Academic literature on the topic 'Traditional Japanese clothing'

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Journal articles on the topic "Traditional Japanese clothing"

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Ros Piñeiro, Iria. "The influence of Japanese kimono on European bustles and their representation in the paintings of the late nineteenth century." Mutual Images Journal, no. 8 (June 20, 2020): 3–20. http://dx.doi.org/10.32926/2020.8.ros.kimon.

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This article investigates the relationship between Europe and Japan at the end of the nineteenth century through the influence of the clothing from both countries. Paintings and portraits from that era are analysed. A typical European clothing piece of that period, the bustle, is proof that little by little the traditional Japanese kimono began to enter the fashion of England and France. In addition, the article also investigates how the Japanese kimono became a luxury item in Europe; however, it was used as a gown-style clothing for the home, losing its original function. At the same time, so
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Shurman, Dr Ali, and Dr Raed Qaqish. "Traditional Clothes Around The World: A Cultural Reflection." IOSR Journal of Humanities and Social Science 29, no. 12 (2024): 01–04. https://doi.org/10.9790/0837-2912020104.

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Traditional clothing serves as a powerful reflection of cultural identity, embodying the history, values, and craftsmanship of communities across the globe. This paper delves into the significance of traditional garments, including the Japanese kimono, Indian sari, and Jordanian thobe, emphasizing their roles in shaping cultural heritage and social identity. It explores how these garments are influenced by environmental conditions, historical events, and societal practices, while also examining the effects of globalization and modern fashion trends on their preservation and transformation. The
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Hastuti, Nur, Dian Annisa Nur Ridha, and Nisia Dwi Nur Agusta. "PENGENALAN PAKAIAN TRADISIONAL JEPANG YUKATA DI SMU NEGERI 4 SEMARANG." Harmoni: Jurnal Pengabdian Kepada Masyarakat 8, no. 1 (2024): 13–16. http://dx.doi.org/10.14710/hm.8.1.14-17.

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ABSTRAKPenelitian ini mengenai pengenalan pakaian tradisional Jepang. Tujuan dari penelitian ini untuk meneliti bagaimana sejarah yukata, bahan yang digunakan dalam yukata dan lain-lain. Penelitian ini menggunakan media ceramah. Metode yang digunakan adalah deskriptif analisis. Sumber data dalam penelitian ini adalah pakaian tradisional Jepang Yukata. Data kemudian dianalisis dan diinterpretasikan, setelah itu data disajikan dalam bentuk uraian kemudian disimpulkan.Kata kunci: budaya tradisional, sejarah yukata, bahan yukata. ABSTRACTThis research is about the introduction of traditional Japan
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Wang, Tong. "On the Traditional Clothing Culture of Korea and Japan under the Influence of China." BCP Social Sciences & Humanities 20 (October 18, 2022): 486–90. http://dx.doi.org/10.54691/bcpssh.v20i.2363.

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As an important tool to protect human skin and hide shame, clothing has always been an indispensable part of life. China has a history and culture of five thousand years. After entering the era of civilization, China had produced its own distinctive clothing, which demonstrated different characteristics in various times. Scholars have long studied the influence of ancient Chinese culture on Japanese and Korean culture. This paper studies the following related contents:Japanese words composed with Chinese characters is one obvious example of this. Ancient Japan and South Korea also borrowed fro
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Zhang, Jiayi. "Analysis of the Japanese printing and dyeing techniques: Yuzen dyeing." BCP Social Sciences & Humanities 19 (August 30, 2022): 142–47. http://dx.doi.org/10.54691/bcpssh.v19i.1596.

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Yuzen dyeing is one of the traditional Japanese printing and dyeing techniques. Its production process is complex and exquisite, colorful, using Yuzen patterns dyed by Yuzen dyeing technique. In Japan, according to the region, it can be divided into Kyouyuzen, Kagayuzen and Tokyoyuzen. The cloth dyed by Yuzen is usually made into clothing, bags and other products. Yuzen patterns bear the creativity and spiritual culture of the Japanese nation. This paper will mainly analyze the background origin and artistic characteristics of Yuzen patterns, hoping to provide help for traditional printing and
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Jocić, Sonja. "Sustainability in fashion: Past creativity as an inspiration for the future." Tekstilna industrija 70, no. 2 (2022): 28–39. http://dx.doi.org/10.5937/tekstind2202028j.

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Even before the emergence of the fashion sustainability movement, some European and Japanese fashion designers were active in inventing new creative principles. Key examples of such designers are: Martin Margiela, Rei Kawakubo, Yohji Yamamoto and Issey Miyake. They have created a completely new, different and personal style in fashion, as a consequence of exceptional aesthetic creativity. With their ingenious creativity and by pushing the boundaries in fashion design and artistic creation, they managed to create a basis for the development of modern sustainable fashion. Among the creative-expe
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Nursari, Faradillah, and Dian Fitrah Hervianti. "Potensi Penerapan Konsep Zero Waste Pada Busana Tradisioanal Studi Kasus: Kimono." JURNAL RUPA 2, no. 1 (2018): 71. http://dx.doi.org/10.25124/rupa.v2i1.754.

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Zero waste is a concept commonly used in the manufacturing industry in order to reduce the pre-consumer waste that occur during production phase. This concept was later adopted in the fashion industry to minimize left-overs or scraps when cutting patterns pieces on fabric. Unknown to most, this concept was actually used by our ancestors to create traditional clothes in the simplest form. Geometric shape is one of the simplest form of clothing adopted in many cultures for their traditional clothes. This shape can be seen in most Asian cultures, one of them is Japan. Kimono, Japanese traditional
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Agustin, Lisa Tri, and Arif Jati Purnomo. "BATIK MOTIFS FOR CHILDREN CASUAL FASHION INSPIRED BY BEDOUIN TRIBE HOUSE." Runtas : Journal Of Arts And Culture 2, no. 2 (2024): 141–55. https://doi.org/10.33153/runtas.v2i2.4893.

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The fashion-artwork entitled Batik Motifs for Children Casual Fashion Inspired by Bedouin Tribe House is as a form of effort to introduce culture and traditions to children. The purpose of creation is to apply the traditional Bedouin house batik motifs for casual clothing for girls aged 10 years old. The methods of creating the fashion pieces are exploration stage, design stage, and creation stage. The process of creating works starts from the exploration stage, which was searching data about traditional Bedouin houses. Making batik motif designs that are embodied in children's casual clothing
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Rufova, Elena Stepanovna. "Thematic and semantic features of phraseological units with the component "clothes" in Japanese and Yakut languages (based on the material of the Japanese-Russian dictionary by S. A. Bykova and the Yakut-Russian dictionary by A. G. Nelunov)." Philology. Theory & Practice 17, no. 11 (2024): 4287–93. http://dx.doi.org/10.30853/phil20240606.

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The purpose of the study is to identify the thematic and semantic characteristics, and national and cultural specifics of Japanese and Yakut linguistic and cultural communication using the example of phraseological units with the component "clothes". Undoubtedly, the names of clothes became widespread in phraseology, reflecting the national and cultural characteristics of the surrounding reality. The scientific novelty of the study lies in the fact that a comparative analysis of phraseological units with the component "clothing" allowed us to identify fragments of the linguistic worldview of t
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Carreira, Junko Matsuzaki, and Naoko Shioda. "TEACHING JAPANESE TEA CEREMONY TO CHINESE UNIVERSITY STUDENTS: DEVELOPING ENGLISH LEARNING MATERIALS." PUPIL: International Journal of Teaching, Education and Learning 8, no. 1 (2024): 100–116. http://dx.doi.org/10.20319/pijtel.2024.81.100116.

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This study is a preliminary study for creating teaching materials for the development of global human resources who can communicate their own (Japanese) culture, such as the tea ceremony, to the world in English. This study aims to clarify what foreigners are interested in, what they find important, and what they would like to know more about the tea ceremony to create teaching materials reflecting foreigners’ interests and concerns. The results indicated that the participating students enjoyed hands-on activities, such as actually preparing and drinking tea and learning how to eat wagashi (tr
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Dissertations / Theses on the topic "Traditional Japanese clothing"

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Teixeira, Laura Félix. "Quimono, o vestuário tradicional japonês: a tradução cultural de um traje histórico de uso contemporâneo." Master's thesis, 2021. http://hdl.handle.net/1822/74051.

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Dissertação de mestrado em Tradução e Comunicação Multilíngue<br>A presente dissertação foi elaborada no âmbito do projeto final do Mestrado em Tradução e Comunicação Multilingue da Universidade do Minho, para o qual se realizou a tradução, para português de um excerto da obra Kimono No Jiten - Dentō Wo Shiri, Imayō Ni Kiru (A enciclopédia do quimono – Conhecer a tradição, vestir ao estilo moderno) por Ōkubo Nobuko, sobre o quimono, o traje tradicional japonês que é vestido em inúmeras ocasiões hoje em dia, e ainda é visto como um objeto de moda. Tendo uma forte conexão histórica e cultural co
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Books on the topic "Traditional Japanese clothing"

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Kennedy, Alan. Japanese costume: History and tradition. Konecky & Konecky, 1990.

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Alan, Kennedy. Japanese costume: History and tradition. Greenwich Editions, 1994.

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Yoshida, Shin-ichiro. Riches from rags: Saki-ori & other recycling traditions in Japanese rural clothing : San Francisco Craft & Folk Art Museum, May 28 to August 6, 1994. The Museum, 1994.

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San Francisco Craft & Folk Art Museum, ed. Riches from rags: Saki-ori & other recycling traditions in Japanese rural clothing : San Francisco Craft & Folk Art Museum, May 28 to August 6, 1994. The Museum, 1994.

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Tokubetsuten, miyabi no iro to ishō: Kuge fukushoku kara miru Nihon bi = Noble and graceful : looking at Japanese traditional custume. Nara Kenritsu Bijutsukan, 2020.

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「和モード日本女性, 華やぎの装い」展: Wa-mode : Japanese female mode : traditional costume and makeup. Santorī Bijutsukan, 2007.

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Japanese costume: History and tradition. A. Biro, 1990.

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Book chapters on the topic "Traditional Japanese clothing"

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Lin, Pei-Yin, and Kenji Tanaka. "Transdisciplinary Engineering in Customer Behavior Analysis: Integrating RFM Modeling and K-Means Clustering for Predictive Insight." In Advances in Transdisciplinary Engineering. IOS Press, 2024. https://doi.org/10.3233/atde240885.

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In recent years, the complexity of customer behavior analysis has significantly increased due to the maturity of multichannel and omnichannel purchasing. This study introduces a novel perspective by directly incorporating business practitioners into the analysis process, challenging traditional engineering approaches. In collaboration with the Japanese clothing company Graniph, we conducted an in-depth analysis of consumer behavior using customer data, transaction history, and product information recorded from 2019 to 2022. Our research aims to provide a comprehensive analysis workflow applica
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Pye, Michael. "The Meaning of Japanese Buddhist Pilgrimage." In Japanese Buddhist Pilgrimage. Equinox Publishing, 2015. http://dx.doi.org/10.1558/equinox.24526.

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This chapter looks at the multiple meanings inherent in the practice of Japanese Buddhist pilgrimage. It also looks at meanings in Buddhist pilgrimage in India and China. The pilgrims’ clothing and equipment, the guidebooks, various objects at the temples themselves, and the devotional booklets used for chanting provide a steady stream of meaningful associations. The guidebooks themselves often offer advice on the correct attitude the pilgrim should adopt. The chapter considers the idea that the Shikoku pilgrimage can be divided into four stages of religious development. It goes on to examine
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Conference papers on the topic "Traditional Japanese clothing"

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Taro, Koyama. "KIMONO (TRADITIONAL JAPANESE DRESS) AS LUXURY CLOTHING." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.05.03.01.

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Журавская, Т. М. "THE MEANING AND SYMBOLISM OF THE JAPANESE HACHIMAKI – A CLOTH HEADBAND." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.11.

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В традиционной японской одежде используется хатимаки — головная повязка из куска ткани, завязывающаяся определенным образом. Ее история восходит к эпохе Хэйан (794–1185). В наше время такие повязки также используют с определенной целью: во время праздничных уличных шествий, спортивных соревнований, при выступлении современных музыкальных групп и т. д. Traditional Japanese clothing includes hachimaki – a headband made of a piece of cloth, tied in a certain way. Its history dates back to the Heian era (794– 1185). Nowadays, such headbands are also used for a specific purpose: during festive stre
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Matsuzaki Carreira, Junko, and Naoko Shioda. "TEA CEREMONY CULTURAL TEACHING PRACTICES FOR CHINESE UNIVERSITY STUDENTS: A PRELIMINARY STUDY FOR THE DEVELOPMENT OF ENGLISH TEACHING MATERIALS ON JAPANESE TEA CEREMONY." In Paris International Conference on Teaching, Education & Learning, 10-11 January 2024. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/ictel.2024.1223.

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This study is a preliminary study for creating teaching materials for the development of global human resources who can communicate their own (Japanese) culture, such as the tea ceremony, to the world in English. This study aims to clarify what foreigners are interested in, what they find important, and what they would like to know more about the tea ceremony to create teaching materials reflecting foreigners’ interests and concerns. The results indicated that the participating students enjoyed hands-on activities, such as actually preparing and drinking tea and learning how to eat wagashi (tr
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