Academic literature on the topic 'Trace (Gallery)'

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Journal articles on the topic "Trace (Gallery)"

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Buckman, J. O. "An unusual new trace fossil from the Lower Carboniferous of Ireland: Intexalvichnus magnus." Journal of Paleontology 71, no. 2 (March 1997): 316–24. http://dx.doi.org/10.1017/s0022336000039226.

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Intexalvichnus magnus, new ichnogenus and ichnospecies, is erected for material from the Lower Carboniferous of northwest Ireland. This ichnogenus is characterized by a horizontal primary basal gallery, from which a series of secondary near-vertical shafts originate on either side of the gallery. Intexalvichnus magnus is typified by vertical shafts occurring in offset closely packed pairs on either side of the horizontal gallery, and by their recurved conical morphology. Such material somewhat resembles Phycodes, and in particular “Phycodes” pedum, although overall morphology and mode of construction distinguish I. magnus from Phycodes (including “P.” pedum), warranting separate ichnogeneric status. Although forming monospecific associations, I. magnus occurs within shallow-water deltaic sand-dominated facies with diverse ichnofaunal assemblages. Consideration of ichnofaunas from similar shallow-water paleoenvironments suggests that I. magnus should be globally and stratigraphically widespread. Perhaps because of its relatively large size I. magnus has been overlooked, or referred to other ichnogenera.
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Gao, Miaomiao, Cong Wei, Xianqing Lin, Yuan Liu, Fengqin Hu, and Yong Sheng Zhao. "Controlled assembly of organic whispering-gallery-mode microlasers as highly sensitive chemical vapor sensors." Chemical Communications 53, no. 21 (2017): 3102–5. http://dx.doi.org/10.1039/c6cc08094d.

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Organic whispering-gallery-mode lasers, assembled from π-conjugated polymers, can be used for highly sensitive detection of trace amounts of chemical gases by monitoring the shift of the lasing mode, paving a new way to design novel photonic sensing devices.
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Killingbeck, Keith T. "Autumnal Resorption and Accretion of Trace Metals in Gallery Forest Trees." Ecology 66, no. 1 (February 1985): 283–86. http://dx.doi.org/10.2307/1941329.

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Bruce, Joan. "Using RLIN in the Australian National Gallery Library." Art Libraries Journal 14, no. 3 (1989): 17–20. http://dx.doi.org/10.1017/s0307472200006350.

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The Australian National Gallery Library has used RLIN since January 1985. It is used primarily as an online bibliographic database, to trace publications on particular artists and as a means of verifying references supplied by library users. It is also used, but less frequently, to verify bibliographic details of items to be acquired for the Library; other more occasional use is made of RLIN as a source of catalogue records, to identify locations of items the loan of which is to be sought from overseas, to verify name headings, and as a source of information used in stock selection. Of the special files, Scipio has proved most useful as a source of information on sales catalogues. RLIN does not present insuperable problems to the remote user, although an offline print facility and extended access hours would both be helpful.
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Omwoma, Solomon. "Trace Metal Detection in Aqueous Reservoirs Using Stilbene Intercalated Layered Rare-Earth Hydroxide Tablets." Journal of Analytical Methods in Chemistry 2020 (March 30, 2020): 1–9. http://dx.doi.org/10.1155/2020/9712872.

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Contamination of aquatic reservoirs with metal ions is a slow gradual process that is not easy to detect. Consequences of the metal ions, especially the ones with high atomic numbers (heavy metals) at high concentrations, are severe and irreversible in aquatic reservoirs. As such, early detection mechanisms, especially at trace concentration, are essential for mitigation measures. In this work, a new, robust, and effective tool for trace metal detection and monitoring in aqueous solutions has been developed. Tablets (1 mm thick and similar to medicinal tablets) were manufactured from a powder comprising stilbene intercalated into gallery spaces of lanthanide-containing layered double hydroxides. The tablets were placed in a water column having different concentrations of Pb2+ and Cu2+ ions, and the water was allowed to flow for 45 minutes at a flow rate of 100 ml/s. Thereafter, the tablets were dried and made to powder, and their phosphorescence was measured. The gradual stilbene phosphorescence turnoff in the tablets from various concentrations of metal ions was correlated with sorption amounts. The tablets were able to detect effectively metal ions (up to Pb2+ 1.0 mmol/L and Cu2+ 5.0 mmol/L) in the aqueous media. As such, the concentrations of Pb2+ and Cu2+ ions at trace levels were determined in the test solutions. This method provides a real-time metal ion analysis and does not involve sampling of water samples for analysis in the laboratory.
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Levchenko, I., and U. Kukharuk. "SYMBOLS OF THE ORDER OF THE GARTER AS A MEANS OF REPRESENTATION OF THE JAMES VI & I AUTHORITY (based on the illustrative sources of the National Portrait Gallery)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 140 (2019): 30–33. http://dx.doi.org/10.17721/1728-2640.2019.140.8.

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The electronic resource of the National Portrait Gallery has 199 images of James VI & I. We turn to the king’s lifetime portraits. Numerous James’s I images that contain the attributes of the knight’s ethos (lattice, horse, sword, honors of the Order of the Garter) make it possible to form the idea of the knight’s ideal transformation, to trace the influence of ethos on the royal etiquette and the diplomatic ceremony during the reign of James VI (1566-1620) & I (1603-1625). In addition to the popularization and maintenance of knight ideals, the Order of the Garter played an important role in shaping the notions of the "English nation". Reconstruction of the image on the basis of imaginative sources makes it possible to find out how the contemporaries perceived to the king. The morality and behavior of the king as the "father" of all the British (paterfamilias) was an exemplum, authority and set the frame for the whole society, because the royal court and the family were perceived as a model. Also the gender was important in the representing of the knight’s image. A conclusion is made about the sacredness of the symbolism of the Order as a means of dialogue between a person of a monarch and his subjects (people).
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Kolbiarz, Artur. "From Świdnica to Bratislava: The sculpture of Christ the Saviour from the collection of the Slovak National Gallery." Muzeológia a kultúrne dedičstvo 8, no. 3 (September 2020): 75–93. http://dx.doi.org/10.46284/mkd.2020.8.3.4.

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Among the works that stand out in the Baroque sculpture collection of the Slovak National Gallery (SNG) is the figure of the Saviour by Georg Leonhard Weber of Świdnica. Surveys conducted in Slovak, Czech and Polish museums, combined with field studies, have made it possible to provide hitherto unexplored artistic context of the work. They have made it possible to trace the formal origins of the Bratislava Saviour as well as its later imitations. The sculpture is carved with virtuosic precision; it develops a concept derived from ancient art and is the finest example of Weber’s early oeuvre. Also, it constitutes a link between works made in his workshop over four decades. The present study demonstrates the advantages of an interdisciplinary and international analysis of museum collections. It highlights the significance of the sculpture in question to Central European cultural heritage, expanding the knowledge of museum collections in three different countries.
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Armour Smith, Elliott, Mark A. Loewen, and James I. Kirkland. "New social insect nests from the Upper Jurassic Morrison Formation of Utah." Geology of the Intermountain West 7 (August 29, 2020): 281–99. http://dx.doi.org/10.31711/giw.v7.pp281-299.

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This paper reports a new assemblage of social insect ichnofossils from the Brushy Basin Member of the Upper Jurassic Morrison Formation near Green River, Utah. At least seven distinct nests are visible in the locality horizon, identifiable at the outcrop scale by loci of anastomosing, and orthogonally connected hor-izontal burrows and vertical shafts. A boulder-sized block from the in situ horizon has eroded and rolled downhill, revealing the ventral aspect of the nest, showing a view of the overall nest architecture. Burrow and shaft clusters are organized into mega-galleries which have branching arms and ovate, bulbous cham-bers. The organization of distinct trace morphologies is consistent with ethological complexity of the social insects. A small sample was collected and analyzed by serial sectioning and petrographic thin sectioning to observe small-scale morphological features. Centimeter-scale analysis shows chamber, gallery, and burrow walls have complex topography. Pebble-sized, hollow, ellipsoid features are distributed throughout the up-permost facies of the nest and have undergone complete silicification of their outer surfaces. The ellipsoids share similarity with pellet structures made of mud or carton produced by modern termites. This trace fossil assemblage suggests it is possible that termites had acquired subterranean nesting behavior, and mud or carton utilization in nest construction in seasonally arid habitats by the Late Jurassic.
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Marignac, Christian, Michel Cuney, Michel Cathelineau, Andreï Lecomte, Eleonora Carocci, and Filipe Pinto. "The Panasqueira Rare Metal Granite Suites and Their Involvement in the Genesis of the World-Class Panasqueira W–Sn–Cu Vein Deposit: A Petrographic, Mineralogical, and Geochemical Study." Minerals 10, no. 6 (June 23, 2020): 562. http://dx.doi.org/10.3390/min10060562.

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Elucidation of time-space relationships between a given wolframite deposit and the associated granites, the nature of the latter, and their alterations, is a prerequisite to establishing a genetic model. In the case of the world-class Panasqueira deposit, the problem is complicated because the associated granites are concealed and until now poorly known. The study of samples from a recent drill hole and a new gallery allowed a new approach of the Panasqueira granite system. Detailed petrographic, mineralogical, and geochemical studies were conducted, involving bulk major and trace analyses, BSE and CL imaging, EPMA, and SEM-EDS analyses of minerals. The apical part of the Pansqueira pluton consisted of a layered sequence of separate granite pulses, strongly affected by polyphase alteration. The use of pertinent geochemical diagrams (major and trace elements) facilitated the discrimination of magmatic and alteration trends. The studied samples were representative of a magmatic suite of the high-phosphorus peraluminous rare-metal granite type. The less fractionated members were porphyritic protolithionite granites (G1), the more evolved member was an albite-Li-muscovite rare metal granite (G4). Granites showed three types of alteration processes. Early muscovitisation (Ms0) affected the protolithionite in G1. Intense silicification affected the upper G4 cupola. Late muscovitisation (Fe–Li–Ms1) was pervasive in all facies, more intense in the G4 cupola, where quartz replacement yielded quartz-muscovite (pseudo-greisen) and muscovite only (episyenite) rocks. These alterations were prone to yield rare metals to the coeval quartz-wolframite veins.
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Rogers, Sarah. "Producing the Local: The Visual Arts in Beirut." Review of Middle East Studies 42, no. 1-2 (2008): 19–25. http://dx.doi.org/10.1017/s0026318400051476.

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In a 2002 lecture at Home Works, Beirut’s contemporary art festival, writer and cultural critic Abbas Beydoun claimed that Lebanon’s internationalism had led to derivative cultural production. The well known critic’s comments evoked an angry outburst from members of his predominantly Lebanese audience of young artists and cultural workers. To varying degrees, however, this characterization of Beiruti culture repeats and prefigures descriptions of the city as a meeting point between East and West. Indeed, Beirut’s reputation as a multi-linguistic and cross-cultural Mediterranean port is traced to the latter half of the nineteenth century when the city became the capital of an Ottoman province and followed as a regional center for missionary, political, and cultural activities. Moreover, Beydoun’s characterization did not always carry such a negative connotation. This paper begins to trace the ways in which the visual arts is a field for producing, rather than reflecting, Beirut’s cosmopolitanism. To do so, I look at two historical moments pivotal in the institutionalization of the visual arts. The first is that of Daoud Corm (1852-1930), the city’s first professional easel painter whose career ran from the Ottoman period through the French Mandate (1920-1943). The second is the decades of the 1960s and 70s, the city’s heyday as a regional cultural capital when a number of artists and activists established a gallery system, further expanding the private sector’s consumption of painting and sculpture.
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Dissertations / Theses on the topic "Trace (Gallery)"

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De, Jong Connie Jo. "Global Gallery: Revolutionary Re-Localization through fair Trade International handicrafts, Tourism and Cultural Education." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392048477.

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Thomas, Matthew F. "Pacific Trade Winds: Towards a Global History of the Manila Galleon." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539272208.

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De, Jong Connie Jo. "[Re]focusing Global Gallery's educational programs a guide to transforming vision to action for fair trade organizations /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1218547473.

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De, Jong Connie J. "[Re]Focusing Global Gallery's Educational Programs: A Guide to Transforming Vision to Action for Fair Trade Organizations." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218547473.

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Dombi, Tânia Rajczuk. "O espaço comercial como um valor cultural." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-01112014-132257/.

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É perceptível a tendência contemporânea da multifuncionalidade do objeto e do espaço. Este último desdobra-se e desconstrói-se em ambientes inter ou não-relacionados, agregando funções num mesmo lugar. Se o espaço mais óbvio para se encontrar arte e história é em uma galeria ou em um museu, é de se estranhar que estabelecimentos comerciais possam atuar nesta função artístico-cultural. Neste caso, é quase imediato pensar que esta ação poderia ser exercida deficientemente ou que alguma forma de lucro estaria fortemente envolvida. Mas há exceções; são locais onde não só o objeto deve ser tocado, sentido, experienciado como nas instalações artísticas contemporâneas como o ingresso a eles é sempre livre. Como em galerias e museus, a exposição do objeto é primordial, podendo fazer parte de um cenário original e preservado, reconstituído ou quase teatral, onde esta recepção estética apoia-se também em um conjunto de informações e interações com seu espectador. Quando a arquitetura do lugar também destaca-se, especialmente se tombada pelo patrimônio histórico e artístico (ou com possibilidades de ser), torna-se quase impossível somente se ater a uma única atividade exercida no local e não ao conjunto em si. As relações e fusões entre estabelecimentos comerciais com alguns artifícios e técnicas museológicas, através de desdobramentos tais como loja-museu, loja de museu e loja-galeria são objetos desta pesquisa, onde procura-se não só refletir sobre a abrangência dos lugares culturais, como sobre a identidade de uma cidade através do comércio local. A opção por modos de pesquisa diversos textuais, iconográficos e de campo foi fundamental para a constatação do comércio como uma forma de cultura, sendo que os três estudos de caso, todos localizados na Cidade de São Paulo, possibilitam também verificar a necessidade de seleção para a explicação desta ocorrência, assim como a abrangência cultural através da descrição de práticas tanto em comum quanto bem diferentes entre si. Assim, o comércio associa-se à arte, ao design, à moda, à história, ao lugar e à identidade, constituindo-se também como uma demonstração a visões que negam ou excluem esta atividade como também sendo legitimamente cultural.
It is noticeable the contemporary tendency of the multifunctionality of an object and the space. The latter unfolds and deconstructs into inter or not related environments, aggregating functions in the same place. If the most obvious place to find art and history is in a gallery or in a museum, it is quite strange that commercial establishments are able to act in this artistic-cultural activity. In this case, it is almost immediate thinking about this action as one that could be defectively performed or that some kind of profit could be strongly involved. However, there are exceptions; they are places where not only the object must be touched, be felt, be experienced as in the contemporary installations art but also the ticket for them is always free. Like in galleries and museums, the exhibition of the object is primordial, being able to take part in a original and well preserved scenery, reconstructed or almost theatrical, where the aesthetic reception is also based upon a combination of information and interactions with the spectator. When the architecture of the place is remarkable too, especially if it is under governmental trust as a historic or artistic heritage (or it has great possibilities), considering only one performed activity in this spot is almost impossible when there is a combination of them. The relations and fusions among commercial establishments with some museological resources and techniques - by the expansions such as shop-museum, museum shop, shop-gallery, are objects of this research, which attempts not only reflecting about the scope of cultural places but also about the identity of a city, observing the local trade. The option for different ways of research textual, iconographic and of field was fundamental for the confirmation of the commerce as a form of culture, observing that the three case studies, all localized in the City of São Paulo, also enable to verify the necessity of selection for the explanation about this occurrence, as well as the description about the cultural scope of practices both in common and unlike each other. Thus, there are associations between commerce and art, design, fashion, history, place and identity, constituting oneself also as a demonstration to visions which deny or exclude this activity as a legitimately cultural one too.
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Ježková, Tereza. "Galerie Velké ceny města Brna." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2016. http://www.nusl.cz/ntk/nusl-240877.

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The main purpose of the diploma project is to redesign an object of the Brno Grand Prix areal. The design case study is a second step after an urban project analyses created in the pre - diploma project phase. The main aim of the diploma design studio is to produce a new impulse in the whole nearby area of the Brno Grand Prix by finding a new purpose for the city's iconic areal and creating a decent and representative place for exhibition of the extensive history of Czechoslovak Motor sport.
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Potůčková, Kristýna. "Horečky." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-377207.

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The matter of the Horečky project is complex called Art in Horečky,which is complex strategy how to get the people interested in arts to the area. Project designs gallery, house for artist, artistic path in nature...
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Mawson, Stephanie Joy. "Incomplete conquests in the Philippine archipelago, 1565-1700." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/288555.

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The Spanish colonisation of the Philippines in 1565 opened up trade between China, Latin America and Europe via the Pacific crossing, changing the history of global trade forever. The traditional understanding of the early colonial period in the Philippines suggests that colonial control spread rapidly and peacefully across the islands, ushering in dramatic changes to the social, political and economic environment of the archipelago. This dissertation argues by contrast that the extent of Spanish control has been overstated - partially as a by-product of an over-reliance on religious and secular chronicles that sought to magnify the role and interests of the colonial state. Through extensive archival work examining different sites of colonial authority and power, I demonstrate that Philippine communities contested and limited the nature of colonisation in their archipelago. In making this argument, I challenge prevalent assumptions of indigenous passivity in the face of imperial expansion. By demonstrating the agency of Southeast Asians, particular actors come to the fore in each of the chapters: Chinese labourers, indigenous elites, fugitives and apostates, unpacified mountain communities, native priestesses and Moro slave raiders. The culture and social organisation of these Southeast Asian communities impacted on the nature of Spanish imperialism and the capacity for the Spanish to retain and extend their control. Throughout the seventeenth century, the Spanish presence within the archipelago was always tenuous. A number of communities remained outside of Spanish control for the duration of the century, while still others oscillated between integration and rebellion, by turns participating in and resisting the consolidation of empire. These communities continued to maintain their local and regional economies and customs. Thus, by the end of the seventeenth century, imperial control remained fragmented, partial and incomplete. The dissertation contributes not only to the historiography of the Philippines - which remains under-explored - but also to the historiographies of Colonial Latin America, Southeast Asia and early modern empires. Conceptualising the Philippines as a frontier space helps to overturn the foundations of the myth of a completed conquest. This dissertation thus raises questions about the inevitability of empire by arguing that indigenous communities were active respondents to Spanish colonisation attempts and that indigenous traditions and culture in this region were both resilient and enduring in the face of colonial oppression.
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Rossi, Lucia. "D'Alexandrie à Pouzzoles : les rapports économiques entre l'Égypte et Rome du II° siècle avant J.C. au Ier siècle après J.C." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10178.

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Nous nous intéressons à l’évolution des rapports économiques entre la Rome républicaine et l’Égypte lagide et notamment à la commercialisation du blé égyptien au bénéfice de Rome. L’étude diachronique des échanges économiques entre les deux pays nous mène à nous confronter avec l’évolution de leurs rapports politiques réciproques. Nous poursuivons notre enquête pour le premier siècle d’Empire Romain. Nous nous attarderons sur l’étude de la gestion du blé égyptien au sein du système annonaire, sans pour autant négliger les acteurs « privés » du commerce du blé sous les Empereurs julio-claudiens. Nous articulerons notre recherche autour des trois axes principaux: les institutions, les acteurs et les structures du commerce du blé
We will study the history of economic relationships between Roman Republic and Ptolemaic Egypt, focusing on Egyptian grain trade in western Mediterranean basin, especially in Rome and Puteoli. Our diachronic approach about economical exchanges between these two countries will retain attention on their reciprocal political relationships. We will continue our research during the first century of Roman Empire. We will interest to Egyptian grain administration by the annona and the imperial supply structures. We will bring interest also on private grain trade under Julio-Claudians emperors. We will develop our research on three fundamental items: the institutions, the actors and the structures of the grain trade
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Vyskočil, Jakub. "Bytový dům s obchodními prostory." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-371964.

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Content of the Diploma thesis is the design documentation a block of flats with trade gallery in Tábor. The design documentation and annexes of diploma thesis are elaborated according to present valid laws, goverment´s restrictions and standards. This object is located on plot no. 1457/33 and 1457/1 cadastre unit Tábor. The building is situated in area designated to housing development. Next to the land are there public infrastructure. The apartment building is divided into 20 flats including one accessible flat and café for 60 customers and max 5 employees. Flats are located from second floor except accessible flat, which is in grounfloor. In grounfloor is common storage area and utility room. Building has four (above-ground) floor. Object is dimensioned 31,7 x 25,2 m and high 13,6 m.The object is builded on finished grade. Load-bearing structural systém is from hollow bricks. Building has flat roof and whole object is thermal insulated.
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Books on the topic "Trace (Gallery)"

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Moffatt, Tracey. Tracey Moffatt: City Gallery Wellington. Wellington, NZ: City Gallery Wellington, 2002.

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1958-, Brand Michael, ed. Traditions of Asian art: Traced through the collection of the National Gallery of Australia. Canberra: The Gallery, 1995.

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Smith, Keir. The dreaming track: Sculpture and drawings, catalogue of an exhibition, Laing Art Gallery, 1989. [Newcastle]: Tyne and Wear Museums Service, 1989.

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Praze, Národní muzeum v. Czech modern art 1900 1960: The National Gallery in Prague : modern art collection, the Trade Fair Palace. Prague: The Gallery, 1995.

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Ken, Teague. Mr. Horniman and the tea trade: A permanent display in the South Hall Gallery of the Horniman Museum. London: Horniman Museum and Gardens, 1993.

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Pontevedra, Museo de, ed. El traje gallego: Catalogación arqueológica y artística de Galicia del Museo de Pontevedra. La Coruña, España: Fundación Pedro Barrié de la Maza, 1985.

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Carswell, John. Blue and white: Chinese porcelain and its impact on the western world : catalogue of an exhibition at the David and Alfred Smart Gallery, the University of Chicago, October 3-December 1, 1985. Chicago: The Gallery, 1985.

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Chemical Management & Resources Association. Meeting. Trade agreements in the Americas: Their effects on the chemical industry : February 28-March 2, 1994 : Westin Oaks Galleria Hotel, Houston, TX. [Staten Island, N.Y.] (60 Bay St., Suite 702, Staten Island 10301): Chemical Management & Resources Association, 1994.

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City of Bristol Museum and Art Gallery. Bristol & transatlantic slavery: Catalogue of the exhibition A Respectable Trade? Bristol & Transatlantic Slavery at the City Museum & Art Gallery, Bristol 6 March - 2 September 1999, with additional material. Bristol: Bristol Museums & Art Gallery, 2000.

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Madge, Dresser, Giles Sue, and City of Bristol Museum and Art Gallery., eds. Bristol & transatlantic slavery: Catalogue of the exhibition A Respectable Trade? Bristol & Transatlantic Slavery at the City Museum & Art Gallery, Bristol 6 March - 2 September 1999, with additional material. Bristol: Bristol Museums & Art Gallery, 2000.

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Book chapters on the topic "Trace (Gallery)"

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Galant, Philippe, Paul Ambert†, and Albert Colomer†. "Prehistoric Speleological Exploration in the Cave of Aldène in Cesseras (Hérault, France): Human Footprint Paths and Lighting Management." In Reading Prehistoric Human Tracks, 277–93. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-60406-6_15.

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AbstractAldène Cave is a system of 9 km of extent, on four hydrogeological levels. Within the first two fossil levels, which comprise more than half of the system, many archaeological remains have been discovered. They represent a continuum of more than 350,000 years of human history. On the second level, we find the Paul Ambert gallery, discovered in 1948 by the Abbé Dominique Cathala. This gallery contains many human traces, with footprints and marks of torches that were brought into the cave. A recent geomorphological study of these elements concerned registration and systematic analysis of the lighting marks, as well as an initial determination of the footprints. This work confirmed the contemporaneousness and functional link of these archaeological remains. Lighting management could be determined precisely with the traces on the walls and the remains discovered on the floor in connection with the footprints. These data, investigated with a spatial approach in relation to the cave network, clarify the prehistoric passages and allow an interpretation of the behaviour of visitors. All elements together form the picture of a family at a speleological investigation, which is attributed to the Mesolithic.
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Wang, Guanyu. "Chinese Porcelain in the Manila Galleon Trade." In Archaeology of Manila Galleon Seaports and Early Maritime Globalization, 93–113. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9248-2_5.

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Montemezzo, Stefania. "Ships and Trade: The Role of Public Navigation in Renaissance Venice." In Atti delle «Settimane di Studi» e altri Convegni, 473–84. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-857-0.24.

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The paper aims at understanding the role that public navigation played for the Venetian merchant firms in the Renaissance. Thanks to the use of accountability, two case studies will be analysed to understand the involvement of private traders in the State galley system and their impact on the operations of the city’s business in the late 15th century.
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Miyata, Etsuko. "Ceramics from Nagasaki: A Link to Manila Galleon Trade." In Archaeology of Manila Galleon Seaports and Early Maritime Globalization, 161–72. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9248-2_9.

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Quinata, Joe. "The Development of Humåtak Village: The Life-Line of the Acapulco-Manila Galleon Trade." In Archaeology of Manila Galleon Seaports and Early Maritime Globalization, 187–90. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9248-2_11.

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Lu, Tai-Kang. "The Kraak Porcelains Discovered from Taiwan and Macao, and Their Relationship with the Manila Galleon Trade." In Archaeology of Manila Galleon Seaports and Early Maritime Globalization, 147–60. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9248-2_8.

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Cuevas, Nida T. "Fujian and Hizen Ware: A 17th Century Evidence of the Manila Galleon Trade Found from Selected Archaeological Sites in the Philippines." In Archaeology of Manila Galleon Seaports and Early Maritime Globalization, 115–28. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9248-2_6.

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Skowronek, Russell K. "Cinnamon, Ceramics, and Silks: Tracking the Manila Galleon Trade in the Creation of the World Economy." In Early Navigation in the Asia-Pacific Region, 59–74. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0904-4_3.

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Hancock, James F. "The Spanish build their empire." In Spices, scents and silk: catalysts of world trade, 235–46. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789249743.0018.

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Abstract The chapter summarizes the Spanish conquests and navigation. It also provides a brief summary of how Ferdinand Magellan found another route to the Pacific and the Moluccas, which led to the signing of Treaty of Tordesillas. This divided any newly discovered lands between Spain and Portugal along a Meridian west of the Cape Verde Islands, but no line of demarcation had been set on the other side of the world. This meant that both countries could lay claim to the Spice Islands, as long as Portugal travelled there from the east and Spain from the west. After Magellan's conquest, the Spanish explore the Pacific, which gave them control over the Pacific countries including the Philippines. The chapter also discusses how the charting of 'Urdaneta's Route' made possible a trans-Pacific galleon trade and the profitable colonization of the Philippines and other Latin American countries. Soon ships were travelling regularly from Manila to New Spain. A complex trade network evolved that was truly global in nature. Into Manila would flow spices from the Moluccas and silk and porcelain from China. These would be shipped across the Pacific by the Spanish to Acapulco, a journey of four to six months. The silver came from Potosí, Bolivia where hundreds of thousands of enslaved Incan lives were sacrificed by the Spanish to extract that silver from the bowels of the earth. The mines became the centre of Spanish wealth and were the reason Spain remained powerful during the colonial period. From 1556 to 1783, they extracted some 45,000 tons of silver from these mines. Aside from these, is the silk production as New Spain had a native mulberry tree called the Morera criolla. The Spanish finished their conquest by 1521 and by 1523, the first silkworm eggs had been exported to Mexico. Finally, the chapter closes how England, by means of American privateers, fought off Portugal and Spain.
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Fahy, Brian, and Veronica Walker Vadillo. "From Magellan to Urdaneta: The Early Spanish Exploration of the Pacific and the Establishment of the Manila Acapulco Galleon Trade." In Early Navigation in the Asia-Pacific Region, 75–89. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0904-4_4.

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Conference papers on the topic "Trace (Gallery)"

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Rosenberger, Albert T., and Jeromy P. Rezac. "Whispering-gallery-mode evanescent-wave microsensor for trace-gas detection." In BiOS 2001 The International Symposium on Biomedical Optics, edited by Raymond P. Mariella, Jr. and Dan V. Nicolau. SPIE, 2001. http://dx.doi.org/10.1117/12.427962.

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Holler, Stephen, and Matthew Speck. "Spatial multiplexing of whispering gallery mode sensors for trace species detection." In SPIE Commercial + Scientific Sensing and Imaging, edited by Tuan Vo-Dinh, Robert A. Lieberman, and Günter G. Gauglitz. SPIE, 2016. http://dx.doi.org/10.1117/12.2223340.

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Li, Cheng, Trevor Lohrey, Phuong-Diem Nguyen, Zhouyang Min, Brian Stoltz, and Judith Su. "Part-per-trillion trace gas detection using frequency-locked whispering gallery mode microtoroids." In Integrated Optics: Devices, Materials, and Technologies XXV, edited by Sonia M. García-Blanco and Pavel Cheben. SPIE, 2021. http://dx.doi.org/10.1117/12.2578032.

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Ma, Qiulin, Tobias Rossmann, and Zhixiong Guo. "Fabrication, Characterization and Microsensing of Whispering-Gallery Mode Micro-Coupling Systems." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-66946.

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An optical micro-coupling system of whispering-gallery mode usually consists of a resonator (e.g. a sphere) and a coupler (e.g. a taper). In this report, silica microspheres of 50–500 μm in diameter are fabricated by hydrogen flame fusing of an end of a single mode fiber or fiber taper. Fiber tapers are fabricated by the method of heating and pulling that meets an adiabatic condition. Taper’s waist diameter can routinely be made less than 1 μm and almost zero transmission loss in a taper is achieved which allows an effective and phase-matched coupling for a wide range sizes of microspheres. Both resonators and couplers’ surface microstructure and shapes are examined by scanning electronic microscopy. Three regimes of coupling are achieved, enabling a good flexibility to control Q value and coupling efficiency of a micro-coupling system. Whispering gallery mode shift is used to demonstrate a novel temperature micro-sensor. Its sensitivity determined from actual experimental results agrees well with the theoretical value. A concept of using the photon’s cavity ring down (CRD) in the microsphere to make a novel high-sensitivity trace gas micro-sensor is proposed. The CRD time constant when ammonia is chosen as the analyte gas is predicted using the simulated absorption lines.
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Bittler, Alain. "Brush Traces I." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1178993.

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Meier, Robin, and Ali Momeni. "Truce." In ACM SIGGRAPH ASIA 2009 Art Gallery & Emerging Technologies: Adaptation. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1665137.1665163.

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Huang, Lei, and Zhixiong Guo. "Nano Filtration and Sensing of Aminoglycosides Using Whispering-Gallery Mode Resonators." In ASME 2012 Third International Conference on Micro/Nanoscale Heat and Mass Transfer. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/mnhmt2012-75174.

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For the first time optical WGM micro resonator embedded in a microelectrofluidic system with integrated functions in sensing and nano filtration was proposed. Aminoglycosides were considered as the analyte molecules. The filtration process and analyte concentration were traced by measuring the WGM resonance frequency shift. A correlation between the frequency shift, and the analyte feed concentration and the applied voltage gradient was obtained, which reveals a linear relationship between the resonance frequency shift and the analyte concentration and an exponential growth with the applied voltage gradient. The applied voltage gradient influences the filtration capability through its effect on adsorption and desorption processes. The second-order WGM was found to be able to provide a higher sensitivity as compared with the first-order. The WGM sensor was found to function at pico Molar concentration.
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Pucillo, Giovanni Pio, Antonio De Iorio, Stefano Rossi, and Mario Testa. "On the Effects of the USP on the Lateral Resistance of Ballasted Railway Tracks." In 2018 Joint Rail Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/jrc2018-6204.

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From the advent of high-speed (HS) railways and with increasing traffic-induced loads transmitted to the superstructure, maintenance costs due to track geometry degradation have become a crucial problem for researchers and railway administrations. Moreover, the operations of ballast renewal, track tamping, and track re-alignment, that are indispensable to guarantee a good track geometry, have dramatic effects on the tie-ballast lateral resistance, which in turn reduce the track flexural strength in the lateral plane and increase the proneness of railway tracks made of continuous welded rails (CWR) to experience either progressive lateral shift of the track panel or thermal track buckling phenomena. To restore proper values of the tie-ballast lateral resistance, railway technicians either impose a speed reduction or compact the ballast bed mechanically by mean of the dynamic track stabilizing machines. Recently, elastic elements in railway tracks are receiving more and more attention due to their ability to reduce track geometry degradation and to attenuate noise and vibrations. Under Tie Pads, or Under Sleeper Pads (USP), guarantee better homogenization of the track vertical stiffness and have received more attention due to their ability to reduce maintenance costs. Most published studies focused their attention to USPs’ attitude to improve track performances in terms of dynamic impact force mitigation and track quality improvement; however, with few exceptions, no available literature exists on lateral resistance of ballasted track with USP, and some question still remains whether or not the lateral resistance is improved by USP. In this study, the experimental results of about 40 lateral resistance tests carried out in situ are reported and discussed. The tests were performed with the Discrete Cut Panel Pull Test (DCPPT) technique on three type of concrete ties, with and without USP; each type of tie and the related track conditions (ballast thickness, subgrade thickness and composition, shoulder width, ballast wall, etc.) were representative of specific track conditions, namely traditional tracks, high-speed lines and gallery. The tests were carried out in loaded and unloaded track conditions, in compacted and just-laid track conditions. In compacted ballast conditions the peak lateral resistance due to USPs can increase up to 20% — depending on the material used — and this variation is almost constant in the bedding modulus range considered in this study, which was quite well representative of typical static bedding modulus values of actual USPs. Even higher advantages seem to be achievable with softer USPs in weak or just-tamped ballast conditions.
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