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Dornajafi, Saeed. "9 + 1 Towers." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/79962.
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There is a beauty to the absurdity of the moment at which there is almost no line between the real and the unreal. In such realm, an illusion, and yet the possibility, of a tower acts as a protagonist with which one can begin to let his imagination approve of the absurd, the too ambitious, the unlikely. The first nine towers are the outcome of my attempt to intertwine two arenas of photography and architecture. They investigate the possibility of compressing the reality of a place into a hyperreal image consisting of a photograph of the place, which acts as the site, and a fantastical addition. They also aim to document and express my memories of the places that I visited during my more than 15,000 miles of traveling over the past year. Each tower is an homage to the memory of its respective place.<br>Master of Architecture
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Marks, David B. 1969. "Ivory towers to office towers, Wall Street to Main Street : a study of the relationship between modern portfolio theory and private equity real estate." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/32210.
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.<br>Includes bibliographical references (leaves 78-88).<br>This thesis attempts to relate the principal elements of Modern Portfolio Theory ('MPT') to real estate, recognizing that MPT was built not for real estate, but for stocks and bonds. It is split into two parts; the first part deals with 'the theory' of real estate investing, including a commentary on both why mixed-asset portfolios include real estate components, and how MPT relates to real estate. The second part deals with 'the reality'; the extent (or otherwise) to which different investor types apply MPT to their direct, private equity real estate investment strategies. It attempts to answer this question by a case study approach, focusing on four investor types. These investors were specifically chosen because of the fact that they are, in each case, sophisticated groups who have a knowledge and understanding of the principal elements of MPT. The extent to which they feel that all elements of MPT are relevant to real estate is, ultimately, the question that this paper attempts to answer.<br>by David B. Marks.<br>S.M.
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Van, Pierson Douglas. "By way of the highway: a collection of towers." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/53340.
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A questioning of methods: If we are to accept existing American culture as an entity, should design not embody the spirit inherent in that culture? In Europe, architecture has been afforded the luxury of time. There, the concept of dwelling has encompassed the questions of man’s position as a rational being separated both from his surrounding environment and his divinity. A sense of alienation from such a universe forced him to search beyond his immediate environment. The role of architecture thus became a mediator, a departure point where man could dwell between heaven and earth. Sanctity, purity, proportion, centrality, and hierarchy all became building blocks for an architecture striving for a transcendental perfection. In the United States, however, architecture has been adjusted to accept its surrounding environment as a formal model. Space is defined either by the existing condition of the environment or by the will of man existing within his surroundings. Man, no longer alien or subservient, now does not need a mediator but instead a throne on which to share in the government within his surrounding environment.
As a result, the American conception of space (i.e. the ‘tradition of the way we view our landscape’) has evolved into something different from that of our European counterparts. In a sense, America is the embodiment of the rational enlightenment in a new society. Its history lies not in the hearts and minds of its citizens, but on the other side of the ocean. Because of this unique occurrence where history loses its proximity, America has been able to develop into what Jean Beaudrillard describes as truly modern: a “utopia achieved”. It is a space where random meets rational and the limitless becomes a limit, a space which rejects European conceptions of centrality and hierarchy.
If the foundations of Europe lie within the philosophy of Aristotle, than those of North America lie within the theories of Newton. Whereas Aristotle revealed the parameters of a perfect order, along with its ensuing hierarchy and centrality.
In Dice Thrown, Benjamin Gianni investigates both early American farmsteads as well as the development of its cities (the rural and the urban) and compares them to European types. In the rural comparison, the European farm seems to be organized around a courtyard, creating an order of symmetry and proportion. The American farm structures, however, are arranged loosely in a cluster, their relationship being functional necessities and a common way of building (the doghouse is designed to look like the shed, which is designed to look like the main house). Moreover, Gianni draws similar contraindications in the urban comparison. In Europe, the city is autonomous, walled off from the outside and arranged in a hierarchy with the most important structures at the highest points in the center. Conversely, in American cities the countryside is brought into the city at its center in the form of parks to remind the people of their link with their natural origins. For traditional Europe then, purity and perfection lie in the symbolic harmony of formal relationships, where a center defines the elements around it and provides a place for man between nature and the heavens. For America, however, purity and perfection lie in the vast expanse of the natural surroundings. No longer a symbolic mediator between heaven and earth, architectural forms confront the world around it as it is.
Without the guidance of formal relationships in culture, we have developed a conception of arrangement (or anAmerican type) which combines the classical adaptation of a rational imposition by a grid system with the limitless aspect of horizontal space. So important in the United States is the sanctity of individual freedoms. This suggests that the individual has the capacity through rational thought to intervene in nature and dictate his or her destiny. In early America, cities were built modeling the roman grid system. The urban plan was derived rationally as an egalitarian way of dividing space. Also inherent in theAmerican mind set, however, was the perception of boundless opportunity and individual freedom which promoted a dimensionless unregulated horizontal expansion of the built environment. The grid emerged as a way of organizing town centers. No sacred truths of the heavens and the earth were revealed, no ritual was carried out in a departure point for the transcendental; instead, a rational organization occurred as a means of confronting an environment as it existed in its own state, just as earlier settlements had developed a seemingly random order based on the boundless opportunities of providing landscape as a means of confronting nature in its own state. An interesting paradox emerged between two orders. One looked as if buildings and places were dropped from the sky, left to be dwelled within depending on how they tumbled and lied to rest on the landscape; a celestial game of jax played on an uneven surface. The other depended on a complete and unyielding imposition on the landscape where every thing, place or building was measured or monitored. As a result cities would emerge, each with their own rational imposition, with no relationship to each other. Today, a certain randomness permeates their rational existence. The result has been deformative. That is the realization of something completely different from original intention. It is a combination of an upward extrusion with the introduction of a diffusive horizontally which re-orders its existence. It is, in a sense, a changing of definition. Even New York, with its density and strictly imposed grid, has a kind of deformative diss-order which defines its place as a totally American (though unique in and of itself) phenomenon. Rem Koolhaas identifies the madness of piling up chaos on chaos in a rigid system which creates its “delirious effect”
Even language, signs, and meaning have become deformative, setting in motion a wave of paradoxical relationships.Intention dissolves over time, history becomes representative or imitative, the immutable becomes alterable, and new definitions are formed to re-explain existence. The universal, the transcendental, they are the spiraling center which decomposes and recomposes, leaving sometimes only a shell from which to decipher meaning and existence. Umberto Eco, in his essay "Travels in Hyper-reality”, examines the relationship in American culture between the sign, the thing, and that which links them together, history. The sign is not a means for understanding the thing it symbolizes but rather is an object which "aims to be the thing, to abolish the distinction of the reference. This is the mechanism of replacement." In doing so, the sign becomes more real (or hyper-real) than the thing because it is identified by and more tangible to the existence of our culture.
This explains our fascination with historical reenactments, dramatizations, wax museums, escalators, and Dysney main streets. All are hyper-realities which have taken over and become "more real” than the things they represent. They are “better” because they excite the senses and give material evidence of our place in history. In doing so the hyper-real in American culture has successfully performed an about face in the way we define things, creating the perfect irony: “the completely real becomes the completely fake”.
If modernism lies within the tradition of the way we view ourselves and our landscape, if we live in Newton’s limitless universe of absolute space independent of perfect geometry, if we live devoid of origin with no primitive accumulation of time, if architectural space does not always necessitate the symbolic harmony of formal relationships but rather seeks to confront its natural surroundings, if the arrangement of space is deformative, lying somewhere in between rational intervention and the application of the limitless, and if irony is the result of our application of language and meaning, should these conditions not become tools for design in architecture? Does this not suggest that the modern conception of space has deformed itself into something completely different from that of our European counterparts?<br>Master of Architecture
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Isik, Bora. "The Restoration Project Of Cin Kule In Payas, Antakya." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605510/index.pdf.
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al-Jawahrah, Hani Muhammad. "The native architecture of ʻAsīr region in Saudi Arabia : stone duct towers of the highlands". Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/26823.
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This thesis is about the native architecture of the highlands of the Asir region in the south-western corner of Saudi Arabia. The thesis is made up of three parts. The first part introduces the region and its architecture. It has three chapters. The first chapter discusses significant cultural and social aspects of the people, and their impact on the architecture. The second chapter introduces the native architecture of the highlands, and classifies this architecture into towers and villages. It provides ground plans for the most important types of towers, and assigns them to their geographic and tribal context. The chapter also describes the basic features of these towers and villages. The third chapter describes the natural features of the highlands and their influence on selected stone-built villages. The second part is devoted to the study of one type of tower built in the central and south sections of the highlands: the duct tower. Twelve duct towers are under close focus in this part. This part has five chapters. The fourth chapter classifies the duct types of these towers and explores the purpose of the duct. Chapter five describes and argues the purpose of three duct grain towers built in different physical contexts. The first tower is an isolated tower. The second tower is built inside a compact stone village. The third tower and its companions overlook a stone village. Chapter six describes three duct defensive towers. The first tower is built inside a defended stone village. The second tower is built outside a compact village. The third tower is built within a fortress. Chapter seven describes three watch and retreat towers. The first tower is a simple duct tower. The second tower is of the platform-duct type. These two towers are built overlooking stone villages. The third tower is a round duct tower built beside grain fields. Other round towers are also discussed in this chapter.
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Hollett, Philip. "Sound towers : evoking the musical dimension of Gaudí." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29560.
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Antoni Gaudi was the architect of the Sagrada Familia from 1883 to 1926. Over this period of time he prepared the overall design and supervised the construction of the Nativity facade. One of Gaudi's main design objectives was to include tubular bells in the tall slender towers. It has been said that through his sound studies for these bells, Gaudi developed his musical sentiments most fully. Through the sound of bells, accompanied by song, he imagined a festive environment around the temple. These considerations might be seen as reflecting the overall spirit of the time, as Catalonia was in effect experiencing a cultural rebirth known as the Renaixenca . Originating with the call of the poets, this time of exuberant growth for Catalonia was one that was built upon the rebirth of language. As a result, language through poetry continued to be celebrated throughout the century, particularly through annual poetic contests called the Jocs Florals. This paper studies the facade of the Nativity as a expression of this culturally exuberant time by exploring how the Jocs Florals, and poetry in general, may have played a role in shaping its form and sound. The study also acknowledges the fact that Gaudi's inspiration for his design was derived from symbolism associated with the Catholic liturgy. The result is architecture that might be described as a union of religious and cultural symbolism, yet ultimately its festive expression is a poetic one. As such, the Sagrada Familia might be described as a celebration that is a call to gathering.
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Liu, Peng. "Reestablishing identity of individual homes in high-rise residential towers." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217401.
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High-rise residential tower is an inevitable and prevalent building type in high-density areas such as China. Because of the large population such buildings accommodate, improving the quality of people's lives in these towers has significant meaning. One of the important problems in such environments is the loss of identity of individual homes. This occurs because living spaces cannot fit individual families' unique and changing physical and spiritual needs. People can identify their lives and express their individual values in their homes in only the most meager ways. Consequently, people and their communities suffer deeply for the loss of identity of individual homes.The first focus of this thesis is to bring the question of individual control into light with the issue of identity of individual homes. Identity of any built environment results from the interplay of both shared values and individual values. In an identifiable and accommodating environment, both value sets should be in balance, over time. In high-rise residential towers, individual values are hardly presented because of the lack of individual control. So the radical way to establish identity of individual homes is to enable individual control in the building process.The second focus of this thesis is a study in architectural design of the distribution of control in such high-rise environments. Two kinds of individual controls are assumed and distributed: the control of the dwelling layouts and the control of dwelling unit facades. To enable these tow configurations of parts to be subject to individual control, propositions for setting up a new balance between centrally controlled parts and individually controlled parts in high-rise residential towers are put forward.To demonstrate these propositions, a specific high-rise residential tower in Beijing is redesigned to the solution of technical problems, regulatory issues and conventions when control is distributed. Individual control of both the dwelling layouts and the facades are simulated in a methodical way.Finally, notes about supportive products and management techniques, broader developments in other types of high-rise buildings, and the cultivation of shared values out of individual values are offered.<br>Department of Architecture
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Nadal, Herman Alejandro. "La Costa Residences: A Tower by the Shore." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/56660.
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This thesis choreographs the procession around and within a tower. An alternating sequence of compression and expansion of space creates a rich spatial experience. Each moment along the sequence is meant to complement or contrast the others, exaggerating their effect. The tower's form is designed by producing and then selecting from a series of potential solutions. Each iteration is guided by the aforementioned sequence of spatial conditions.<br>Master of Architecture
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Athienides, Despina. "Re-inhabiting the void." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112337.
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Anderson, Charles Nicholas, and charles anderson@rmit edu au. "Ephemeral Architectures: towards a process architecture." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091104.143239.
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This PhD responds to a two fold problem with the philosophy of design and the practice of design. The philosophical problem is stated as the discrepancy between a dominant philosophical framework that orders the world according to eternal essences and the actual conditions of the world in which we exist: the conditions of becoming and of flux. Commencing with a critique of the western metaphysical tradition of statics this research project proposes that we need to find a way of describing an evolutionary model of practice, and by so doing to provide a revitalised narration of process. Consequently, the PhD explores the meanings of process through a critical examination of an ensemble of projects created by the author. Within this framework, a number of questions are posed in order to explore the proposition of a process practice. These questions are: What is process? How does one think process? Indeed, how do we get to grasp change? What are the consequences of process thinking on the practices of design, their fields of operation, and their productions? And, how can the thematising of process contribute to the design of the constructed environment, as well as reconfigure the practices of design? This thematising of process is argued to involve a necessary address to the constitutive and interrelated characteristics of process: space/time, movement, change, form and matter. Such an address is also seen to problematise the status of the object, the paradigms of representation, the modes of creation, the economies of exchange, and the structures of community, and to offer a modality of practice which would re-imagine the forms of social exchange to offer an ethical alternative to the tyranny of supply and demand, and thereby reconfigure the potential for dwelling. Making an overview of the discourses and practices engaging with theories of becoming, this thesis argues that almost all of these re-inscribe statics and that consequently the practice of design seems to drag behind our understanding of the world. Through a meditation on dis/appearance, in which the dynamics of being and becoming and the restless ambiguity of the gap are examined, the work establishes a process vocabulary, and makes clear through a material practice, the domains of process thinking, its inclinations, and the kinds of operations and procedures that flourish there. Foregrounding the fertile character of process practice, the PhD then proceeds to introduce notions of the movement-form, the duration-form, the transformational-form, the geometry of encounter, and to argue for physical form as an in-movement poise. Advocating new modes of approach and of attentiveness, and demonstrating new generative methods, this PhD argues that process thinking is not simply an operational stance, but an ethical position that identifies a field of care, and that consequently the design practices be expanded by taking seriously the relationship between process thinking and place making. Thus, this thesis concludes by advocating a mode of place making which, rather than reproduce planned environments as systems of control, configures place as the discursive contested place of encounter and exchange.
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Boonzaaier, Johann H. "Nurturing architecture : shifting conventional architectural approaches towards regenerative architecture." Diss., University of Pretoria, 2015. http://hdl.handle.net/2263/53344.
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The natural world consists of incredibly complex and integrated systems. Ecosystems and biodiversity all work cohesively to sustainably maintain the basis of our very existence on the planet. These interrelationships form the foundation of all living things and have zero impact on the natural environment. Mankind hugely influences natural systems through its introduction of technological systems . This influence is traceable to the unsustainable extraction of natural resources, which became wide-spread in the industrial era.
Since the start of the industrial era, city borders have rapidly expanded often leaving the inner-city decentralized. Such expansion has made its mark on the central business district of Pretoria, where natural voids have been created in the city fabric. The environment in the CBD, through the impact of human activities, is in a state of decay, which is a threat to the very existence of the ecological environment.
Architecture needs to return to its roots and find a spatial condition to co-exist with the natural realm in a regenerative manner. Thus utilizing nature s ability to solve problems that we currently struggle with. This dissertation focuses on regenerative architecture. The ecological environment, and certain insects in particular, provides us with countless solutions. Unfortunately, we sometimes mistake the innovation and services of insects as the aggravation of pests. The proposed program therefore centers on the research of these insects and on learning what they can provide for the greater good of humanity s future; a future where humans and nature have a mutually beneficial relationship.
This project also taps into the closed-loop-system of the regenerative theory in which, nothing is seen as a single entity, but rather as a system where anything is beneficial and interrelates to everything. This theory can only strengthen and densify Pretoria s inner city, filling the voids with systems and contributing positively towards the regeneration of resources.<br>Mini Dissertation (MArch(Prof))--University of Pretoria, 2015.<br>tm2016<br>Architecture<br>MArch(Prof)<br>Unrestricted
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Fenske, Gail. "The "Skyscraper problem" and the city beautiful : the Woolworth Building." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/14037.
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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.<br>Includes bibliographical references.<br>The "skyscraper problem" challenged the thought and practice of civic designers and architects prior to World War I. It referred to the incompatibility of City Beautiful principles with economically propelled land development, and to the contradiction between the notion of architecture as an art and the skyscraper's programmatic and technical requirements. Civic designers in New York had difficulty accommodating the skyscraper in their large-scale plans. They also found that it intruded on their vision for the business street, hindered their attempts to plan City Hall Park as New York's civic center, and created a chaotic skyline. Bruce Price, Louis Sullivan, Thomas Hastings, Cyrus L.W. Eidlitz, and other architects suggested alternative proposals for subjecting the skyscraper to the constraints of design . Prior to the design of the Woolworth Building, however, architectural critics did not unanimously endorse any single approach. Frank Woolworth chose a site for his proposed headquarters at the intersection of City Hall Park, New York's civic center, with lower Broadway, the spine of its business district . Woolworth commissioned Cass Gilbert to design the Woolworth Building in 1910. Gilbert shared the City Beautiful vision of McKim, Mead & White and Daniel Burnham. He also accepted the skyscraper's pragmatic requirements. Woolworth intended his headquarters to function as a speculative office building, but also to look like a civic institution. The imagery of a civic institution would represent the capitol of his commercial "empire" as well as display his civic-mindedness, wealth, and cosmopolitanism. The Woolworth Building's siting at New York's civic center, its composition, its arcade, and its sculptural and mural decoration identified it with the prevailing concept of the civic building. The soaring vertical piers of its exterior recalled Gilbert's earlier design for the West Street Building, which was influenced by the functionalist ideas of Louis Sullivan. The Woolworth Building convinced critics that a suitable architectural expression could be found for the skyscraper. Zoning reformers regarded it as a benign skyscraper. Contemporary observers attuned to City Beautiful aesthetic principles thought that the Woolworth Building strengthened the order and image of New York's civic center and enhanced the view of the city from afar.<br>by Gail Fenske.<br>Ph.D.
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Николаевна, Агеева Галина, Агєєва Галина Миколаївна та Agieieva Galyna. "Инновации в формировании архитектуры высотных доминант аэропортов". Thesis, Полтавський національний технічний університет імени Юрія Кондратюка, 2020. http://er.nau.edu.ua/handle/NAU/43161.
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1. Агеева Г., Волкова А., Захарченко А. Развитие инфраструктуры аэропортов и его влияние на размещение объектов обслуживания воздушного движения. Proceedings of the 20th Conference for Junior Researchers ‘Science – Future of Lithuania’ Transport Engineering and Management, 12 May 2017, Vilnius, Lithuania. Рp.69-73. URL: http://jmk.transportas.vgtu.lt/index.php/tran2017/tran2017/paper/viewFile/116/141
2. Смирнова О. В. Типологические основы формирования инновационных зданий в городской среде: монография. Харьков: ХНУГХ им. А. Н. Бекетова, 2018. 189с.
3. Агєєва Г. М. Аеродромно-диспетчерські вежі – медіадомінанти макросередовища аеропортів. Містобудування та територіальне планування. 2019. Вип.70. С. 27-43. URL: http://nbuv.gov.ua/UJRN/MTP_2019_70_7<br>Представлены результаты исследований особенностей формирования архитектурных образов зданий аэродромно-диспетчерских вышек (АДВ) в аэропортах. Выделены типологические характеристики локально размещенных зданий АДВ. Выявлена специфика инновационных подходов на разных уровнях формирования архитектуры зданий АДВ. Рассмотрены примеры использования принципов объемно-пространственной, конструктивной, световой и цветовой трансформации, а также их комбинации.<br>The results of studies on the formation of architectural images of buildings of airfield traffic control towers (ATC) at airports are presented. Typological characteristics of locally located ATC buildings are highlighted. The specificity of innovative approaches at different levels of building architecture of ATC buildings is revealed. Examples of using the principles of volumetric-spatial, structural, light and color transformation, as well as their combinations, are considered.
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Massounie, Dominique. "Les monuments de l'eau aqueducs, châteaux d'eau et fontaines dans la France urbaine, du règne de Louis XIV à la Révolution /." Paris : Éd. du Patrimoine, Centre des monuments nationaux, 2009. http://catalogue.bnf.fr/ark:/12148/cb41482233z.
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Texte remanié de : Thèse de doctorat : Art et archéologie : Paris 1 : 2000 : Les monuments de l'eau : aqueducs, châteaux d'eau et fontaines dans la ville moderne (1661-1791).<br>Bibliogr. p.154-156. Notes bibliogr. Index.
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Hensel, Michael U. "Performance-oriented architecture : an integrated discourse and theoretical framework for architectural design and sustainability towards non-discrete and non-anthropocentric architectures." Thesis, University of Reading, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578023.
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The interaction of humankind with the natural world begets their mutual becoming: transformation arises from the agency that imbues and entwines them. As the impact of human intervention upsurges and accelerates the transformation of the natural environment the question arises whether their perceived diametrical opposition continues to be useful in locating an integrated and complex approach to architectural design and sustainability. Could an intensively context-embedded architecture be in the service of the natural environment by interlinking its inherent and latent agency with that of the natural environment? And if thus a performance- oriented architecture is possible how may it be thought of? This thesis focuses on formulation an integrated and overarching theoretical framework for a performance- oriented architecture. It explores the concepts of non-discrete and non- anthropocentric architecture that opens itself out to the natural environment and seeks to locate in the consequentially evolving extended threshold a heterogeneous space that offers varied and sustainable provisions for human use and local ecosystems. Four main efforts underlie this endeavour: 1. Critical examination of relevant architectural theories, practices and works, paralleled, wherever useful, by a historical account of the developments that led up to these theories and practices. This effort is geared towards formulating core concepts and traits of a performance-oriented architecture. 2. Research by design efforts that inform the development of the traits of performance-oriented architecture. 3. The development of an overarching inclusive and integrated theoretical framework for performance-oriented architecture. 4. Discussing ways in which architecture can serve as an extended interface between the man-made and natural environments
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Thery, David. "Architectural auralizations : towards the integration of virtual acoustic design in architecture." Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASS016.
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Cette thèse a étudié l’usage des auralisations durant la phase de design de projets architecturaux. Cette technologie, qui consiste à rendre audibles des simulations numériques à partir de modèles acoustiques géométriques, a été beaucoup utilisée en recherche, allant d’études cognitives à l’évaluation de l’acoustique des salles de concert, en passant par des études archéoacoustiques permettant la conservation du patrimoine via la reconstitution de l’empreinte acoustique de lieux historiques. La question ici était donc d’évaluer la potentielle amélioration que l’usage des auralisa- tions apporterait durant la conception d’espaces architecturaux. En se basant sur la théorie de l’acceptabilité pratique, l’usage des auralisations a été étudié à partir de questionnaire et entretiens de consultants en acoustique, ainsi que l’observation d’un cas pratique d’utilisation, en collaboration avec Theatre Projects Consultants. Ces études ont permis l’identification des principaux usages des auralisations, ainsi que les difficultés rencontrées, tant déclarées qu’observées, freinant l’adoption par les consul- tants. L’une des nécessités pour favoriser cette adoption tient dans la fiabilité de la technologie, que ce soit les outils eux-mêmes, ou les rendus de ces auralisations. La stabilité de la perception auditive a donc été évaluée, comparant différents systèmes de restitution. La méthode de reproduction sonore pour commencer, en comparant un rendu Binaural traqué et un rendu Ambisonic. De même, l’influence du système de VR visuel pour des auralisations multimodales a été évalué. Une relative stabilité de notre perception auditive a été observée, avec toutefois un léger impact du système sur l’évaluation de l’impression d’enveloppement (LEV) et de la largeur apparent de source (ASW). Des efforts sur l’adaptabilité des outils d’auralisations, et le transfert de connaissances de la recherche á l’industrie sont nécessaires pour permettre de mieux intégrer les auralisations dans les pratiques des architectes et acousticiens<br>This thesis investigated the use of auralization in the design phase of architectural projects. While this technology, which consists of rendering audible numerical acoustical simulations, has been extensively used in research, from cognitive to human-computer interfaces to archeology to concert halls acoustics evaluation studies, only limited data existed on its use by acoustical consultants for acoustical design. The question was to evaluate if auralizations can improve the processes of acoustical design for the conception of architectural spaces. Based on the practical acceptability theory, the use of auralizations has been studied through questionnaire and interviews of acoustical consultants, as well as the observation of a practical case study project, conducted in collaboration with Theatre Projects Consultants. These enabled the identification of the main uses of auralizations, as well as the difficulties encountered that impede the adoption of the technology. One of the requirements for its adoption is the accuracy and reliability of both the results and the tools themselves. Therefore, the stability of auditory perception was assessed in perceptive studies along a set of subjective attributes, with auralizations rendered over different interfaces, including sound reproduction methods and VR visual interfaces. The two sound reproduction methods compared were head-tracked Binaural and Ambisonic while the VR visual devices compared were a HMD and a CAVE-light system. A relative stability of auditaptory perception was observed, while the perceived Envelopment and Apparent Source Width were slightly impacted by the rendering system in both cases. Efforts in the adaptability of auralization tools for use in architectural design and knowledge transfer from research to industry are still needed for a better integration of auralizations in architects and acousticians workflow
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VonderBrink, David Thomas. "Architectural Phenomenology: Towards a Design Methodology of Person and Place." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1185571813.
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Hampton, Frederick Jordan. "The American dream towards a new future." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23775.
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Androulidaki, Amalia. "The meaning of the architectural form of the tower : the ancient towers of Siphnos." Thesis, Heriot-Watt University, 2007. http://hdl.handle.net/1842/26122.
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The phenomenon of building numerous towers in Siphnos and also in other Hellenic regions in antiquity (sixth to fourth century BC) has been studied only relatively recently by scholars. Their number, the quality of the cture, and the constant typology of these towers, contest the suggested theories about their original purpose. In this study, the analysis of the towers addresses not just the structure of the building but also the ning that has been attributed to the space and the form. This research is an attempt to detect the architectural ities that render the tower capable of corresponding to specific requirements and to fulfilling the intentions their creators. The analysis of the meaning and the intentions which prompted the selection of the particular architectural eidos, is derived from the perceptions and beliefs of that era in terms of its social, religious, philosophical and technological contexts. The results of the phenomenological analysis have been confirmed further supported from by historical, religious and anthropological research. The research proposes that the towers of Siphnos have had a multivalent connection with the mines ch can be interpreted as sacred and functional. The vegetation and generation of metals, ores and minerals considered as a certain fact in antiquity. The regeneration of all creatures presupposed the ceremonial repetition of the sacred coitus of the primordial couple in the ritual known as "hieros gamos". The tower is the ptor, the intermediary vehicle in the performance of this holy marriage, attracting thunderbolts that constitute the sign of this union. Also, the towers define and demarcate the metallurgical region and shape the geographical networks in accordance with the entries of the galleries, in order to construct their specific ntated directions. The capability of the towers in attracting lightning, has served positively the safety of the e workers and mines. The fact that all the towers stand on surface metalliferous veins, as was expected, rding to renaissance texts, answers the unsolved problem of the placing of the towers around the island and firms the verification of the proposed theory.
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Youssef, Lyndl Thorsen. "Architecture, A Public Engagement with: Purpose, Poetry, Place, Prospect, Program, Principle, Process." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/35089.
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The purpose of the Times Square Civic Center is to deal with the street as a living, breathing member of the community just as the street was treated in the Old Town of the 18th Century. The Times Square Civic Center demonstrates ways in which architecture engages its public by allowing visitors to take part in its identification, function and composition as it takes on the aspect of a gentleman.<br>Master of Architecture
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Ahmed, Mohammed M. "Globalisation and architectural behaviour in the United Arab Emirates : towards reformation of humanitarian architecture." Thesis, University of Wolverhampton, 2011. http://hdl.handle.net/2436/220774.
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This study seeks to investigate the impact of globalisation on the architectural behaviour in the United Arab Emirates, to clarify the benefits and risks of globalised architecture in architectural behaviour. Although there are several supporters of globalisation who see the phenomenon as a means of progress and development, many experts have indicated that this phenomenon has been demolishing local culture and regional considerations, and ignoring residents’ requirements. As a result, this study presents all the views about this phenomenon from many aspects, such as political, social, economic and environmental, whereby it investigates the changes in architecture and urban planning due to global standards, methods of construction, and building materials. The literature review was the first part of the study and the theoretical studies were divided into three pivots in this thesis: The globalisation impacts and features, the relationship between globalisation and architecture and the last pivot concentrates on the human needs in architecture. The study also concentrates on the impact of globalisation on architecture through the terminology of “globalised architecture”, and focuses on some global phenomena in the architectural domain, such as skyscrapers, multi-storey buildings and iconic landmarks. The empirical study examines this argument about globalisation through questionnaires and interviews. A comparison is drawn between two groups: globalised houses is the first group, which reflects globalisation’s impacts on architecture, where this provides easier ways to specify features, elements and specifications for the era. In contrast, the non-globalised sample is the opposite of the first group, because it reflects the features of houses without the impacts of globalisation. Ultimately, the findings indicated that there are differences between the two groups. Both samples occurred in the same place and time, but the form of architecture and urban design has affected human behaviour. Thus, this study suggests a paradigm that could provide more humanitarian elements in architecture and urban design. It also suggests some general recommendations supporting human needs, and local considerations such as standards and codes.
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Lincourt, Michel. "In search of elegance : toward an architecture of satisfaction." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23087.
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Foley, Patrick Brendan. "Palimpsest and the Architecture of Time." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/34326.
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The Palimpsest of time is ever changing.Mankind has tried to understand and utilize time through many lenses. Through the concepts of Khronographics, Kairographics, and the Technics, Architecture can be used as a means of expressing and revealing time.<br>Master of Architecture
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Bett, Thomas V. "Sensibility of Architecture: A Drawn Inquiry." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/51766.
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This project has been about delving into forms of drawn architectural discovery and inquiry. The cathedral became a vehicle for approaching this from different angles. It tries to understand how a design achieves that distinctive quality which subconsciously divulges the type of environment you have entered. The exploration of this led me to start attempting to work in various non-traditional media and how it could begin to uncover the power each had in communicating the quality of space trying to be attained.<br>Master of Architecture
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McGrane, Kurt Ryan. "Landscapes, architecture." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/mcgrane/McGraneK0510.pdf.
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Continued population growth is inevitable to Montana's future. This can be seen as a source of great alarm or great opportunity. If suburbanization of Montana's agricultural and wild mountain landscapes continues, eventually that which makes Montana so appealing - its open space - will disappear. Future growth should be seen as an opportunity to densify and enrich Montana's existing urban centers. However, prevailing attitudes of what it means to live in Montana as well as economic and infrastructural constructs, currently promote a gradually expanding low density sprawl. As important as open landscapes and nature are to the identity and appeal of Montana, continued population growth means man-made structures are increasingly becoming the dominant presence on the land. Perhaps instead of pressing low density architecture outward over the landscape, the landscape can be drawn into the architecture. By providing an urban park of densely layered activity but defined by a spacial characteristic of openness, a surrounding urbanity can be made possible which still retains Montana's defining character and appeal. This project will be a proactive architectural act, an urban catalyst for change. It will utilize the concepts of Landscape Infrastructure, Terrain Vague, and The Fold to give a sense of ambiguity and slipperyness to the program and allow it to relate to both urban and ecological frameworks. This ambiguity will allow for the interpretive freedom necessary for the assertion of individual identity to occur, as well as give the project an ability to adapt to future changes in the urban (and rural) fabric. Individual programs will be defined based on local needs, and where these separate (and perhaps strikingly disparate) programs intersect, nodes of unpredictable excitement can manifest. Introducing a public, open ended, multi-layered program designed with both specificity and ambiguity will provide an answer to the western conflict between freedom of the individual and the shared environmental responsibility of land stewardship.
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Clark, Robert H. Jr. "Towards an imperial architecture." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/23986.
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ZHU, ZHENGYANG. "TOWARDS A JAPANESE ARCHITECTURE." The University of Arizona, 1993. http://hdl.handle.net/10150/555401.
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Lund, Jon Michael. "Toward A Collective Architecture." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491313042368663.
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Martin, Colin. "Towards a Hydroponic Architecture." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554119967725464.
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Boughan, R. S. Trajn. "Strategic expansion of architectural services through project management : toward excellence in architecture as a public good /." Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14740138.
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Chang, Chian-Yeun. "Towards a culturally identifiable architecture." Diss., Virginia Tech, 1990. http://hdl.handle.net/10919/39934.
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This study proposes a systematic approach for investigators to judge how architecture of a given cultural group can be considered as culturally identifiable. More specifically, it proposes the steps in unveiling the relationships between chosen core elements of cultural distinctness and various design patterns. The suggested sources of core elements are political, social/behavioral, and economic influences on architectural design and approaches to create architectural signs.
It is presupposed that a design pattern is considered culturally identifiable when important core elements are communicated via noticeable signs. The communication is perceived from a semiotic analogy of architectural signs, whereby the importance of one core element over the other is identified by the investigator through research into the cultural context under study.
A case study on China's architecture is presented to illustrate these steps and test the proposed hypotheses. The steps are so designed that testing the relevance of core elements to architectural signs is essential. Forty-six sample buildings selected from China served as stimulus materials in the case study. These building patterns were rated as different types of signs on the basis of the core elements elicited from China's present-day culture. These buildings also were judged in a survey by forty-four Chinese students and their spouses at Virginia Polytechnic Institute and State University who represent samples of overseas Chinese laypersons.
The findings show that survey results deviated significantly from the semiotic results as laypersons considered traditional architecture most representative of Chinese identity. The semiotic results show that culturally identifiable designs are the hybrid forms of traditional and modern architecture. Most laypersons ignored the relationships between their perception of distinct identity in architecture and core elements of economic meanings and sign-creation approaches. This deviation implies a significant cultural lag in perceiving distinct identity between professionals and laypersons, and led to modification of the presupposed hierarchical importance of core elements. Through the case study and findings, this research illustrates the procedure by which investigators can determine from a specific range of cultural elements the most effective means of communication of identity. It enables the inclusion of core elements of popular culture in comparing various design patterns and in differentiating built forms of one culture from that of others. The study ends with the factors and suggestions that are related to communication of Chinese identity in architecture.<br>Ph. D.
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Pagani, Freda R. "Adaptive buildings through evolutionary design, towards more sustainable buildings. project design process as a complex adaptive system." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ38952.pdf.
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Saez, Mario Carlos Cortes. "Towards understanding a tower : the design of the Staten Island Ferry Terminal /." Thesis, This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-02132009-172714/.
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Beck, Catherine Tacci. "A discipline-based approach towards teaching architecture on the secondary level." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1988. http://www.kutztown.edu/library/services/remote_access.asp.
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Liu, Haoyang. "The development of novel window systems towards low carbon buildings." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12839/.
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Buildings are responsible for over 70% of the average city’s greenhouse gas emissions. As the key component of buildings, window serves very important role in architecture. In current energy efficient building practice, windows are considerably less well insulating component than other parts of the building envelope. Therefore improving windows thermal performance is an important issue to develop energy efficiency building design. This research is carried out from the case studies of zero/low carbon buildings, in which windows were found the weakest part of building envelope. Within this work state-of-the-art window glazing types, latest best performing fenestration products in the market and advanced window technologies are reviewed. Vacuum window technology using evacauted tube pannels will be presented in this research work, as well as Thermoelectric (TEC) window system and Thermoelectric power generation window system. The objectives of the development of novel window systems are: (1) to develop the first-of-its-kind window technology using evacuated tube panels, its thermal transmittance (U-value) will be studied; (2) In order to compare U-values data with high performance windows, thermal performance of novel designed Aerogel and argon window system will be investigated; (3) to develop novel window system by combining evacuated tube panels and thermoelectric modules, which is functioned as a heat pump device; (4) to develop window system as a power generation device by interating thermoelectric generator. Novel windows technologies would meet the requirements of the Code for Sustainable Homes and those of commercial buildings. The study on development of novel window systems is carried on from the current window technologies and includes: (1) Computer modelling results show U-values about 0.59 W/m2K for double wall vacuum tube window, 0.61 W/m2K for single wall vacuum tube window. Laboratory measurements are carried out to validate theoretical results. The test results show that 1.0 W/m2K and 1.1 W/m2K for double and single wall vacuum tube window respectively. Economic and environmental assessments are also analysed. (2) Numerical model and laboratory tests have illustrated the U-values of different thickness of aerogel, argon and combination of both filled window. Comparing to standard double glazed window unit with 20mm air gap (U-value of 2.8 W/m2K), the U-value result of 6mm Aerogel-Argon window can be improved by 45% in theory and 30% according to the laboratory measurement results. (3) Advanced glazing will become “Energy Suppliers” as well as “Energy Managers”. Novel design of thermoelectric window system may function as “a heat pump” contributing buildings’ heating load in winter. Laboratory and outdoor tests investigate the amount of heat supply under various voltage regimes and weather conditions. (4) The electric power output of thermoelectric generator device combined with vacuum tube is examined under different experimental thermal conditions. The use of TEM has advantages of its maintainance free and can operate from any heat source. Window unit (sized1m×1m) installed such device can generate electricity approximately 70~180W.
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Jane, Van Horn Mary. "Towards a critique of the architecture of consumption." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22412.
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Beattie, Matthew Thomas. "Insideoutside, towards a Romani architecture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ39634.pdf.
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Baggett, Neal Stuart. "Towards a phenomena-oriented architecture." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/baggett/BaggettN0510.pdf.
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Architecture’s focus on the visual faculty omits potential dialogue with the tactile, auditory and proprioceptive ones. We have become a culture encouraged to live in that visual sense. The question is if Architecture can begin to engage the body and the sense for the user to have a more robust and fulfilling experience. This thesis rekindles dialogue with all sense perceptions with an architecture that engages the varying aspects of the built environment: texture, relationship and scale.
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Cooper, Andrew. "Towards a trusted grid architecture." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:42268964-c1db-4599-9dbc-a1ceb1015ef1.
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The malicious host problem is challenging in distributed systems such as grids and clouds. Rival organisations may share the same physical infrastructure. Administrators might deliberately or accidentally compromise users' data. The thesis concerns the development of a security architecture that allows users to place a high degree of trust in remote systems to process their data securely. The problem is tackled through a new security layer that ensures users' data can only be accessed within a trusted execution environment. Access to encrypted programs and data is authorised by a key management service using trusted computing attestation. Strong data integrity and confidentiality protection on remote hosts is provided by the job security manager virtual machine. The trusted grid architecture supports the enforcement of digital rights management controls. Subgrids allow users to define a strong trusted boundary for delegated grid jobs. Recipient keys enforce a trusted return path for job results to help users create secure grid workflows. Mandatory access controls allow stakeholders to mandate the software that is available to grid users. A key goal of the new architecture is backwards compatibility with existing grid infrastructure and data. This is achieved using a novel virtualisation architecture where the security layer is pushed down to the remote host, so it does not need to be pre-installed by the service provider. A new attestation scheme, called origin attestation, supports the execution of unmodified, legacy grid jobs. These features will ease the transition to a trusted grid and help make it practical for deployment on a global scale.
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Ma, Tianyi. "Criticism Towards Chinese Contemporary Architecture." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/596958.
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Lee, Corina Yuan Shiu. "Towards an architecture of reality." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/53325.
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Gordon, Brant Douglas. "Towards a language of architecture." Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/53098.
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Architecture is a language in that, through order, it gives expression to the meaning of what it is to be human (to live on the earth as man). As a language, it provides a way to see, to understand what is seen, and to present what is seen and understood.<br>Master of Architecture
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Busson, Francois, Jean-Guy Pierozak, Hugues Richard, and Gerard Kipfer. "TOWARDS A NEW TRACKING ARCHITECTURE." International Foundation for Telemetering, 2016. http://hdl.handle.net/10150/624267.
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A telemetry facility may connect numerous telemetry receivers to a single tracking antenna
depending on the number of TM channels involved in the test and on the required redundancy.
The tracking data, i.e. AM normalized analog signals extracted by the receivers from the TM
signal and the AGC analog signals, are sent to the Antenna Control Unit (ACU) for tracking
error calculation.
The number of cables between receivers and ACU becomes important in some telemetry
facilities and the tracking signals being analog, the distance must be limited.
This paper proposes a new tracking architecture that moves from analog to digital links between
receivers and ACU with the following main benefits:
Keeping the capability to acquire tracking data (AM&AGC) from several telemetry
receivers,
Having more flexibility for integration,
Improving interoperability,
Providing availability of simultaneous tracking errors for enhanced tracking algorithms,
for C-band tracking improvement for example.
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Boughan, R. S. Trajn. "Strategic expansion of architectural services through project management: toward excellence in architectureas a public good." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31266319.
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Mang, Yiu-wing. "Branding a label through architecture Giordano Tower /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31987217.
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Mang, Yiu-wing, and 孟耀永. "Branding a label through architecture: Giordano Tower." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31987217.
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McCarty, Gerald. "Tower as communication." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/76023.
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Ekblad, Marie. "Urbana nomader : Likheter och ojämlikheter på en rörlig bostadsmarknad." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-229777.
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I det här examensarbetet i arkitektur analyseras en ny typ av bostäder i Stockholmsområdet: konceptboendet. Bostadstypen är skapad för en ”urban nomad”. Det är ett ord som används i marknadsföring och kan tolkas som en person som antingen reser mycket i sin yrkesverksamhet eller någon som behöver en tillfällig bostad på grund av studier eller i väntan på en lämpligare bostad. Stockholm har i dag, 2018, en stor bostadsbrist vilket skapar ett tryck på politiker att ta fram lösningar. Synen på bostaden har skiftat från att ha varit en rättighet till en lyxprodukt. Fastighetsutvecklare som Oscar Properties och Axxonen utvecklar och marknadsför premiumbostäder där hotellet är förebild och olik typer service ingår i bostadskonceptet. Det finns förändrade attityder när det gäller höga bostadshus och skyskrapor i Stockholm som ofta har lägenheter som kallas konceptboenden eller premiumbostäder. Det är viktigt att lägga märke till detta skifte i inställning eftersom det förklarar varför bostäder ser ut som de gör och vadsom driver deras design och funktion. Norra tornen vid Torsplan är exempel på premiumbostäder i höghus med inspiration från New Yorks exklusiva skyskrapor. Ett annat exempel är Tellus Towers vid telefonplan som är fylld med enrummare för unga vuxna. Där finns dramatiska utsikter och serviceanläggningar som pool och spa som säljargument. Idén om flyttkedjor motiverar byggandet av lyxlägenheter och skyskrapor i attraktiva lägen eftersom rörligheten ska göra att alla till slut kommer att få en bostad. För en förmögen målgrupp innebär rörlighet ett internationellt, hotellrumsinspirerat boende: en så kallad ”premiumbostad”. Bostadsrättsföreningen Continental Apartments erbjuder till exempel full hotellrumsservice och är dessutom beläget i de övre våningarna av Hotel Scandic Continental. För bostadslösa låginkomsttagare innebär en rörlig lösning ett boende som de kan tolerera men som i längden är otillräckligt. En tillfällig lösning som skapats på initiativ av den ideella föreningen Snabba hus är flyttbara bostäder på tidsbegränsade bygglov, avsedda för unga bostadssökande. Mellan Continental Apartments och Snabba hus finns, lite oväntat, flera likheter i hur bostäderna är planerade. Men skillnaderna är stora i användning, pris och vilka möjligheter målgrupperna har att välja sin boendesituation. Genom att jämföra renderade bilder, fotografier, ritningar och reklamtexter skildras konceptboendenas olika strategier och målgrupper. I jämförelserna av olika typer av boenden framträder en bild av en marknadsanpassad bostadsproduktion där bostaden behandlas som en livsstilsprodukt och en konsumtionsvara. Kommersialiseringen av bostäder innebär problem för de som drabbats av bostadsbristen. Lösningarna som erbjuds bostadslösa, ofta unga låginkomsttagare, är få och villkorade. Idén om att bostadsmarknaden måste få en ökad rörlighet för att fungera drabbar i stor utsträckning de som har svårast att få tillgång till en bostad genom att inskränka deras rättigheter och boendestandard. Genom att marknadsföra bostadslösningar till unga som livsstilsprodukter överskuggas det verkliga problemen med en utbredd bostadsbrist och en försenad familjebildning. Undersökningens slutsats är att marknadsföringen av konceptboenden ger en ytlig bild av bostäder och deras egentliga värde. Premiumbostädernas kvaliteter, eller brist därpå, döljs genom att erbjuda hushållsnära tjänster och inredningsdetaljer. Den ytliga inställningen till bostäder som enbart statussymboler och konsumtionsvaror gör det svårare att hävda bostaden som rättighet och som en viktig funktion för att forma samhällen. En möjlig motpol till premiumbostäderna är Stockholmshusen, ett försök från allmännyttiga bolag att skapa hyreslägenheter med hög standard men mer överkomlig hyra. Att bygga ut det allmännyttiga beståndet kan även ha en balanserande effekt på marknaden och på sikt trotsa den kommersiella bostadstrenden.<br>In the marketing of certain types of newly-built urban homes there is an intended target group: the “urban nomad”. A luxury hotel style dominates these pictures of future dwellings and a new aesthetic has evolved in rendered images. These types of images have become so common in architectural magazines and housing ads that they often go unnoticed. Behind the pictures is an underlying idea of a flexible housing market that can create positive outcomes for the whole community. This project examines how the idea of mobility in the Stockholm housing market affects the design and marketing of architecture and the possible downsides to the commercialization of urban homes.
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Gerhardt, Warren William. "Towards Supramolecular Multifunctional Architectures." Diss., Georgia Institute of Technology, 2007. http://hdl.handle.net/1853/14619.
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The synthesis of new biological and polymeric supramolecular synthons and their assembly into unique supramolecular architectures is presented. These new supramolecular synthons are functionalized with ligands that compliment metallated pincer complexes. Through the use of ditopic metallated pincer complexes these supramolecular synthons can be self-assembled into infinite linear chains. The first class of supramolecular synthons synthesized were based on cyclic peptide units, by embedding a pyridyl unit into the side-chain of one of the peptide residues the cyclic structure can be coordinated to a metallated pincer complex. It is proposed that these supramolecular architectures may be further enhanced by incorporating multiple pyridyl units along the cyclic peptide backbone and coordinating them through multitopic pincer complexes to give porous membrane structures. The second class of supramolecular synthons is based on photoluminescent X-shaped cruciform molecules. By terminating one axis with pyridyl moieties these units may be assembled into fluorescent coordination polymers with good solution processable characteristics. This work is concluded with several synthetic routes to overcome the current limitations of our first generation of cruciform coordination polymers and cyclic peptide structures.
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Salonen, Arthur. "Timber Tower: 10 20 30." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-222141.
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Timber Tower: 10 20 30 offers a conceptual structural system for tall wooden buildings. The thesis has been a noumenal design process into the subject of timber towers, where the conceptual system is designed to work in accordance with engineering concepts for tall buildings. The system uses mass timber as the primary structural material supported by embedded steel plates. The introduced system plays to the strength and weaknesses of both corresponding materials. Mass timber is used as the primary material that is designed to take care of the dead & live loads, while steel is used as a secondary material to give additional support to the vertical loads. The structural system is interpolated to three different height categories; 10, 20 & 30. The timber & steel system is designed to be prefabricated in parts and assembled on site. Other considerations also addressed in the thesis has been fire-, weather- and soundproofing of the structure.