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Relevant bibliographies by topics / Toy story films

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Academic literature on the topic 'Toy story films'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Toy story films"

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Jamada, Jamadi, and Muhammad Taufik. "The Face Expressions Analysis of Woody in the Film Toy Story 4." ASHLITION : Ash-Shahabah English Literature, Linguistics, & Education 2, no. 2 (2024): 49–54. https://doi.org/10.59638/ashlition.v2i2.1242.

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Toy Story 4 is a 2019 American 3D computer-animated. In this research, The problem of this research was to identify the various face expressions of Woody and find out what is the meaning behind the face expressions of Woody in the film Toy Story 4 because most of the audience only understood the meaning of the movie characters verbally, they rarely understood the meaning behind the non-verbal expressions. Therefore, the researcher took the initiative to find out the meaning behind woody’s face expressions in the film Toy Story 4 . the researcher formulates two research questions as follows: Wh

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Jandaly, Anita, and Sandra Chang-Kredl. "‘To infinity and beyond’? A textual analysis of the representation of friendship between Buzz and Woody in Disney–Pixar’s Toy Story films." International Journal of Disney Studies 1, no. 1 (2025): 109–26. https://doi.org/10.1386/ijds_00007_1.

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Toy Story is one of the most successful film series in the Disney–Pixar enterprise with the friendship between the protagonists Buzz and Woody being central to the franchise’s critical acclaim. However, despite the social phenomenon of friendship and its significance in children’s lives, a dearth of research exists on the types of friendship ideologies these films promote. This study used qualitative textual analysis to investigate the dyadic friendship narrative between Buzz and Woody across the four Toy Story films. Using an inductive and deductive analysis on the behaviours and interactions

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Purba, Berehme Adyatma, and Raditya Alifamughni. "Examining musical elements in Toy Story soundtrack “You’ve Got a Friend in Me”." Interlude: Indonesian Journal of Music Research, Development, and Technology 3, no. 1 (2023): 64–75. http://dx.doi.org/10.17509/interlude.v3i1.71191.

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Animated comedy and adventure films are highly enjoyable to watch. In addition to being an enjoyable film, it is also suitable for viewers of all ages, ranging from children to adults. Furthermore, films of this genre are often sought after by families seeking weekend entertainment. In addition to being captivating to watch, films in this genre typically aim to impart a moral message. The "Toy Story" is a well-known animated comedy about friendship and adventure. It effectively conveys a message of friendship, a familiar theme to viewers. The film's soundtrack, "You've Got a Friend in Me", is

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Umami, Sherly Zahira, and Faradina Juninda Nadita. "IMPLICATURE IN TOY STORY : UNVEILING THE IMPLIED BEHIND MAIN CHARACTER UTTERANCES." ELite Journal : International Journal of Education, Language and Literature 5, no. 1 (2025): 14–19. https://doi.org/10.26740/elitejournal.v5n1.p14-19.

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"Toy Story," Pixar's pioneering animated film, combines groundbreaking computer animation with a rich narrative that explores complex character dynamics and moral lessons. Focusing on Woody, the cowboy protagonist, the film uses his dialogues to subtly convey deeper meanings, emotions, and moral values through implicature. Woody's conversations, analyzed through Paul Grice's conversational theory, reveal a mix of dominant, manipulative, and vulnerable traits that reflect his internal conflicts and insecurities. These dialogues, which sometimes violate conversational maxims of quantity, quality

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Prakoso, Mohammad Romdhoni, Rizki Adi Yanuasari, SF Lukfianka Sanjaya Purnama, and Lusiana Prihastiwi. "PYGMALIONIZATION: DO ACTION FIGURES, NENDOROIDS, AND PLUSHIES OF FILMS AND GAMES TELL A STORY?" CrossOver 3, no. 1 (2023): 71–84. http://dx.doi.org/10.22515/crossover.v3i1.7063.

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Studies on merchandise or merch as paratexts that serve as nano-narratives in adaptation context are under investigated. We argue that treating merchandise of hyped films and games as in the mentioned fashion might disclose a novel perspective in perceiving them as a narrative text. Employing the theories of paratextuality by Genette, ergodic literature by Aarseth, ludic adaptation by Purnomo et al., franchising storytelling by Parody and nano-narratives by Petten on a corpus of merch from forty animated films and games, we proposed a neologism that we dubbed pygmalionization. This perspective

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Damayanti, Ayu Novitasari. "ANALYZING THE GERUNDS USED IN THE WALT DISNEY FILMS." Journal of Research on Applied Linguistics, Language, and Language Teaching 4, no. 1 (2021): 19–23. http://dx.doi.org/10.31002/jrlt.v4i1.1474.

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This paper attempts to analyze the gerunds used in the Walt Disney films. The gerund is known as a part of Corpus Linguistics. Many uses of the gerund can be applied, especially that can be found in conversations of Walt Disney Films. The objective of the study is to reveal the common gerunds for conversations. The analysis is using a qualitative method based on the total of gerunds and the rank of words. The data consists of 2523 gerunds from several Walt Disney films such as Moana, Zootopia, Frozen, Tangled, Lion King, Toy Story, and Ice Ages. This is perhaps the most complex and arguable qu

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Al-Jbouri, Elizabeth, and Shauna Pomerantz. "A New Kind of Monster, Cowboy, and Crusader?" Boyhood Studies 13, no. 1 (2020): 43–63. http://dx.doi.org/10.3167/bhs.2020.130104.

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Representations of boys and men in Disney films often escape notice due to presumed gender neutrality. Considering this omission, we explore masculinities in films from Disney’s lucrative subsidiary Pixar to determine how masculinities are represented and have and/or have not disrupted dominant gender norms as constructed for young boys’ viewership. Using Raewyn Connell’s theory of gender hegemony and related critiques, we suggest that while Pixar films strive to provide their male characters with a feminist spin, they also continue to reify hegemonic masculinities through sharp contrasts to f

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Kadek Devi Arshanti and Ni Wayan Swarniti. "Pragmatics Perspective: The Analysis of Illocutionary Act Found In Movie “Toy Story 1”." PRAGMATICA : Journal of Linguistics and Literature 1, no. 2 (2023): 58–66. http://dx.doi.org/10.60153/pragmatica.v1i2.30.

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Pragmatics deals with the study of meaning based on several factors, such as speaker relevance, context relevance, listener inference, and even expression. It is hoped that this research can reveal speech acts commonly used in children's films, which children usually imitate and repeat in everyday life. This research is descriptive and qualitative. The source of the data in this study was movie scripts from an animated children's film entitled Toy Story 1. The data collection technique used in this study is observation. Data is collected through utterances uttered in the dialogue of the charac

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Geal, Robert. "Animated Images and Animated Objects in the Toy Story Franchise: Reflexively and Intertextually Transgressive Mimesis." Animation 13, no. 1 (2018): 69–84. http://dx.doi.org/10.1177/1746847717752588.

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This article explores how animation can manipulate a reflexive intertextual framework which relates to religious prohibitions on artistic mimesis that might replicate and threaten God’s creative act. Animated films are most intertextually reflexive, in these terms, when they narrativize the movement of diegetic objects from another medium which also transgresses God’s prohibition: sculpture. In the media of both sculpture and animation, the act of mimesis is transgressive in fundamentally ontological terms, staging the illusion of creation by either replicating the form of living creatures in

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Wojciechowska-Pieszko, Anna. "Translating intertextuality in animated films – an analysis of DreamWorks, Disney and Pixar animations." Polonica 42 (2022): 5–28. http://dx.doi.org/10.17651/polon.42.1.

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Intertextuality focuses on the relationship between different texts, either spoken or written. These connections have been the subject of research for many scholars around the world and initially were discussed mainly from the point of view of literary theory (Tomaszkiewicz, 2006, p. 175). The aim of this paper is to examine intertextual references in the context of translation theory, taking into account the various techniques and strategies employed when translating direct or indirect references in a dubbing format. The author analy-ses dialogues from the DreamWorks production “Shrek”(2001),

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Dissertations / Theses on the topic "Toy story films"

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Lynn, Emma. "Fan Remake Films: Active Engagement With Popular Texts." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1615121429167803.

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Merijeau, Lucie. "Le cinéma d'animation et son image. Étude des pratiques industrielles et spectatorielles du cinéma d'animation américain contemporain. Le cas prototype de Pixar (1995-2010)." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030137.

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Parce qu’ils sont les premiers à avoir réalisé un long métrage en images de synthèse, Toy Story, dont le succès artistique et populaire – qui ne se dément pas - a été le déclencheur d’un nouveau cycle de films d’animation, les studios d’animation Pixar occupent une place importante dans le paysage culturel actuel, et représentent une bonne opportunité d’étudier la manière dont les objets des industries culturelles sont créés et consommés. Au travers d’une étude du dessin animé américain, abordé du point de vue historique et esthétique, il s’agit tout d’abord de déterminer l’évolution du systèm

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Hendricks, Jonathan. "Playing-With the World: Toy Story's Aesthetics and Metaphysics of Play." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6709.

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Pixar’s Toy Story (John Lassiter, 1995) is not just a story about toys and the children that play with them, but a demonstration of how we interact with the world. This thesis looks at the way in which both main children, Andy and Sid, interact with their toys and how this interaction is one that is structured by way of what Martin Heidegger calls “Enframing.” In this modality of playing, toys and other things and entities in the world, and the world itself, appear to the children as on-hand resources for use at any time and can be molded, as if plastic, to fit their needs. I problematize this

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Chang, Ya-Chiu, and 張雅秋. "A Comparison of Subtitling Strategies between Traditional and Simplified Chinese Versions of the Film Toy Story 3." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/6cv492.

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碩士<br>國立彰化師範大學<br>英語學系<br>105<br>With the advent of multimedia and invention of the DVDs, subtitles play an important role in cultural exchange; hence, the research on subtitles becomes important. The study aims to discover the difference of subtitling strategies between Simplified (SC) and Traditional Chinese subtitles (TC) in order to provide a reference for those who would like to be subtitlers. In the animation Toy Story 3, there are 1183 sets of subtitles in English, SC and TC. Each of them represents a main subtitling strategy in SC and TC. The researcher compared the frequencies of SC a

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Books on the topic "Toy story films"

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Dakin, Glenn. Toy story 3: The essential guide. DK, 2010.

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Company, Walt Disney, and Pixar (Firm), eds. The art of Toy story 3. Chronicle Books, 2010.

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1962-, Daly Steve, ed. Toy story: The art and making of the animated film. Hyperion, 1995.

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Lasseter, John. Toy story: The art and making of the animated film. Disney Editions, 2009.

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Kanfer, Stefan. Serious business: The art and commerce of animation in America from Betty Boop to Toy story. Da Capo Press, 2000.

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Herzogenrath, Bernd. The Barrandov Studios. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462989450.

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The Barrandov Studios are one of the largest and oldest film studios in Europe. For more than 80 years so far, the studios have been the location of choice for over 2,500 Czech and International films. Barrandov’s founding fathers, the Havel brothers Vàclav and Milo. (the grandfather and uncle of later president Vàclav Havel), built the ‘Hollywood of Eastern Europe’ in the 1930s. A legendary studio like this – and its story – has so far not been told to an English-speaking readership. This collection aims to correct this, presenting the studio’s rich history, its esteemed directors, and their

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Paul, Heike, Sarah Marak, Katharina Gerund, and Marius Henderson, eds. Lexicon of Global Melodrama. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459737.

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This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is i

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Cooley, Josh. Toy Story 4. Chronicle Books LLC, 2019.

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Newman, Randy. Toy Story 3. Leonard Corporation, Hal, 2010.

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Newman, Randy. Toy Story 3. Leonard Corporation, Hal, 2010.

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Book chapters on the topic "Toy story films"

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Kemper, Tom. "Playtime: The Film." In Toy Story. British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-669-2_6.

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Richie, Joseph, Karen Russell, Airielle J. Taylor, and Tameka Winston. "Story Development." In An Introduction to Film and TV Production. Routledge, 2022. http://dx.doi.org/10.4324/9781003186182-5.

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Gaunson, Stephen. "“Based On A True Story”." In A Companion to the Gangster Film. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119041757.ch8.

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Brewster, Scott, and Jeffrey Andrew Weinstock. "Ghosts in Film and Television." In The Routledge Introduction to the American Ghost Story. Routledge, 2024. http://dx.doi.org/10.4324/9781003026990-5.

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Petit-Thorne, Alexandria. "You Too: The Strategic Use of a Fictional #MeToo Story in Netflix’s You." In The Forgotten Victims of Sexual Violence in Film, Television and New Media. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95935-7_4.

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Gutowska, Anna. "“An Occasionally True Story”: Biofiction, Authenticity and Fictionality in The Great (2020)." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_9.

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AbstractContemporary visual and literary culture has seen a proliferation of quasi-biographical texts that blur the lines between fact and fiction and often imply that by subverting or questioning the dominant portrayal of a given historical figure they offer a “true” version that had hitherto been suppressed. These so called “biofictions” (e.g. Netflix series The Crown, or Baz Luhrman’s feature film Elvis) are hybrids of biography and pure conjecture, but despite their essentially fictitious nature, they make claims to authenticity, often implying that the sensationalised versions of the famo

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Hinerfeld, Daniel, Cheryl Slean, and Katy Jacobs. "Rewrite the Future: Helping Hollywood Accelerate Climate Solutions through Storytelling." In Storytelling to Accelerate Climate Solutions. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54790-4_8.

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AbstractRewrite the Future is an initiative of NRDC (the Natural Resources Defense Council) launched in 2020 to help Hollywood tell stories about climate change. Our team assessed the social impact entertainment landscape and interviewed over 50 entertainment professionals. We determined that concerted advocacy, outreach, and education were needed to position climate entertainment as a powerful strategy for social change. We developed a program offering climate storytelling events, workshops, consultations, publications, and diverse partnerships. The centerpiece of Rewrite the Future is climat

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Burley, Shane. "The Story of Here: Documentary Film Education, Teaching Narratives, and Drawing from the Critical Perspective of Place." In Interdisciplinary Approaches to Pedagogy and Place-Based Education. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50621-0_5.

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Lasseter, John. "Toy Story." In 100 Animated Feature Films. British Film Institute, 2022. http://dx.doi.org/10.5040/9781839024450.0090.

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Lasseter, John. "Toy Story." In 100 Animated Feature Films. British Film Institute, 2022. http://dx.doi.org/10.5040/9781839024450.0090.

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Conference papers on the topic "Toy story films"

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Bauer, Thomas. "Sport in Paolo Sorrentino’s Movies." In Les journées de l'interdisciplinarité 2022. Université de Limoges, 2022. http://dx.doi.org/10.25965/lji.238.

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While sport is a popular theme for film directors, it is all too rarely studied by social science researchers. This is all the more true when it is considered as just one of the many narrative or decorative elements of the film and is not at the heart of the story. Such is the case for academic studies related to Italian director Paolo Sorrentino’s work, in which the easily identifiable theme of sport is surprisingly nowhere to be found. Indeed, while reference to the body periodically occurs, most of the work conducted on his feature films focuses on the recurrent themes of politics and the q

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Li, S., G. Gao, W. Wang, H. Liu, S. Zhu, and M. Gu. "A Redundancy-free IFC Storage Platform For Multi-model Scenarios based on Block Hash." In The 29th EG-ICE International Workshop on Intelligent Computing in Engineering. EG-ICE, 2022. http://dx.doi.org/10.7146/aul.455.c198.

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This paper proposes a block hash (BH) method for efficiently storing multipleIndustry Foundation Classes (IFC) models in the database. We find that there are lots of duplicationswhenwe store different models or different versions of a modelinto the databasebecause of the temporal-spatial correlation of data between these models. The main idea of our approach is to divide these model files into appropriate blocks andto calculate the hash valuesof theseblocks to reuse the them in different models. These blocks should not be too small in case too many nodes need to be compared, nor should they be

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Lee, Ki Bang, Firas Sammoura, and Liwei Lin. "Surface Tension Propelled Microboats." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-60680.

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The operation of autonomous, liquid-fueled microboats driven by surface tension effects has been demonstrated, including the possibility of controlled steering. Two types of microboat with surface area of 6 × 11 mm2 have been fabricated by a bulk micromachining process and powered by 0.5μl of isopropanol on top of a pool of water. The first microboat design uses a cellulose film to store liquid-fuel and has been able to operate for 10 minutes with a maximum cruising velocity of 7.5cm/sec. The second microboat design uses a direct fueling system by adding a fuel droplet directly and has been ab

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Dominguez-Perez, Daniel Nicolas, and Nicolas Dominguez-Vergara. "EDUCATION AND TECHNOLOGY DURING COVID-19 TIMES." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end084.

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It is difficult to separate technology from education because technology is embedded in teaching. The best technology for teaching is the one that does not interfere with the communication between the teacher and the students. In other words, it should be barely “noticeable” in how it is used, and easy enough to use that it does not require special training, such as window in a room to see the flowers outside, without interfering in any way. The technology used during an in-person classes is so basic, transparent, and simple, since it consists of a classroom, chairs, blackboard and pieces of c

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Reports on the topic "Toy story films"

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Robertson, Barbara. Open Source in Entertainment: How the Academy Software Foundation Creates Shared Value. The Linux Foundation, 2022. https://doi.org/10.70828/cysw3767.

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Open Source in Entertainment: How the Academy Software Foundation Creates Value tells the story of the ASWF; how it came to be, where it came from, what it has achieved so far, and where it aims to go next. It is a story about engineers and leaders who collectively generate value by developing critical open source software that powers much of the entertainment, gaming, and media industry productions, as well as the open standards needed for growth. Filled with imagery from iconic films, the report presents a compelling narrative about industry competitors, who, by working together, have shared

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จักกะพาก, รัตนา. จินตทัศน์ทางสังคมและกลวิธีการเล่าเรื่องในภาพยนตร์ของ อาคิระ คุโรซาว่า : การวิเคราะห์. จุฬาลงกรณ์มหาวิทยาลัย, 2004. https://doi.org/10.58837/chula.res.2004.15.

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The aims of this research are to analyse the films directed by Akira Kurosawa in the narrative structure, the patterns of plot and the model of binary oppositions of structuralism; to analyse their contents based on the quest model and the semiotic square, to study the film language regarding point of view, the mise-en scene, the montage, the use of sound effect, and the narrative system in relation to the media, the types of the story and the auteurship. The results of the research finds that the plots reflect social problems. The contents are mostly represented by mise-en scene, motage, soun

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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion,

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Sfekas, Andrew, and Dean Lillard. Do Firms Use Coupons and In-store Discounts to Strategically Market Experience Goods Over the Consumption Life-Cycle? The Case of Cigarettes. National Bureau of Economic Research, 2013. http://dx.doi.org/10.3386/w19310.

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Ding, Yan, Sung-Chan Kim, Rusty L. Permenter, Richard B. Styles, and Jeffery A. Gebert. Simulations of Shoreline Changes along the Delaware Coast. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/39559.

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This technical report presents two applications of the GenCade model to simulate long-term shoreline evolution along the Delaware Coast driven by waves, inlet sediment transport, and longshore sediment transport. The simulations also include coastal protection practices such as periodic beach fills, post-storm nourishment, and sand bypassing. Two site-specific GenCade models were developed: one is for the coasts adjacent to the Indian River Inlet (IRI) and another is for Fenwick Island. In the first model, the sediment exchanges among the shoals and bars of the inlet were simulated by the Inle

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Ginis, Isaac, Deborah Crowley, Peter Stempel, and Amanda Babson. The impact of sea level rise during nor?easters in New England: Acadia National Park, Boston Harbor Islands, Boston National Historical Park, and Cape Cod National Seashore. National Park Service, 2024. http://dx.doi.org/10.36967/2304306.

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This study examines the potential impact of sea level rise (SLR) caused by climate change on the effects of extratropical cyclones, also known as nor?easters, in four New England coastal parks: Acadia National Park (ACAD), Boston Harbor Islands National Recreation Area (BOHA), Boston National Historical Park (BOST) and Cape Cod National Seashore (CACO). A multi-method approach is employed, including a literature review, observational data analysis, coupled hydrodynamic-wave numerical modeling, 3D visualizations, and communication of findings. The literature review examines previous studies of

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Rehrer, Sarah, Andrew Griffin, and Matthew Renner. Cross country mobility (CCM) modeling using triangulated irregular networks (TIN). Engineer Research and Development Center (U.S.), 2022. http://dx.doi.org/10.21079/11681/46082.

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Cross country mobility (CCM) models terrain that has insufficient or unavailable infrastructure for crossing. This historically has been done with either hand-drawn and estimated maps or with raster-based terrain analysis, both of which have their own strengths and weaknesses. In this report the authors explore the possibility of using triangulated irregular networks (TINs) as a means of representing terrain characteristics used in CCM and discuss the possibilities of using such networks for routing capabilities in lieu of a traditional road-based network. The factors used to calculate CCM are

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Talamas Marcos, Miguel Ángel. Preliminary Evidence of Surviving Competition: Neighborhood Shops vs. Convenience Chains. Inter-American Development Bank, 2022. http://dx.doi.org/10.18235/0004453.

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Hundreds of millions of microenterprises in emerging economies face increased competition from the entry and expansion of large firms that offer similar products. This paper studies how one of the worlds most prevalent microenterprises, neighborhood shops, confront competition from convenience chains (e.g., 7-Eleven) in Mexico. To address the endogeneity in time and location of chains store openings, I pair two-way fixed effects with a novel instrument that, at the neighborhood level, shifts the profitability of chains but not of shops. An expansion from zero to the average number of chain sto

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Talamas Marcos, Miguel Ángel. Surviving Competition: Neighborhood Shops vs. Convenience Chains. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005065.

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Hundreds of millions of microenterprises in emerging economies face increased competition from the entry and expansion of large firms that offer similar products. This paper studies how one of the world's most prevalent microenterprises, neighborhood shops, confront competition from convenience chains (e.g., 7-Eleven) in Mexico. To address the endogeneity in time and location of chain store openings, I pair two-way fixed effects with a novel instrument that, at the neighborhood level, shifts the profitability of chains but not of shops. An expansion from zero to the average number of chain sto

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Collins, Clarence O., and Tyler J. Hesser. altWIZ : A System for Satellite Radar Altimeter Evaluation of Modeled Wave Heights. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/39699.

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Abstract:

This Coastal and Hydraulics Engineering Technical Note (CHETN) describes the design and implementation of a wave model evaluation system, altWIZ, which uses wave height observations from operational satellite radar altimeters. The altWIZ system utilizes two recently released altimeter databases: Ribal and Young (2019) and European Space Agency Sea State Climate Change Initiative v.1.1 level 2 (Dodet et al. 2020). The system facilitates model evaluation against 1 Hz1 altimeter data or a product created by averaging altimeter data in space and time around model grid points. The system allows, fo

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