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Journal articles on the topic 'Tove'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Henriksen, N. "Tove Birkelund." Rapport Grønlands Geologiske Undersøgelse 132 (December 31, 1986): 2–3. http://dx.doi.org/10.34194/rapggu.v132.7956.

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During the editing of this volume it was announced that Professor Tove Birkelund had died in Copenhagen on 24th June 1986 at the early age of 57 years. Tove Birkelund was for several decades a central figure in Greenland geology, maintaining an involvement with Greenland begun during her earliest days as a geologist. Although employed by the University of Copenhagen, her work in Greenland was at all times closely associated with GGU.

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2

Ojajärvi, Jussi. "Tove Janssonin tuotannot." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 2 (June 26, 2018): 82–86. http://dx.doi.org/10.30665/av.73022.

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Koneen Säätiön rahoittamassa nelivuotisessa (2018–2021) hankkeessamme lähestytään Tove Janssonia monialaisena tekijänä: lasten- ja nuortenkirjailijana, aikuistenkirjailijana, sarjakuvapiirtäjänä, kuvittajana ja kuvataiteilijana. Kyse on tuotannoista, monikossa. Meitä mietityttävät niin niiden omaleimaisuudet kuin niitä yhdistävät piirteet.

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3

Jacobsen, Knut A. "Tove Nicolaisen: Hinduer." Kirke og Kultur 123, no. 02 (June 5, 2019): 200–202. http://dx.doi.org/10.18261/issn.1504-3002-2019-02-10.

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4

Bråstad Jensen, Eivind. "Intervju med Tove Bull." Ravnetrykk, no. 37 (February 7, 2018): 78. http://dx.doi.org/10.7557/15.4349.

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5

Widerberg, Karin, and Anne Hellum. "Tove Stang Dahl - an Appreciation." Social & Legal Studies 2, no. 4 (December 1993): 371–72. http://dx.doi.org/10.1177/096466399300200401.

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6

Egger, Willi, Hans Hagen, Edith Sundqvist, and Mikael P. Sundqvist. "New dimensions: Edith and Tove." TUGboat 44, no. 2 (2023): 180–85. http://dx.doi.org/10.47397/tb/44-2/tb137egger-edith.

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7

Heger, Anders. "Det koselige kosmos - Tove Janssons tegneserieunivers." Samtiden 123, no. 04 (January 5, 2016): 81–92. http://dx.doi.org/10.18261/issn1890-0690-2015-04-10.

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8

David Russell. "Tove Jansson Rediscovered (review)." Lion and the Unicorn 32, no. 3 (2008): 377–82. http://dx.doi.org/10.1353/uni.0.0405.

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9

Maija-Liisa Harju. "Tove Jansson and the Crossover Continuum." Lion and the Unicorn 33, no. 3 (2009): 362–75. http://dx.doi.org/10.1353/uni.0.0472.

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10

Cotton, Penni. "The Hidden World of Tove Jansson." Libri et Liberi 5, no. 2 (March 25, 2017): 493–95. http://dx.doi.org/10.21066/carcl.libri.2016-05(02).0014.

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11

Hellberg, Sherilyn Nicolette. "Violette Leduc og Tove Ditlevsens sentimentale scener." K&K - Kultur og Klasse 49, no. 132 (December 31, 2021): 81–100. http://dx.doi.org/10.7146/kok.v49i132.130051.

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This article considers the place of sentimentality in the reception and authorships of Violette Leduc (1907-1972) and Tove Ditlevsen (1917-1976). I take as point of departure the recent revival of both these authors in their original languages and in translation, in which they, even from feminist perspectives, seem to be evaluated in terms of their capacity for emotional restraint. Through close readings of Ditlevsen’s Ansigterne (The Faces, 1968) and Gift (Dependency, 1971) and Leduc’s Thérèse et Isabelle (1966), La bâtarde (1964) and Ravages (1955), I argue that both authors thematize the relationship between affect and aesthetics in ways which speak not only to the gendered contexts of their respective societies and cultural establishments, but also to contemporary efforts of feminist canon revision within literary studies and popular culture. I am particularly interested in the ways in which the relationship between words, form and feeling is dealt with across these authorships, and suggest that focusing on the authorship – in addition to the work and instead of the author – might open a kind of stage on which we might better understand how these texts render and relate to their various ”anxieties about audience” (Berlant, ”The Female Complaint” 238). The article contributes to existing scholarship on Ditlevsen and Leduc and develops new methods for addressing the relationship between gender and affect in literary criticism and in the ongoing production of literary history.

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12

Korhonen, Kuisma. "Tove Jansson et la philosophie de l’eau." Nordiques, no. 35 (May 1, 2018): 43–53. http://dx.doi.org/10.4000/nordiques.810.

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13

Korhonen, Kuisma. "Tove Jansson et la philosophie de l’eau." Nordiques, no. 35 (May 1, 2018): 43–53. http://dx.doi.org/10.4000/nordiques.810.

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14

Heinämaa, Sara, and Joona Taipale. "Introduction: Phenomenological approaches to Tove Jansson’s fiction." SATS 19, no. 1 (July 26, 2018): 1–4. http://dx.doi.org/10.1515/sats-2017-3000.

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15

Skutnabb-Kangas, Tove. "Language rights: Not political but scientific correctness." English Today 14, no. 4 (October 1998): 40–43. http://dx.doi.org/10.1017/s0266078400010518.

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16

Гіреш-Ласлов, Корнелія. "Міжнародній посібник про мовні права людини." Acta Academiae Beregsasiensis, Philologica II, no. 2 (December 16, 2023): 225–30. http://dx.doi.org/10.58423/2786-6726/2023-2-225-230.

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17

Marander-Eklund, Lena. "Förändringar inom födselarenan." Budkavlen 79 (June 13, 2023): 103–4. http://dx.doi.org/10.37447/bk.130930.

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18

Sandbacka, Kasimir. "Myöhäismoderni melankolia Tove Janssonin novelleissa ”Aikakäsite” ja ”Lokomotiivi”." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 4 (December 16, 2018): 22–37. http://dx.doi.org/10.30665/av.74415.

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Tässä artikkelissa tarkastelen, kuinka Tove Janssonin novelleissa ”Aikakäsite” (viitteissä A) ja ”Lokomotiivi” (viitteissä L) kokoelmasta Dockskåpet och andra berättelser (1978, suom. Nukkekaappi ja muita kertomuksia, 1980) melankolia ilmentää modernille tai myöhäismodernille ajalle ominaista tapaa ymmärtää ja kokea yksilön suhde yhteiskuntaan. Tulkintani lähtökohtana on Karin Johannissonin (2012) melankolian kulttuurihistoria, jossa melankoliaa tarkastellaan nimenomaan modernina tuntemuksena. Johannissonin teorian avulla pyrin löytämään henkilöhahmojen melankolisten tuntemusten kulttuuriset ja yhteiskunnalliset vaikuttimet ja osoittamaan, ettei melankoliassa ole kyse vain yksilön sairaudesta tai poikkeamasta. Johannisson hyödyntää tarkastelussaan Raymond Williamsin (1977) tuntemusrakenteen käsitettä, johon minkäkin tässä artikkelissa tukeudun. Tuntemusrakenne tarkoittaa aikakaudelle ominaista kokemisen ja tuntemisen tapaa ja kirjallisuudessa se ilmenee Williamsin mukaan ennen kaikkea tyylissä. Toisinaan hankalaksi ja epämääräiseksikin koetun tyylin käsitteen selkiyttämiseen ja kontekstuaalisen ja tekstuaalisen tason kytkemiseen käytän Daniel Hartleyn (2017) kerronnan ja tyylin jäsentelyä. Novelleissa on kiintoisa ristiveto yksilökeskeisen psykopatologian ja yhteiskunnallisemmin kontekstualisoitavan tuntemusrakenteen välillä. ”Aikakäsite” tuntuu kutsuvan meitä sulkemaan päähenkilön normaalin ulkopuolelle; ”Lokomotiivin” näkökulma on monisyisempi ja sen metafiktiivinen rakenne antaa enemmän tilaa tulkita päähenkilön tuntemuksia yksilön ja yhteiskunnan suhteen heijastumina. Siinä näennäisen objektiivinen kertoja ei astu ottamaan kertomuksen totuutta haltuunsa, vaan kertojan pyrkimys ottaa omaa kokemustaan haltuun fiktionsa avulla taittuu kuin prismassa totuuksien kirjoksi. Toisaalta voidaan ajatella, että ”Aikakäsite” nimenomaan tekee näkyväksi sen, miten meitä kutsutaan arvioimaan toistemme normaaliutta ja suuntaamaan normalisoiva katseemme toisiimme. Näin se tuo esiin melankolisen jännitteen modernin subjektin ja modernin yhteiskunnan normatiivisen kontrollin välillä, kroonisen vierauden ja riittämättömyyden tunteesta kumpuavan alakulon.

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19

Ruin, Hans. "Tove Jansson, Nietzsche and the poetics of overcoming." SATS 19, no. 1 (July 26, 2018): 69–87. http://dx.doi.org/10.1515/sats-2017-3003.

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Abstract This article explores the connections between Nietzsche’s Also Sprach Zarathustra and Tove Jansson and the world of the Moomins. It begins with a short summary of the impact of Nietzsche in the Nordic countries and of his most important book, focusing on passages that are of particular relevance for the analyses that follow. It then proceeds to explore its meaning and significance for Jansson in three sections. The first concerns Atos Wirtanen, the writer and politician with whom she lived for ten years, and who encouraged her to publish her first book, while he himself was completing a book on Nietzsche. In the second section, the article analyzes an early semi-autobiographical literary experiment from the Jansson family archive that displays her as a passionate reader of Nietzsche long before her meeting with Wirtanen. In the third and last section, the framework of the Zarathustra narrative is used to interpret some of the figures and scenes from the Moomin books.

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20

Troitskiy, Sergey. "Winter as a Marker in Tove Jansson’s Works." Children's Readings: Studies in Children's Literature 15 (2019): 289–306. http://dx.doi.org/10.31860/2304-5817-2019-1-15-289-306.

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21

Huse, Nancy. "Tove Jansson and Her Readers: No One Excluded." Children's Literature 19, no. 1 (1991): 149–61. http://dx.doi.org/10.1353/chl.0.0557.

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22

Jarymowicz, Tomasz. "On Reconciling Care and Justice: An Interview with Tove Pettersen." Etikk i praksis - Nordic Journal of Applied Ethics 10, no. 2 (October 26, 2016): 119. http://dx.doi.org/10.5324/eip.v10i2.1930.

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23

Korhecz, Tamás. "Multidiszciplináris megközelítéssel a személyi elvű autonómiáról : Alapos alapozás. Egy hiánypótló kötet vázlatos ismertetése." REGIO 32, no. 2 (2024): 232–37. http://dx.doi.org/10.17355/rkkpt.v32i2.232.

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Andeva, Marina – Dobos, Balázs – Djordjević, Ljubica – Börries, Kuzmany – Malloy, H. Tove (szerk.): Non-Territorial Autonomy – An Introduction, Cham: Palgrave–Macmillan, 2023. 221 oldal. [Személyi elvű autonómia. Bevezetés]

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24

Budzanowska-Weglenda, Dominika. ""Poczuła ziemię pod całymi stopami". Przyroda w "Lecie" Tove Jansson." Colloquia Litteraria 35, no. 2 (March 20, 2024): 7–25. http://dx.doi.org/10.21697/cl.2023.35.2.2.

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Tove Jansson, nicknamed the “Mummy of the Moomins”, wrote her novel The Summer Book in 1972, when she was already an established painter, illustrator and writer, especially of children’s novels. Nature proves to be an important background, not so much as the character of this story about the unique relationship between an eighty-year-old heart patient grandmother and her six-year-old granddaughter Sophie. The novel is set on a Finnish island, which is closely linked to Tove Jansson’s biography and personal experience. The author was well acquainted with the beauty and horror of nature from her autopsy. Nature in The Summer Book reflects and co-creates the moods, experiences and reflections on life, passing, death, God or love of the novel’s main characters.

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25

Vestmø, Tove. "Marina Abramović: The Artist Is Present." Peripeti 9, no. 18 (January 1, 2012): 122–27. http://dx.doi.org/10.7146/peri.v9i18.107363.

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26

Jelsbak, Torben. "“A Danish Genius of Madness”." Passage - Tidsskrift for litteratur og kritik 38, no. 89 (June 5, 2023): 43–59. http://dx.doi.org/10.7146/pas.v38i89.137909.

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Within the last decade, the Danish author Tove Ditlevsen (1917-1976) has experienced a remarkable renaissance: her works are massively being reissued and her legacy is taken up by young poets and artists. The “Tove fever” is also an international phenomenon – as most lately witnessed by the inclusion of “The Copenhagen Trilogy” (Childhood, Youth, Dependency, 1969-71) in the Penguin Modern Classics Series in 2021. Subsequently, the trilogy has been sold for publication in 32 countries worldwide. After having been dismissed by the Danish literary establishment in her lifetime as a female author of social realism and “confessional literature”, Ditlevsen is now celebrated as one of the most important and unique voices in 20th century Danish literature and as a precursor of Karl Ove Knausgård, Annie Ernaux, Rachel Cusk. But what are the reasons for this rediscovery? In the perspective of Bourdieusian sociology, the writing up of Ditlevsen may be seen as an instance of the fall of high Modernism and as an example of the constant metamorphosis of literary taste. However, we may also view the case through the lenses of Latourian actor-network-theory. The article tries to combine the two theoretical approaches by offering an outline of the most important actors in the current rediscovery and transmission of Ditlevsen’s work, while also paying attention to the aesthetic judgements and forms of attachment characterizing the “Tove fever”.

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27

Heinämaa, Sara. "Strange vegetation: Emotional undercurrents of Tove Jansson’s Moominvalley in November." SATS 19, no. 1 (July 26, 2018): 41–67. http://dx.doi.org/10.1515/sats-2017-3002.

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Abstract This article investigates the emotional undercurrents of Tove Jansson’s Moominvalley in November. I argue that one of the main characters of Jansson’s book is the autumn forest that surrounds the abandoned Moomin house. The decomposing forest is not just an emblem of the inner lives of the guests that gather in the house but is an active character itself: an ambiguous life form that creeps in the house and must be expelled from its living core. I further demonstrate that the emotion of disgust has a crucial role in Jansson’s narrative, and that an adequate analysis of the intentional content of disgust allows us to see what is at issue in the relations between the characters. In my reading, the main insight of Tove Jansson’s last Moomin book is not about loss or sorrow but is about the human capacity to begin anew by composing novel wholes from scraps.

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28

Kleive, Hildegunn Valen, and Rune Øystese. "Bokmeldinger." Prismet 70, no. 4 (December 12, 2019): 399–402. http://dx.doi.org/10.5617/pri.7520.

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Tove Nicolaisen: Hinduer, Oslo: Universitetsforlaget, 2018. Anmeldt av Hildegunn Valen Kleive. Jari Ristiniemi, Geir Skeie, Karin Sporre (red): Challenging Life. Existential Questions as a Resource for Education.Waxmann Verlag 2018. Anmeldt av Rune Øystese,

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29

Haugerud, Rolf Egil. "Tove Aagnes Utsi: Digestive strategies in reindeer in winter." Rangifer 18, no. 5 (March 1, 1998): 157. http://dx.doi.org/10.7557/2.18.3-4.1470.

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30

Höder, Steffen. "Tove Bull: Norsk språkhistorie [Norwegian language history]." Journal of Historical Sociolinguistics 7, no. 2 (October 1, 2021): 331–37. http://dx.doi.org/10.1515/jhsl-2019-0024.

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31

Hagen, W. M. "We Know You Remember: A Novel by Tove Alsterdal." World Literature Today 95, no. 4 (2021): 83. http://dx.doi.org/10.1353/wlt.2021.0291.

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32

O’Neill, Ant. "Moominvalley Fossils: Translating the Early Comics of Tove Jansson." Bookbird: A Journal of International Children's Literature 55, no. 2 (2017): 46–54. http://dx.doi.org/10.1353/bkb.2017.0023.

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33

Taipale, Joona. "Social mirrors. Tove Jansson’sInvisibleChildand the importance of being seen." Scandinavian Psychoanalytic Review 39, no. 1 (January 2, 2016): 13–25. http://dx.doi.org/10.1080/01062301.2016.1227195.

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34

Yamaguchi, Liesl. "Keeping Quiet in Tove Jansson's Fair Play." Common Knowledge 28, no. 2 (May 1, 2022): 198–205. http://dx.doi.org/10.1215/0961754x-9809151.

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Abstract As a follow-up to the Common Knowledge symposium “Apology for Quietism” (15:1 to 16:3), this guest column asks what it means to say nothing. Strictly speaking, to “say nothing” is a contradiction in terms (unless, of course, one says “Nothing,” which is another thing entirely and generally not nothing). This essay explores what it means to say nothing in Tove Jansson's novella Fair Play (first published in Finland Swedish as Rent spel, 1989), an episodic account of the intertwined lives of two elderly artists. Through its careful staging of saying nothing, the text calls attention to the many vital functions that silence serves: exposing tacit expectations, opening up creative and psychological space, enabling otherwise impossible relations. Bringing forth the diversity, complexity, and mystery behind hesitation and reticence, Jansson's novella emerges here as a quiet celebration of conversational practices associated with weakness, redefining the genre of the “love story” along the way.

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35

EPSTEIN, BRETT JOCELYN. "Tove Jansson: Ord, bild, liv [Tove Jansson: words, pictures, life]. Boel Westin. Stockholm: Albert Bonniers Förlag, 2007. 597 pages. SEK 174 (hardback)." International Research in Children's Literature 1, no. 2 (December 2008): 233–34. http://dx.doi.org/10.3366/ircl.2008.0013.

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36

Songe-Møller, Vigdis. "Tove Pettersen: Filosofiens annet kjønn. Introduksjoner til den feministiske filosofien." Tidsskrift for kjønnsforskning 35, no. 04 (November 28, 2011): 357–62. http://dx.doi.org/10.18261/issn1891-1781-2011-04-08.

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37

Allen, Julie K. "Tove Ditlevsen’s Witness of Trauma as a Source of Hope." Humanities 11, no. 5 (September 26, 2022): 122. http://dx.doi.org/10.3390/h11050122.

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The defining life experience of the Danish writer Tove Ditlevsen (1917–1976) was domestic trauma, both externally- and self-inflicted. Born at the end of the first World War amid an economic depression, Ditlevsen grew up in a hardscrabble working-class neighborhood of Copenhagen, lived through the Nazi occupation of her country during World War II, cycled through unhealthy sexual relationships, underwent illegal abortions and unnecessary surgeries, suffered from depression and prescription drug addiction, and died by suicide at the age of fifty-eight. Instead of repressing or denying her traumatic experiences, however, Ditlevsen chose to confront, reinscribe, and transform them in her literary texts, finding and offering hope that exposing secrets to public scrutiny can lead to acceptance and healing. In her searingly candid poetry, fiction, essays, and memoirs, Ditlevsen exemplifies the efficacy of working through trauma: she confronts the fraught choices and abusive relationships by which her life was shaped candidly and unapologetically as an act of survival. In the process of bearing witness on the printed page to domestic trauma and its consequences, Ditlevsen models the vital role of literature, for both readers and writers, in documenting, processing, and overcoming traumatic experiences.

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38

Happonen, Sirke. "Parties as Heterotopias in Tove Jansson’s Moomin Illustrations and Texts." Lion and the Unicorn 38, no. 2 (2014): 182–99. http://dx.doi.org/10.1353/uni.2014.0013.

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39

Villarreal, Bernardo, Jose Arturo Garza-Reyes, and Vikas Kumar. "A lean thinking and simulation-based approach for the improvement of routing operations." Industrial Management & Data Systems 116, no. 5 (June 13, 2016): 903–25. http://dx.doi.org/10.1108/imds-09-2015-0385.

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Purpose – The improvement of routing operations performance has been of great concern for organisations. This has led to the development of alternative lean-based methods, however the literature research on the applications of lean thinking in the transportation sector is still considered rather limited. The purpose of this paper is to present a lean thinking and simulation-based approach to improve the efficiency of warehousing and routing operations. Design/methodology/approach – The paper reviews the existing literature in the area of lean transportation and then presents and applies a novel approach to improve the vehicle routing operations of a Mexican firm. The proposed approach suggests the classification of wastes into those relevant to transport operations, their identification through a transportation value stream mapping study, and the use of the transportation overall vehicle effectiveness (TOVE) index for the measure of the overall performance of the transport operations. Findings – The results obtained from the case study indicate that the proposed approach is an effective alternative for the improvement of vehicle routing operations as the number of routes decreased from 30 to 22 and the distance travelled by 32 per cent. Similarly, the average number of clients served by each route increased by 23 per cent as well as the TOVE index increased from 6.9 to 19.3 per cent. The TOVE component measures of vehicle performance and operating availability efficiencies also increased significantly while quality issues, in the form of number of customers not served per route, were reduced from six to zero. Originality/value – The improvement of routing operations performance has been traditionally addressed through operations research and mathematical modelling approaches. This paper presents an alternative and novel lean thinking and simulation-based approach to improve the efficiency of routing operations.

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40

Johnson, Ida Moen. "Queer Species in Moominvalley: A Posthumanist Reading of Tove Jansson's Moomin Books." International Research in Children's Literature 16, no. 2 (June 2023): 184–97. http://dx.doi.org/10.3366/ircl.2023.0507.

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This article challenges the largely humanist readings of Tove Jansson's Moomin books by drawing attention to the texts’ investment in questions of species, genealogy, and nonhuman life. The article relies on posthumanist and queer thought to expose the limits of humanist interpretations of Jansson's texts, thus complicating and expanding the scholarly understanding of how the Moomin characters challenge the bounds of gender, family, and subjectivity.

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41

Paqvalen, Rita. "BEYOND TOM AND TOVE: Queering Finnish Museums from an Intersectional Perspective." SQS – Suomen Queer-tutkimuksen Seuran lehti 14, no. 1-2 (January 7, 2021): 62–77. http://dx.doi.org/10.23980/sqs.101455.

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42

Vabø, Mia. "Cecilie Basberg Neumann, Nina Olsvold og Tove Thagaard (red.): Omsorgsarbeidets sosiologi." Norsk sosiologisk tidsskrift 1, no. 01 (February 2, 2017): 100–103. http://dx.doi.org/10.18261/issn.2535-2512-2017-01-10.

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43

Hellberg, Sherilyn. "Tove Ditlevsen, “The Umbrella” (From The Umbrella and Other Short Stories)." Translation Review 103, no. 1 (January 2, 2019): 28–38. http://dx.doi.org/10.1080/07374836.2018.1559778.

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44

Andresen, Marlene. "Gjestfrihet på prøve. En undersøkelse av gjestfrihetsparadokset i Tove Janssons Mummitrollbøker." Norsk litteraturvitenskapelig tidsskrift 25, no. 2 (December 7, 2022): 92–106. http://dx.doi.org/10.18261/nlvt.25.2.3.

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45

Happonen, Sirke. "The Dancing Moominvalley: A Choreographic View on Tove Jansson’s Illustrations and Texts." Nordiques, no. 35 (May 1, 2018): 55–73. http://dx.doi.org/10.4000/nordiques.836.

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46

Parland, Oliver. "ATT DIKTA SIG FRI FRÅN VERKLIGHETEN: TOVE DITLEVSEN, EDITH SÖDERGRAN, GUNVOR HOFMO." Scandinavian Psychoanalytic Review 33, no. 1 (January 2010): 70–72. http://dx.doi.org/10.1080/01062301.2010.10592860.

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47

Wolf, Helene. "Tove Jansson's Moominland Midwinter: Closeness and Separateness in Psychoanalytic Work." Psychoanalytic Review 110, no. 3 (September 2023): 321–42. http://dx.doi.org/10.1521/prev.2023.110.3.321.

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A research adventure on closeness and separateness in psychoanalysis is presented. The theme is explored through the author's daydreams evoked by clinical encounters. These are analyzed and metaphorically illustrated with psychoanalytical theories in dialogue with Tove Jansson's Moominland Midwinter. Closeness is likened to “mother's house” and separateness to “midwinter.” Vacillation between and balancing of “mother's house” and “midwinter” following the patient's and the dyad's unique needs are suggested as pivotal for psychic development and creativity. A conclusion is that the author's practice can be enhanced by letting the cool winds and the mysteries of “midwinter” in.

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Hallila, Mika. "Smoking in Moominvalley – or, Why Moominpappa and Snufkin Have Pipes." Folia Scandinavica Posnaniensia 22, no. 1 (June 27, 2017): 18–29. http://dx.doi.org/10.1515/fsp-2017-0002.

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Abstract The article analyzes Tove Jansson’s Moomin novels in terms of the representations of pipe smoking. The analysis focuses on three characters from the novels: Moominpappa, Snufkin, and the Joxter. The theoretic framework of the analysis is called “the semiotics of tobacco”. In this context, tobacco is regarded as a sign of the cultural sign-system, and thus what is exactly analyzed are the cultural meanings of tobacco in the Moomin novels.

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Løkensgard Hoel, Torlaug. "Rachel Jakhelln, Tove Leming og Tom Tiller (red.): Emosjoner i læring og forskning." Norsk pedagogisk tidsskrift 94, no. 02 (May 3, 2010): 181–82. http://dx.doi.org/10.18261/issn1504-2987-2010-02-09.

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Hellberg. "A Chaos of Faces: Expressions of Despair in Tove Ditlevsen's Ansigterne." Scandinavian Studies 93, no. 1 (2021): 96. http://dx.doi.org/10.5406/scanstud.93.1.0096.

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