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1

Gorey, Edward. Edward Gorey's Dracula: A toy theatre. Petaluma, Calif: Pomegranate, 2002.

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2

Powell, David. W.G. Webb and the Victorian toy theatre. [London?]: Webb Festival, 2005.

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3

Cartlidge, Michelle. Theatre mice. London: Campbell Books, 1992.

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4

Jack Juggler and the emperor's whore: Seven tall tales linked together for an indecorous toy theatre. London: Methuen, 1995.

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5

Baskomb, Candida F. V. The use of modern materials in the conservation/restoration of a late 19th century model toy theatre. (London: Camberwell School of Art and Crafts), 1986.

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6

Speaight, George. The earliest English puppet play?: The interlude of the cleric and the girl, with a conclusion. Bicester: DaSilva Puppet Books, 1997.

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7

Library, Thomas Fisher Rare Book. The juvenile drama: Or, Penny plain, twopence coloured : an exhibition in conjunction with a conference of the American Society for Theater Research, the Theater Library Association, and the Association for Canadian Theatre History/Association d'histoire du théâtre au Canada. [Toronto]: Printed by University of Toronto Press, 1990.

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8

Toy theaters. New York: F. Watts, 1991.

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9

Baldwin, Peter. Toy Theatres: Of the World. London, England: A. Zwemmer Ltd., 1992.

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10

The theatre of Tom Stoppard. 2nd ed. Cambridge: Cambridge University Press, 1989.

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11

The theatre of Tom Stoppard. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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12

Martin, Dick. The Wizard of Oz Toy Theater: Cut & Assemble. Mineola, NY, USA: Dover Publications, 1985.

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13

Boy Toy. New York: St. Martin's Minotaur, 2001.

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14

Craft, Michael. Boy toy. New York: St. Martin's Minotaur, 2001.

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15

Carol, Fijan, ed. Making puppets come alive: How to learn and teach hand puppetry. Mineola, N.Y: Dover, 1996.

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16

Hē historia tou Dēmotikou Theatrou Peiraia: Apo ton 19o ston 21o aiōna. Peiraias: Ekdoseis Neos Kyklos, 2013.

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17

Malam, John. Theater. Lincolnwood, Ill: Peter Bedrick Books, 2000.

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18

Milne, A. A. Winnie-the-Pooh's pop-up theater book. New York: Dutton Children's Books, 1993.

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19

Divadla svítící do tmy. Praha: Národní informační a poradenské středisko pro kulturu, 2006.

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20

Silk, Dennis. Life isn't all bike-clips: A toy-theater play for adults. Jerusalem, Israel: Ibis Editions, 1997.

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21

Branniff, Linda K. Bangor's Bijou & Mr. Bogrett (almost too much for the money!): A history of the early years of the Bijou theatre, Bangor, Maine. Dudley, MA: L.K. Branniff, 2003.

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22

Mouse theater. New York: Dutton Children's Books, 1992.

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23

Geōrgousopoulos, Kōstas. Pankosmio theatro 2: Apo ton Strintmpernk kai ton Tsechōph ston Pirantello kai ton Brecht. Athēna: Ekdoseis Patakē, 1999.

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24

Singer, A. L. Too hot! New York: Speak, 2008.

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25

Singer, A. L. Too hot! New York: Speak, 2008.

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26

The theater of Tony Kushner: Living past hope. New York: Routledge, 2001.

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27

James, Fisher. The theater of Tony Kushner: Living past hope. New York: Routledge Pub., 2002.

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28

The theatre of Tom Mac Intyre: "strays from the ether". Dublin, Ireland: Carysfort Press, 2010.

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29

Lawlor, Tom. Tom Lawlor at the Gate: Commemorating Tom Lawlorʹs photographs at the Gate Theatre, Dublin, Ireland. Carrigallen, Co. Leitrim: Design Inc., 1997.

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30

Pollock's Britannia Toy Theatre. Pryor Publications, 2005.

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31

Teddy Toy Boxes Toy Theatre Set of Six. Tango Books, 1996.

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32

Toyshop, Benjamin Pollock's, ed. Pollock's Toy Theatre, with Harlequin & Colombine, c. 1880. London: Benjamin Pollock's Toyshop, 2000.

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33

Burgess, Robert. Theatre Models in Paper and Card. Guild of Master Craftsman Publications, 1999.

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34

Chwast, Seymour. Little Theatre. Viking Juvenile, 1986.

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35

Milne, A. A. Winnie-the-Pooh Pop-up Theatre Book. Methuen Chi. Bks., 1992.

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36

My Ballet Theatre. Armadillo Music, 2012.

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37

David, Powell, Sir John Soane's Museum, and Pollock's Toy Museum, eds. William West & the Regency toy theatre: Sir John Soane's Museum and national tour, 2004-2005. London: Sir John Soane's Museum, 2004.

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38

Gorey, Edward. Edward Gorey's Dracula: A Toy Theatre: Die Cut, Scored and Perforated Foldups and Foldouts. Pomegranate Communications, 2002.

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39

(Illustrator), Juan Wijngaard, ed. Shakespeare's Globe: An Interactive Pop-up Theatre. Candlewick, 2005.

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40

Bladey, Conrad Jay. Book of Guy Fawkes Day and Its Bonfire Night Volume VI Pantomime and Toy Theatre. Hutman Productions, 2020.

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41

Toy Theatres (Creative Crafts). Franklin Watts Ltd, 1993.

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42

Wright, Lyndie. Toy Theatres (Fresh Start). Franklin Watts Ltd, 1991.

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43

Wolf, Stacy. Beyond Broadway. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639525.001.0001.

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As a ubiquitous national performance form, musical theatre—an utterly American, unapologetically commercial, earnestly popular, middlebrow genre of art and entertainment—has astonishing staying power. Local productions cross economic, racial, and geographic divides, assuming the status of a national folk practice. Shows are handed down across generations, remarkable in a country with so few common cultural experiences. Artists and audiences learn the Broadway canon, absorb the musical’s conventions, and have a lot of fun in the process. “Broadway,” as a globally recognizable brand, maintains its status as musical theatre’s birthplace, but the form persists in American culture thanks to amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. Beyond Broadway illustrates the widespread presence and persistence of musical theatre in US culture and examines it as a social practice: a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do people continue to find it pleasurable? Why do they passionately engage in an old-fashioned, slow artistic practice that requires intense, person-to-person collaboration? Why do audiences still flock to musicals in their hometowns? What does local musical theatre do? Beyond Broadway answers these questions by traveling across America, stopping at elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres. This expedition illustrates the musical’s abundance and longevity as a thriving social activity that touches millions of lives.
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44

Goodman, Jessica. Mapping Theatrical Paris. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198796626.003.0003.

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This chapter begins a recontextualization of Goldoni’s Comédie-Italienne career with a panoramic view, analysing the position of the Italian theatre in the contemporary Parisian theatrical field. Original archive work provides the most comprehensive existing account of the theatre’s audiences and finances across the 1760s, and this account is compared to existing work on the Comédie-Française and the Opéra to create a clearer picture of the symbolic and commercial hierarchies within which the various Parisian theatres operated. In particular, the chapter explores the tension between symbolic and commercial status in the theatres of the period, and reveals that in contrast to the long-standing assumption that the Comédie-Italienne was less successful than the Comédie-Française, the Italian theatre was on a par with its rival.
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45

Blumenthal, Eileen. Puppetry and Puppets: An Illustrated World Survey. Thames & Hudson Ltd, 2005.

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46

Fair, Alistair. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0001.

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Historians to date have paid little attention to the new civic, repertory, and university theatres that were built across Britain between the 1950s and the 1980s. This period saw debates about the nature of performance and the actor–audience relationship, but it also witnessed a significant change in the way that the arts were funded in Britain. The introduction of subsidy for the arts in the 1940s meant that certain kinds of theatre were increasingly understood as a public amenity. New conceptions of theatre’s purpose prompted new approaches to the design of theatre buildings, and the emergence of a consciously modern playhouse.
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47

Wright, Lyndie. Toy Theaters (Fresh Start). Franklin Watts, 1991.

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48

Forward, Toby. Shakespeare's Globe. Walker Books Ltd, 2005.

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49

Fawdry, Marguerite. Rocking Horses (Pollocks Toy Theatres Book). Pollocks Toy Theatres, Ltd., 1989.

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50

Disney/Pixar Toy Story Movie Theater. SFI Readerlink Dist, 2019.

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