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Journal articles on the topic 'Tradition of folk architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Weatherhead, Fran. "Wooden churches and their paintings in the Maramureş region of Romania: a preliminary study." Antiquity 67, no. 255 (1993): 369–77. http://dx.doi.org/10.1017/s0003598x00045439.

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In Europe the tradition of building in wood, which has roots reaching back into antiquity, is now mostly lost. Wooden architecture does, however, survive in parts of Eastern Europe, particularly in Romania. In addition to their architectural interest, the buildings contain a rich legacy of folk-art.

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Degtyarev, Vladislav V. "Gothic Revival and the Possibility of “Gothic Survival”." Observatory of Culture 15, no. 5 (2018): 576–83. http://dx.doi.org/10.25281/2072-3156-2018-15-5-576-583.

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The notion of “Gothic survival” is still prevalent in literature on Gothic revival architecture in England. This concept implies the possibility of the unreflexive survival of Gothic architectural tradition in some distant provincial regions, where architects, searching connections with the past or folk traditions, could find it. This notion, dating back to the literature of the beginning of the 20th century, can be convincingly refuted by analyzing the meanings and purposes of different stages of Gothic revival. The article aims to demonstrate that the use of Gothic architectural forms in the

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Cheng, Yan Yan, and Yang Su. "Dike Folk Houses - Vernacular Ecological Architecture of Southeast Henan." Applied Mechanics and Materials 99-100 (September 2011): 91–95. http://dx.doi.org/10.4028/www.scientific.net/amm.99-100.91.

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Through the discourse about basic concepts, principles and methods of vernacular ecological architecture, construct a basic theoretical framework on architectural design and natural ecological environment. From the combination of theory and practice, clarify the design ideas of local ecological architecture and sustainable development thinking in Chinese traditional culture. To analyze ecological character of dike folk houses in Southeast Henan, reflect on and answer the important significance of sustainable development in the new rural construction.

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Yin, Bowen, and Ting Zhang. "Interpretation of Manchu Traditional Space Decoration in Inn Environment Design—Space Design of Sun Inn." Learning & Education 9, no. 3 (2020): 78. http://dx.doi.org/10.18282/l-e.v9i3.1582.

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In the space design of solar inn, we should grasp the aesthetic fatigue of modern touriststo the common commercial hotel and build a hotel with the theme of national culture. Through on-the-spot investigation of the architectural culture characteristics of the Manchu nationality in Northeast China, the characteristics of the architectural culture of the Manchu nationality in Northeast China are analyzed.The study of folk architecture inherits and develops under the background of the development of the new era, so that the national cultural architecture can be better innovated, especially in th

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Kudryavtsev, Vladimir Gennadyevich. "CULT PLACES OF MARI AS A SYMBOL OF CULTURAL IDENTITY." Yearbook of Finno-Ugric Studies 13, no. 4 (2019): 678–87. http://dx.doi.org/10.35634/2224-9443-2019-13-4-678-687.

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The article is devoted to the study of places of worship in traditional Mari culture, which are in varying degrees of sacredness. They have so far preserved artifacts and symbols that form the cultural identity of the people. The Mari religion in the most complete local traditions preserves the system of pagan cults and rites. The trend towards the revival of pagan religion and the creation of religious organizations and communities is associated with a general upsurge in national identity. This became necessary in the context of national movements as a means of ethnic self-defense and a facto

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Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

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This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of the

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Matic, Milos. "Traditional folk economic buildings on the Tara mountain." Zbornik Matice srpske za drustvene nauke, no. 177 (2021): 125–43. http://dx.doi.org/10.2298/zmsdn2177125m.

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Traditional folk architecture on Tara mountain, generally speaking, belongs to cultural areal of traditional building of dinarska brvnara type, i.e. building made of wood. In direct connection with Zlatibor mountain, where we can find some of the best examples of vernacular architecture, traditional building on Tara mountain does not show any specificity but at the same time does not lag behind comparison with other regions with the same type of building. In this paper we are presenting results of ethnographic field research in traditional folk construction of economic buildings. The field res

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Protopopova, Darya A. "Typological Varieties of Traditional Slavic Folk Dwelling in the Southeastern Regions of the Russian Federation." Materials Science Forum 931 (September 2018): 776–79. http://dx.doi.org/10.4028/www.scientific.net/msf.931.776.

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In the given article he characteristics of architecture of the traditional Slavic national dwelling in the Don region , Eastern Azov region and in steppe Ciscaucasia which include architectural and planning, constructive and urban solutions are considered.

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Romanova, O. V. "NATIONAL FEATURES OF TRADITIONAL RESIDENTIAL ARCHITECTURE IN THE BUDJAK REGION." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 203–10. http://dx.doi.org/10.31650/2519-4208-2020-20-203-210.

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Most of the homes in the Budzhak region are interesting historical and architectural sites and deserve attention. Considering their current state, one can see the manifestation of a number of architectural features: well-established national traditions, authorship of folk craftsmen, the influence of academic art, historical architectural styles (Romanesque, Gothic, Renaissance, Baroque, Classicism, Modernist), as well as the features of serial time. The unifying factor is, on the one hand, the similarity of ideological and creative thoughts and the desire of folk craftsmen to give a compositio

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10

Nečas, Radovan, and Dalibor Všianský. "Ultramarine – Not Just a Pigment of Traditional Folk Architecture Plasters." Procedia Engineering 151 (2016): 114–18. http://dx.doi.org/10.1016/j.proeng.2016.07.400.

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Liang, Yan Min. "Studies on the Organic Utilization of the Traditional Materials in the Construction of the Folk Houses in North Guangxi." Advanced Materials Research 1049-1050 (October 2014): 362–64. http://dx.doi.org/10.4028/www.scientific.net/amr.1049-1050.362.

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Lying in the southwest of China and having a very unique environment and history, north Guangxi is known for its great variety of natural conditions and folk cultures. Addressing the application of the traditional construction material from the ecological prospective, this paper looks into how the traditional construction materials are utilized in the folk houses in the northern part of Guangxi, the reason behind and the impacts upon the architecture. The related finding will provide suggestions on the protection, renovation, as well as the inheritance of the traditional folk architectural her

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Bizio, Krzysztof. "Inspiracje kulturami lokalnymi w awangardowej architekturze początków XXI w." Środowisko Mieszkaniowe, no. 31 (2020): 4–17. http://dx.doi.org/10.4467/25438700sm.20.011.12684.

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Local cultural inspirations in avant-garde architecture in the wake of the twenty-first century This paper attempts to systematise the manner in which avant-garde architecture employed regional motifs during the first two decades of the twenty-first century. Architecture has used local patterns since its beginnings. However, as soon as the models of architectural orders had become widespread in the modern era, folk architecture and inspirations drawn from regional traditions were marginalised. Post-modern architecture questioned the ideas of universal practices, giving prominence to regional a

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Zhang, Quan, Gang Chen, and Xiao Rui Zhang. "Study on the Decorative Art of Huizhou Ancient Folk Houses." Applied Mechanics and Materials 71-78 (July 2011): 531–36. http://dx.doi.org/10.4028/www.scientific.net/amm.71-78.531.

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Architecture is a carrier of culture, as well as a product of one certain historical period. Influenced by the traditional culture over a long period of time, Huizhou folk houses have formed their own decorative design style with unique regional features. The article explores the design ideas on the decorative art of Huizhou ancient folk houses through formation and development of the decorative style, decorative characteristics, adornment subjects and decorative crafts. Based on it, the article excavates modern significance and value of the decorative art of Huizhou ancient folk houses, tryin

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Prybiega, L. "National Museum of Folk Architecture and Life: History of Creation and the Foundations of Shaping the Architectural Exposure." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 50–57. http://dx.doi.org/10.33838/naoma.27.2018.50-57.

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This article briefly covers some pages in the history of creation of the open-air museum in Kyiv, including the input of the memorial protection community and scientists into the museum's growth into a scientific institution, as well as the role of the architectural department (mainly consisting of graduates of Kyiv State Art Institute) in developing the project concept for shaping the museum exhibition. The implemented project suggestion in the form of a system of regional ethnic formations (Mid-Dnieper Ukraine, lands of Poltavshchyna and Slobozhanshchyna, Polissya, Podillya, Carpathian regio

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Romanova, O. V. "FORMATION OF THE FOLK DECOR IN THE TRADITIONAL RESIDENTIAL ARCHITECTURE OF THE SLAVIC AND ROMANIAN PEOPLES." Bulletin of Odessa State Academy of Civil Engineering and Architecture, no. 81 (December 7, 2020): 33–41. http://dx.doi.org/10.31650/2415-377x-2020-81-33-41.

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Abstract. Issues are discussed regarding the means of decorative and artistic expression in folk architecture (ornamental and plastic decor, artistic carving and painting, artistic forging), which are characterized by a certain symbolism that has developed in traditions. The type of the original form (natural, objective, constructive), which is the basis of the ideological and creative concept, is not always obvious, especially in geometrized, complexly stylized contours, that is why it is recognized only as a result of stage-by-stage research. The process of forming a decorative element is re

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Lin, Xue Jun, Gui Wen Li, and Ping Yin. "Reinterpretation of Confucianism and Cultural Renaissance of Chinese Architecture." Advanced Engineering Forum 11 (June 2014): 503–7. http://dx.doi.org/10.4028/www.scientific.net/aef.11.503.

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Problem-The constant culture and its tradition of Chinese architecture has already come to the edge of a kind of exhaustive subversion, based on which the ecological recovery of Chinese architecture should be paid enough attention to as a kind of national strategic perspective. Crux-It is because of putting undue emphases on politics, making rigidly uniforms as national plans habitually and taking economic construction as the center for a too long period of time that alienated the forms, connotation and quality of Chinese buildings. Principle-In order to make for the value realization and the

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Ivanova-Ilyicheva, A., and N. Orekhov. "MANSIONS AND RESIDENTIAL BUILDINGS OF NOVOCHERKASSK 1900–1910." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 5, no. 12 (2021): 56–64. http://dx.doi.org/10.34031/2071-7318-2020-5-12-56-64.

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Mansions and individual residential houses of the early XX century form the basis of the historical center of Novocherkassk. The building of the city harmoniously combines features of traditional Cossack housing and adherence to the capital's architectural fashion, imitation of St. Petersburg. The history of the formation of the city, the social structure of the population, economy and culture determined the features of its architecture. In preparing the article, the methods of field and historical archival research, comparative analysis of works and their details, the method of analogies are

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Bilynska, Sofiia, Andrii Duben, Volodymyr Babyak, and Galyna Gnat. "COMPARISON OF NEOLITHIC HOUSING IN JAPAN AND UKRAINE." Innovative Solution in Modern Science 3, no. 39 (2020): 5. http://dx.doi.org/10.26886/2414-634x.3(39)2020.1.

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The national habitation of Japan and Ukraine during the Neolithic period is studied: comparison of methods of erection of frame structures, influence of lifestyle on the appearance of dwelling in both countries, as well as influence of religion on the arrangement of habitation in Ukraine and Japan, their common and distinctive features. The methods of preserving the architectural monuments in Japan, as well as the forecasts regarding the further state of traditional folk habitation in Ukraine without urgent restoration and renovation.Key words: traditional accommodation, wooden architecture, a

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Boroday, Serhii, Dmytro Boroday, Artem Boroday, and Yana Boroday. "ECOLOGICAL TECHNOLOGIES OF CONSTRUCTION IN MODERN FOLK ARCHITECTURE OF NORTHEA ST UKRAINE." Urban development and spatial planning, no. 77 (May 24, 2021): 43–56. http://dx.doi.org/10.32347/2076-815x.2021.77.43-56.

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The article considers aspects of the search for alternative architectural and construction solutions in the private construction of a peasant's yard. It is proposed to ensure the appropriate level of energy and economic efficiency of buildings through the use of traditional for the folk architecture of North-Eastern Ukraine local environmentally friendly materials and construction techniques. Such techniques allow to achieve stylish national aesthetics and architectural expressiveness at the same time. The article examines the dynamics of changes in temperature parameters of the Sumy reg

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Grcic, Ljiljana. "Etno parks in the function of cultural tourism development in the Macva, Sabacka Posavina and Pocerina." Glasnik Srpskog geografskog drustva 90, no. 3 (2010): 127–52. http://dx.doi.org/10.2298/gsgd1003127g.

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The monuments of folk architecture have its historical, artistic and tourist value. They illustrate the characteristics of local culture and way of life, and therefore should be preserved for the future. The main touristic functions in them can be cognitive, educational, fun, and also vacation and recreation. If we would like to keep the traditional folk architecture, it is necessary to protect vulnerable areas at the source or in the open air museums. This paper presents an overview of the ethno-parks and other facilities in the Macva, Sabac, Sabacka Pocerina and Posavina, which seems preserv

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Všianský, Dalibor. "Plaster Pigments in Traditional Folk Architecture - A Case Study from Moravia (Czech Republic)." Advanced Materials Research 1000 (August 2014): 289–93. http://dx.doi.org/10.4028/www.scientific.net/amr.1000.289.

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The results of analyses of coloured plasters are given in the paper. The samples come from traditional folk earth houses from SE and Central Moravia and were chosen so as all of the most common colours of the Central European folk architecture are present among them: red, yellow, blue, green, and black. The analyses were conducted by the means of light microscopy, which is also a powerful tool for stratigraphical analyses, X-ray diffractometry, Raman spectrometry, end electron microanalysis. Hematite of industrial origin was identified as the red pigment, the yellow one was formed by yellow ea

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22

Zhang, Ning. "The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings." Open House International 41, no. 3 (2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.

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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are

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Zhang, Dong Xu, Da Ping Liu, Xin Ru Wei, and Meng Xiao. "Research of Chinese Buddhist Temples Space Design." Advanced Materials Research 311-313 (August 2011): 1569–72. http://dx.doi.org/10.4028/www.scientific.net/amr.311-313.1569.

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The number of the religious architecture makes up 70 percent of the total of existing traditional buildings in China, in which the largest proportion is the Chinese Buddhist architecture, this paper has been studied in this kind of building. Firstly, the religious background and development history of the Chinese Buddhist architecture is introduced, and this paper puts forward that this architectural form was affected by the ancient folk houses. Compared to Buddhist architecture in other countries, they are majestic in shape and beautiful elaborate in decoration, the whole form and nature land

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Merdassa, Feven. "The analysis of architectural typology of residential buildings in Addis Ababa." Урбанистика, no. 1 (January 2021): 137–48. http://dx.doi.org/10.7256/2310-8673.2021.1.35306.

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The urgent problem of growing housing demand of urban population and solution of environmental crises of the XXI century, testifies the need to apply the local knowledge in creating the economically sustainable and cultural sensitive architecture and urban environment like never before. Search for a stable solution requires not only a clear understanding of the needs of current generation, but also grasping the experience of the past. This problem is particularly relevant in the cities that experience rapid urbanization, although culture and tradition also remain important. The object of this

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Maisuradze, Roman, Tamar Khardziani, and Tea Eradze. "Landscapes, Settlements and Traditional Housing in Samtskhe-Javakheti, Georgia." Quaestiones Geographicae 40, no. 1 (2021): 85–95. http://dx.doi.org/10.2478/quageo-2021-0007.

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Abstract A change in livelihood and folk architecture is an indicator of cultural landscape transformation, which is often the result of changes occurring in the natural and socio-political realms. The diversity of architectural types of buildings as an element of landscape diversity distinguishes our research region. The presented study deals with a long-term change of housing and architectural types of settlements. Our goal was to identify, geolocalise, and classify the vernacular architecture of Samtskhe-Javakheti within the different types of natural landscapes. For this purpose, we used t

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Tang, Xi Ya. "Decorative Arts of Gates Detail Components in Chinese Traditional Architecture." Advanced Materials Research 860-863 (December 2013): 1237–43. http://dx.doi.org/10.4028/www.scientific.net/amr.860-863.1237.

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Gate decoration art is one of Chinese traditional architecture decoration. It not only has own structure form and material form of building passageway against with that of other nations in the world, but so is a cultural background miniature of Chinese nation, and it is a material carrier of folk culture and decorative pattern. Decorative arts of gates detail components in Chinese traditional architecture have contained abundant aesthetic value and cultural connotation, all of this endowed gate decoration art with secret oriental color.

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Hilton, Alison. "From Abramtsevo to Zakopane: Folk Art and National Ideals in Russia and Eastern Europe." Russian History 46, no. 4 (2019): 241–61. http://dx.doi.org/10.1163/18763316-04604002.

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Abstract Folk art revivals were incubators for modernist movements in painting, sculpture, architecture, applied arts, and performing arts. The upsurge of national sentiment in late Imperial Russia and official economic support of handicraft industries (known as kustar’) promoted the marketing of wood crafts and textiles made at Abramtsevo, Talashkino, and other centers in western Russia and Ukraine. Parallel developments drew upon both folk traditions and patriotic ideals in the central and eastern European countries that had suffered territorial encroachments by Russia, Prussia, and the Aust

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Singh, Ravi. "Interpreting Culture, Society and Space: Folk Music Perspective." Space and Culture, India 8, no. 1 (2020): 14–20. http://dx.doi.org/10.20896/saci.v8i1.919.

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Cultural Geography per se is one of the marginal sub-disciplines of Geography in India and contributed mainly by practitioners from other disciplines like Anthropology, Sociology, Cultural Studies, Architecture, etc. Due to this reason, the sub-fields of Cultural Geography did not grow in this land of rich cultural heritage and traditions. One such field is the Geography of Music. The objective of this brief editorial note is to demonstrate the potential of folk music as a source of knowing the changing trends and patterns in society, culture, and economy and their spatiality. The examples cit

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Varga, Tibor, and Pavol Pauliny. "Timber - Traditional Material History or Vision in Architectural Design." Advanced Materials Research 899 (February 2014): 460–65. http://dx.doi.org/10.4028/www.scientific.net/amr.899.460.

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Wood belongs among one of the oldest building materials in Slovakia. Historically, it has been used mainly in traditional folk architecture, however in many forms; as a structural and expressive material, it is an inherent part of representative historical architecture. Considerable decline in the use of wood as structural material started in the 2nd half of the 20th century, when building construction industry turned to more progressive materials such as concrete, steel, aluminium, plastics and glass.

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Bereza, R. P. "Hutsul Christmas as a Phenomenon of Christian Worldview and Folk Morality." Ukrainian Religious Studies, no. 26 (January 14, 2003): 82–89. http://dx.doi.org/10.32420/2003.26.1448.

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Hutsuls, as one of the ethnic groups of the Ukrainian people, are undoubtedly, along with fights and lemmas, among the most striking exponents of the spiritual culture of the Carpathian Ukrainians. The great attractiveness of the Hutsul's geographical space of habitation could not but affect their worldviews, bright mentality and original patterns of traditional culture. Along with unsurpassed specimens of folk architecture, folk art, choreography, the original pearls of the Hutsul's spiritual heritage include their songs.

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Tomaszek, Tomasz. "The Role of the Kolbuszowa Folk Culture Open-Air Museum in Studies of Traditional Wooden Architecture of the Rzeszowiacy Ethnographic Group." Muzeológia a kultúrne dedičstvo 9, no. 3 (2021): 43–63. http://dx.doi.org/10.46284/mkd.2021.9.3.3.

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Province, which is located in the south-eastern corner of Poland. At the beginning of the 1970s, as the result of an initiative drawing attention to the need for documentation of the rapidly disappearing traditional Rzeszowiacy vernacular wooden architecture (and that of the neighboring ethnographic group, the Lasowiacy), the Folk Culture Open-Air Museum in Kolbuszowa was created. This paper presents a short overview of the open-air museum’s establishment and describes in detail its role in the study and protection of the wooden architectural heritage of the Rzeszowiacy ethnographic group, bas

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Veres, Mariia. "THE DEVELOPMENT OF THE ARCHITECTURE OF FOLK SCHOOLS IN POLAND BETWEEN XIX –XX CENTURIES." Urban development and spatial planning, no. 77 (May 24, 2021): 65–72. http://dx.doi.org/10.32347/2076-815x.2021.77.65-72.

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The article analyzes the historical and cultural heritage of Polish rural public school architecture at the turn of the XIX and XX centuries. The evolution of the architecture of educational spaces in Poland, which took place under the influence of a combination of cultural and national traditions and a complex set of socio-political, socio-economic, internal and external factors, was considered. General concepts of styles of school facades, planning features of small schools, performed a spatial analysis of school spaces and identified its planning features. The architecture of Polish p

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Xiang, Ming, and Yan Xu. "Path Analysis of Rural Landscape Protection and Creation under the Guidance of High-Quality Development of Rural Tourism — A case study on Tianfu Red Valley in Chengdu." E3S Web of Conferences 251 (2021): 02002. http://dx.doi.org/10.1051/e3sconf/202125102002.

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In the context of high-quality development of rural tourism, the design of rural landscape is of great significance for inheriting regional culture and protecting local ecology. From the perspective of the planning and design of rural tourism, the authors divide the elements of rural landscape into four aspects: “original” rural environment, “original” rural architecture, “original” production and life, and “original” folk customs. Based on that, the authors then propose to boost the protection and creation of rural landscape from four aspects which are: continuation of the traditions and arch

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Xiao, Huifeng. "An Ethnic and Folk Art Space Course based on TPACK." International Journal of Emerging Technologies in Learning (iJET) 14, no. 03 (2019): 110. http://dx.doi.org/10.3991/ijet.v14i03.10101.

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In the past, the apprenticeship system was used to inherit folk art. However, the traditional and rigid teaching methods in the classroom led to the poor effect of learning ethnic and folk art and even the loss of many folk arts. Nowadays, related technologies such as the Internet, cloud computing, and big data are constantly being updated. Under this background of rapid technological development, it is of strong practical significance to integrate ethnic and folk art with technical means. Based on the Technological Pedagogical Content Knowledge (TPACK) framework, the ethnic and folk art space

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Sushko, Valentyna. "Regional Features of Planning and Decorative Housing Traditions of Slobozhanshchyna." Folk art and ethnology, no. 2 (July 30, 2021): 37–46. http://dx.doi.org/10.15407/nte2021.02.037.

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Folk architecture is one of the markers of ethnic culture. Builders had to take into account the features of natural conditions, with using natural materials of their dwelling area. However, abode is still the embodiment of the ideal of beauty and comfort, so even while moving to another region, people tried to recreate the ideal under new conditions. Since the reputable researchers of Slobozhanshchyna Ukrainians’ ethno-culture Mykola Sumtsov, Stefan Taranushenko and others convincingly proved the Hutsuls’ participation in the settlement of Sloboda Ukraine in the XVIIth century, it seems inter

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Burdo, N. В. "INTERIOR IN THE ARCHITECTURE OF TRYPILLIA-CUCUTENI CULTURAL COMPLEX (problems of studies, interpretations and reconstructions)." Archaeology and Early History of Ukraine 37, no. 4 (2020): 173–81. http://dx.doi.org/10.37445/adiu.2020.04.13.

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The interior of Trypillian houses is not as available object as the interior of the folk architecture to which it actually belongs. The necessary steps to study the interior of Copper Age houses from archeological sites are:  field research and advanced fixation in field documentation of detected interior details / remains; interpretation of discovered archaeological data; reconstruction of identified structural elements — the ultimate goal of the study which can be carried out on the basis of the interpretation of archeological objects using the method of study of buil

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HAMASAKI, Satoshi, Yuuka NAKAMA, and Hideyuki IDA. "STRENGTH CHARACTERISTICS OF OLD TRADITIONAL FOLK HOUSE STRUCTURAL TIMBERS IN HEAVY SNOWFALL AREA." AIJ Journal of Technology and Design 22, no. 50 (2016): 341–44. http://dx.doi.org/10.3130/aijt.22.341.

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Li, Meng Bi, and Zhe Kun Li. "The Full Culture Gates of Chinese Folk Houses - Especially the Gates of Bai Ethnic People in Dali." Applied Mechanics and Materials 357-360 (August 2013): 293–96. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.293.

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Gates of traditional Chinese folk houses are full of culture and record much important information. To study them is very worth and very help for understanding a nationality, history and society development. The Bai folk house gate is a typical one and now remains better in China. This paper pointed out some key information of the gate and is very useful reference for protecting and developing valuable architecture culture.

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Hong Na, Le Thi, and Jin-Ho Park. "Applying Eco-Features of Traditional Vietnamese Houses to Contemporary High-Rise Housing." Open House International 36, no. 4 (2011): 32–45. http://dx.doi.org/10.1108/ohi-04-2011-b0004.

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This paper focuses on the potential applications of eco-features in Vietnamese traditional folk houses to contemporary high-rise housing. One of the main characteristics of traditional folk houses is that they are designed with a deep understanding of and respect for nature. This type of housing also expresses the way of life of its users, having evolved over generations while adapting to their needs, culture, and environment. Whereas the traditional Vietnamese houses can be an important source in the creation of a Vietnamese architectural identity, the design-with-nature approach and its uniq

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Wójcik, Agata. "Projekty wnętrz i mebli zaprezentowane na „wystawie Architektury i wnętrz w otoczeniu ogrodowem” w Krakowie w 1912 roku." Roczniki Humanistyczne 67, no. 4 (2019): 109. http://dx.doi.org/10.18290/rh.2019.67.4-4.

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The aim of this study is to analyze the architecture of residential interiors and furniture making presented at the exhibition in 1912, to indicate the sources of inspiration for designers and to place them in the context of foreign furniture making. The sources of information were the exhibition catalog, press articles, and the archival materials stored in the National Archives in Krakow that had not been used so far, as well as photographs from the collections of the Print Room of the Academy of Fine Arts in Krakow and the Museum of the Jagiellonian University.The interiors and furniture pre

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Gao, Ximei, and Yuhua Wang. "Optimized integration of traditional folk culture based on DSOM-FCM." Personal and Ubiquitous Computing 24, no. 2 (2019): 273–86. http://dx.doi.org/10.1007/s00779-019-01336-8.

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Sulima, Magdalena. "Houses of the Polish-Belarusian borderland as areas of value." Budownictwo i Architektura 18, no. 4 (2020): 103–16. http://dx.doi.org/10.35784/bud-arch.1423.

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Nowadays, as a result of globalization processes, the sense of identity and relationship between humans and their place of living is increasingly losing its importance. Today’s thinking about the house as a centre of the world is becoming less obvious in comparison to the symbolism of a house in the folk culture. Wooden houses on the Polish and Belarus border are an example of a temporal continuum – both in the spatial and in the spiritual aspect. Because of their architecture, decoration on facades and spatial layout, they are a distinctive feature of the local landscape, and ethnic communiti

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YOU, Hwasun, Kunihiro ANDO, Sadashi HAMA, and Hisadaka KOBAYASHI. "A STUDY ON CONSTRUCTION AND MAINTENANCE OF STRAW-THATCHED ROOF IN KOREA TRADITIONAL FOLK VILLAGE." AIJ Journal of Technology and Design 13, no. 26 (2007): 839–43. http://dx.doi.org/10.3130/aijt.13.839.

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Samol’kina, Elena Grigor’evna. "Wood in the modern architectureof small forms." Vestnik MGSU, no. 5 (May 2015): 7–18. http://dx.doi.org/10.22227/1997-0935.2015.5.7-18.

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The modern world dictates severe conditions, involving people in a continuous process of changes in the environment. Active building and construction work, urban densification are rapidly transforming environment, creating a new architectural space with intense impact on people. In this regard, there is much tension around the issue of provision of urban amenities, forming comfortable environment for a full human life. The comfort of the urban environment is determined by a set of visual perception of the constituent elements of this environment: architecture, design, landscape and their harmo

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Emel'yаnov, E. Y., and E. V. Sitnikova. "MODERNISM IN TOMSK WOODEN ARCHITECTURE IN THE EARLY 20th CENTURY." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 114–25. http://dx.doi.org/10.31675/1607-1859-2019-21-1-114-125.

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The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Sibe

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Kutsevych, Vadym. "THE VERSATILITY OF CREATIVITY V. G. ZABOLOTNY (TO THE 120TH ANNIVERSARY OF THE BIRTH)." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 23–32. http://dx.doi.org/10.33838/naoma.28.2019.23-32.

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The architecture of Ukraine of the 20s — the beginning of the 30s of the XXth century was characterized by the search for the national originality of forms based on the understanding of the merits of Ukrainian baroque and folk architecture, a further workshop of the interpretation of the classicism techniques and the receipt of the marked revolutionary romance of architecture.In the 1930s, the stylistic orientation of the architecture of the former USSR and its component part of Ukraine was replaced by directive decrees and the Decree of the Central Committee of the CPSU (b) “On the restructur

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Polyakov, E. N., and T. V. Donchuk. "ARCHITECTURAL HERITAGE OF Ch.R. MACKINTOSH." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 6 (January 2, 2019): 9–32. http://dx.doi.org/10.31675/1607-1859-2018-20-6-9-32.

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The article is devoted to the most famous architectural projects of residential, public and religious buildings of Charles Rennie Mackintosh (1868–1928). It is shown that he adhered to the traditions of neo-romanticism, preferred the traditions of Celtic symbolical art, the Scottish folk architecture and the so-called baronial style which make his buildings similar to medieval castles. It is noted that in design solutions and especially organization of internal space of buildings, the architect used the most advanced construction technologies, structures and materials. The article considers si

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Melnyk, Ivan. "The role of Ukrainian folk ornament in the Art Nouveau graphic: theoretical and applied aspects." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 11–18. http://dx.doi.org/10.37131/2524-0943-2019-41-02.

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Background. The article deals with the basic conceptual foundations of the "Ukrainian style" in the art of the late 19th – early 20th centuries, primarily in the field of searching for actual ways of adaptation and creative rethinking of Ukrainian folk ornament motifs. A special role in this process was played by the use of graphics, whose artistic language has evolved rapidly under the influence of contemporary European styles. However, in the graphic works of Ukrainian artists, the appeal to folk ornamentation was one of several ways of self-identification with the national artistic traditio

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Mansoor Ahmed. "Encapsulating the Translatory Attributes in the Formulation and Development of the Selected Modernist Building Constructed in Islamabad, Capital of Pakistan." Creative Space 4, no. 2 (2017): 179–88. http://dx.doi.org/10.15415/cs.2017.42003.

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Right after the construction of Islamabad, National Capital of Pakistan, different foreign architectswere hired by the State to undertake landmark projects in the city. Most notable among them were Doxiadis, Kenzo Tange, Edward Durell Stone. The preference given to these foreign architects over the local architect was tied to the inherited ideas of Modernist Supermacy, ‘glorified western cultures’ and their understanding of the traditional architecture specifically the so called, Islamic architecture. It was assumed that the architecture, foreign architects will produce would be technologicall

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Huang, Yao Zhi. "Reflection on Spatial Morphology Evolution of Traditional Jiangnan Water Towns." Applied Mechanics and Materials 174-177 (May 2012): 2329–34. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.2329.

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With reflection on the spatial morphology continuity of water towns nurtured in the environment of Jiangnan (south of the lower reaches of the Yangtze River), the writer analyses, on the basis of analysis of the prototype elements which constitutes the spatial morphology of the water towns, the characteristics and reasons of the spatial morphology evolution of modern towns and finds that it is an operational method to restore the fragmented morphology starting from the archetype elements, thus putting forward the idea of restoring the ecological corridor of water network, integrating folk hous

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