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Relevant bibliographies by topics / Traditional musical instruments

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Academic literature on the topic 'Traditional musical instruments'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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Journal articles on the topic "Traditional musical instruments"

1

Rehman, Nida, and Abid Ghafoor Chaudhry. "Anthropological Account of Traditional Musical Instruments." Global Sociological Review II, no. I (2017): 1–9. http://dx.doi.org/10.31703/gsr.2017(ii-i).01.

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The art of making a musical instrument, playing it and to move or dance to that instrument is duly considered to be an abhorrent act in Pakistan. The use of musical instruments in Pakistan is going to be extinct over time. Research in Pakistan has yet to be done in this area. The musical instruments are source of bread and butter for artists and performers as their lives are connected with these instruments. Both instrument performers and the artists were selected as respondents. The data was collected from 25 artists and performers through cluster samplings. Based on the interviews, the impor

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Sari, Dian Novita, and Desriyeni Desriyeni. "Klasifikasi Alat Musik Tradisional Minangkabau." Ilmu Informasi Perpustakaan dan Kearsipan 8, no. 1 (2019): 88. http://dx.doi.org/10.24036/107301-0934.

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Abstract The writing of this paper aims to (1) find out the classification of Minangkabau traditional musical instruments; (2) knowing the process of classifying Minangkabau traditional musical instruments; (3) knowing the obstacles and efforts to overcome obstacles in the process of classifying Minangkabau traditional musical instruments. Writing this paper using descriptive research methods. Data was collected based on observations and interviews from various sources. Based on the results of the study it can be concluded as follows, first classifying the traditional Minangkabau musical instr

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Priantama, Rio, Agus Wahyudin, and Hendra Wibowo. "IMPLEMENTASI ALGORITMA FAST (FEATURES FROM ACCELERATED SEGMENT TEST) CORNER DETECTOR UNTUK PENGENALAN ALAT MUSIK TRADISIONAL KABUPATEN KUNINGAN BERBASIS AUGMENTED REALITY." NUANSA INFORMATIKA 15, no. 1 (2021): 81. http://dx.doi.org/10.25134/nuansa.v15i1.3906.

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One of the cultures of Kuningan Regency that still exists today is traditional musical instruments whose numbers and types, historical information and how to play are increasingly rare to be introduced in schools and studios. One of the efforts to preserve and introduce traditional musical instruments in Kuningan Regency to the community, is by holding annual traditional musical instrument festivals, but these efforts have not been able to increase public knowledge about information from traditional musical instruments in Kuningan Regency. Technology that is able to provide information on trad

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Basri, Muntasyir, Lewi Jutomo, Caro David Hadel Edon, Marline Mayners, and Sri Prilmayanti Awaluddin. "Pendampingan Siswa SMP Dan SMA Dalam Memainkan Alat Musik Tradisional Sasando Daun Untuk Melestarikan Alat Musik Tradisional Etnik Nusa Tenggara Timur." JATI EMAS (Jurnal Aplikasi Teknik dan Pengabdian Masyarakat) 4, no. 1 (2020): 33. http://dx.doi.org/10.36339/je.v4i1.273.

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This community service aims to empower junior and senior high school students to improve their knowledge, abilities and skills in playing NTT ethnic traditional musical instruments as an effort to preserve local culture, especially traditional musical instruments. Implementation methods are designed based on community empowerment methods including identification of schools and target participants, preparation of training tools and materials, provision of materials, introduction of sasando daun traditional musical instruments, recognition of tone and sound, training and use of playing sasando d

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Montagu, Jeremy, and Paul Wolff. "A Checklist of Traditional Japanese Musical Instruments." Galpin Society Journal 45 (March 1992): 147. http://dx.doi.org/10.2307/842278.

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Brahma, Nijra. "The traditional musical instruments of the bodos." Asian Journal of Research in Social Sciences and Humanities 7, no. 7 (2017): 238. http://dx.doi.org/10.5958/2249-7315.2017.00382.3.

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OZASA, HIROYUKI. "Traditional Musical Instruments of Japan and Fibers." Sen'i Gakkaishi 50, no. 12 (1994): P642—P644. http://dx.doi.org/10.2115/fiber.50.12_p642.

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Mukhammadiev, Muslimbek Rustamogli. "Traditional musical instruments of the Uzbek people." Asian Journal of Research in Social Sciences and Humanities 12, no. 1 (2022): 149–52. http://dx.doi.org/10.5958/2249-7315.2022.00017.x.

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Oliver La Rosa, Jaime E. "Theremin in the Press: Instrument remediation and code-instrument transduction." Organised Sound 23, no. 3 (2018): 256–69. http://dx.doi.org/10.1017/s135577181800016x.

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This article shows how the theremin as a new musical medium enacted a double logic throughout its century-old techno-cultural life. On the one hand, in an attempt to be a ‘better’ instrument, the theremin imitated or remediated traditional musical instruments and in this way affirmed the musical values these instruments materialised; simultaneously, by being a new and different medium, with unprecedented flexibility for designing sound and human–machine interaction, it eroded and challenged these same values and gradually enacted change. On the other hand, the theremin inadvertently inaugurate

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Rodsakan, Tepika. "Comparison of the Effects of Using Traditional Thai Musical Instruments and Carl Orff’s Instruments on Mentally Disabled Children’s Perception and Reaction to the Musical Elements." International Journal of Creative and Arts Studies 2, no. 2 (2015): 35. http://dx.doi.org/10.24821/ijcas.v2i2.1796.

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This research dealt with the comparison of the effects of using traditional Thai musical instruments and Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements. The objectives of the research were 1) to study the results of the effects of using traditional Thai musical instruments on mentally disabled children’s perception and reaction to the musical elements 2) to study the results of the effects of Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements 3) to compare the results of the effects of

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Dissertations / Theses on the topic "Traditional musical instruments"

1

Gao, Jie (Violinist). "The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011757/.

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Contemporary professional violinists face constant exposure to multicultural compositions. For best results, they should be able to understand, capture, and express the subtleties of different styles. The violin and its repertoire spread to China through European missionaries during the late seventeenth century and continued to be developed by Chinese scientists and musicians who studied abroad. During the twentieth and twenty-first centuries, Chinese composers wrote many violin pieces inspired by the unique sounds of Chinese instruments. Additionally, Chinese music scholars wrote numerous ess

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Namazi, Behzad K. "The Radif as Musical Syntax: Instrument Revival in Persian Traditional Music." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou158592049352558.

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Wang, Tianshu. "Alexander Tcherepnin's "Five Concert Studies": An homage to Chinese musical styles, instruments, and traditions." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/284005.

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The influence of traditional Chinese art permeates Alexander Tcherepnin's piano compositions, particularly his Five Concert Studies, Op. 52 . A survey of Tcherepnin's life, his musical achievements, and the impact various cultural influences exerted on his musical development reveals the depth of feeling Tcherepnin possessed for China and things Chinese. As a product of Tcherepnin's "Chinese Years" (1934--1937), the Five Concert Studies, Op. 52, show the direct influence of specific Chinese elements and original art forms that the composer imitated, including the Pi Ying Xi (Shadow Play), Mu

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Dries, Daniel Michael. "Marcel Dupré the culmination of the French symphonic organ tradition /." Connect to this title online, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050623.160215/.

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Thesis (D. Creative Arts)--University of Wollongong, 2005.<br>Title from PDF title page (viewed on Aug. 13, 2005). Ill., musical examples, and most tables present in print version are lacking in the electronic version, as are accompanying sound recordings on 2 compact discs. Includes bibliographical references (p. 185-191) and discography (p. 192-193).

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Johnson, Henry Mabley. "The symbolism of the koto : an ethnomusicology of the form and function of a traditional Japanese musical instrument." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357620.

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Jane, Philip. "An Historical Survey of the Establishment of an Orchestral Tradition in Christchurch to 1939." Thesis, University of Canterbury. School of Music, 2009. http://hdl.handle.net/10092/3407.

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This dissertation is the first study devoted solely to the history of an orchestral tradition in Christchurch. Within a timeframe stretching from the beginning of the local settlement to the establishment of the first “national” orchestra in 1939, it provides detailed portrayals of all facets of amateur and professional orchestral activity. This includes the histories of all orchestral bodies, their membership, a chronology of concerts, repertoire, programme structure and critical reception. This dissertation explains the advance of orchestral tradition that is at times tentative and at tim

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"The Mimicking of Instruments in Arrangements and Transcriptions for Piano of Chinese Traditional Music." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.62819.

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abstract: This research paper is an explanatory document for the lecture recital presented by the author. The lecture recital focused on the mimicking of instruments in arrangements and transcriptions for piano of Chinese traditional music. There are five Chinese music instruments discussed in the paper, namely guqin, zheng, erhu, suona, and pipa. This document provides an introduction to the five instruments, including their origin, historical background, and physical characteristics. Then it discusses the selected traditional pieces for these instruments and compares them to their correspond

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You, Cai-rong, and 游財榮. "A Comparative Study of Subjectively Apparent Source Width between Traditional Chinese and Western Classic Musical Instruments Recital." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/63224344194077796327.

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碩士<br>朝陽科技大學<br>建築及都市設計研究所<br>97<br>Due to the invasion of Western culture, traditional Chinese music will be played in the Western concert hall which is mainly designed in accordance with the acoustic characteristics of Western music instruments. Morimoto (1989) proposes that the spatial impression is one of the most important characteristics of the sound field, and that the spatial impression is composed of apparent source width (ASW) and listener envelopment (LEV). Many researches have shown that traditional Chinese music is distinctively different from Western music in musical temperament

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Křivancová, Veronika. "Irská tradiční hudba v české škole." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-322714.

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The master's thesis deals with Irish traditional music and its possible use in music teaching at lower secondary schools in the Czech Republic. The theoretical part provides information on Irish traditional music and the historical and geographical conditions under which it developed. The practical part deals with the possibilities of its implementation into school education in accordance with the Framework Educational Programme for Basic Education. Accompanying the thesis is an appendix consisting of pictures, texts, worksheets and sheet music. The attached CD contains audio and video recordi

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Chumová, Markéta. "Rancho Folclórico - hudební dědictví Portugalska." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-367713.

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Thesis is dedicated to traditional folklore music of Portugal and introduces different kinds of traditional music. Chosen are those kinds that are even nowadays very popular and that are to be found around the country. The main focus of thesis is on music and tradition of folklore groups called Rancho Folclórico. History of Portuguese traditional music in general as well as the origins of rancho are introduced. Those are connected to the context of general Portuguese history. Furthermore, traditional musical instruments typical for rancho groups are described as well as the musical repertoire

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Books on the topic "Traditional musical instruments"

1

Okita, S. I. O. Traditional Nigerian musical instruments. Centre for Nigerian Culture Studies, 1991.

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Abdurahman, Bilal. Traditional African musical instruments. Ethno Modes Folkloric Workshop, 1987.

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Sipayung, Hernauli. The Tobanese traditional musical instruments. Dept. of Education and Culture, Directorate General of Culture, North Sumatera Government Museum, 1997.

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Sipayung, Hernauli. The Simalungunese traditional musical instruments. Dept. of Education and Culture, Directorate General of Culture, North Sumatra Govt. Museum, 1995.

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5

Wahome, John Kamenyi. Musical instruments: A resource book on traditional musical instrumentsof Kenya. Jemisik Cultural Books, 1986.

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Kamenyi, John W. Musical instruments: A resource book on traditional musical instruments of Kenya. Jemisik Cultural Books, 1986.

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Wahome, John Kamenyi. Musical instruments: A resource book on traditional musical instruments of Kenya. Jemisik Cultural Books, 1986.

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W, Lewis G. The traditional musical instruments of Tanzania. Music Conservatoire of Tanzania, 1990.

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Valentini, Mariana. Strumenti musicali tradizionali dell'altopiano eritreo: Traditional musical instruments of the Eritrean highlands. Scuola italiana, 2004.

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Wolff, Paul. A checklist of traditional Japanese musical instruments. Musical Instrument Collection, Music Dept., Haags Gemeentemuseum, 1988.

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Book chapters on the topic "Traditional musical instruments"

1

Jiang, Jiaqi, Qiong Wu, and Wenlin Ban. "Design of Wearable Digital Enhancement for Traditional Musical Instruments." In HCI International 2021 - Late Breaking Papers: Cognition, Inclusion, Learning, and Culture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-90328-2_40.

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Bucur, Voichita. "About Traditional and New Wood Species for String Instruments." In Handbook of Materials for String Musical Instruments. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32080-9_17.

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Senan, Norhalina, Rosziati Ibrahim, Nazri Mohd Nawi, Iwan Tri Riyadi Yanto, and Tutut Herawan. "Rough Set Theory for Feature Ranking of Traditional Malay Musical Instruments Sounds Dataset." In Software Engineering and Computer Systems. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22191-0_45.

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Senan, Norhalina, Rosziati Ibrahim, Nazri Mohd Nawi, Iwan Tri Riyadi Yanto, and Tutut Herawan. "Rough Set Approach for Attributes Selection of Traditional Malay Musical Instruments Sounds Classification." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-20998-7_59.

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Rodtook, Sittisak, and Stanislav Makhanov. "On the Accuracy of Rotation Invariant Wavelet-Based Moments Applied to Recognize Traditional Thai Musical Instruments." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-45224-9_57.

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Williams, Sean. "Irish Instrumental Music." In Focus: Irish Traditional Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-8.

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Kohshelan and Noorhaniza Wahid. "Improvement of Audio Feature Extraction Techniques in Traditional Indian Musical Instrument." In Advances in Intelligent Systems and Computing. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07692-8_48.

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Senan, Norhalina, Rosziati Ibrahim, Nazri Mohd Nawi, Iwan Tri Riyadi Yanto, and Tutut Herawan. "Soft Set Theory for Feature Selection of Traditional Malay Musical Instrument Sounds." In Information Computing and Applications. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16167-4_33.

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Mihajlović, Danka Lajić. "Every village had bagpipes … and then the accordions arrived. The Influence of Multipart Instruments on Textural Transformations of Serbian Traditional Instrumental Music." In Playing Multipart Music. Böhlau Verlag, 2021. http://dx.doi.org/10.7767/9783205214106.29.

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Senan, Norhalina, Rosziati Ibrahim, Nazri Mohd Nawi, Musa Mohd Mokji, and Tutut Herawan. "The Ideal Data Representation for Feature Extraction of Traditional Malay Musical Instrument Sounds Classification." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14922-1_43.

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Conference papers on the topic "Traditional musical instruments"

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Tragtenberg, João, Filipe Calegario, Giordano Cabral, and Geber Ramalho. "TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazillian Traditions." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10426.

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This paper presents the development process of “TumTá”, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and “Pisada,” a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is des

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Zhang, Jiali, and Nick Bryan-Kinns. "QiaoLe: Accessing Traditional Chinese Musical Instruments in VR." In 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2022. http://dx.doi.org/10.1109/vrw55335.2022.00080.

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Senan, Norhalina, Rosziati Ibrahim, Nazri Mohd Nawi, and Musa Mohd Mokji. "Feature Extraction for Traditional Malay Musical Instruments Classification System." In 2009 International Conference of Soft Computing and Pattern Recognition. IEEE, 2009. http://dx.doi.org/10.1109/socpar.2009.94.

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Visi, Federico, Rodrigo Schramm, and Eduardo Miranda. "Gesture in performance with traditional musical instruments and electronics." In the 2014 International Workshop. ACM Press, 2014. http://dx.doi.org/10.1145/2617995.2618013.

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COSTANTINI, G., M. SALERNO, and F. M. FRATTALE MASCIOLI. "RECOGNITION OF TRADITIONAL MUSICAL INSTRUMENTS SAMPLED BY CONVENTIONAL SENSORS." In Proceedings of the 5th Italian Conference — Extended to Mediterranean Countries. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812792013_0081.

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Jingying, Zhang, and Xie Lingyun. "Analysis of timbre perceptual discrimination for Chinese traditional musical instruments." In 2017 10th International Congress on Image and Signal Processing, BioMedical Engineering and Informatics (CISP-BMEI). IEEE, 2017. http://dx.doi.org/10.1109/cisp-bmei.2017.8302123.

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Senan, Norhalina, Rosziati Ibrahim, and Nazri Mohd Nawi. "A study on traditional Malay musical instruments sounds classification system." In the 11th International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1806338.1806476.

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JUNIAWAN, Fransiskus Panca, Dwi Yuny SYLFANIA, Harrizki Arie PRADANA, and Laurentinus LAURENTINUS. "Motivation Measurement of an Augmented Reality Traditional Musical Instruments System." In Sriwijaya International Conference on Information Technology and Its Applications (SICONIAN 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/aisr.k.200424.092.

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Tate, Derrick, Xiaoyi Hu, Mengyue Li, and Ruotong Wang. "Application of Robust Design Techniques to Chinese Huqin Musical Instrument Design." In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-59462.

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This paper presents the results of teaching robust design techniques to industrial design students in the Chinese context. Year 3 students in a Bachelor of Engineering programme at Xi’an Jiaotong-Liverpool University in Suzhou, China studied robust design techniques over a one-semester course. As part of the course, the students worked in two groups to apply robust design techniques to traditional Chinese musical instruments: the jinghu and the erhu. The two groups took divergent approaches to the project. One group sought to follow traditional manufacturing processes (craftmaking) for the ins

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Lashari, Saima Anwar, Rosziati Ibrahim, and Norhalina Senan. "Soft set theory for automatic classification of traditional pakistani musical instruments sounds." In 2012 International Conference on Computer & Information Science (ICCIS). IEEE, 2012. http://dx.doi.org/10.1109/iccisci.2012.6297219.

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