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Relevant bibliographies by topics / Traditional Dress / Dissertations / Theses

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Dissertations / Theses on the topic 'Traditional Dress'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 May 2022

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1

Wallace, E. Patricia Y. "Traditional Maori dress : rediscovering forgotten elements of pre-1820 practice." Thesis, University of Canterbury. Maori, 2002. http://hdl.handle.net/10092/5911.

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This thesis examines evidence of traditional Maori dress from the mid-seventeenth century to 1820. It focuses on ephemeral and perishable elements of dress which previous research appears to have forgotten, overlooked or dismissed: hairstyle, head adornment, the use of bird and animal skins, and a former method of wearing cloaks. Twentieth century perceptions of traditional Maori dress were mainly derived from selected images published soon after the voyages of Captain Cook. Other available graphic evidence was deemed unreliable because of the perceived influence of late eighteenth century ar

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2

Disele, Potlako Lilian Peoesele. "A social and cultural study of traditional dress in contemporary Botswana." Thesis, Manchester Metropolitan University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.593888.

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3

Yang, Chui Chu. "The meanings of qipao as traditional dress Chinese and Taiwanese perspectives /." [Ames, Iowa : Iowa State University], 2007.

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4

Tolley, Rebecca. "Review of Encyclopedia of National Dress : Traditional Clothing Around the World." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/5648.

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5

Taleb, Rabah Yaqub. "Exploring the space of the thawb : the intersection between fashion, traditional dress and Kuwaiti women's identity." Thesis, University of Southampton, 2018. https://eprints.soton.ac.uk/423571/.

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This research examines the identity of Kuwaiti women in the context of dress. Specifically, it investigates the extent to which their lifestyle has been impacted by the recent economic boom stimulated by the oil trade. From a simple life governed by norms and social customs to a sudden influx of wealth and foreign cultural influence, the identity of the typical Kuwaiti woman is being transformed. Nowhere is this transformation more evident than in their dress. Through the lens of fashion, this thesis examines changes in Kuwaiti women’s identity via the traditional thawb over the past 65 years,

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6

Nwokiea, Obinna. "Traditional marriage of the igbo's and it's significance in cultural identity and interaction." Thesis, Вид-во Сум-ДПУ імені А.С. Макаренка, 2016. http://essuir.sumdu.edu.ua/handle/123456789/45196.

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If you are looking for an ideal marriage for the world to emulate, that has value and significance in our today’s culture, then grab a cup of coffee and relax because this article portrays the stages and significance of Traditional Marriage in Igboland located in eastern part of Nigeria.

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7

Kuma-Kpobee, Mercy Afi. "Determination of a sizing system for mass customisation of Ghanaian women's traditional dress : and a conceptual framework for small and medium scale enterprises." Thesis, Manchester Metropolitan University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497775.

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Dress whether traditional or contemporary is a visual symbol that communicates the identity of individuals and groups who share a common background and heritage. This study identified that the usage of traditional dress in the Ghanaian society functions as an important medium for social differentiation in terms of identity construction which is communicated through its symbolic meaning. Traditional dress for women, known as "slit and kaba", previously consists of two pieces of cloth and a semi-fitted blouse which requires no standardised sizing and fit requirements but as this dress has underg

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8

Frööjd, Tobias. "When All Comes down to Clothes : An Interpretation of P.G. Wodehouse's The Inimitable Jeeves." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-21134.

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Abstract My aim for this paper is to analyse the character Jeeves' obsession with perfect clothing in P. G. Wodehouse's The Inimitable Jeeves (1923). My method has been to study the historical context of the British aristocracy at the time of the first publication of the book in 1923, as well as the previous four decades during which the author grew up and decisive changes in the British class society took place. This paper studies sources on the significance of clothing in general, and examines its importance at the time in particular. For my analysis I have borrowed elements from new his

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9

Будик, А. К. "Регіональні особливості традиційного вбрання українців за музейними колекціями та архівними джерелами". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/46640.

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Якщо кожен із нас запитає себе, яким уявляє національний стрій України, то відразу в спогадах виринуть вишиванки, шаровари, віночки з різнобарвними стрічками, червоні чоботи. Але не все так просто. Національний костюм, перш за все, уособлює національну самосвідомість, етнічну само ідентифікацію, постаючи водночас і могутнім засобом історичного формування, історичного утвердження як у індивідуальній, так і в суспільній свідомості. Будь-який костюм складається протягом століть, тому обов’язково втілює в собі історію нації, її духовні цінності. Як частка народної душі, він має велике істор

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10

Jansson, Isabelle. "Dressed like a bride : Being utklädd - performativity and etiquette in the Swedish wedding dress." Thesis, Stockholms universitet, Modevetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194487.

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This thesis investigates the wedding dress in the 21st century in Sweden. Interviews provided the main material for the analysis of the wedding dress and its connotations. Erving Goffman’s theory on performances in everyday life and Efrat Tsëelon’s thoughts on modesty connected to the female body is used as a theoretical framework in this thesis. The wedding dress is also analyzed as an object, and thoughts from material culture are implemented when discussing the cultural connotations of the dress. The wedding dress is only worn during the wedding ceremony, and it evokes thoughts on performan

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11

Ronald, Emma. "Patterns of identity : hand block printed and resist-dyed textiles of rural Rajasthan." Thesis, De Montfort University, 2012. http://hdl.handle.net/2086/8691.

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This thesis sets out to investigate the changing social significance of the hand-block printed and resist-dyed cottons of Rajasthan. Once a vital part of the region’s everyday rural textile and dress traditions, communicating information about its wearers and demonstrating the craftsmanship of its makers, today block printed textiles are produced primarily for export and tourist markets. In the space of just a few decades the growing effects of globalisation have wrought irrevocable change upon this traditional craft. Under the pressures of new market forces, modern hand block printed textiles

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12

WEI, SHEAU FANG, and 魏小芳. "The color research of womwn's traditional dress collected in Taiwan aera." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/92734164411428619307.

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13

Lin, Jhe-Yi, and 林哲伊. "Research on Color Image of Taiwan Indigenous People''s Traditional Ritual Dress." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/9v3674.

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碩士<br>國立臺北科技大學<br>創新設計研究所<br>99<br>This study is aimed to probe into the color image of Taiwan indigenous people’s traditional ritual dress. The research samples include Atayal、Bunun、Paiwan、Amis and Yami’s dress. The research process is to calculate the color area of the samples with the software imagej and analysis the colors firstly, and then integrate the color image into color image dispose instruction; secondly to hold a design workshop with the instruction; to estimate the design result, use the questionnaire finally. The research results are as follows： 1.Color analysis of indigenous pe

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14

SU, XU-JUN, and 蘇旭珺. "Taiwan Hok-lo women''s traditional dress (1860-1945) : change, design and modernization." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/18769748158944237439.

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15

Chun, Su Hsu, and 蘇旭珺. "Taiwan Hok-Lo Women's Traditional Dress (1860-1945): Change, Design and Modernization." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/57560804963241778363.

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16

Nxumalo, Kwenzekile. "Traditional southern African dress and architecture : towards the design of the Durban Institute of Fashion." Thesis, 2008. http://hdl.handle.net/10413/262.

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17

LU, YI-HSIN, and 魯亦欣. "A Comparison between Trade Dress and Non-Traditional Trade Mark—the Cases of Taiwan, U.S.A., and Japan." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/m9g8q2.

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碩士<br>國立臺北科技大學<br>智慧財產權研究所<br>107<br>The theme of the essay is a comparison among the trademark laws and trade dress protections of Taiwan, Japan, and the United States of America (the U.S.A.). With fast growing markets in recent years, the types of “trademark,” being unexpected by the lawmakers of the old days, are becoming more various than the original definition of “trademark” in the trademark law of each country. The member nations, for the purpose of resolving the issue, have legislated to protect non-traditional trademarks by distinguishing the new types of trademarks from “traditional

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18

Truong, Tuyet-Anh, and 張雪瑛. "Application of cultural images - "One-pillar Pagoda" and" Vietnamese girl in four-panel traditional dress" – into Vietnam fashion." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/74127338807907289633.

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碩士<br>樹德科技大學<br>應用設計研究所<br>99<br>The development of human society always associates with the development of fashion. The costume of an ethnic group shows the characteristic features of its culture matching with the specific conditions of its history, geography, and social habits. The historical development of fashion always accompanied with the development and combination between modern fashion and traditional one, in which the images of cultural features are applied to modern costume designs. In Viet Nam, images of cultural features are now used mainly in designs of Ao Dai -the national and t

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19

HUANG, SZU-YIN, and 黃詩尹. "A Study of Taiwan Traditional Hakka Woman's Dress and Self-identity : Taking Jinshui Village in Miaoli Country as Example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/65495v.

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碩士<br>輔仁大學<br>織品服裝學系碩士班<br>106<br>This research aims to discover the change of a hundred years of women’s fashion history of JinShui village in Miaoli County. By ethnographic field work, I collect 14 informants’ oral history and photos. In order to explore the fashion timeline, this research uses photos as analysis material. By combining oral memories, this research illustrates the change of fashion style in this timeline, it also understands that Hakka women’s self-identity. Most of the villagers in JinShui village in Miaoli County are farmers. The economic income is relied on agricultural pr

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20

Hsu, Tzu Han, and 徐子涵. "The Study on the Distinctiveness of Trade Dress in American Law-a Compression with the Practice of Non-traditional Trademarks in Taiwan." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6sxz2z.

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碩士<br>國立交通大學<br>科技法律研究所碩士在職專班<br>105<br>The purpose of this article is to elaborate the distinctiveness of trade dress in American law. While trade dress has the characters of trademark, it concerned particularly with the product presentation(the overall impression of the product). Both trade dress and trademark serve an identification function, as well as a marketing function. But trade dress covers various combinations of concrete and abstract subjects, which a trademark doesn't have. Do all the normal trademark rules apply to trade dress? The U.S. Supreme Court gave their opinions first in

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21

Yang, Shun-Yun, and 楊舜云. "From tradition to innovation: The transition and reconstruction of Taiwan's Hakka dress culture in contemporary society." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/55516954149675916667.

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碩士<br>輔仁大學<br>織品服裝學系<br>96<br>This study is about tradition-innovation and culture reconstruction. Based on the grounded theory, this study reexamined the development of Hakka dress from tradition to innovation by using documents analysis, participant observation and in-depth interview. The purposes were to explore the characteristics of Hakka dress culture, and to find out the strategies to transform and reconstruct it in the contemporary society. This study began from the social psychological perspective of clothing that how humans in various contexts use appearance management to shape self-

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22

Aziz, Rookhsana. "Hijab – the Islamic dress code: its historical development, evidence from sacred sources and views of selected Muslim scholars." Diss., 2011. http://hdl.handle.net/10500/4888.

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The issue of a Muslim woman‟s dress code has been debated for centuries. This is of great importance as it is widely used as a criterion to measure the extent of a woman‟s piety or devotion to Allah. A study of the religious texts on the issue is essential. Therefore, Qur‟anic text, Prophetic Traditions and Qur‟anic exegesis of both classical and modern scholars would have been used in determining the correct dress code for Muslim women. While all research indicates that women dress conservatively, in order not to attract the attention of the opposite sex. The extent to which a woman must be

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