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1

Thornbury, Barbara E. The folk performing arts: Traditional culture in contemporary Japan. Albany: State University of New York Press, 1997.

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2

Ojamaa, Triinu. Individual and collective in traditional culture =: Individuaalne ja kollektiivne traditsionaalses kultuuris. Tartu: Eesti Kirjandusmuuseumi etnomusikoloogia osakond, 2006.

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3

Ojamaa, Triinu. Individual and collective in traditional culture =: Individuaalne ja kollektiivne traditsionaalses kultuuris. Tartu: Eesti Kirjandusmuuseumi etnomusikoloogia osakond, 2006.

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4

Vijaya, N. The role of traditional folk media in rural areas: A sociological analysis. Delhi: Gian Pub. House, 1988.

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5

Come to laugh: African traditional theatre in Ghana. New York: L. Barber Press, 1985.

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6

Greenhill, Pauline. True poetry: Traditional and popular verse in Ontario. Montreal, Ont: McGill-Queen's University Press, 1989.

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7

Greenhill, Pauline. True poetry: Traditional and popular verse in Ontario. Montreal: McGill-Queen's University Press, 1989.

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8

Beijing, China) International Symposium on the Protection and Legislation of Folk/Traditional Culture (2001. Safeguarding our spiritual home by joint endeavours: International Symposium on the Protection and Legislation of Folk/Traditional Culture. [Beijing? China]: [Ministry of Culture, P.R. China?], 2001.

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9

Chŏng Sŭng-hŭi wa hamkke paeunŭn Hanʾguk muyong (chŏntʻong muyong): Uri munhwa paeugi sirijŭ = Taking Korean traditional dance lessons with Chung, Seung-Hee : series of Korean culture lesson. Sŏul: Chaeoe Tongpʻo Chaedan, 2001.

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10

A treasury of Mexican folkways: The customs, myths, folklore, traditions, beliefs, fiestas, dances, and songs of the Mexican people. New York: Bonanza Books, 1985.

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11

Shīvahʹhā-yi sunnatī va farhang-i ʻāmiyānahʹ-yi kishāvarzī dar Gīlān: Birinj va chāy = Traditional methods and folk culture of agriculture in Guilan : rice and tea. Rasht: Farhang-i Īliyā, 2013.

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12

Mencej, Mirjam. Sem vso noč lutal v krogu: Simbolika krožnega gibanja v evropski tradicijski kulturi = I was wandering in circles the whole night long : the symbolism of circular movement in European traditional culture. Ljubljana: Založba ZRC, ZRC SAZU, 2013.

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13

Shared traditions: Southern history and folk culture. Urbana: University of Illinois Press, 1999.

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14

Bronner, Simon J. Explaining traditions: Folk behavior in modern culture. Lexington, KY: University Press of Kentucky, 2011.

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15

Blanco, Mónica. Artesanías de Chile: Herencia, tradición y cultura = Chilean handicrafts : heritage, tradition, and culture. Santiago de Chile: Fundación Tiempos Nuevos, 1999.

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16

Rakesh, Ram Dayal. Folk culture of Nepal: An analytical study. Jaipur: Nirala Publications, 1990.

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17

Folk religion and mass culture in rural Bengal: Tradition and transformation. Kolkata: Touchstone Publication, 2007.

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18

Falola, Toyin. Oral and written expressions of African cultures. Durham, N.C: Carolina Academic Press, 2009.

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19

", Mezhdunarodnai︠a︡ nauchno-prakticheskai︠a︡ konferent︠s︡ii "Narodnai︠a︡ kulʹtura i. muzei pod otkrytym nebom puti sokhranenii︠a︡ i. vozrozhdenii︠a︡ tradit︠s︡ionnoĭ kulʹtury. Materialy Mezhdunarodnoĭ nauchno-prakticheskoĭ konferent︠s︡ii "Narodnai︠a︡ kulʹtura i muzei pod otkrytym nebom-- puti sokhranenii︠a︡ i vozrozhdenii︠a︡ tradit︠s︡ionnoĭ kulʹtury": 18-19 ii︠u︡ni︠a︡ 1998 g. = The materials of the international scientific-practical conference "Folk culture and open-air museums-- the ways of preserving and restoration of traditional culture" : June 18-19, 1998. Arkhangelʹsk: Arkhangelʹskiĭ gos. muzeĭ derevi︠a︡nnogo zodchestva i narodnogo iskusstva "Malye Korely", 2000.

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20

Spinder, Stephen. Ten years in Transylvania: A through my lens : traditions of Hungarian folk culture. Budapest: Stephen Spinder Fine Art Photography, 2005.

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21

The fiddle in Scottish culture: Aspects of the tradition. Edinburgh: John Donald, 2007.

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22

Shigurova, Tat'yana. The costume of the Mordovian people in customs and rituals. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1070628.

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The book is a historical and cultural study of the problems associated with understanding the iconic nature and functioning of the traditional female costume of Mordva. Attempts to create a holistic picture of the use of folk costumes in the Mordovian social and family customs and rituals. Particular emphasis is placed on its ethno-social functions. The reader has the opportunity to learn about new archival material, and field observations made by the author during expeditions in various regions of Mordovians. Fills some gaps in knowledge on issues of material and spiritual culture of the Mordovian people, presenting factual material for subsequent research in the field of ethnic mentality. Intended for historians, culturologists, art historians, researchers, teachers, postgraduates and students.
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23

Carazo, Carme Oriol i. Introducció a l'etnopoètica: Teoria i formes del folklore en la cultura catalana. Valls: Cossetània Edicions, 2002.

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24

Carazo, Carme Oriol i. Introducció a l'etnopoètica: Teoria i formes del folklore en la cultura catalana. Valls: Cossetània Edicions, 2002.

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25

Geist, Troyd A. From the wellspring: Faith, soil, tradition : folk arts from Ukrainian culture in North Dakota. Bismarck, N.D: North Dakota Council on the Arts, 1997.

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26

A Mexican folk pottery tradition: Cognition and style in material culture in the Valley of Puebla. Carbondale: Southern Illinois University Press, 1994.

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27

Parto, Franciscus Xaverius Suhardjo. Folk traditions as a key to the understanding of music cultures of Java and Bali. [Osaka]: F.X.S. Parato, 1990.

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28

Berlin, Brent. Ethnobiological classification: Principles of categorization of plants and animals in traditional societies. Princeton, N.J: Princeton University Press, 1992.

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29

Vaughan, Theresa. Women, Food, and Diet in the Middle Ages. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989382.

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What can anthropological and folkloristic approaches to food, gender, and medicine tell us about these topics in the Middle Ages beyond the textual evidence itself? Women, Food, and Diet in the Middle Ages: Balancing the Humours uses these approaches to look at the textual traditions of dietary recommendations for women’s health, placed within the context of the larger cultural concerns of gender roles and Church teachings about women. Women are expected to be nurturers, healers, and the primary locus of food provisioning for families, especially women of the lower social classes, typically overlooked in the written record. This work illuminates what we can know about women, food, medicine, and diet in the Middle Ages, and examines how the written medical tradition interacts with folk medicine and other cultural factors in both understanding women’s bodies and their roles as healers and food providers.
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30

African discourse in Islam, oral traditions, and performance. New York: Routledge, 2010.

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31

East African literature: Essays on written and oral traditions. Berlin: Logos, 2011.

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32

International Conference on Oral Tradition (4th 1994 University of Natal). Oral tradition and its transmission: The many forms of message : papers given at the Fourth International Conference on Oral Tradition, University of Natal, Durban, 27-30 June 1994. Durban: The Campbell Collections and Centre for Oral Studies, University of Natal, 1994.

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33

U-il, Chʻoe, ed. Our life, our play: Korean traditional folk culture. Seoul, Korea: Dankook University Press, 1988.

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34

Black, William George. Folk-Medicine: A Chapter In The History Of Culture. Kessinger Publishing, LLC, 2007.

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35

Black, William George. Folk-Medicine: A Chapter In The History Of Culture. Kessinger Publishing, LLC, 2007.

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36

Anthony, Cavender, and History of Medicine Society of Appalachia., eds. A Folk medical lexicon of South Central Appalachia. Johnson City, Tenn: History of Medicine Society of Appalachia, James H. Quillen College of Medicine, East Tennessee State University, 1990.

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37

1924-, Roberts Warren E., Walls Robert E, and Schoemaker George H, eds. The Old traditional way of life: Essays in honor of Warren E. Roberts. Bloomington, Ind: Trickster Press, Indiana University Folklore Institute, 1989.

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38

Wu, Ka-ming. Traditional Revival with Socialist Characteristics. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039881.003.0004.

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This chapter examines the role of northern Shaanxi folk storytelling (Shaanbei shuoshu), a musical drama prevalent in the Yan'an area, in isolated rural communities where villagers actively seek folk storytelling to reflect on new desires and problems. In particular, it considers how both state propaganda and folk cultural tradition continue to intertwine in their contemporary forms and contents, and yet both have been subjected to radical reinterpretations. The chapter explains how northern Shaanxi storytelling remains connected to the Maoist legacy of mass culture, while responding to agrarian change and translocal conditions in rural communities of Yan'an today. It suggests that popular religious revival is not only a rural phenomenon but also rampant in today's urban prosperous Yan'an city. Northern Shaanxi storytelling can be considered a quasi-religious resource with late socialist characteristics, which responds to new social and communal desires in the context of a great rural–urban divide.
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39

Toor, Frances. A Treasury of Mexican Folkways. Crown, 1988.

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40

N, Drunina V., ed. Tradit︠s︡ionnai︠a︡ ėtnicheskai︠a︡ kulʹtura i narodnye znanii︠a︡: Materialy mezhdunarodnoĭ konferent︠s︡ii, Moskva, 21-24 marta 1994 g. = Ethnic traditional culture and folk knowledge : proceedings of the international conference, Moscow 21-24 March 1994. [Moskva]: Institut ėtnologii i antropologii RAN, 1996.

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41

Rakesh, Ram Dayal. Folk Culture of Nepal. Nirala, 2000.

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42

Gunther-Dietz, Sontheimer, and International Conference on Maharashtra: Culture and Society (3rd : 1988 : Heidelberg, Germany), eds. Folk culture, folk religion, and oral traditions as a component in Maharashtrian culture. New Delhi: Manohar Publishers & Distributors, 1995.

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43

Wu, Ka-ming. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039881.003.0007.

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This book has explored how the meanings of folk cultural revivals in contemporary Yan'an are woven together by multiple actors and various political, economic, and social forces and initiatives. It has used the term “hyper-folk” to refer to the production and consumption of folk revival discourses and cultural practices in post-2000 Yan'an in order to highlight the distance between what is celebrated today as “Chinese folk tradition” and what was understood as exclusively peasant culture in the past. It has demonstrated how the cultural logic of late socialism converges political, social, economic, and communal forces and relations and, at the same time, makes their meanings and practices flexible and malleable to fit in various purposes and occasions. Finally, it has used “Yan'an and folk culture” to connote a historical model of the Chinese Communist Party appropriating folk traditions to promote rural reform and national state campaigns.
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44

Bronner, Simon J. Explaining Traditions: Folk Behavior in Modern Culture. University Press of Kentucky, 2015.

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45

Lajos, Vargyas, Istvánovits Márton, and Szemerkényi Ágnes, eds. Magyar népköltészet. Budapest: Akadémiai Kiadó, 1988.

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46

Nepszokas, nephit, nepi vallasossag (Magyar neprajz). Akademiai Kiado, 1990.

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47

Magyar neprajz. Akademiai Kiado, 1988.

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48

Attila, Paládi-Kovács, and Magyar Tudományos Akadémia, eds. Magyar néprajz: Nyolc kötetben. Budapest: Akadémiai Kiadó, 1988.

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49

Ottó, Domonkos, Nagybákay Péter, and Tomisa Ilona, eds. Kézművesség. Budapest: Akadémiai Kiadó, 1991.

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50

Kezmuvesseg (Magyar neprajz). Akademiai Kiado, 1991.

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