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Books on the topic 'Toy story films'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Dakin, Glenn. Toy story 3: The essential guide. DK, 2010.

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2

Company, Walt Disney, and Pixar (Firm), eds. The art of Toy story 3. Chronicle Books, 2010.

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3

1962-, Daly Steve, ed. Toy story: The art and making of the animated film. Hyperion, 1995.

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4

Lasseter, John. Toy story: The art and making of the animated film. Disney Editions, 2009.

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5

Kanfer, Stefan. Serious business: The art and commerce of animation in America from Betty Boop to Toy story. Da Capo Press, 2000.

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6

Herzogenrath, Bernd. The Barrandov Studios. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462989450.

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The Barrandov Studios are one of the largest and oldest film studios in Europe. For more than 80 years so far, the studios have been the location of choice for over 2,500 Czech and International films. Barrandov’s founding fathers, the Havel brothers Vàclav and Milo. (the grandfather and uncle of later president Vàclav Havel), built the ‘Hollywood of Eastern Europe’ in the 1930s. A legendary studio like this – and its story – has so far not been told to an English-speaking readership. This collection aims to correct this, presenting the studio’s rich history, its esteemed directors, and their

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7

Paul, Heike, Sarah Marak, Katharina Gerund, and Marius Henderson, eds. Lexicon of Global Melodrama. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459737.

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This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is i

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8

Cooley, Josh. Toy Story 4. Chronicle Books LLC, 2019.

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9

Newman, Randy. Toy Story 3. Leonard Corporation, Hal, 2010.

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10

Newman, Randy. Toy Story 3. Leonard Corporation, Hal, 2010.

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11

Newman, Randy. Toy Story 3. Leonard Corporation, Hal, 2010.

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12

Solomon, Charles, Lee Unkrich, John Lasseter, and Darla K. Anderson. Art of Toy Story 3. Chronicle Books LLC, 2019.

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13

The Toy Story Films An Animated Journey. Disney Editions, 2012.

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14

Kemper, Tom. Toy Story: A Critical Reading. BFI Publishing, 2015.

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15

Studios, Pixar Animation. Toy Story Sketchbook (The Disney Sketchbook Series). Applewood Books, 2000.

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16

Toy Story: How Pixar Reinvented the Animated Feature. Bloomsbury Publishing, 2019.

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17

Toy Story: How Pixar Reinvented the Animated Feature. Bloomsbury Academic, 2018.

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18

MURDOCK, Jodi. Ultimate Toy Story Quiz : How Well Do You Know Disney and Pixar's Toy Story Movies: How Well Do You Remember Toy Story Films? Book. Independently Published, 2021.

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19

TOY STORY: THE ART AND MAKING OF THE ANIMATED FILM (Disney Miniature). Disney Editions, 1996.

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20

MacNabb, Matt, and Holly MacNabb. Toy Story Collectibles. Amberley Publishing, 2018.

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21

Summers, Amelia. Toy Story Coloring Book: Coloring Book for Kids and Adults with Fun and Easy Coloring Pages for Cartoon, Book and Films Lovers, 30+ Illustrations, 8. 5x11. Independently Published, 2019.

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22

Walden, Kiri Bloom. Peeping Tom. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348370.001.0001.

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Reviled on it’s release, Peeping Tom all-but ended the career of celebrated director Michael Powell. The story of a murderous cameraman and his compulsion to record his killings, Powell’s film stunned the same critics who had acclaimed him for work he had made with Emeric Pressburger (as ‘The Archers’) in the years before. Luckily Peeping Tom was rediscovered and saved, largely due to the efforts of Martin Scorsese, and it is now considered a masterpiece of the Horror genre. In this Devil’s Advocate, published in the wake of the film’s 60<sup>th</sup> Anniversary, Kiri Bloom Walden charts the

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23

Disney " Toy Story " (Disney Book of the Film). Parragon Plus, 2007.

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24

McBratney, Sam. Guess How Much I Love You with Toy. Candlewick Press (MA), 1997.

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25

Wetmore, Kevin J. The Conjuring. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859265.001.0001.

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James Wan’s 2013 film The Conjuring appears on many critics’ best horror films of the decade lists and was rated R by the MPAA solely “for terror.” Allegedly based on the true story of the Perron family’s experiences in a haunted farmhouse in rural Rhode Island, the film comes from the files of pioneer paranormal investigators Ed and Lorraine Warren, and tells the story of how the Perron family came under supernatural assault from Bathsheba Sherman, a demonic eighteenth century witch, and how the Warrens investigated and eventually exorcised her. The book examines how Wan created the paragon o

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26

Forrest, David. Kes. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839025679.

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Ken Loach’s 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest. David Forrest’s study of the film examines the genesis of the original novel, Barry Hines’ A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film’s most celebrated moments. He goes on to conside

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27

Toy Story 2 : A História do Filme em Livro e Cd. Abril, 2000.

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28

Havis, Allan. Cult Films. University Press of America, 2007. https://doi.org/10.5040/9780761875345.

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Cult Films: Taboo and Transgression looks at nine decades of cult films history within American culture. By highlighting three films per decade including a brief summary of the decade's identity and sensibility, the book investigates the quality, ironies, and spirit of cult film evolution. The twenty-seven films selected for this study are analyzed for story content and in their respective transgressions regarding social, aesthetic, and political codes. Characteristic of this book is the notion that many exciting genres make up cult films-including horror, sci-fi, fantasy, film noir, and black

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29

McBratney, Sam. Guess How Much I Love You (Board Book and Soft Toy). Candlewick, 2002.

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30

Berliner, Todd. Hollywood Storytelling. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.003.0003.

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Chapter 3 studies the aesthetic pleasures of Hollywood cinema’s approach to storytelling. It examines the cognitive processes at work when a film cues spectators to construct a film’s story in their minds, and it explains the ways in which Hollywood movies both facilitate and complicate the spectator’s process of story construction. The chapter offers a new theory of Hollywood storytelling aesthetics—illustrated with examples from whodunits, screwball comedies, twist films, and mysteries—that film viewers take pleasure not just in narrative unity and easy understanding, as previous scholars ha

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31

TOY STORY 4 - Mon Histoire du Soir - L'histoire du film - Disney Pixar: L'histoire du film. DISNEY HACHETTE, 2019.

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32

Gorfinkel, Elena. Wanda. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781839023071.

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Actor-turned-writer/director Barbara Loden's only feature film,Wanda(1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner’s wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in its sensibility, it received critical acclaim upon release, winning the Critics’ Prize at the Venice Film Festival in 1970. Today,Wandais considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film tr

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33

Mee, Laura. The Shining. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325444.001.0001.

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Taking a fresh look at The Shining (1980), this book situates the film within the history of the horror genre and examines its rightful status as one of the greatest horror movies ever made. It explores how Stanley Kubrick's filmmaking style, use of dark humour, and ambiguous approach to supernatural storytelling complements generic conventions, and it analyses the effective choices made in adapting King's book for the screen—stripping the novel's backstory, rejecting its clear explanations of the Overlook Hotel's hauntings, and emphasizing the strained relationships of the Torrance family. Th

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34

Maslon, Laurence. A Few of My Favorite Things. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199832538.003.0010.

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The technology to reproduce a film’s soundtrack for home consumption didn’t arrive fully until the early 1950s; it was no surprise that the Capitol soundtrack recording to the 1955 film of Oklahoma! was the biggest seller of its day. Film soundtracks gave home listeners a second chance to hear their favorite scores and often, as in the case of West Side Story, the film soundtrack provided a new opportunity to discover the music (that soundtrack stayed longer at No. 1 than any album in history to this day). The performer who sold more soundtrack albums than anyone else in the 1960s was Julie An

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35

Hutchinson, Pamela. The Red Shoes. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781839026096.

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Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger’s celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson’s study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger’s capacit

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36

Niemi, Robert J. Inspired by True Events. 2nd ed. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798400670640.

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An up-to-date and indispensable guide for film history buffs of all kind, this book surveys more than 500 major films based on true stories and historical subject matter. When a film is described as "based on a true story" or "inspired by true events," exactly how "true" is it? Which "factual" elements of the story were distorted for dramatic purposes, and what was added or omitted? Inspired by True Events: An Illustrated Guide to More Than 500 History-Based Films, Second Edition concisely surveys a wide range of major films, docudramas, biopics, and documentaries based on real events, address

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37

Boorman, John. Conclusions. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9780571370078.

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John Boorman is one of cinema's authentic visionaries whose travels have taken him from London in the Blitz to the pinnacle of Hollywood success: the man behind filmes such as Point Blank, Deliverance, Excalibur, Hope and Glory, and The General. Conclusions continues the story of his life that Boorman began with Adventures of a Suburban Boy and shares what has happened since its publication: films made (such as the award-winning The General) and unmade; new knowledge about the craft of film-making; and, ultimately, the story of his kith and kin, including the death of his cherished elder daugh

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38

Osmond, Andrew. Spirited Away. 2nd ed. Bloomsbury Publishing Plc, 2020. https://doi.org/10.5040/9781838719531.

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Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond’s insightful study describes how Miyazaki directed Spirited Away with a degree of creative control

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39

Kazemi, Farshid. A Girl Walks Home Alone at Night. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859203.001.0001.

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A Girl Walks Home Alone at Night analyses the eponymous film within three theoretical coordinates: vampire cinema, psychoanalytic (film) theory and German Idealism. The book situates the film in the history of the vampire genre through the spectral vampire in early German expressionist cinema (Murnau’s Nosferatu, 1922) and theorizes it as part of a transnational movement in Iranian films that represents ‘the uncanny’ between the two modes of ‘the weird and the eerie,’ theorized by Mark Fisher. The film is situated in relation to the history of Iranian horror films, as well as the female vampir

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40

Thomson, C. Claire. The Film World’s Cooperative Store: Institutions and Films of the 1930s and 1940s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0005.

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This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international

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41

Owens, Rebekah. Studying Shakespeare on Film. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348547.001.0001.

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Aimed at newcomers to the subject, this book is a guide for the analysis of Shakespeare on film. Starting with an introduction to the main challenge faced by any director — the early-modern language of the plays — there follows exemplars for examining how that challenge is met using as case studies twelve Shakespeare films, including Romeo and Juliet, Macbeth, and The Tempest. The reader is invited to explore different critical approaches such as how a director can tell the story of the play in a setting that embraces the expectations of realism in cinema, but still pays homage to the theatric

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42

Deming, Richard. Touch of Evil. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781911239048.

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Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema. Richard Deming's study of the film considers it as an outstanding example of the noir genre and explores its complex relationship to its source novel, Badge of Evil by Whit Masterson. He traces the film's production history, and provides an insightful close analysis of its key scenes, including its famous opening se

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43

Coloring, Bright. Toy Story 4 Coloring Book for Kids: Pixar,Disney,Disney Pixar,Pixar Movie,Animation,Toy Story,Toy Story 4,Buzz,Woody,Buzz Lightyear,Forky,Ducky,Bunny,Bo Peep,Rex,Hamm,Sequel,Film,Movie,Animated, 6 X 9, 94 Pages. Independently Published, 2019.

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44

Mules, Warwick. Film Figures. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501361241.

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Film Figures develops a figural account of the memory structure of films. Employing theoretical concepts drawn from a range of sources, including French post-humanist philosophy and German Idealism, this book undertakes an organology of film guided by the work of Bernard Stiegler whose philosophy of mnemotechnesis provides a framework of analysis. Situating films in the quantum field of spacetime relativity as a field of cosmic views, Film Figures begins with disturbances in the experience of films themselves, posing questions of the relation between the dead past and the living future in film

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45

Coloring, Bright. Spielzeuggeschichte 4 Malbuch Für Kinder: Pixar,Disney,Disney,Disney Pixar,Pixar Movie,Animation,Toy Story,Toy Story,Toy Story 4,Buzz,Woody,Buzz Lightyear,Forky,Ducky,Bunny,Bo Peep,Rex,Hamm,Sequel,Film,Movie,Animated, 6 X 9, 94 Seiten. Independently Published, 2019.

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46

Davé, Shilpa S. The (Asian) American Dream. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037405.003.0006.

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This chapter focuses on the film comedy Harold and Kumar Go to White Castle (2004), an alternative to the immigrant journey often seen in Hollywood films where the old country is full of hardships, but the new country of America offers freedom and opportunity. Because the film is a stoner comedy, it is not readily recognizable as an Asian American story. However, within the genre of the stoner comedy, these films create a new narrative that normalizes Asian Americans and South Asian Americans as a central part of American culture and in the process redefines the boundaries of American regional

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47

Rice, Julian. Kubrick's Story, Spielberg's Film. Rowman & Littlefield, 2017. https://doi.org/10.5040/9798881819866.

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In 1963 Stanley Kubrick declared, “Dr. Strangelove came from my desire to do something about the nuclear nightmare.” Thirty years later, he was preparing to film another story about the human impulse for self-destruction. Unfortunately, the director passed away in 1999, before his project could be fully realized. However, fellow visionary Steven Spielberg took on the venture, and A.I. Artificial Intelligence debuted in theaters two years after Kubrick’s death. While Kubrick’s concept shares similarities with the finished film, there are significant differences between his screenplay and Spielb

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48

Rybin, Steven. Michael Mann. The Rowman & Littlefield Publishing Group, Inc., 2013. https://doi.org/10.5040/9798881818913.

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Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers. In Michael Mann: Crime Auteur, Steven Rybi

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49

Fischer, Lucy. Sunrise. 2nd ed. Bloomsbury Publishing Plc, 2020. https://doi.org/10.5040/9781839022012.

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Sunrise: A Song of Two Humans (1927) is one of the most historically pivotal of all films. The first American film of the celebrated German director F.W. Murnau, Sunrise tells the story of a love triangle between characters named only as The Man, The Wife, and The Woman From the City. Lucy Fischer's compelling study of the film shows how it mediates between German expressionism and American melodrama, the avant-garde and popular fiction, silent cinema and 'talkies'. A lavish and sumptuous production famous for its vast, specially-constructed sets, and one of the first feature films with a sync

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50

Willis, Jim, and Mark Miller. The 1960s on Film. ABC-CLIO, 2021. http://dx.doi.org/10.5040/9798400605604.

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The 1960s on Film tells the narrative of the 1960s through the lens of the movie camera, analyzing 10 films that focus on the people, events, and issues of the decade. Films create both an impression of and — at times for younger audiences — a primary definition of events, people, and issues of an era. The 1960s on Film examines the 1960s as the decade was presented in ten films that focused on that decade. Discussion will focus on both what the films have to say about the era and how close they come to accurately depicting it. For example, films such as Mississippi Burning and Selma tell the

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