Journal articles: 'Traditional Korean art'

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JAEMANRYU. "Art Appreciation Education Through Korean Traditional Paintings." Journal of Art Education 27 (August 2010): 75–97. http://dx.doi.org/10.35657/jae.2010.27.0.004.

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Choi, JaeGeun. "Cultural Use of Korean Traditional Martial Art." Korean Society of Culture and Convergence 39, no. 6 (December 30, 2017): 729–46. http://dx.doi.org/10.33645/cnc.2017.12.39.6.729.

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Park, Jang-Kyung, and Dong-Il Kim. "Modernization Trends of Infertility Treatment of Traditional Korean Medicine." Evidence-Based Complementary and Alternative Medicine 2017 (2017): 1–9. http://dx.doi.org/10.1155/2017/4835912.

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Despite the development of assisted reproductive technology (ART), it is difficult to increase the implantation rate. In Korea, Traditional Korean Medicine, including herbal medicine, is an important component of infertility treatment. Korean medical doctors who are treating infertility often use herbal medicine to promote implantation. In this article, as one of the research works on modernization of Traditional Korean Medicine, we investigated the experimental studies to clarify the effects of herbal medicines that are traditionally used to promote pregnancy. We searched for experimental studies over the past 10 years of improvement of endometrial receptivity in herbal medicine using six domestic and international sites. We analyzed 11 studies that meet the selection criteria. We found that herbal medicines demonstrably improved endometrial receptivity and increased pregnancy rates.

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Hasoo Koh and Jeongmin Lee. "KOREAN TRADITIONAL FLORAL ART: ITS IDEOLOGY AND ORIGIN." Acta Horticulturae, no. 770 (June 2008): 47–58. http://dx.doi.org/10.17660/actahortic.2008.770.5.

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Mo, Chang Bae, and Jin Myung Jeong. "A Study on the Art of Korean Traditional Archery." Journal of Sport and Leisure Studies 31 (November 30, 2007): 91–100. http://dx.doi.org/10.51979/kssls.2007.11.31.91.

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김하늬 and Jina Kim. "Art Museum Education for Enhancing Cultural Competence and an Educational Program Using Traditional Korean Art." Journal of Research in Art Education 14, no. 3 (October 2013): 97–115. http://dx.doi.org/10.20977/kkosea.2013.14.3.97.

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Kan, Moon Ja. "Development of Fashion Art Design with Jogakbo, a Korean Traditional Wrapping Cloth." International Journal of Costume and Fashion 7, no. 1 (June 30, 2007): 11–21. http://dx.doi.org/10.7233/ijcf.2007.7.1.011.

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권영필. "“The Aesthetic” in Traditional Korean Art and Its Influence on Modern Life." Korea Journal 47, no. 3 (September 2007): 9–34. http://dx.doi.org/10.25024/kj.2007.47.3.9.

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Kim, Yeong-Man, and Myong-Seob Jeong. "A study of the terminology of ‘Taekkeyon’, a traditional Korean martial art." Korean Journal of History for Physical Education, Sport, and Dance 23, no. 2 (June 30, 2018): 43–53. http://dx.doi.org/10.24826/khspesd.23.2.4.

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Kim, Ji-Won, and Ji-Sung Rhyu. "Culture and Art Policies of Korean government for Traditional Dancing Digital Contents." Journal of the Korea Contents Association 12, no. 9 (September 28, 2012): 156–71. http://dx.doi.org/10.5392/jkca.2012.12.09.156.

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Ognieva, T. K. "FEATURES OF THE DEVELOPMENT OF CONTEMPORARY CHINESE, KOREAN AND JAPANESE ART AND CINEMA." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 69–83. http://dx.doi.org/10.17721/ucs.2020.1(6).15.

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The article analyzes the conditions and factors that influenced the formation of contemporary art and cinema in China, South Korea and Japan. We can determine the peculiarities of the development of Chinese contemporary art, such as the desire of the first artists, after the Cultural Revolution, to reflect its flux and effects as much as possible. Further, artistic tendencies become diverse: the commercial component and a certain element of the state of affairs are viewed in the works of art by Chinese authors, but the desire for self-expression in different ways testify to the progressive phenomena characteristic of art. Modern Korean art proves that the scientific and technological revolution and the dominant avant-garde component of mass culture in general cannot supplant the ultimate traditional artistic creativity. One of the characteristic features of contemporary Korean art is a demonstration of belonging to the culture of the country. First of all, this is the influence of the traditions of Confucianism, Buddhism, along with the painful memories of war and long-term colonization by Japan. One can note the simplicity, orderliness, harmony of colors and shapes as an inalienable feature of Korean contemporary art, but modern tendencies show the striving for the discovery of individuality of the artist, which manifests itself in non-standard artistic forms. Japanese visual art combines the works of autochthonous traditions and European artistic principles. Considerable attention is paid to the issue of the relationship between nature and man, reflected in the work of adherents of the synthesis of Japanese traditions and Western variety of forms. Particular attention is paid to contemporary artists in Japan with the latest technology – video art, 3D painting, interactive installations and installations-hybrids. Chinese cinema with the generation of directors, known as the Fifth Generation, reveals new trends. These artists initially sought to convey events and tragedies during the Cultural Revolution, but over time they turned to other themes and genres. Directors of the "Sixth Generation" paid special attention to social problems, the place of action in their films is unknown China – small settlements or cities. Modern Korean cinema covers two large areas: cinema for women – melodrama, and for men – adventure. Today the adventure genre is oriented mainly to teens, and the melodrama genre has been transformed from the problems of the middle-aged women's interest towards the youth audience, therefore, it is more likely to come closer to the romantic comedy. The tragedy of Korea, which is split up into two parts, worries the movie-makers. In recent years there have been changes in South Korean position in exposing North Korean residents. If the previous decades in South Korean cinema was cultivating the image of the enemy: North Korean could be either a spy or killer, but now the inhabitants of North Korea are perceived and presented in films differently, not embodying exclusively negative features. In Japanese cinema, the emphasis is on the visual array, which allows you to bring forward contemplation and the deep meaning is transmitted by artistic images typical of the oriental art in general. In films, much attention is paid to the smallest details; certain asceticism along with the aesthetization of the frame is a reflection of purely Japanese features – minimalism as the meaning of existence. Familiarity with the peculiarities of the development of contemporary art and cinema in China, Korea and Japan is a necessary component for further dialogue between the cultures of East and West in terms of balanced interaction and artistic transformations of the modern world.

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CHUNG SHUNGHE and Kyounghee Kim. "Possibility and Practice of Korean Traditional Performance Art Contents for Children in Osaka." Journal of japanese Language and Culture ll, no. 42 (April 2018): 147–62. http://dx.doi.org/10.17314/jjlc.2018..42.008.

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Ahn, Jeong Deok, Suk ho Hong, and Yeong Kil Park. "The Historical and Cultural Identity of Taekwondo as a Traditional Korean Martial Art." International Journal of the History of Sport 26, no. 11 (September 2009): 1716–34. http://dx.doi.org/10.1080/09523360903132956.

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Lee, Yeon-Seo, and Yeon-A. Kim. "Application of Pictorial Elements in Body Art: Focusing on the Buddha expressed in Buddhist art in the Unified Silla Period." Korean Society of Beauty and Art 21, no. 3 (September 20, 2020): 311–24. http://dx.doi.org/10.18693/jksba.2020.21.3.311.

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In modern society, with its coexistence of diverse culture, it is a process of genuine cultural development to remember the beauty of the traditions in our cultural heritage and allow it to continue to evolve through art and cultural exchange and creative work. The truth and concept of religion are invisible in our daily lives. To expose it, help from art is needed. Buddhism, in which people realize truth on their own, samsara, and the redemption of all people are recognized as the highest values, has long been entwined with the history of the Republic of Korea. During the era of the Unified Silla Dynasty, Buddhism was beyond a mere religion and was an official state religion. Since it was directly connected with the country’s fate, Buddhist temple-related fine arts flourished. Therefore, this study attempted to reinterpret the images of Buddha based on a theoretical review of Buddhist concepts and characteristics of Buddhist art during the Unified Silla period and suggested new styles of both Korean and modern ambivalence by expressing pictorial element-applied design through body painting in a torso mannequin style. It is expected that these works would offer an opportunity to contemplate the meaning and value of Korean traditional patterns by expressing the Buddhist art of the Unified Silla Dynasty. It is also anticipated that they would be available as art and aesthetic cultural contents in a creative and diverse fashion.

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Bok-Rae, Kim. "The Glocalization of Andong Area Studies." International Area Review 10, no. 2 (September 2007): 29–38. http://dx.doi.org/10.1177/223386590701000202.

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Leadership has 1 The purpose of this study is to prepare and submit a case study for the City of Andong during the Fifth International Convention Centre of Asian Scholars (ICAS 5). Andong is home to the well-preserved Korean culture of splendid old temples, stone pagodas, traditional Confucian Academies, and homes of the nobility. Because the region is in the heart of a traditional Confucian culture region where nationally well-known academies still exist and continue to be revered, there is an extensive research effort currently underway to make the region, “Kyongbuk,” a Confucian Culture Zone during the next ten years. As a glocal city model, we will choose Andong. This study is divided into three parts: • The prospective paradigm and possibility of Andong area studies (Korean Confucianism) • The contemporary meaning of Yangban (Korean aristocrats) community formation in Andong • Management of Andong cultural heritages – Tour complex planning – Andong Culture & Art Institute – Andong Cultural Park and Art Center – Globalization of Andong Mask dance Festival – Museum of Andong traditional culture Tourism in Confucian Cultural Zone – Andong spa complex – Plans registering 3 Andong cultural heritages as UNESCO world cultural treasures

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Jo, Ah-Hyun, Jung-Won Kim, and Jeong-Hyun Lee. "Development of Hair Art Products with Patterns of Animal and Plant using Waste Hair and Epoxy Resin." Korean Society of Beauty and Art 21, no. 3 (September 20, 2020): 7–16. http://dx.doi.org/10.18693/jksba.2020.21.3.7.

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In the modern society, a variety of designs have been developed in the process of reevaluation for traditional and modern cultures. In particular, Korean traditional patterns inspire to the artists and they are used as multiple materials of creative styles. Therefore in this study, designs of hair art items were developed using hair wastes and epoxy with the motives of peacock and dragon in animals and apricot blossom and pine tree in plants, upon studying the shapes and symbols of patterns by concepts and symbolic meanings of traditional patterns, theoretical and conceptual reviews of epoxy resin and hair art. Hence, the developmental potential of hair art using traditional patterns was found in this study and it is considered to approach the general consumers closely with the momentum of new design development.

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Jang, Ji-Sung. "Teaching of Korean Traditional Paintings - By Examining Art Text books for Elementary School Students." Journal of Curriculum and Evaluation 3, no. 1 (December 2000): 77–96. http://dx.doi.org/10.29221/jce.2000.3.1.77.

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SUNGKYUN CHO, UDO MOENIG, and DOHEE NAM. "THE AVAILABLE EVIDENCE REGARDING T’AEKKYŎN AND ITS PORTRAYAL AS A “TRADITIONAL KOREAN MARTIAL ART”." Acta Koreana 15, no. 2 (December 2012): 341–68. http://dx.doi.org/10.18399/acta.2012.15.2.004.

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Kim, In-ho. "The Effects of Art Activities with Korean Traditional Craftwork Appreciation on Young Children's Recognition Traditional Culture and Picture Representation Abilities." Korean Society for Child Education 28, no. 4 (November 25, 2019): 155–70. http://dx.doi.org/10.17643/kjce.2019.28.4.09.

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Park, Na-Eun, Jun-Hyun Park, Dae-Eok Kim, Sang-Ho Kim, and Dae-Kyoo Chung. "A Case Report of a Schizophrenic Patient Treated with Art Therapy and Korean Traditional Medicine." Journal of Oriental Neuropsychiatry 27, no. 3 (September 30, 2016): 147–55. http://dx.doi.org/10.7231/jon.2016.27.3.147.

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Jeong, Ok-Hee. "A critical analysis on five Korean art educators’ perceptions of pedagogic values of ‘Traditional’ painting." International Journal of Education Through Art 11, no. 1 (March 1, 2015): 75–89. http://dx.doi.org/10.1386/eta.11.1.75_1.

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Cho, Young-In. "A Study on the Popularization of Traditional Korean Art through the Case Study of Convergence of K-POP and Traditional Art - Focusing on the idolization of BTS -." Journal of the Korea Entertainment Industry Association 13, no. 2 (February 28, 2019): 27–36. http://dx.doi.org/10.21184/jkeia.2019.2.13.2.27.

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Khoo-Dzisi, Agnes. "Re-Framing Ghana-Korea People to People Solidarity." African and Asian Studies 18, no. 1-2 (March 7, 2019): 153–87. http://dx.doi.org/10.1163/15692108-12341419.

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Abstract Movements of people between Africa and Asia have exponentially increased beyond diplomatic exchanges and development aid under neo-liberal globalisation. Similarly, Ghana-Korea encounters have expanded to people-to-people engagement, including sports and entertainment in recent years. This chapter explores new forms of people-to-people exchanges that go beyond ‘Ghana as the football nation’ and ‘Korea as the Samsung Republic’. The focus is to explore innovative ways of bridging cultures and transcending boundaries. This paper relies on primary data (participation observation, interviews) and secondary data (published academic, government and ephemeral material) to highlight new areas of collaboration, ranging from commerce and investment, academic exchanges, collaboration in art and cultural endeavours, and the merging of these areas in a mutually beneficial way. Korea can learn from Ghana’s cultural diversity and tolerance; Ghana can benefit from Korea’s success in turning its art and cultural industries into an important export. In considering new forms of Ghanaian-Korean cooperation that transcends the traditional paradigm, starting from the grassroots, critical perspectives and approaches are examined for building a sustainable partnership based on mutual respect and understanding.

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이순영 and GabGeun Yoon. "Analysis of Wedding Nail Art Using Korean Traditional Patterns as Motives -Centering on UV Polish Gel-." Journal of Korea Design Knowledge ll, no. 31 (September 2014): 91–101. http://dx.doi.org/10.17246/jkdk.2014..31.009.

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Kim, Yeonsoo, Jooseok Oh, and Seiyong Kim. "The Transition from Traditional Infrastructure to Living SOC and Its Effectiveness for Community Sustainability: The Case of South Korea." Sustainability 12, no. 24 (December 8, 2020): 10227. http://dx.doi.org/10.3390/su122410227.

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In 2018, the South Korean government began promoting a “livelihood-improving” social overhead capital policy based on the concepts of an inclusive city, smart shrinkage, and the balanced development of metropolitan and provincial cities. Based on a review of the extant literature and relevant policies from South Korea, this study explores this policy’s implementation and makes some suggestions for its sustainability. This study compares the current state of South Korea’s urban facilities’ and the balance of their supply between metropolitan and provincial cities. To discern which type of facility central and local governments should prioritize, this study conducts a stepwise regression analysis and identifies which preexisting facilities influence the facility type proposed by the current policy. Results show that South Korea’s living infrastructure is well distributed among metropolitan and provincial cities. However, urban planning shows little consideration for minimizing the distance between facilities and residential zones. In terms of facility types, the supply of education and local community facilities was adequate throughout the country, while culture and art facilities were inadequate. In metropolitan cities, the supply of sports and leisure facilities was insufficient.

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이영미. "A Study of the Application of Branding to the Contemporary Utilization of Korean Traditional Performing Art Space Design." A Journal of Brand Design Association of Korea 13, no. 1 (March 2015): 85–96. http://dx.doi.org/10.18852/bdak.2015.13.1.85.

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Morley, Simon. "‘The living hand gives birth to the painter’: Selected writings on painting by Lee Ufan." Journal of Contemporary Painting 6, no. 1-2 (October 1, 2020): 93–118. http://dx.doi.org/10.1386/jcp_00016_1.

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Alongside his studio practice, the Korean artist Lee Ufan (b.1936) has consistently published writings that are intended to both elucidate his own practice and to address much broader issues relating to art and culture. Through his writing and art, Lee has sought the grounds from which to both assimilate and challenge Westernizing hegemony, based on a deep understanding of both East Asian and Western art and philosophy. Lees work maps the conventions of modernist Western abstraction onto traditional East Asian concepts of painting, most especially in relation to the role of the body, circulating energy, void and the ‘untouched’. The selection below is a small sample of his writings, and they are preceded by an introduction to Lee Ufan, and a brief interview with the artist conducted by email with Simon Morley in 2017.

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Chung Jin-Ja and 박순희. "The Effect of Group Art Therapy by Using Korean Traditional Papers on Isolated Behavior of Students with Intellectual Disabilities." Korean Journal of Art Therapy 17, no. 1 (February 2010): 111–29. http://dx.doi.org/10.35594/kata.2010.17.1.006.

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Baek, Seona, and Jungsoon Choi. "A Study on the Design of Art Mask Based on Traditional Korean Patterns and Obang Color in MODERN SOCIETY." J-Institute 6, no. 2 (June 30, 2021): 45–51. http://dx.doi.org/10.22471/value.2021.6.2.45.

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Joo, Deh Won. "Analysis of Pantone Coated Color Guide for Korean Traditional Standard Colors of National Museum of Modern and Contemporary Art (MMCA)." Korea Institute of Design Research Society 6, no. 1 (March 31, 2021): 64–75. http://dx.doi.org/10.46248/kidrs.2021.1.64.

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Ra, Jung-sook, and Ok-kyoung Lee. "A Study on educational meanings and young children's responses through comparison of art appreciation activities of traditional Korean and Western paintings." Journal of Korea Open Association for Early Childhood Education 24, no. 3 (June 30, 2019): 263–88. http://dx.doi.org/10.20437/koaece24-3-11.

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lee, jung-sook and SungSook Kim. "A Study on Promoting Interest in Traditional Korean Art through the Integrated Learning with Fine Art and Social Studies - Focused on the 6th Grade Textbook in Elementary School -." Korean Journal of Culture and Arts Education Studies 4, no. 2 (October 2009): 123–48. http://dx.doi.org/10.15815/kjcaes.2009.4.2.123.

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Kim, Kyeong-Hwan, and Tae-Il Kwon. "Nail art design research using nail printing machine during the 4th industrial revolution era: Korean traditional Obangsaek and four gods image motif." Journal of Korean Traditional Costume 22, no. 3 (September 30, 2019): 135–44. http://dx.doi.org/10.16885/jktc.2019.09.22.3.135.

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Ra, Jung-Sook. "A study on the preference of young children’s paintings through the comparison of experience in art appreciation of traditional Korean paintings and Western paintings." Korea open association for early childhood education 21, no. 1 (February 28, 2016): 641–59. http://dx.doi.org/10.20437/koaece21-1-27.

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Yang, Sungeun. "Young Generation’s Perceptions of Same-Sex Sexuality and Attitudes Toward Same-Sex Marriage in South Korea." SAGE Open 11, no. 3 (July 2021): 215824402110318. http://dx.doi.org/10.1177/21582440211031886.

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It is important to pay attention to the rights of lesbians and gay men within the global context of antidiscrimination. This study focused on the young generation’s perceptions of same-sex sexuality and their attitudes toward same-sex marriage with revisiting Korean Confucianism as a conceptual framework. A total of 110 college students residing in the Seoul metropolitan areas of South Korea participated in this study. The study used participant-generated imagery and face-to-face interviews for data collection. Data were examined using a hybrid approach of thematic analysis that relied on deductive and inductive coding. The results highlighted young Koreans’ conflicting perceptions of same-sex sexuality and ambivalent attitudes toward same-sex marriage. Young Koreans perceived lesbians and gay men as marginalized in spite of democratic transition and social movements in South Korea. They showed tolerance to same-sex sexuality under a human rights–based approach. At the same time, the results revealed that they still held on to traditional Korean Confucianism. There are young Koreans opposing same-sex marriage because of their rationale of Confucian heteronormativity, value of social order within collectivism, and belief of familism. The results suggest a reinterpretation of the young generation’s ambivalence regarding same-sex sexuality in the light of Confucian-family-oriented collectivism in South Korea.

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Ra, Jung-Sook. "A Study on Young Children"s Aesthetic Responses and Changes of the Paintings Through the Comparison of Art Appreciation Activities of Traditional Korean and Western Paintings." Korea Journal of Child Care and Education 120 (January 31, 2020): 45–62. http://dx.doi.org/10.37918/kce.2020.01.120.45.

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KIM, ERIN HYE-WON, and PHILIP J. COOK. "The continuing importance of children in relieving elder poverty: evidence from Korea." Ageing and Society 31, no. 6 (February 11, 2011): 953–76. http://dx.doi.org/10.1017/s0144686x10001030.

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ABSTRACTThe population of South Korea is ageing rapidly and government provision for older people is meagre. Hence the erosion of traditional family support for older people is of much concern. Yet relatively little is known about the actual financial status of elderly Koreans or the amount of economic support they receive from children. This paper addresses these issues using data from the 2006 Korean Longitudinal Study of Ageing. We find that almost 70 per cent of Koreans aged 65 or more years received financial transfers from children and that the transfers accounted for about a quarter of an average elder's income. While over 60 per cent of elders would be poor without private transfers, children's transfers substantially mitigate elder poverty, filling about one-quarter of the poverty gap. Furthermore, children's transfers tend to be proportionally larger to low-income parents, so elder income inequality is reduced by the transfers. Over 40 per cent of elders lived with a child and co-residence helps reduce elder poverty. By showing that Korean children still play a crucial role in providing financial old-age security, we demonstrate how important it is for the Korean government to design old-age policies that preserve the incentives for private assistance. This snapshot of today's Korea also has implications for other rapidly changing Asian countries that are following a similar trajectory.

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Safronova, Lyudmila, and Aygerim Bekmuratova. "Ethnocultural images in postcolonial publications in the Russian-language prose of the Korean diaspora." Przegląd Wschodnioeuropejski 11, no. 2 (December 30, 2020): 275–85. http://dx.doi.org/10.31648/pw.6510.

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The literature of the Korean diaspora of the former Soviet Union combines the national characteristics of the Korean culture of the metropolis, the Korean national mentality, and at the same time reflects the historical realities and difficult, sometimes tragic fates of all peoples of the USSR and post-Soviet period. In this respect, the evolution of the literature of the Korean diaspora, leading from the prose in Korean to the first settlers from Korea to Sakhalin, was shown, which later were deported by Stalin’s decree to Kazakhstan and Uzbekistan. The literature of the Korean diaspora in Kazakhstan goes through all stages of the development of Soviet literature – from anti-Stalin prose, romanticized thaw literature and “quiet” stagnation prose, to postmodern and feminist literature. Moreover, Confucianism and Christian motives, Buddhism and Taoism, shamanism and Russian traditional literary images, motives, and themes are organically intertwined in the work of Russian and Kazakhstani Koreans. However, crosscutting issue through all the work of Korean writers who find themselves outside their homeland, it is an appeal to national identity, attempts to acquiring, preserving or tragedy and the pain of loss.

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Bing, Won-Chul, and Soo-Jung Kim. "A Phenomenological Study of Mental Health Enhancement in Taekwondo Training: Application of Catharsis Theory." International Journal of Environmental Research and Public Health 18, no. 8 (April 13, 2021): 4082. http://dx.doi.org/10.3390/ijerph18084082.

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In modern society, catharsis is often understood as the relieving of stress, and the psychological and medical effects of catharsis are well known even to ordinary people. There are many studies showing that physical activity is a good tool for managing and promoting mental health. However, there are not many studies on Taekwondo training and catharsis. Therefore, we conducted a study explaining catharsis as mental health promotion in Taekwondo training. This study explores mental health enhancement of Taekwondo training by using a phenomenological methodology. Phenomenology is a theory that seeks to understand an individual’s recognition of their own subjectivity rather than explaining objective factors about an individual. We collected data from interviews with 12 students who had been members of a university Taekwondo demonstration team. The phenomenological results were expressed as six themes: (1) vicarious purgation of repressed emotions, (2) emotional catharsis through pity and fear, (3) catharsis from ethics, (4) catharsis through mimesis, (5) catharsis from vicarious satisfaction through teammates, (6) catharsis from being the object of envy. Taekwondo, a traditional Korean martial art, is a physical activity that allows people to experience catharsis, which is a mental health effect of sports.

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Lee, Taehyung. "The State-Centred Nosology." Asian Medicine 11, no. 1-2 (July 25, 2016): 100–132. http://dx.doi.org/10.1163/15734218-12341371.

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Since 1951, when the Medical Service Act was enacted in South Korea, traditional Korean medicine has been an independent part of a dual medical system along with biomedicine. Despite several attempts to subordinate Korean medicine to biomedicine, Korean medicine has managed to remain an institutionally-independent system of medical care. However, in the years since the launch of the South Korean National Health Insurance Service in 1977, official regulations have required Korean medical nosology to be linked to biomedical nosology. In particular, during the four times of revision from 1979 to 2015, the originally separated disease classification of Korean medicine was gradually integrated into the Korean Standard Classification of Diseases (kcd), which heavily relies on biomedical nosology. The present study uses this nosological shift as a window to illustrate the transformation of Korean medicine in South Korea since the 1970s.

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Shi, Yunli. "Book Review: Astronomy in Korea, Astronomy: Traditional Korean Science." Journal for the History of Astronomy 40, no. 3 (August 2009): 355–57. http://dx.doi.org/10.1177/002182860904000312.

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Chang Kubo, 이해준, and 동다예솔. "A Case Study of Social and Economic Organizations in the Field of Culture and Art for Job Creation for Artists – Focusing on the cases of dance, play and Korean traditional music groups." Korean Journal of Dance 17, no. 2 (August 2017): 1–14. http://dx.doi.org/10.26743/kaod.2017.17.2.001.

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Jung, Hyeri. "Agenda-setting in the realm of popular culture: The case of the Korean Wave in East Asia." Global Media and Communication 15, no. 3 (September 18, 2019): 361–77. http://dx.doi.org/10.1177/1742766519872782.

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The spread of South Korean popular culture across the globe, known as the Korean Wave, has signalled a significant challenge towards the traditional one-way flow of media culture. This study applies agenda-setting effect, which has been largely applied to political communication, to the domain of mass-produced popular culture. It explores how Korean media’s news coverage of the popularity of Korean TV drama in China influences not only the first and second agenda-setting effect but also Koreans’ perception of Chinese audiences. The findings suggest that the Korean Wave could serve as a form of reversed cultural diplomacy by promoting soft power in East Asia.

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Shim, Jung-Soon. "Female Trance in Han Tae-Sook's Production of Lady Macbeth." New Theatre Quarterly 25, no. 1 (February 2009): 63–71. http://dx.doi.org/10.1017/s0266464x09000062.

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In this article, Jung-Soon Shim indicates how Han Tae-Sook transforms Lady Macbeth's subconscious into an interculturally emotional space in which the Christian concept of guilt and the Korean ethos of Han intersect. In this way, the director conducts an intercultural dialogue, negotiating the Western world view in Shakespeare's Macbeth together with the traditional Confucian-shamanistic world view to be found in Korea. Jung-Soon Shim is Professor of English at Soongsil University in Seoul, currently President of the Korean Theatre Studies Association (KTSA), and a founding member and President of the Korean Association of Women in Theatre (KAWT). Her numerous books include Twenty-First Century Korean Women Theatre Directors (2004).

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Choi, Sung-Jae. "The Family and Ageing in Korea: A New Concern and Challenge." Ageing and Society 16, no. 1 (January 1996): 1–25. http://dx.doi.org/10.1017/s0144686x00003111.

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ABSTRACTMany changes in familial factors under the influence of modernisation have limited the Korean family's function or capability to support and care for elderly members, and are contributing to the problems of ageing. Ageing as a social problem is a new concern in Korea which has never been experienced before, and a new challenge to the family and the state. It requires the state's responsibility to support elderly people and to strengthen the family in its care function by utilising services provided by non-familial persons. The problems of ageing may be categorised into four types: (1) poverty and economic dependence (2) difficulties in health care (3) absence or ambiguity of appropriate roles within the family (4) psychological conflicts and feelings of alienation. Present social welfare provisions are far from sufficient to respond to ageing in Korean society. Problems associated with current policies are discussed and recommendations for future development are made. Ways of promoting the traditional value of filial piety, which has acted as a barrier to the development of social welfare policy for elderly people in Korea, are suggested. For the value to be upheld and developed as one promoting welfare provision for elderly Koreans, the ways of practising the value could be reconstructed so that they may meet the needs of modern Korean life; practising filial piety at a societal level should be emphasised. The roles and responsibilities between the family and the state are also discussed.

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Flowers, James. "Bypassing the Technocratic State in South Korea." Asian Medicine 16, no. 1 (August 13, 2021): 36–57. http://dx.doi.org/10.1163/15734218-12341483.

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Abstract This article reveals an important, yet hidden, Korean response to the COVID-19 pandemic in 2020 that goes beyond the actions of the state. It focuses on the Korean medicine doctors who were excluded from any government-led public health or treatment plans for COVID-19. Bypassing the state, they used telehealth to provide herbal medicines to 20 percent of COVID-19 patients in South Korea. Traditional medicine doctors volunteered their services and financial resources to fill a gap in COVID-19 care. Most observers attribute Korean success in controlling COVID-19 to the leadership of the technocratic state with buy-in from the population. However, the case of Korea offers an example of bottom-up healthcare in a community where people chose their own native cultural resources and helps to explain how doctors were able to take the initiative to autonomously work with people in the community to help to stop the otherwise rapid transmission of the virus.

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Shin, Meong Jin, Thomas Cassidy, and E. M. Moore. "Cultural reinvention for traditional Korean bojagi." International Journal of Fashion Design, Technology and Education 4, no. 3 (November 2011): 213–23. http://dx.doi.org/10.1080/17543266.2011.579578.

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SungWoo Kim. "The Beauty of Traditional Korean Architecture." Korea Journal 47, no. 3 (September 2007): 35–75. http://dx.doi.org/10.25024/kj.2007.47.3.35.

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Kim, Ki-tae. "Positioning and multidimensional (im)politeness in Korean Oriental medical discourse." Journal of Asian Pacific Communication 21, no. 1 (March 16, 2011): 34–59. http://dx.doi.org/10.1075/japc.21.1.03kim.

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Studies on politeness in Korean — an honorific-rich language like Japanese — have focused more on what Sohn (1995: 408) identifies as ‘normative’ (or discernment) politeness. Whilst these studies are illuminating, they have paid little attention to the ‘dynamic’ aspect of politeness. That is, they have focussed on ‘static’ or primarily dyadic interactions and have explored the speaker’s discursive intention but paid minimal attention to the addressee’s evaluation of certain utterances. The present study attempts to fill this gap by showing how multiple levels of politeness arise at ‘situational, institutional, and societal levels’ (Fairclough, 1989) in Korean institutional discourse. To this effect, it concentrates on the interaction between Korean Oriental medical doctors and their patients, which is a ‘fruitful epistemological site’ (Sunderland, 2004: 73) for the study of emerging and situated politeness in Korean. This is particularly so because in Korea traditional and Western medicine co-exist — Western medicine often being regarded as ‘dominant’ one — and consequently there is a ‘dual medical authority’ in Korean society. Employing Goffman’s (1981) ‘participation framework’ and Davies and Harré’s (1990, 1999) ‘positioning theory’, the present article demonstrates that the dual medical authority often obscures the ‘speaker’, ‘addressee’, and (im)politeness. of a speech act in patient–Oriental medical doctor interactions. An act that is apparently face-threatening at the situational level may not necessarily be face-threatening at the institutional level, where the ‘real’ addressee may be a non-present Western doctor or even Western biomedicine itself. The paper concludes that the dyadic, synchronic, and cross-sectional model of politeness on which most studies on Korean politeness rely is too simplistic and idealised. Instead, a multidimensional discursive approach to politeness should be adopted.

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Jang, Hochan, and Minkyung Park. "Social media, media and urban transformation in the context of overtourism." International Journal of Tourism Cities 6, no. 1 (January 16, 2020): 233–60. http://dx.doi.org/10.1108/ijtc-08-2019-0145.

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Purpose The purpose of this study is to document how a traditional residential neighborhood, Ihwa village in Seoul, South Korea, is transformed into a tourist attraction and demonstrate the complexity of the overtourism phenomenon and the multifaceted conflicts among stakeholders that emerged in the course of urban transformation. Particularly, the study explores how tourism growth, urban transformation and overtourism are intertwined with each other and how the role of social media and media contributed to tourism growth and the transformation of an urban neighborhood. Design/methodology/approach The study conducted text analytics (a big data analysis) using personal blogs and news articles. Our data for text analytics was defined to retrieve all news articles and blogs existent in the NAVER portal, the largest Korean portal and search engine, for the period between January 1, 2006, and December 31, 2018. The data was collected using a web crawling program, TEXTOM version 3.0. Findings Text analysis of blog entries and news articles suggests that each medium has its unique role and domain to play. While the news media contributed to the initial surge of interest in Ihwa village, genuine growth of tourism in Ihwa village seems to be attributed to social media. Texts that appeared in blogs strongly indicated that people used their blogs to share their trip experiences, which can be subsequently assumed that blogs had an influential role in promoting a small place like Ihwa mural village, while news articles tended to highlight negative or unusual events occurred in Ihwa village. The study also addressed the multifaceted nature of the conflicts that were inherent in the issue of urban regeneration and how those conflicts were developed and manifested in the process of touristification and overtourism in Ihwa village. As touristification can manifest in various forms in different places, the case of Ihwa village demonstrates a unique development of touristification; private tourism companies or tourism agencies did not initiate or intend to cause tourism gentrification. Rather, touristification is a byproduct of urban revitalization through public art and is a result of interplay between the local government’s interest, social media and new tourist demand. Originality/value Text analytics using big data have rarely been attempted to understand the role of social media in relation to tourism growth and touristification of an urban tourism place. This study advances the literature by applying big data analysis to user-generated content in blogs. The study also contributes to the deeper understanding of a different developmental pattern of touristification in an urban tourism place as well as the complexity of the overtourism phenomenon and the multifaceted conflicts among stakeholders.

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Journal articles on the topic 'Traditional Korean art'

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