that changed its name over the generations from Brouart to Beroald to Verville. In 1626 the prolific author François Béroalde de Verville died in Tours. He was a medical practitioner and a former cathedral canon. His name and social status had varied throughout his life. One hundred years earlier, in 1526, his paternal grandfather had died some 150 miles away in Saint-Denis, to the north of Paris. Originally from Brussels, he had been a barber-surgeon. Significantly, he had a simpler name, Simon Brouart. Grandson and grandfather never met. Indeed, the one was not born until thirty years after the other died. Their social status differed greatly, and they inhabited vastly different worlds, separated by the advent of humanism, that of the Reformation, and much else. Of the various factors that transformed this family’s social status, the most decisive were learning and literature.
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Buckley, David T. "Introduction." In Faithful to Secularism, 1–8. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180061.003.0001.

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On September 30, 2010, a prayer service at Manila Cathedral broke with formal rites. With the mayor of Manila and Catholic bishops present, local tour guide and activist Carlos Celdran interrupted an ecumenical service to denounce the role of the Catholic Bishops’ Conference of the Philippines in debates on a reproductive health bill. Celdran won himself a place on the news and a spot in jail for violation of Philippine laws protecting religious worship....
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Lynch, Andrew P. "Pilgrimage, Tradition, and Authenticity." In Global Perspectives on Religious Tourism and Pilgrimage, 41–56. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2796-1.ch003.

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This chapter argues that the Chartres pilgrimage is an example of religious travel that provides an ‘authentic' pilgrimage experience, in contrast with commercially packaged tours. This focus on tradition and authenticity is achieved by the gruelling nature of the walk, the use of medieval cathedrals as points of origin and destination, and a connection to Catholic rituals. The chapter examines scholarly literature on pilgrimage and religious tourism to show that the organisers are seeking to promote an experience that is distinct among religious tours. Furthermore, the chapter considers how the pilgrimage is illustrative of religious expression in post-secular times. At a time when the secularization thesis is being questioned, and where religion has become of greater importance for politics and policy formation, how religious identity is expressed, and how religious practitioners maintain their sense of the sacred in ‘a secular age', are important questions. The work of Habermas and Taylor is analysed to see how the pilgrimage reflects religion in post-secular times.
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McCracken, Saskia. "Virginia Woolf and Aldous Huxley in Good Housekeeping Magazine." In The Modern Short Story and Magazine Culture, 1880-1950, 187–207. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461085.003.0010.

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In 1931, Virginia Woolf was commissioned to write a series of six articles for Good Housekeeping, a middlebrow women’s magazine, which have typically been read by critics as five essays and a short story. Woolf’s series takes her readers on a tour of the sites of commerce and power in London, from the Thames docks and shops of Oxford Street, to ‘Great Men’s Houses,’ abbeys, cathedrals, and the House of Commons, ending with a ‘Portrait’ of a fictitious Londoner. This chapter has three aims. First, it suggests that Woolf’s Good Housekeeping publications can be read not simply as five essays and a short story, but, considering Woolf’s ethics of the short story, as a series of short stories or, as the magazine editors introduced them, word pictures and scenes. Secondly, this chapter argues that Woolf’s Good Housekeeping series responds to, and resists the Stalinist politics of, Aldous Huxley’s series of four highbrow essays on England, published in Nash’s Pall Mall Magazine. Finally, this chapter analyses a critically neglected short story by Ambrose O’Neill, ‘The Astounding History of Albert Orange’ (February 1932), published in Good Housekeeping, which features both Woolf and Huxley as characters, and which critiques, satirises, and destabilises the boundaries of highbrow literary culture. Thus, the focus turns from highbrow writers’ short stories to a story about highbrow writing, all published in the supposedly middlebrow Good Housekeeping, demonstrating the rich complexity of the magazine, its varied politics, and its generically hybrid publications.
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