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Journal articles on the topic 'Trachiniae'

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Published: 4 June 2021

Last updated: 11 February 2022

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1

Hubbard, Thomas K., and Malcolm Davies. "Sophocles: Trachiniae." Classical World 86, no. 4 (1993): 364. http://dx.doi.org/10.2307/4351374.

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2

Esposito, Stephen, and P. E. Easterling. "Sophocles: Trachiniae." American Journal of Philology 109, no. 1 (1988): 135. http://dx.doi.org/10.2307/294768.

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3

Hendry, Michael, Oleg V. Bychkov, INGRID A. R. De Smet, et al. "Sophocles Trachiniae 419." Mnemosyne 48, no. 4 (1995): 197–211. http://dx.doi.org/10.1163/156852595x00149.

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4

Lane, Nicholas. "Sophocles Trachiniae 602." Mnemosyne 70, no. 2 (2017): 290–93. http://dx.doi.org/10.1163/1568525x-12342272.

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5

Conacher, D. J. "Sophocles' Trachiniae: Some Observations." American Journal of Philology 118, no. 1 (1997): 21–34. http://dx.doi.org/10.1353/ajp.1997.0012.

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6

Stinton†, T. C. W. "Sophocles, Trachiniae 94–102." Classical Quarterly 36, no. 2 (1986): 337–42. http://dx.doi.org/10.1017/s0009838800012106.

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Some years ago, Sir Kenneth Dover suggested a new interpretation of καρ⋯ξαι. Prima facie, the chorus ask the sun to proclaim where Heracles is, and this sense is supported by such passages as Il. 3.277 Ή⋯λιóς θ', ὃς π⋯ντ' ⋯ɸορᾷς, Od. 9.109 Ήελ⋯ου, ὅς π⋯ντ' ⋯ɸορᾷ (cf A. PV 91, S. OC 869), Od. 8.270–1 ἄɸαρ δ⋯ οἱ ἄγγελος ἧλθεν | Ή⋯λιος, and especially (‘a passage…which comes very close to Sophocles in spirit’) h. Cer. 69ff., where ‘Demeter visits the Sun and implores him, “you who look down on all earth and sea…tell me truly of my dear child, if you have seen her anywhere, who has gone off with h

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7

Craik, E. M., and D. H. A. Kaferly. "The Computer and Sophocles' Trachiniae." Literary and Linguistic Computing 2, no. 2 (1987): 86–97. http://dx.doi.org/10.1093/llc/2.2.86.

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8

Gildersleeves, Paul. "Two notes on Sophocles' Trachiniae." Journal of Hellenic Studies 105 (November 1985): 154–55. http://dx.doi.org/10.2307/631529.

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ἀμμένει need not have an object: ἐλεινὸν can be taken adverbially. The only substantial objection to the text is thus metrical, for reasons already advanced by others and summarized below.The paradosis has ἐλεεινὸν. However, the forms δεεινός, κλεεινός and ἐλεεινός are identified as invalid in Attic by Porson and Ellendt. Porson plausibly explains the several corruptions in the MSS at e.g. Aesch. PV 246 as due to scribes’ over-familiarity with Homer and ignorance of most metre.

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9

Esposito, Stephen. "The Third Stasimon of Sophocles' "Trachiniae"." Classical World 91, no. 1 (1997): 21. http://dx.doi.org/10.2307/4352033.

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10

Ormand, Kirk. "More Wedding Imagery: Trachiniae 1053 ff." Mnemosyne 46, no. 2 (1993): 224–27. http://dx.doi.org/10.1163/156852593x00501.

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11

Scott, William C., and Bruce Heiden. "Tragic Rhetoric: An Interpretation of Sophocles' Trachiniae." Phoenix 46, no. 1 (1992): 86. http://dx.doi.org/10.2307/1088784.

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12

Naomi Rood. "Four Silences in Sophocles' Trachiniae." Arethusa 43, no. 3 (2010): 345–64. http://dx.doi.org/10.1353/are.2010.0005.

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13

Kane, Robert L. "The Structure of Sophocles' "Trachiniae": "Diptych" or "Trilogy"?" Phoenix 42, no. 3 (1988): 198. http://dx.doi.org/10.2307/1088343.

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14

Essen-Fishman, Lucy Van. "Generalization and Characterization in Sophocles’ Trachiniae and Antigone." Classical Philology 115, no. 3 (2020): 315–38. http://dx.doi.org/10.1086/708892.

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15

Catenaccio, Claire. "Sudden Song: The Musical Structure of Sophocles’ Trachiniae." Arethusa 50, no. 1 (2017): 1–33. http://dx.doi.org/10.1353/are.2017.0000.

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16

Segal, Charles. "The Oracles of Sophocles' "Trachiniae": Convergence or Confusion?" Harvard Studies in Classical Philology 100 (2000): 151. http://dx.doi.org/10.2307/3185213.

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17

Halleran, Michael R. "Repetition and Irony at Sophocles Trachiniae 574-81." Classical Philology 83, no. 2 (1988): 129–31. http://dx.doi.org/10.1086/367092.

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18

Blanco, Chiara. "HERACLES’ ITCH: AN ANALYSIS OF THE FIRST CASE OF MALE UTERINE DISPLACEMENT IN GREEK LITERATURE." Classical Quarterly 70, no. 1 (2020): 27–42. http://dx.doi.org/10.1017/s0009838820000270.

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Scholars have long grappled with the nature of Heracles’ νόσος and his consequent feminization in Sophocles’ Women of Trachis (= Trachiniae). Despite being triggered by a poisonous garment, which acts by means of magic incantation, the evolution of Heracles’ symptoms is described as a clinical case. Yet, making sense of his feminization from a scientific perspective has proven hard. In this paper, I investigate the symptoms experienced by Heracles, which Sophocles generically refers to as νόσος. The first part focusses on Sophocles’ description of erôs as a disease in Trachiniae. I then move o

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19

Clarke, Michael. "An Ox-Fronted River-God Sophocles, "Trachiniae" 12-13." Harvard Studies in Classical Philology 102 (2004): 97. http://dx.doi.org/10.2307/4150034.

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20

Ryzman, Marlène. "Heracles' destructive Impulses : a Transgression of natural Laws (Sophocles' Trachiniae)." Revue belge de philologie et d'histoire 71, no. 1 (1993): 69–79. http://dx.doi.org/10.3406/rbph.1993.3870.

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21

GASTI, HELEN. "Sophocles' Trachiniae: A Social or Externalized Aspect of Deianeira's Morality." Antike und Abendland 39, no. 1 (1993): 20–28. http://dx.doi.org/10.1515/9783110241518.20.

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22

Kraus, Christina S. ""Logos Men Est' Arxaios": Stories and Story-Telling in Sophocles' Trachiniae." Transactions of the American Philological Association (1974-) 121 (1991): 75. http://dx.doi.org/10.2307/284444.

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23

Vickers, Michael. "Heracles Lacedaemonius : the political dimensions of Sophocles Trachiniae and Euripides Heracles." Dialogues d'histoire ancienne 21, no. 2 (1995): 41–69. http://dx.doi.org/10.3406/dha.1995.2645.

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24

Hicks, Kasey. "The Heraclean Absence: Gender Roles and Actors Roles in the "Trachiniae"." Pacific Coast Philology 27, no. 1/2 (1992): 77. http://dx.doi.org/10.2307/1316714.

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25

Kratzer, Emily. "A Hero's Welcome: Homecoming and Transition in the Trachiniae." Transactions of the American Philological Association 143, no. 1 (2013): 23–63. http://dx.doi.org/10.1353/apa.2013.0004.

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26

Willink, C. W. "Critical studies in the Cantica of Sophocles: II. Ajax, Trachiniae, Oedipus Tyrannus." Classical Quarterly 52, no. 1 (2002): 50–80. http://dx.doi.org/10.1093/cq/52.1.50.

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27

Finkelberg, Margalit. "The Second Stasimon of the Trachiniae and Heracles' Festival on Mount Oeta." Mnemosyne 49, no. 2 (1996): 129–43. http://dx.doi.org/10.1163/1568525962611201.

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28

Weiberg. "The Writing on the Mind: Deianeira's Trauma in Sophocles' Trachiniae." Phoenix 72, no. 1/2 (2018): 19. http://dx.doi.org/10.7834/phoenix.72.1-2.0019.

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29

Dutra, Luiza Monteiro de Castro Silva. "Monstros e monstruosidades em As traquínias de Sófocles." Nuntius Antiquus 3 (June 30, 2009): 96–105. http://dx.doi.org/10.17851/1983-3636.3..96-105.

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In this paper, I present some considerations about the monsters and monstrosities found in Sophocles’ Trachiniae. I try to understand them not as mere decorative elements, but as essential characters, as they evoke the borderline between man and beast, and compel us to rethink our conceptions of human nature. The monsters are described in the play as very rough hybrid beings, who inhabit faraway places. But the monstrosity may be also viewed as the outcome of passion, of the destructive power of Eros and Cypris. And is just through this power that the main event of the play happens: Heracles’

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30

Mossman, J. M. "Interpreting Trachiniae - Bruce Heiden: Tragic Rhetoric: an Interpretation of Sophocles' Trachiniae. (Hermeneutic Commentaries, 1.) Pp. xi + 204. New York, Berne, Frankfurt am Main and Paris: Peter Lang, 1989. Sw. frs. 28." Classical Review 41, no. 2 (1991): 301–3. http://dx.doi.org/10.1017/s0009840x00280153.

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31

Kittmer, John. "Sophocles Trachiniae. Ed.M. Davies. Oxford UP, 1991. Pp. xl+ 289. £45. - (B.) Heiden Tragic rhetoric: an interpretation of Sophocles' Trachiniae. New York etc.: Lang, 1989. Pp. xi + 204. DM/Sw.fr. 28." Journal of Hellenic Studies 113 (November 1993): 187–89. http://dx.doi.org/10.2307/632422.

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32

Holmes, Brooke. "Euripides' Heracles in the Flesh." Classical Antiquity 27, no. 2 (2008): 231–81. http://dx.doi.org/10.1525/ca.2008.27.2.231.

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In this article, I analyze the role of Heracles' famous body in the representation of madness and its aftermath in Euripides' Heracles. Unlike studies of Trachiniae, interpretations of Heracles have neglected the hero's body in Euripides. This reading examines the eruption of that body midway through the tragedy as a part of Heracles that is daemonic and strange, but also integral to his identity. Central to my reading is the figure of the symptom, through which madness materializes onstage. Symptoms were contested sites of interpretation in the late fifth century, supporting both conventional

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33

Hiscock, Matthew. "Sophoclean Suicide." Classical Antiquity 37, no. 1 (2018): 1–30. http://dx.doi.org/10.1525/ca.2018.37.1.1.

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This article aims to show that Sophocles anticipates questions about the autonomous subject and “ownership” of the self that are central to contemporary discourse. It suggests that Sophoclean self-killing, often considered quintessentially individualistic, in fact reflects a preoccupation with the autocheir, a less definite figure than our “suicide,” since s/he may also be (actually or potentially) a kin-killer. Also, that where Sophocles attempts to distinguish self-killing from kin-killing, it is to isolate and explore the nature and (not inevitably negative) implications of autocheiria. Clo

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34

Harrison, S. J. "Sophocles and the cult of Philoctetes." Journal of Hellenic Studies 109 (November 1989): 173–75. http://dx.doi.org/10.2307/632045.

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Amongst the legendary heroes who appear in leading roles in the surviving plays of Sophocles, it is noteworthy that Oedipus, Ajax and Heracles all received some form of divine worship in Attica, not to mention localities more readily associated with each of them. Sophocles is not unaware of this aspect of each of these figures, but where the future prospect of their cult is alluded to in the plays, such allusions are not always prominent or explicit; though the future cult of the Oedipus of the Oedipus Coloneus is crucial for the play, it is only directly mentioned in a few passages, while the

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35

Azizi, Ramla, Chiraz Yemmen, and Sihem Bahri. "Metazoan parasites of trachinid fishes (Teleostei: Trachinidae) from Tunisian coasts (Mediterranean Sea)." Acta Adriatica 58, no. 2 (2017): 209–24. http://dx.doi.org/10.32582/aa.58.2.2.

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A parasitological survey of Trachinus draco Linnaeus, 1758; Trachinus araneus Cuvier, 1829 and Trachinus radiatus Cuvier, 1829 collected from Tunisian coasts was performed from January 2014 to January 2015. In total, 18 species of metazoan parasites belonging to 13 genera were found: nine Myxozoa, four Nematoda, one Cestoda, one Digenea, one Monogenea, one Isopoda and one Annelida Hirudinea. Data on morphology, location and infection levels of parasites were provided. The higher species richness was recorded in Trachinus draco (18 species), while Trachinus radiatus and Trachinus araneus harbor

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36

Dutra, Luiza Monteiro de Castro Silva. "Monstros e monstruosidades em As traquínias de Sófocles." Nuntius Antiquus 3 (June 30, 2009): 96. http://dx.doi.org/10.17851/1983-3636.3.0.96-105.

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<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"><span style="font-family: Times New Roman;"><span style="font-family: Times-Roman; font-size: 10.5pt;">In this paper, I present some considerations about the monsters and monstrosities found in Sophocles’ </span><em><span style="font-family: Times-Italic; font-size: 10.5pt;">Trachiniae</span></em><span style="font-family: Times-Roman; font-size: 10.5pt;">. I try to understand them not as mere decorative elements, but as essential characters,

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37

Klostermann, W. E. M. "P. E. EASTERLING: Sophocles, Trachiniae (Cambridge Greek and Latin Classics). Cambridge, University Press, 1982. XIV, 254 pp. Pr. £ 7.50 (pb.)." Mnemosyne 41, no. 1-2 (1988): 143–48. http://dx.doi.org/10.1163/156852588x00192.

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38

Casall, Sergio. "Tragic irony in Ovid, Heroides 9 and 11." Classical Quarterly 45, no. 2 (1995): 505–11. http://dx.doi.org/10.1017/s0009838800043573.

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A dominant theme in the ninth of the Heroides, Deianira's letter to Hercules, is Deianira's indignation that Hercules has been defeated by a woman: first by Iole (especially in the first part of the letter: for example, lines 2, 5f., 1 If., 25f.); then by Omphale (especially in the section 103–18). The theme is exploited so insistently that Vessey, who regards the epistle as spurious, sees in this insistence a sign of the forger's clumsiness. consider the exploitation of the motive of‘victor victus’ in Heroides 9, on the contrary, as a strong sign of Ovidian authorship. From the very beginning

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39

Holt, Philip. "Light in Sophokles' "Trachiniai"." Classical Antiquity 6, no. 2 (1987): 205–17. http://dx.doi.org/10.2307/25010868.

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40

Lloyd-Jones, Hugh. "R. D. Dawe: Sophoclis Tragoediae, Tom. II: Trachiniae, Antigone, Philoctetes, Oedipus Coloneus, 2nd edition. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. x + 226. Leipzig: B. G. Teubner, 1985. DM. 54." Classical Review 36, no. 2 (1986): 305. http://dx.doi.org/10.1017/s0009840x0010647x.

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41

Rood, Naomi. "Sophocles’ Trachiniai and the Polis." أوراق کلاسیکیة 11, no. 1 (2012): 1–8. http://dx.doi.org/10.21608/acl.2012.89431.

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42

Bowman, Laurel. "Prophecy and Authority in Trachiniai." American Journal of Philology 120, no. 3 (1999): 335–50. http://dx.doi.org/10.1353/ajp.1999.0030.

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43

Pozzi, Dora C. "Deianeira's Robe: Diction in Sophocles' Trachiniae1)." Mnemosyne 47, no. 5 (1994): 577–85. http://dx.doi.org/10.1163/156852594x00492.

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44

Feraboli, Simonetta. "Eracle, le "Trachinie" e il Calendario." Quaderni Urbinati di Cultura Classica 23, no. 2 (1986): 125. http://dx.doi.org/10.2307/20538933.

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45

Bridges, Emma, and Joanna Paul. "Reception." Greece and Rome 65, no. 1 (2018): 133–36. http://dx.doi.org/10.1017/s0017383518000074.

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With Killing Hercules, Richard Rowland has produced a wide-ranging trans-historical discussion of re-workings of the relationship between the mythical Hercules and Deinaira, from Sophocles’ fifth-century bceTrachiniae to Martin Crimp's 2004 play, Cruel and Tender, and a 2014 staging of Handel's operatic Hercules. Impressive for the breath-taking variety of receptions of the story of Deianira's killing of her husband, the volume devotes as much attention to medieval, post-Reformation, and eighteenth-century versions as to ancient texts (including, as well as Sophoclean tragedy, receptions in La

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46

Bensahla-Talet, Lotfi, and Hichem Adda Neggaz. "A review on maximum length of the greater weever Trachinus draco Linnaeus 1758 (Perciformes: Trachinidae) with a new maximum length from Oran Bay (Western Algeria)." Aquatic Research 4, no. 1 (2021): 55–64. http://dx.doi.org/10.3153/ar21005.

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On the 15th April 2017, one female specimen of the greater weever, Trachinus draco measuring 44.69 cm in total length and weighting 885 g was captured by trammel net in Oran Bay (Cape Rousseau) at 120 m depth. Up to date, this length is a new record of maximum length reached for this trachinidae for Algerian waters and the second maximum length recorded in Mediterranean basin according to Fischer et al., 1987 observation noted at 45 cm.

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47

Portillo Strempel, Andrés, and Enrique Herrera Ceballos. "Histology of the venom gland ofTrachinus draco(Actinopterygii, Trachinidae)." Acta Zoologica 95, no. 2 (2012): 125–32. http://dx.doi.org/10.1111/azo.12004.

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48

Horton, T. "Ceratothoa steindachneri (Isopoda: Cymothoidae) new to British waters with a key to north-east Atlantic and Mediterranean Ceratothoa." Journal of the Marine Biological Association of the United Kingdom 80, no. 6 (2000): 1041–52. http://dx.doi.org/10.1017/s0025315400003106.

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This paper presents the first record of Ceratothoa steindachneri from Cornwall, making it the first resident species of the fish–parasitic isopod family Cymothoidae in Britain. The host is Echiichthys vipera (Trachinidae) the lesser weever fish, the isopod attaching to the host tongue. A complete redescription and reillustration for C. steindachneri is given, and a neotype is selected for the species Ceratothoa parallela. A key to the north-east Atlantic and Mediterranean species of Ceratothoa is included, with a brief illustrated account for each species.

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49

Holt, Philip. "The end of the Trachiniai and the fate of Herakles." Journal of Hellenic Studies 109 (November 1989): 69–80. http://dx.doi.org/10.2307/632033.

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At the end of the Trachiniai, the dying Herakles gives orders for his cremation on Mt. Oita and is carried off to his fiery end. One of the thorniest critical questions about the play is what we, the audience, are to make of this. Did Sophokles intend the audience to remember Herakles' apotheosis from the pyre and complete the story in their own minds? Or did he omit it in order to deny it, the better to deepen the play's supposed general pessimism or censure of Herakles? The case for assuming Herakles' exaltation suffers from two major weaknesses. Its champions do little to answer the argumen

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50

Solmsen, Friedrich. "All eidenai xrh drwsan: The Meaning of Sophocles Trachiniai 588-93." American Journal of Philology 106, no. 4 (1985): 490. http://dx.doi.org/10.2307/295200.

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