Journal articles: 'Traditional folk culture'

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UĞURLU, Serdar. "Traditional Folk Medicine in the Turkish Folk Culture." Journal of Turkish Studies Volume 6 Issue 4, no. 6 (2011): 317–27. http://dx.doi.org/10.7827/turkishstudies.2631.

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Hu, Liu. "Traditional folk culture of Shandong Province." Slavic World: Commonality and Diversity, no. 2020 (2020): 185–87. http://dx.doi.org/10.31168/2619-0869.2020.2.06.

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Wang, Xiao Jing. "Interpreting Chinese Traditional Folk Houses from the Angle of Chinese Traditional Culture." Applied Mechanics and Materials 357-360 (August 2013): 108–11. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.108.

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Chinese culture has a long history and origins long, traditional folk houses has deep cultural connotation in the long course of historical development. In this paper, it analyzes the main cultural features of Chinese traditional folk houses from the angle of Chinese traditional culture. You can get a macroscopic and deep understanding of Chinese traditional folk houses through the interpretation.

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Yoshida, Teigo, and Barbara E. Thornbury. "Folk Performing Arts: Traditional Culture in Contemporary Japan." Journal of the Royal Anthropological Institute 4, no. 3 (September 1998): 608. http://dx.doi.org/10.2307/3034219.

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Zhou, Ting. "Chinese Folk Photographic Creations of Western Photographers." Asian Social Science 13, no. 7 (June 23, 2017): 190. http://dx.doi.org/10.5539/ass.v13n7p190.

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Folk cultures contribute to the important composition of the traditional culture in China, a multiracial ancient civilization enjoying a profound history. Folk photography opens a window for the world to enable people in other countries to understand China as well as its traditional culture. Western photographers have created a large amount of folk photographs during over a century of corresponding development. These works mean not only great significances to the documentation and heritage of Chinese folk cultures but also enormous contributions to the communication of Chinese folk cultures towards the global community. The paper reviewed the Chinese folk photographic creations of western photographers from mid-19th century to early 21st century, and discussed the connotations and meanings of these works.

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Sorokina, Liuchiia Igorevna, and Natal'ya Andreevna Pryamkova. "Folk art traditions in modern culture." Культура и искусство, no. 3 (March 2021): 23–36. http://dx.doi.org/10.7256/2454-0625.2021.3.33006.

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The subject of this research is traditional folk decorative and applied art in the context of modern society. The authors reviews the factors that affected the formation of this art form, the role of collective creative experience, the canon for preserving archaic images, symbols and manufacturing technique. The article reveals the conditions of familiarizing youth with the folk tradition, indicating the importance of continuity of generations. Since each artwork is the synthesis of tradition and creativity, attention is drawn to the possibility of interpreting traditional experience in the products of craftsmen. By referring to the facts from the history of the Romanov’s pottery and toy craft, the author provides examples of the emergence of new plotlines in the conditions of changing sociocultural situation, and analyzes their correspondence with the tradition. The application of dialectical method demonstrates fusions of the tradition and novelties in folk art of the past and modernity. The authors’ contribution consists in identification of the causes of the current crisis state of traditional folk decorative and applied art. The article analyzes various measures, including the creation of manufacturing groups in the XX century, which were aimed at its preservation. The experience of the previous generations of professional and folk artisans allows tracing the peculiarities in the development of crafts, such as correlation between the traditional and innovative. The authors examines the necessary conditions for continuity of traditions of folk culture in modern civilization, which requires deliberate actions.

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Han, Peng, Junsheng Yu, and Ziqian Wang. "Analysis and Research on the current situation of Jiaodong traditional marine folk culture in cultural tourism products." E3S Web of Conferences 251 (2021): 03030. http://dx.doi.org/10.1051/e3sconf/202125103030.

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In recent years, the traditional folk culture as the core of the tourism, culture industry and derivative industry has driven the development of regional economies in Jiaodong. How to develop and utilize the traditional folk culture resources in the region, make them into folk culture tourism products and bring economic benefits have become a new research topic in related fields. This paper takes Jiaodong traditional folk culture as a starting point, folk culture tourism products as the research object, from the practical, creative, cultural, historical and service design point of view, analysing Jiaodong traditional folk culture in folk culture and tourism products in the current situation and its defects, and provides ideas for the sustainable development of Jiaodong traditional folk culture in folk culture and tourism products.

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Xiang, Hong Yan. "Shallow Parsing Gaojiabu into Traditional Houses of Folk Culture." Applied Mechanics and Materials 638-640 (September 2014): 2294–97. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2294.

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This article Gaojiabu traditional dwellings were discussed, analyzed residential building construction material selection, construction activities and decorative themes inherent in the traditional folk customs, traditional cultural values, elaborated the building and its associated traditional culture as a whole to the importance of conservation.

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Law, Jane Marie, and Barbara E. Thornbury. "The Folk Performing Arts: Traditional Culture in Contemporary Japan." Monumenta Nipponica 53, no. 4 (1998): 582. http://dx.doi.org/10.2307/2385758.

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Averbuch, Irit, and Barbara E. Thornbury. "The Folk Performing Arts: Traditional Culture in Contemporary Japan." Asian Folklore Studies 58, no. 1 (1999): 252. http://dx.doi.org/10.2307/1178903.

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Havens, Tom, and Barbara E. Thornbury. "The Folk Performing Arts: Traditional Culture in Contemporary Japan." Journal of Japanese Studies 24, no. 1 (1998): 130. http://dx.doi.org/10.2307/132944.

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Zhou, Yue Xi, and Xi Miao Zhang. "On the Digital Design Using the Chinese Traditional Folk-Custom Color Culture Research." Applied Mechanics and Materials 63-64 (June 2011): 607–10. http://dx.doi.org/10.4028/www.scientific.net/amm.63-64.607.

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Based on economic and social development to discuss the application of traditional folk color culture in digital design, its purpose is to increase the national culture value in the digital design. Firstly, using Game theory analyzes the necessity of the application of traditional folk color culture in the digital design. Secondly, using computer graphics and mathematical language carry on the culture innovation of the traditional folk-custom color culture. Finally, explains practical application of the traditional folk-custom color culture in digital design. Through practice, proves the feasible of that the traditional folk color culture is used in the digital design.

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Prosterman, Leslie. "Folk Festivals Revisited." Practicing Anthropology 7, no. 1-2 (January 1, 1985): 15–16. http://dx.doi.org/10.17730/praa.7.1-2.372671065k418u5m.

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Folk festivals should not be confused with the gatherings of folk revival musicians or the traditional indigenous celebrations of shared values. Folklorists and administrators create folk (or folklife) festivals in order to demonstrate and nuture folkways. These events represent attempts to demonstrate traditional culture to the public in formats other than scholarly articles. They generally include traditional music, crafts and food in a performance and/or workshop format, aiming for a down-home spirit between performers and patrons. We describe these festivals variously as created, contrived, induced, constructed, synthetic, or simulated.

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Kozhinova, Alla. "Soul in the Belarusian folk culture." Przegląd Wschodnioeuropejski 10, no. 1 (June 30, 2019): 305–13. http://dx.doi.org/10.31648/pw.4526.

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The article deals with the representation of the soul in mythological consciousness of the Belarusians, which is reflected in the folk culture texts. Research is based on the ethnolinguistic point of view. The ethnographic materials of the 19th – the beginning of the 20th centuries, modern studies of Belarusian folk culture and Belarusian dialect dictionaries are the factual basis of the research. The author proves that all pagan ideas in these texts are determined by the general paradigm of the Belarusian traditional culture, in which Christian and pagan principles coexist without an obvious priority.

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Milošević, Jovana. "Traditional folk dances in the teaching of music culture for younger school age." Norma 26, no. 1 (2021): 39–51. http://dx.doi.org/10.5937/norma2101039m.

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Traditional folk dances within the subject Music Culture find their application within the teaching area of the subject Performing Music. As teaching content of the subject, they contribute to the preservation of folk tradition and the positive attitude of students towards this area of our people's culture. By choosing teaching methods and approaches, traditional folk dances are also an educational tool for younger students. The paper also gives musical examples of traditional folk dances on the way they are performed. The purpose of this paper is to point out the importance and application of traditional folk dances in teaching Music Culture. The aim of the research is to examine different aspects of teachers' opinions on the application of traditional folk dances within Music Culture. The obtained results indicate positive attitudes of teachers when it comes to the application of traditional folk dances, as well as moderately positive when it comes to importance of traditional folk dances application

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Makhracheva, Tatyana V., and Dina N. Loskutova. "V.G. Rudelev and issues of the traditional folk culture study." Neophilology, no. 23 (2020): 632–40. http://dx.doi.org/10.20310/2587-6953-2020-6-23-632-640.

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The scientific concept of Professor V.G. Rudelev, which has influenced the formation of problematics connected with the study of traditional folk culture language in the region, and was further developed in the researches of his students, making up a significant part of the scientific heritage of the Tambov School of Linguistics, is analyzed. The main focus of the researchers is on the development of the ideas of V.G. Rudelev's Candidate's dissertation, devoted to the study and description of the ethnographic vocabulary of the people's dwelling on the Ryazan land (pub-lished in Ryazan in 1995). V.G. Rudelev proposed a complex approach to the description of lexi-cal material, which allows to consider the material not as isolated lexical facts, but as a complex system, in which all words related to the lexical composition of each patois are simultaneously op-posed to each other and interconnected with each other. We establish that V.G. Rudelev’s dissertation had an innovative character and has not lost its methodological significance for modern science and is conceptually important for the study of Tambov dialects. In fact, representing a new stage in the development of philology, the work of V.G. Rudelev became a methodological basis for the collection, description and interpretation of the local tradition and contributed to the successful work of the Tambov scientific school representatives in collaborative programs at the all-Russian level.

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Cho, In-Hee, and Kyung-Hee Jung. "A Study on the Management Strategies of Traditional Folk Culture." Joural of the Korea Entertainment Industry Association 4, no. 1 (March 31, 2010): 1. http://dx.doi.org/10.21184/jkeia.2010.03.4.1.1.

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Moon, Hyoung Jin. "Korean Traditional Folk Culture History and its Classification and Meaning." Journal of international area studies 9, no. 1 (April 30, 2005): 99. http://dx.doi.org/10.18327/jias.2005.04.9.1.99.

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Gao, Ximei, and Yuhua Wang. "Optimized integration of traditional folk culture based on DSOM-FCM." Personal and Ubiquitous Computing 24, no. 2 (November 27, 2019): 273–86. http://dx.doi.org/10.1007/s00779-019-01336-8.

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Galkina, Marina. "Traditions of folk culture and education." E3S Web of Conferences 284 (2021): 08015. http://dx.doi.org/10.1051/e3sconf/202128408015.

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The research on problems on preserving identity of tradition folk art and craft for strategic objective to design modern methods and tools in order to contribute to the creation of an education process. Experience was acquired in conducting relevant large-scale festivals, competitions, science conferences clearly demonstrated the younger generations growing ability in ownership to provide effective Russian Art cultural. Increased attention to realize workshops with Folk art and craft in the Moscow region system of additional education indicated positive dynamic for introducing teachers and children’s through period 2010-2020 years. It is notable for protection cultural historical heritage areas of Moscow region, which directed towards traditional Russian decorative Art especially over the past years.

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Dong, Zheng Lei. "The Culture and Hue in Design of Chinese Traditional Vernacular Dwellings." Applied Mechanics and Materials 409-410 (September 2013): 505–8. http://dx.doi.org/10.4028/www.scientific.net/amm.409-410.505.

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This paper explains the concept of folk culture in design of Chinese traditional vernacular dwellings, puts forward that we should properly deal with, use and develop traditional culture through analysis of the wide and specific application of humanistic culture and folk culture in design of Chinese traditional vernacular dwellings, and requires modern designers to have a certain cognition and understanding of the deep connotation of Chinese traditional culture.

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Nagy-Sándor, Zsuzsa, and Pauwke Berkers. "Culture, Heritage, Art: Navigating Authenticities in Contemporary Hungarian Folk Singing." Cultural Sociology 12, no. 3 (July 13, 2018): 400–417. http://dx.doi.org/10.1177/1749975518780770.

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In Hungary, the decline of traditional peasant culture and its heritage has prompted urban revivals, leading to the acceptance of traditional Hungarian folk singing as a performing arts genre. Drawing from a series of in-depth interviews, this study shows how contemporary Hungarian folk singers navigate (define, learn, police) different forms of authenticity within the field of folk music. While we find that objectified authenticity – heritagized classification systems – is the dominant form of symbolic capital, the broader symbolic economy of authenticity is complicated by competing definitions of folk singing as, variously, culture, heritage, and art. Third-person authenticity is more highly regarded, but it is more difficult for contemporary urban folk singers to achieve because they were not socialized in peasant communities. Therefore, they use objectified authenticity such as ‘original recordings’ as a proxy for learning about living folk culture. Although objectified authenticity constrains the agency of artistic expression, it affords discriminatory creativity (choosing one’s own repertoire) and rationalized creativity (adapting traditional material to external values and contexts).

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Li, Daoyuan. "Resilience Training of Preschool Children Based on Traditional Folk Games." Journal of Contemporary Educational Research 5, no. 8 (August 30, 2021): 136–43. http://dx.doi.org/10.26689/jcer.v5i8.2448.

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Traditional folk games inherit the history, culture and identity of a country and nation, and they have even more important meanings for China, which has a long history and many ethnic groups. However, with the rapid globalization of modern technology and economy, many Chinese traditional folk games are facing the crisis of disappearing. This article discusses how to develop and utilize the new functions of traditional folk games. That is to use them to train the resilience of preschool children, thus to initiate a new understanding of traditional folk games by teachers and parents. The article firstly discusses the importance of cultivating preschool children’s resilience, then analyzes the role of games in cultivating preschool children’s resilience, studies the traditional folk game classification method for preschool children’s resilience, and gives the development orientation traditional folk game teaching strategies and steps for the cultivation of resilience. This research not only inherits Chinese traditional culture in preschool education, but also trains preschool children’s resilience and strengthens their minds. It has important practical significance and reference value for the current training and education of preschool children in China and East Asia.

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Tinyakova, E. A. "FIST FIGHT IN THE CONTEXT OF RUSSIAN FEDERATION FOLK TRADITIONAL CULTURE." Journal of scientific articles "Health and Education millennium" 19, no. 5 (May 31, 2017): 159–62. http://dx.doi.org/10.26787/nydha-2226-7425-2017-19-5-159-162.

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Lipatova, Antonina P. "FROM FOLK CULTURE TO MATHEMATICS. TRADITIONAL AND INNOVATIVE APPROACHES TO EDUCATION." Volga Region Pedagogical Search 34, no. 4 (2020): 8–13. http://dx.doi.org/10.33065/2307-1052-2020-4-34-8-13.

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The next issue of the scientific journal «Volga Region Pedagogical Search» is devoted to the problem of education. In the era of globalization the following problem, is very acute. There is no coincidence that amendments were made to the Law on Education in the Russian Federation. The issue presents the works of researchers from Ulyanovsk, Tambov, Yaroslavl, Lipetsk, St. Petersburg, Yekaterinburg, Orel, Kursk, Saranskk (Republic of Mordovia), Kazan (Republic of Tatarstan). The wide geography indicates the relevance of the stated topic. The authors presented their views on the problem of education.The integrated approach allows you to look at the problem of education in a special way.

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Layne, Glenda-Rose. "Honouring Caribbean Folk Cultures: A Personal Reflection." Cultural and Pedagogical Inquiry 11, no. 3 (January 6, 2020): 92–104. http://dx.doi.org/10.18733/cpi29506.

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Drawing on my considerable knowledge of the field, this essay examines key components of the intangible cultural heritage of several Caribbean countries. It maps pictures of cultural similarities which can be traced to their roots in traditional sub-Saharan, African cultures. The article demonstrates that oral African cultural traditions derived from a rich cultural heritage are shared by the former Anglo and Francophone, Caribbean colonies. The article suggests that the cultural similarities in the folk culture, help Caribbean people to identify with each other as members of the larger African diaspora. Furthermore, the article also explores possible roles of synergy theatre, digitization and animation as mechanisms to maintain and retain the folk culture, once disseminated exclusively by our oral cultural traditions.

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САДОВЕНКО, Світлана. "Axiosphere of folk art culture as a factor of Ukrainians’ ethnocultural identity-saving." EUROPEAN HUMANITIES STUDIES: State and Society 1, no. I (March 23, 2019): 194–208. http://dx.doi.org/10.38014/ehs-ss.2019.1-i.15.

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The article analyzes the issue of understanding the influence of axiosphere on saving ethnocultural identity. Traditional identity is considered as an integrity of a human formation general social determinism to become an individual, and self-consciousness and all the roles of a human in the society – as a product of social development. Ukrainian traditional folk culture with continuous dialectical processes taking place in a society is shown to be modern as long as it perfectly reproduces significant changes in a modern life, history, life of the people, conveys people’s aspirations and attitudes to reality, identifies Ukrainians and their culture among other cultures.

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Pangereev, A. Sh, and M. R. Baltymova. "Children's folklore as a special kind of traditional culture." Bulletin of the Karaganda University. Philology series 99, no. 3 (September 30, 2020): 91–95. http://dx.doi.org/10.31489/2020ph3/91-95.

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The article deals with the formation of folklore, its influence on the development of traditional culture, song art of the Kazakh people and their features, the role of the Kazakh people in preserving spiritual wealth and values. A review of scientific research on oral literature, analyzed the collection of folk motifs, their distribution among the people, and mythical stories in ancient Turkic monuments. Based on the research, the ways of forming the spiritual values of the Kazakh people through national literature and culture, the importance of folk heritage as a means of preserving traditional culture are identified. The special role of children's folklore in the education of the younger generation and the formation of spiritual values is shown. It is revealed that the folklore genre forms the traditional culture and closely develops together with the people for many centuries.

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Altayev, Zhakypbek, and Zhuldyz Imanbayeva. "The values of traditional Kazakh culture." Central Asian Journal of Art Studies 6, no. 2 (June 29, 2021): 10–24. http://dx.doi.org/10.47940/cajas.v6i2.373.

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Eastern (including Kazakh-Turkic) philosophy differs from classical Western philosophy in that it does not make a major distinction between the universals of culture and philosophy. For Kazakh traditional society, philosophizing is characteristic of a non-abstract, extremely generalized, figuratively complete form of reflection. For the most part, philosophical categories and concepts are reflected and enshrined in artistic and religious texts. Therefore, the study of Kazakh philosophers should be conducted in a broader socio-cultural context. A holistic conceptual understanding of the worldview universals of a nomadic civilization is one of the most urgent tasks of modern Kazakh philosophy. To accomplish this task, we have at our disposal a huge amount of material from the monuments of the Orkhon-Yenisei runic writings, to priceless samples of oral folk art in the form of folk legends, heroic epics, proverbs, and sayings, the poetical and musical heritage of the zhyrau-akyns, etc. Traditional Kazakh culture is the quintessence and reflection of a special nomadic type of economy. Nomadic civilization is an example of a favorable coexistence between nature and man. An eco-friendly lifestyle was a reflection of the internal attitude towards maintaining harmony between man and nature. At the same time, the Kazakhs managed to create a special socionormative culture based on deep spiritual traditions that widely regulated social relations. The genus origin was the fundamental principle of the individual's self-identification and linked him by inseparable blood ties with the community and the territory of residence as a continuation of his social and natural existence. A nomadic collective was a hierarchically designed social organism, where human life was strictly regulated. Every action in everyday life had not only practical, but also spiritual meaning, value. Sacralization of actions took place through the ritual. Almost every single thing in everyday life was endowed with symbolic meaning. Having mastered the methods, principles and categorical apparatus of Western philosophy, modern Kazakh philosophy has become capable of deeply analyzing and actualizing the past examples of the spiritual culture of the Kazakh people. At the same time, it opens itself up to other cultures and thus new opportunities for intercivilizational dialogue appear.

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Tun, Dan'Dan'. "Chinese folk tales: the analysis of cultural code in folklore." Культура и искусство, no. 7 (July 2020): 38–46. http://dx.doi.org/10.7256/2454-0625.2020.7.33500.

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In recent years, due to expansion of cooperation between Russia and China in various spheres, and heightened interest to Chinese culture and cultural exchange, the folk tales and their in-depth review more and more relevance. This article examines and analyzes the Chinese folk tales, ethnocultural representations on the world, values, relationships, and assessment of surrounding environment contained thereof. The understanding of traditional concepts and images allows to better understand mentality of the nation, their priorities and ideologies. The parallel is drawn with the Russian tales and stereotypes. The author determines the universal ethical messages typical for the people of any culture, as well as specific features characteristic to Chinese people. The differences and similarities in perception of various images, actions and conclusions are considered on the examples of Chinese and Russian cultures. A popular idea of “two brothers” in narration of the tales is presented. On the example of several tales, the author analyzes this traditional model and describes its peculiarities, as well as behavioral models that are typical to China. Behavioral analysis can be valuable in in-depth review of Chinese culture, namely folk culture, as well as in strengthening of cross-cultural ties and improving efficiency of studying Chinese language through understanding the national stereotypes and linguistic worldview.

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Badmaev, A. A. "Chthonic Animals in the Traditional Buryat Culture." Archaeology, Ethnology & Anthropology of Eurasia 46, no. 4 (December 23, 2018): 94–99. http://dx.doi.org/10.17746/1563-0102.2018.46.4.094-099.

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This study, based on archival, literary, and field data collected by the author, discusses the role of the snake, the frog, and the mouse in the Buryat mythology, folklore, and ritual. Using the respective lexemes, categories of these animals in the folk ethnozoological classification are described and are shown to be overlapping. The meaning of the principal zoonyms––mogoy, khorkhoy, bakha, and khulgana––is assessed. In traditional beliefs, “reptiles”, “amphibians”, and “murines” have a mostly negative connotation. The snake, however, is ambivalent but mostly positive. Chthonic animals in general are ambivalent, like the elements such as water and earth. Their symbolism is related to the ideas of vital energy, fertility, wealth, but also to illness and death.

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Matic, Milos. "Traditional folk economic buildings on the Tara mountain." Zbornik Matice srpske za drustvene nauke, no. 177 (2021): 125–43. http://dx.doi.org/10.2298/zmsdn2177125m.

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Traditional folk architecture on Tara mountain, generally speaking, belongs to cultural areal of traditional building of dinarska brvnara type, i.e. building made of wood. In direct connection with Zlatibor mountain, where we can find some of the best examples of vernacular architecture, traditional building on Tara mountain does not show any specificity but at the same time does not lag behind comparison with other regions with the same type of building. In this paper we are presenting results of ethnographic field research in traditional folk construction of economic buildings. The field research was accomplished during years 2015 and 2016 in villages on Tara. The emphasis is on the economic buildings which are directly derived from structure of economic activities of rural population and we are taking into account both traditional and contemporary economic buildings. In this paper basic forms of organisation of space in households are presented as well. Preliminary analysis of the economic buildings on Tara shows that they clearly follow needs of traditional economy, needs which are determined with the culture of social organization as well as with the structure of economic organization. Construction and architecture of economic buildings also points out that they are on high utilitarian level and that they can represent relations between some economic activities.

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Dong, Wen Ying, and Ru Fang Zhang. "The Impact of the Folk Art on the Formation of Traditional Dwellings in Western Sichuan." Applied Mechanics and Materials 522-524 (February 2014): 1738–41. http://dx.doi.org/10.4028/www.scientific.net/amm.522-524.1738.

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The formation of the traditional dwellings' characteristics in western Sichuan was deeply influenced by the local folk art. To probe historical origins between traditional dwellings and folk art, and accelerate the protection of traditional dwellings, we excavate the profound connotation of folk art in three aspects: Sichuan opera, tea culture and wood carving.

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Zhang, Xue Dong, and Mei Song Chen. "The Reconstruction and Innovation of Regional Industry Design." Applied Mechanics and Materials 437 (October 2013): 999–1004. http://dx.doi.org/10.4028/www.scientific.net/amm.437.999.

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Because studies of traditional regional creations neglected the main role and value of human, ignored daily goods for the service of ordinary people and the relevance with the nonmaterial culture resources such as folk literature, folk rituals, folk beliefs, regional design has turned into the imitating, patching and borrowing from traditional forms, styles and prototypes, and ultimately become an over-elaborated decorative display, and gone further and further away from the essence of life. Therefore, reconstruction of both the implicit and explicit knowledge systems of the regional cultural resources becomes necessary for the purpose of finding out the deep value of regional cultural creations. We should explore deep into the relationship system involving people, matter, place, time and meaning through events of culture and life to activate the value and meaning value of traditional regional creations in contemporary life and in accordance with the sense of belonging in cultures.

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Chen, Jing, Fang Wang, and Jia Ping Liu. "The Research of Folk House Development in Lhasa Area." Applied Mechanics and Materials 357-360 (August 2013): 33–38. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.33.

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Lhasa region's special natural environment makes a unique form of regional folk house. Because of the external culture influence, the form of traditional folk house is continuous improvement. The traditional independence Tibetan folk house is reducing in the Lhasa city. In this situation, the author and his research team had surveyed and tested different types folk houses in the Lhasa city and surrounding areas. Through comparing the spatial characteristics among the traditional Tibetan folk house, contemporary Tibetan folk house and contemporary unit resident building, and this paper analysis the problems faced by each folk house in the development process and extracts the successful experiences from them. That can be used to guide future local residential architectural design.

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Rusina, Vlada. "Traditional Ukrainian songs as performed by folk choirs of ‘Sloboda’ Ukraine." Journal of Education Culture and Society 4, no. 1 (January 12, 2020): 236–42. http://dx.doi.org/10.15503/jecs20131.236.242.

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In the context of the worldwide globalization processes the issues pertaining to the quest for national identity acquire a particular signifi cance. This is true in the case of Ukraine as a newly-independent state in the establishment and consolidation phase.In the conditions marked by a general obliteration of folk customs and traditions it is folk amateur choirs/gatherings (hurts) that often become vehicles of folk culture. This study pres-ents rare records of traditional Ukrainian songs, some of them dating back to the 19th century, which the author made in the course of several fi eld trips.

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Plotnikova, Anna A. "Object and verbal codes in folk culture of Bosnian and Serbian Muslims." Centre of Linguocultural Research Balcanica. Proceedings of Round Tables, no. 6 (2018): 134–48. http://dx.doi.org/10.31168/2619-0842.2018.10.

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Object and verbal codes are analyzed from the point of view of communication between Muslim Slavs and the Christian Orthodox in Serbia and Bosnia and Herzegovina. Communicative points of convergence of representatives of two different confessions are being researched on the basis of the data taken from the traditional calendar and folk mythology. Archaic features in the tradition of the Central South Slavic area are common to representatives of the two confessions, as indicated by the mutual vocabulary of traditional folk culture and the corresponding extralinguistic contexts.

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Polyakova, Anna S. "Folk dance: the problem of definition, demarcation and historical transformation." Yaroslavl Pedagogical Bulletin 1, no. 118 (2021): 189–94. http://dx.doi.org/10.20323/1813-145x-2021-1-118-189-194.

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Folk dance is an integral part of modern choreographic culture. At the same time, the definition of its place and role in modern artistic realities is complicated not only by understanding the boundaries of this phenomenon, but also by contradictory approaches to understanding its essence. Folk dance is also understood as folk dance, or vice versa, later layers of dance culture, not associated with ritual actions. Also, some researchers put forward the thesis that folk dance is only an area for – traditional culture, as well as the phenomena of everyday dance culture that are entrenched in the folk tradition. Quite often in modern choreographic culture, folk dance is likened to the concept of «folk stage dance» – a kind of specific model of folk dance culture, created and embodied in the conditions of the stage space. And this, as will be discussed in this article, is not legitimate. All these processes are not accidental. To a certain extent, they demonstrate the difficulties in the formation of the very phenomena related to folk dance: from traditional forms to stage versions of its representation. This article defines the boundaries of the definition of «folk dance», gives its periodization in accordance with the cultural and historical periods, and also highlights the main sources of its formation. Particular attention is paid to identifying the specific features of folk dance, among which the most vividly highlighted: ritual and ceremonial basis, syncretism, synthetism, special mentality, anonymity, heterofunctional character, imitativeness, improvisational character, tradition and rules of performance, the relationship with the musical and song basis, its collective representation. The article outlines a culturological approach to further understanding the phenomenon of «folk dance» in scientific discourse.

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Nhi, Vu Hong. "Folk Toys and Games for Children: Cultural Heritage of Vietnam." International Journal of Social Sciences and Management 4, no. 4 (October 30, 2017): 223–31. http://dx.doi.org/10.3126/ijssm.v4i4.18473.

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Folk toys and games are elements of folklore, created by the people, which contain tangible and intangible cultures of profound value from various communities, regions, or countries. In this article the author analyzes the importance of the role of folk toys for children in educating them about their traditional culture, creative and aesthetic values, and promoting personal skills as well as community cohesion. Folk toys also contribute to the economy of many trade villages, thereby contributing to social and economic development.Int. J. Soc. Sc. Manage. Vol. 4, Issue-4: 223-231

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Marochkina, Natalia V. "Experience of practical development of folk traditional culture in the children’s music school." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 148–53. http://dx.doi.org/10.30725/2619-0303-2021-2-148-153.

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The article presents the practical implementation of the additional educational program «Folk Music» at the St. Petersburg children’s music school № 34. The basic concept of teaching is presented, all the constituent elements of the educational program are examined and the main objective that the teaching staff of the school has been following for 30 years is formulated. It is stated that through the study of historical experience of the people, the quintessence of which is in the artistic forms of folk culture, as well as through the perception and broadcast of works of folklore, students perceive various aspects of socio-psychological processes. They go through socializing and self-identification and form values that determine the behavior of a modern person, a person who is indeed a culture bearer.

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Zhao, Yuan Yuan, Li Ling Chen, Sui Huai Yu, and Jun Xuan Chen. "The Revelation Research of Folk Paper-Cut Creation Concept on Modern Product Design." Advanced Materials Research 933 (May 2014): 629–32. http://dx.doi.org/10.4028/www.scientific.net/amr.933.629.

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Paper cutting, as an ancient and unique Chinese characteristics of the folk traditional culture elements, comes from people's daily life, which reflects people's the most simple pursuit and yearning for a better life , is an embodiment of a traditional concept of creation in life. As the time goes on, the full integration of folk paper-cut with local culture and a variety of unique styles embodies the concept of creation and the origin of cultural spirit is a great help to the modern design. With the exploration of paper-cut culture, this paper researches the modern product design, inspirates from its creation technique and art, in order to inherit the ancient folk culture, at the same time, gives some help to the product design in the new era.

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Pivnitskaya, Olga V. "The Peculiarities of Intonational Approach Realization within the Course of Folk Solfeggio Based on Russian Traditional Culture." Musical Art and Education 7, no. 1 (2019): 120–31. http://dx.doi.org/10.31862/2309-1428-2019-7-1-120-131.

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The given article touches upon reasonability and perspectivity of the development of intonation approach to the mastering of learning material at folk solfeggio lessons. As is known folk-oriented musical education has a long history in Russia. Meanwhile song folklore has always been an integral part of national and world music culture. During the historical revolution two trends in national ethnomusicology have developed. The first one is studied as a consistent logical system while the second one is connected with the detection of unique features of Russian folk music in different regions. The two main trends can be noted in the basic approaches to the mastering of folk singing and they are designated as authentic and scenic. Within the frameworks of the authentic trend there are two independent trends specific for folk singing. The first one implies the mastering of folk singing without in-depth study of one or several regional trends and the second one is aimed at studying of any specific folk-song tradition by students. The conducted analysis gives ground to extract two basic trends that have developed in musical education pedagogy where the first one takes folk-song examples as solfeggio materials and the second one studies folk songs as independent artistic value in folk-song material rendering. Minding the fact that the main goal of folk solfeggio is to develop ethnical hearing and ethnical intonation, learning material should mind different approaches to its mastering. So the learning material aimed at mastering of Russian song material within the scenic trend should include song examples mainly as invariants while for the authentic one there should mainly be the examples with a variative component.

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Yin, Bowen, and Ting Zhang. "Interpretation of Manchu Traditional Space Decoration in Inn Environment Design—Space Design of Sun Inn." Learning & Education 9, no. 3 (December 29, 2020): 78. http://dx.doi.org/10.18282/l-e.v9i3.1582.

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In the space design of solar inn, we should grasp the aesthetic fatigue of modern touriststo the common commercial hotel and build a hotel with the theme of national culture. Through on-the-spot investigation of the architectural culture characteristics of the Manchu nationality in Northeast China, the characteristics of the architectural culture of the Manchu nationality in Northeast China are analyzed.The study of folk architecture inherits and develops under the background of the development of the new era, so that the national cultural architecture can be better innovated, especially in the area similar to the Manchu folk culture in northeast China.

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M, Vijayakumar. "Folk Birth Rituals." International Research Journal of Tamil 3, no. 2 (March 22, 2021): 49–55. http://dx.doi.org/10.34256/irjt2127.

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Folk People have been following plenty of rituals when they were beginning a new step for their life which is expected to be auspicious for them. In the early days, the rituals of birth may have flourished which based on the basic principles of Folk People and their life style. The people are following different rituals to lead their life from birth to death which were variable among people and society. There is no exact certainty for the birth of humanity on the earth. Nonetneless there is a hope that the rituals of birth would have developed when the humanity has flourished on this earth. The Birth’s rituals has exposing the culture. Civilization and lifestyle of Folk people and intermingled with them. Moreover the rituals or birth will help to know that the traditional way of a race. One’s generation and their principles of life. The mother has relationship with the baby when she is pregnant, nevertneless the rituals of birth has revealed the one’s racial sensibilling in the society. Thus Folk people have beeh doing earch thing in a good manner which help them for their future and they believe that the rituals are based on the life which has shaped their culture and civilization. Though the folk people have beeh giving important to birth rituals.

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Fais, Oxana D. "MIRACLES IN THE TRADITIONAL FOLK CULTURE OF SICILY AND SARDINIA. IMAGES AND PRACTICES." Studia Religiosa Rossica: Russian Journal of Religion, no. 3 (2020): 68–91. http://dx.doi.org/10.28995/2658-4158-2020-3-68-91.

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This is an anthropological study of the concepts of miracles and the miraculous, and the practices that have developed around them, in two regions of Italy – Sicily and Sardinia. The article is written primarily on ethnographic material collected by the author in 2017–2020, as well as on published descriptions of the individual and collective knowledge of “experiencing a miracle”. The article analyzes the “disposition” of the inhabitants of the regions under study to the occurrence of a miracle, the range of manifestations and “range” of miracles, harbingers of the phenomenon of a miracle, the polymorphism wonders, their symbolism and functionality, the place and role of Christian part of the miracle, the psycho-emotional aspect of meeting it, the nature of “miracle”, its source and various other factors.

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Song, Zhaozhen, and Jing Lu. "Innovative Research on the Protection and Inheritance of Folk Cultural Heritage under the Background of Poverty Alleviation." Lifelong Education 9, no. 6 (September 28, 2020): 39. http://dx.doi.org/10.18282/le.v9i6.1291.

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Chinese traditional culture is the root and soul of the Chinese nation, the soft power of the national culture, and the source to strengthen cultural confidence. As an important part of traditional Chinese culture, folk culture is the basis for telling Chinese stories well. Folk cultural heritage is the golden name card of national culture going to the world, and protecting and inheriting it is an important mission given by the new era. The important discussion on cultural heritage protection is not only a scientific inquiry into the practice of cultural heritage protection, but also points out the direction for cultural tourism to help poverty alleviation work.

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Nash, Harriet, and Dionisius A. Agius. "Folk astronomy in Omani agriculture." Proceedings of the International Astronomical Union 5, S260 (January 2009): 166–71. http://dx.doi.org/10.1017/s1743921311002249.

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AbstractThe Sultanate of Oman is possibly unique in using stars to time the allocation of water in the traditional irrigation systems called aflāj (s. falaj), which are still an important part of Omani culture and sense of national identity. This is a rapidly disappearing oral tradition that has hardly been known about outside Oman prior to this study. The need for timing water shares is explained and the methods of stargazing described. The identities of the stars, their Omani names and the relationship with modern star names are discussed.

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Min, Zhang. "The Integration and Innovation of Shandong Folktales in Animation Teaching in Higher Education." E3S Web of Conferences 275 (2021): 03063. http://dx.doi.org/10.1051/e3sconf/202127503063.

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The folktales derived from folk arts are of abundant regional culture, local customs, national emotions, national spirit and the like, representing themselves as one of the important forms expressing traditional cultural resources, as well as an valuable portion in the protection and inheritance of traditional culture in China. This paper holds that animation teaching and practices in colleges and universities should make full use of local folk culture resources, take the folktales in regions where the colleges and universities are located as the basis, and furnish design sources and materials for animation teaching and practices through the integration and innovation of folk culture, so as to reflect regional characteristics, connotations and values while satisfying the requirements of modern aesthetics, enrich the content of animation creation, and play a role in the inheritance and promotion of regional folk culture. Promote the collaborative innovation research of Application-oriented University and local economic and social development.

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Anbarasu, M., A. Gurusamy, and D. Udhaya Nandhini. "The Precaution Science of Traditional Folk Worship to Pandemic Disease." Shanlax International Journal of Arts, Science and Humanities 8, no. 1 (July 2, 2020): 203–6. http://dx.doi.org/10.34293/sijash.v8i1.3176.

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India is primarily in the village culture. The majority of the population lives in a village. There have unique deities for every village. Most of the traditional folk worship directly or indirectly related to human health, especially for precaution measures of pandemic disease. During the ritual ceremonies, use lots of medicinal plants like Karakam, Kappu, and Thoranamto prevent the disease. Many village ritual protocols have represented the self-discipline, self-cleaning, and protect the society, particularly epidemics disease, in the name God worship. Like the corona virus is a pandemic disease to keep in this view also useful to prevent based our cultural knowledge for further generations. The ancients were taught by the rituals of science in an age of illiteracy, so we have to realize the science behind the rituals of tradition, we must move on to the next generation.

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Hong Na, Le Thi, and Jin-Ho Park. "Applying Eco-Features of Traditional Vietnamese Houses to Contemporary High-Rise Housing." Open House International 36, no. 4 (December 1, 2011): 32–45. http://dx.doi.org/10.1108/ohi-04-2011-b0004.

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This paper focuses on the potential applications of eco-features in Vietnamese traditional folk houses to contemporary high-rise housing. One of the main characteristics of traditional folk houses is that they are designed with a deep understanding of and respect for nature. This type of housing also expresses the way of life of its users, having evolved over generations while adapting to their needs, culture, and environment. Whereas the traditional Vietnamese houses can be an important source in the creation of a Vietnamese architectural identity, the design-with-nature approach and its unique characteristics are, however, scarcely found in the contemporary high-rise housing in Vietnam. The objective of this research is to investigate the potential applications of eco-features in Vietnamese traditional folk houses to contemporary high-rise urban housing. Initially, this study examines the unique spatial characteristics of the traditional folk houses typical in northern Vietnam. In particular, four houses at the Duong Lam Village in northern Vietnam are reviewed. Some of the ecological design elements are extracted from the spatial composition of the typical Vietnamese folk houses in relation to the local climate conditions and the Vietnamese lifestyle (vernacular culture). Finally, this paper attempts to develop new housing models in urban Vietnam, employing the ecological elements learned from the preceding assessment.

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Journal articles on the topic 'Traditional folk culture'

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