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Relevant bibliographies by topics / Tradition-criticism

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Academic literature on the topic 'Tradition-criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Tradition-criticism"

1

Schweiker, William. "Tradition and Criticism." Annual of the Society of Christian Ethics 12 (1992): 291–301. http://dx.doi.org/10.5840/asce19921217.

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Tyson, Ruel. "Criticism and Tradition." Tradition and Discovery: The Polanyi Society Periodical 14, no. 1 (1986): 4–8. http://dx.doi.org/10.5840/traddisc1986/198714115.

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Dodd, Philip. "Criticism and the autobiographical tradition." Prose Studies 8, no. 2 (September 1985): 1–13. http://dx.doi.org/10.1080/01440358508586239.

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Thiel, John E. "Dei Verbum: Scripture, Tradition, and Historical Criticism." Horizons 47, no. 2 (September 22, 2020): 207–31. http://dx.doi.org/10.1017/hor.2020.56.

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The Council Fathers at Vatican II struggled to negotiate the Council's teaching on divine revelation with regard to the teaching of Trent, but more immediately with regard to the modern theology of the Magisterium and the modern value of historical criticism that had recently been recognized by Pius XII as having a legitimate role in the interpretation of Scripture. Dei Verbum's teaching stressed the unity of Scripture and tradition in the revelation of God's word, but never considered the role of historical criticism in the interpretation of God's word in tradition that it affirmed in God's revelation in the biblical word. This article argues that the recognition of the legitimate role of historical criticism in the interpretation of tradition remains an issue of needed development in the teaching of Dei Verbum.

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Roberts, David. "Shakespeare, Theater Criticism, and the Acting Tradition." Shakespeare Quarterly 53, no. 3 (2002): 341–61. http://dx.doi.org/10.1353/shq.2003.0014.

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Scott, David. "The Temporality of Generations: Dialogue, Tradition, Criticism." New Literary History 45, no. 2 (2014): 157–81. http://dx.doi.org/10.1353/nlh.2014.0017.

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Klaudia Muca, Klaudia Muca. "Zerwania i ślady. O kryzysie krytyki literackiej raz jeszcze (z krakowską szkołą krytyki literackiej w tle)." Poznańskie Studia Polonistyczne. Seria Literacka, no. 36 (June 1, 2019): 309–26. http://dx.doi.org/10.14746/pspsl.2019.36.18.

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The article introduces the issue of a crisis of literary criticism in Poland in the 20th and 21st centuries. The crisis is linked to the spheres of culture described by the term literacy (or cultural literacy). One of the reasons for the crisis is the series of ruptures in the tradition of literary criticism. In order to overcome this crisis, it is crucial to relate the ruptured threads of narration on literary criticism. The Krakow school of literary criticism serves here as an example of a rupture between the present and the tradition (or heritage). Another problem analysed in the text is that of establishing a tradition and a school of thought. By verifying some of the elements of the discourse on literary criticism (e.g. Masters, ruptures, traces, melancholic position), some possibilities for overcoming the crisis are being considered.

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O'HEAR, ANTHONY. "Criticism and Tradition in Popper, Oakeshott and Hayek." Journal of Applied Philosophy 9, no. 1 (April 1992): 65–75. http://dx.doi.org/10.1111/j.1468-5930.1992.tb00296.x.

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As'ad, Muhammad. "THE MUHAMMADIYAH CRITICISM AGAINST MAWLID TRADITION OVER CENTURIES." JOURNAL OF INDONESIAN ISLAM 13, no. 2 (December 1, 2019): 350. http://dx.doi.org/10.15642/jiis.2019.13.2.350-372.

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Maulana, Luthfi. "PERIODESASI PERKEMBANGAN STUDI HADITS (Dari Tradisi Lisan/Tulisan Hingga berbasis Digital)." ESENSIA: Jurnal Ilmu-Ilmu Ushuluddin 17, no. 1 (April 1, 2016): 111. http://dx.doi.org/10.14421/esensia.v17i1.1282.

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The history of the study of hadith from time to time experiencing a very significant development, beginning the study of hadith from oral to oral evolved into writing changes by others as a form of concern about the loss of traditions of the Prophet Muhammad, the development of tradition reached its peak when entering the period of the Successors exactly rule caliph Umar bin Abdul Aziz, where the tradition at this time officially codified in order to cope with the spread of false traditions pioneered by the heretics. Furthermore, after the tradition codified development be very rapid, with the birth of the canonical books of hadith to appear the terms scholarly tradition oriented as selectors hadith (criticism sanad hadith) and there are also books Sharh hadith as explanatory traditions of the Prophet Muhammad , Until the next period the study of hadith switch does not just dwell on criticism sanad but has entered the criticism of honor. In fact, along with the times that has entered the digital age, tradition began in containers therein to present assessment traditions more easily.

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Dissertations / Theses on the topic "Tradition-criticism"

1

Labberton, Mark. "Ordinary Bible reading : the reformed tradition and reader-oriented criticism." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315010.

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Sychrava, J. "Redescribing the naive : A critique of the 'sentimental' tradition in literary theory and criticism." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376021.

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Goldie, David W. S. "John Middleton Murry and T.S. Eliot : tradition versus the individual in English literary criticism, 1919-1928." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314917.

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SILVA, ANNA PAULA DE O. MATTOS. "PINDORAMA, WHERE SAMBA IS PURER: THE DISCOURSE OF TRADITION IN BRAZILIAN POLITICS, CRITICISM AND MUSIC MARKET." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12730@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
FUNDAÇÃO DE APOIO À PESQUISA DO ESTADO DO RIO DE JANEIRO
Esta tese reúne observações críticas sobre o samba como manifestação musical urbana e de massas, discute a atualidade de um gênero tradicionalmente afirmado como síntese da sonoridade nacional, e analisa a reconfiguração das composições musicais num contexto de globalização dos signos. Tendo em vista tais propósitos, debruçamo-nos sobre discursos que ainda hoje evocam a força simbólica do samba como meio de legitimar projetos políticos e consolidar modelos estéticos. Estas reflexões se corporificaram em três textos interconectados. O primeiro é dedicado ao estudo das políticas culturais de patrimônio imaterial que tomaram o samba como objeto a partir do ano de 2004. O segundo tece considerações sobre a vertente tradicionalista da crítica de música popular por meio da análise das obras de dois de seus principais expoentes, o historiador José Ramos Tinhorão e o pesquisador e compositor Nei Lopes. O último capítulo trata da reivindicação de um trajeto único para o desdobramento do samba por parte dos artistas mais conservadores, e dos desvios promovidos pelos novos modos de criação e circulação musical.
This dissertation gathers critical observations about how samba, as an urban, massive musical manifestation, discusses the current state of a genre that is traditionally presented as the synthesis of national sound, and analyze the reconfiguration of musical compositions in a context of globalized signs. Taking that into consideration, we studied the discourses that still claim the symbolic force of samba as means to legitimate political projects and to consolidate aesthetic standards. These ideas are developed in three essays. The first one is dedicated to the study of cultural policies for the protection of immaterial cultural heritage that took samba as their focus since 2004. The second essay discusses the traditionalist branch of popular music criticism by analyzing the works of two of its main exponents: the historian José Ramos Tinhorão and the researcher and composer Nei Lopes. The last chapter discusses the claim of an exclusive line in the development of samba by more conservative artists, and the deviations promoted by new means of musical creation and circulation.

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Attwell, David. "Indigenous tradition and the colonial legacy : a study in the social context of anglophone African literary criticism." Master's thesis, University of Cape Town, 1985. http://hdl.handle.net/11427/7591.

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Bibliography: leaves 219-229.
This dissertation attempts to examine the social meanings of anglophone African literary criticism as an ideological discourse. It begins by engaging with Marxist critical traditions, with particular reference to two areas of debate: the question of the epistemological relationship between literature and criticism, and the question of criticism's being a discourse which, in its articulation with a given social context, relies on the resources of a particular critical heritage. The basis of the second and central chapter is the interrelationship between the context and heritage of anglophone African criticism. The dominant themes of this discourse are seen as being shaped by ideological affiliations with the modern nation-state, and by the legacy of the empirical and organic traditions of metropolitan criticism. It is argued that in the situation of neo-colonial social stratification, anglophone African criticism faces a crisis of legitimacy. In the third to fifth chapters I attempt to illustrate and refine the central argument in relation to a selection of critical texts. The chapter on two works by Eldred Jones examines his reliance on orthodox British critical assumptions and its consequences in his treatment of the writing of Wole Soyinka. The chapter on West African traditions examines a range of critical operations which are used in the construction of organic traditions based on oral or traditional cultures. These operations rely on mythopoesis, formalism and the sociology of literature. The final chapter on East African political readings investigates the internal, discursive tensions in the work of two critics who, in attempting to politicize their reading of literature, have not been able to achieve a conceptual break from the legacies of idealism.

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Neufeldt, Bradley. "Cultural confusions, oral/literary narrative negotiations in Tracks and Ravensong." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22548.pdf.

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Skripkaitė, Daiva. "Veltinio tradicijos ir sklaidos galimybės Lietuvoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110615_101144-74018.

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Magistro baigiamajame darbe „Veltinio tradicijos ir sklaidos galimybės Lietuvoje“ nagrinėjamas veltinis, jo kilmė, istorinė raida, tradicijos ir paplitimas Lietuvoje, Europoje bei visame pasaulyje. Taip pat aprašomos pagrindinės vėlimo technikos ir dekoravimo būdai. Aptariamos Lietuvoje vykstančios veltinio parodos ir simpoziumai, viešos veltinio vėlimo akcijos ir demonstracijos, veltinio instaliacijos bei performansai, kurių pagrindinis elementas yra veltinys. Veltinio parodų, simpoziumų pagrindinis tikslas- šios tekstilės rūšies tradicijų tąsa, populiarinimas, pasikeitimas kūrybine patirtimi, informacine medžiaga, sukurtų kūrinių eksponavimas įvairiuose Lietuvos ir užsienio miestuose. Darbe nagrinėjamas šiuolaikinis profesionalus ir mėgėjiškas veltinio menas, aptariamos šiuolaikinio veltinio meno pristatymo galimybės visuomenei. Aptariama menininkų, išradingai naudojančių savo darbuose veltinį, kūryba. Kadangi velti gali ne tik profesionalai, bet ir mėgėjai, darbe pristatomi veltinį Lietuvoje praktikuojantys dailininkai profesionalai bei veltinio populiarintojai mėgėjai, tautodailininkai; aptariami jų surengti veltinio darbų pristatymai bei parodos. Parodomos plačios šios technikos taikymo ne tik profesionalų, bet ir mėgėjų kūryboje galimybės. Veltinys šiuo metu tampa itin naudojamas šiuolaikinio meno instaliacijose, performansuose, eksperimentinėje animacijoje, interjero ir eksterjero pano, kuriant unikalias medžiagas drabužių dizainerių kolekcijoms, meno terapijoje... [toliau žr. visą tekstą]
The research object of the Master Thesis “Felt Traditions and Promotion Possibilities in Lithuania” is felt, its origins, historical development, traditions and spread in Lithuania, Europe and all over the world. The thesis reveals the main felting techniques and decoration methods and introduces organised in Lithuania felt exhibitions and symposiums, public felting actions and demonstrations, felt installations and performances in which basic element is felt. The main objective of felt exhibitions and symposiums is follow-up and popularisation of such textile traditions as well as exchange of creative experience, information material and demonstration of the textile items in different places throughout Lithuania and abroad. The thesis deals with modern professional and amateur felt craft, discusses possibilities of modern felt craft introduction to society. The thesis includes the review of creation of artists inventively using felt in their works. Since felting may be done not only by professionals, but also by amateurs, the thesis introduces Lithuanian professional artists using felt in their works as well as felt promoters amateurs and folk artists and organised by them felt works displays and exhibitions. The thesis reveals a wide field for application of such techniques not only by professionals, but also by amateurs. Presently felt becomes very popular in modern art installations, performances, experimental animation, interior and exterior panel, for the... [to full text]

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Watkins, Michael J. F. "'The sad friends of truth' : Paradise Lost's deviations from the Pauline tradition, and the consequences for twentieth-century Milton criticism." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365654.

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Seller, Robbyn. "Tall tales of tradition : Solomon Island Kastom stories in transition." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24105.

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Historical conditions of colonialism, and more recently, the emergence of a post-colonial state and urbanization, have brought about rapid socio-cultural change in the Solomon Islands, characterized by heterogeneity and the influx of new cultural products. Throughout this process, notions of tradition have emerged, iterated largely through the multivocal category of kastom which is fundamentally construed in opposition to notions of Christianity and modernization. This thesis examines how these changes have affected stories, specifically a group of narratives called "kastom stories," told by students in the urban setting, and how these narratives have become a space for tradition to be stated and created. Notions of genre are explored to discover how such an amalgam of stories as that of the kastom stories regarded here could be considered as a group. I examine story structures to understand how elements from diverse sources could become integrated to the stories, and look at transformations which, in distanciating the stories from their original socio-cultural context of production, serve to recontextualize them in their present socio-cultural setting.

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Silva, Rummenigge Santos da. "PlatÃo crÃtico e herdeiro da tradiÃÃo poÃtica." Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=16169.

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nÃo hÃ
Esta dissertaÃÃo tem como objetivo elucidar algumas noÃÃes concernentes Ã crÃtica de PlatÃo a poesia. Para isso, buscou-se trazer a lume as caracterÃsticas tradicionais do discurso poÃtico, expondo-as como ferramentas fundamentais no desenvolvimento da anÃlise. Estas caracterÃsticas nÃs podemos encontrar na relaÃÃo do poeta com o divino, na sua comparaÃÃo com o adivinho e, atÃ mesmo, em um dado momento, na atribuiÃÃo do poeta como um guia. Empreender esse movimento consciente aos aspectos tradicionais, sem prescindir de uma reflexÃo, Ã de grande importÃncia para se resgatar a figura do poeta aos olhos helÃnicos de PlatÃo. Relacionar Ã esfera tradicional Ãquela presente na RepÃblica (de ordem mais prÃtica) Ã a tarefa a ser buscada.
This dissertation has as objective to clarify some notions concerning the criticism of Plato poetry. For this, we sought to bring to light the traditional features of poetic discourse, exposing them as key in the development of his analysis. These features we can find in the poetâs relationship to the divine, in comparison with the diviner, and even at one point in the allocation of the poet as a guide. Undertake this conscious movement to traditional ways, without giving a thought; it is of great importance to redeem this figure to Hellenic eyes of Plato. Relate to the traditional sphere to that present in the Republic (even more practical) is the task to be sought.

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Books on the topic "Tradition-criticism"

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Werner, Sollors, ed. The marrow of tradition: Authoritative text, contexts, criticism. New York: W. W. Norton & Co., 2012.

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Devy, G. N. After amnesia: Tradition and change in Indian literary criticism. Bombay: Orient Longman, 1995.

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Devy, G. N. After amnesia: Tradition and change in Indian literary criticism. Bombay: Orient Longman, 1992.

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Devy, G. N. After amnesia: Tradition and change in Indian literary criticism. London, U.K: Sangam Books, 1992.

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Stein, Robert H. Gospels and tradition: Studies on redaction criticism of the Synoptic Gospels. Grand Rapids, Mich: Baker Book House, 1991.

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Women's voices: Female authors and feminist criticism on the Finnish literary tradition. Helsinki: Finnish Literary Society, 2007.

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Literary criticism in medieval Arabic-Islamic culture: The making of a tradition. Edinburgh: Edinburgh University Press, 1997.

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Conspicuous criticism: Tradition, the individual, and culture in modern American social thought. Scranton [PA]: University of Scranton Press, 2006.

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Horsley, Richard A. Text and tradition in performance and writing. Eugene, Oregon: Cascade Books, 2013.

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Aggarwal, Kusum. Amadou Hampâté Bâ et l'africanisme: De la recherche anthropologique à l'exercice de la fonction auctoriale. Paris, France: L'Harmattan, 1999.

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Book chapters on the topic "Tradition-criticism"

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Lovibond, Sabina. "Between Tradition and Criticism." In Ethics in the Wake of Wittgenstein, 84–102. 1 [edition]. | New York : Taylor & Francis, 2019. | Series: Routledge studies in ethics and moral theory ; 54: Routledge, 2019. http://dx.doi.org/10.4324/9781315181172-5.

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Schwarz, Daniel R. "Privileging Literary Criticism: the Legacy of F. R. Leavis’s The Great Tradition." In The Humanistic Heritage, 60–79. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-10885-5_4.

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Schwarz, Daniel R. "Privileging Literary Criticism: the Legacy of F. R. Leavis’s The Great Tradition." In The Humanistic Heritage, 60–79. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-08068-7_4.

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Nunes, Jorge. "Operative criticism and historical criticism in Manfredo Tafuri." In Tradition and Innovation, 21–24. London: CRC Press, 2021. http://dx.doi.org/10.1201/9780429297786-5.

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Quinn, Judy. "The Principles of Textual Criticism and the Interpretation of Old Norse Texts Derived from Oral Tradition." In Acta Scandinavica, 47–78. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.as-eb.5.109260.

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Rzepa, Joanna. "A ‘Raid on the Absolute’: Dogmatic Tradition and Mystical Experience in T. S. Eliot’s Poetry and Criticism." In Palgrave Studies in Modern European Literature, 267–336. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61530-7_6.

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Day, Gary. "Introduction: Criticism in Crisis." In The British Critical Tradition, 1–7. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22424-1_1.

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Holderness, Graham. "Matthew Arnold: The Discourse of Criticism." In The British Critical Tradition, 29–37. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22424-1_3.

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Moore-Gilbert, B. J. "Oscar Wilde and Reader-Response Criticism." In The British Critical Tradition, 49–66. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22424-1_5.

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Amesbury, Richard. "Agreeing to Disagree: Toward a More Capacious Conception of Tradition." In Morality and Social Criticism, 117–39. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_6.

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Conference papers on the topic "Tradition-criticism"

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Brañanova González, Pablo. "Del Lazarillo a la tercera parte de Guzmán de Alfarache de Félix Machado de Silva y Castro: desarrollo y final del género picaresco." In Simposio internacional El Lazarillo y sus continuadores: Facultad de Ciencias de la Educación, 10 y 11 de octubre de 2019, Universidade da Coruña: [Actas]. Servicio de Publicaciones. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497497657.81.

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Since the anonymous author of Lazarillo laid the foundations of a long tradition and the mischievous Guzmán de Alfarache gave it its greatest moments of splendour, between the 16th and 17th centuries, the genre we know as picaresque, with its conditions and specificities, begins a long process of wear and tear in which, step by step, novel by novel, will accuse more of the lack of elements that had defined it from the germ: The social criticism and the stark realism that characterised the first works were gradually replaced by an increasingly ostensible instructive intention that implacably showed how the new Tridentine morality was also dissolved in our prose. With the very special exception of Estebanillo González - the last great upturn in tone and style not at all in tune with his contemporary works - we could draw a chronological line from 1554 (the year of the first preserved edition of Lazarillo) to 1650 (the year of composition of this third part) to mark the birth and death of all our picaresque prose. It is the continuation of Machado de Silva, the latest model of a tradition that, conserving only part of its resources and form, manages to separate itself completely from its own picaresque intention in order, on the contrary, to offer Guzmán the path of purge and sanctity that Mateo Alemán and the rules of the genre would have always denied him.

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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.

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Camporeale, Antonio. "Spanish ‘Plastic’ Architecture. A critical reading and design approach." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7594.

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The following critical text proposes a series of notes and reflections on the reinforced concrete architecture, not on the material itself. Since its invention, concrete has combined two potentialities, deriving from the two materials of which it is composed: the ‘elastic’ potential, which has been developed and has reached a consolidated form and tradition, and the ‘plastic’ one. The last one has been little experienced at the beginning and, in the course of recent history of architecture, has found space in architectural criticism in the meaning of "expressive", "brutalist", "sculptural", ending up to influence 'superficially' (related to the surface) of architecture. The 'plastic' architecture, instead, is three-dimensional and unifies the construction and spatial qualification in a single design gesture. This critical approach not only allows reconsidering the history of modern/contemporary architecture starting from the necessary collaboration between space and construction that unifies the final judgment on the works, but allows influencing the project, adhering to a formative process of those geographic-cultural areas that possess those certain characters, the masonry one. The Spanish "plastic" architecture is, in that sense, a clear example: in many buildings this "masonry" character is clearly identified, due to the architectural exploitation of the reinforced concrete plastic potential.

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Evlampiev, Igor. "THE CRITICISM OF THE WESTERN LIBERAL TRADITION IN THE RUSSIAN LIBERALISM OF THE END OF 19TH AND THE BEGINNING OF THE 20TH CENTURIES (BORIS CHICHERIN AND IVAN ILYIN)." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/22/s09.080.

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