Relevant bibliographies by topics / Traditional textiles

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Traditional textiles'

Author: Grafiati
Published: 24 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Traditional textiles.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Traditional textiles"

1

Chelum, Alexander, Anna Durin, Connie Lim Keh Nie, Muhammad Qawiem Hamizan, and Mohd Jefri Samaroon. "The Iban Textiles." Journal of Borneo-Kalimantan 4, no. 1 (August 13, 2018): 1–7. http://dx.doi.org/10.33736/jbk.915.2018.

Full text
Abstract:
The Iban traditional textiles are very well decorated with beautiful motifs. Some motifs are small and simple but some are complex (Durin, 2011). Both the simple and complex motifs are embedded meaning and symbols which depict the Iban traditional culture especially their traditional beliefs. This research aims to relate the motif of the Iban Textile and their traditional belief. Secondly, this research is also to analyse the usage of Pua Kumbu traditionally and currently. The data collection are carried out through observation and interviewing the experts in Iban textiles weaving in Kuching, Betong and Bintulu. The analysis method is used for the data collection is content analysis. In the research finding it is proven that the usage Pua Kumbu currently is not only confined to ritual purposes but also for the daily used as decorative accessories. It’s also proven, not only the Iban community weave the Pua Kumbu but few communities also weave the Iban’s textile motif. For example, Azmeer Sharkawi in Betong.
APA, Harvard, Vancouver, ISO, and other styles
2

ABDULKAREEM SHERWANI, KAWA. "The discourse of Kurdish traditional textiles." Industria Textila 72, no. 06 (December 21, 2021): 623–31. http://dx.doi.org/10.35530/it.072.06.1825.

Full text
Abstract:
Verbal communication is not the only way by which people can interact; people communicate with each other through different signs, colours, cultural symbols and costumes. One of the ways that people can communicate through is clothes or textiles. The language of textiles and its covert discourse have not been studied profoundly. Each bit of textile has its specific meaning. Through the discourse of their clothes, people try to show their nationality, age, gender, social status, geographical belonging etc. Kurdish traditional clothes are believed to be culturally rich, since they are dressed by a large number of people in the past and present. This study is an attempt to examine the relationship between discourse and clothes. It tries to study the hidden discourse of Kurdish traditional textiles. The study seeks to answer several questions, including: What do the clothes say about the people who wear them? How different types of clothes show different forms of people’s identity? How do clothes reveal the people’s nationality, age, gender, geographical territory and social class? The principles of discourse analysis, more specifically Foucault’s approach of material discourses, are used to investigate the collected data. The study uses a mixed approach of quantitative and qualitative methods. The data are collected in three ways: by analysing the photo albums, a survey and a site visit to Kurdish Textile Museum in Erbil. The study concludes that the pieces of textiles can be seen as linguistic elements in communications and Kurdish traditional clothes embraces specific cultural codes and symbols that can be used to reveal the discourses they embrace.
APA, Harvard, Vancouver, ISO, and other styles
3

Wang, Yang. "Research on Flexible Capacitive Sensors for Smart Textiles." Journal of Physics: Conference Series 2181, no. 1 (January 1, 2022): 012038. http://dx.doi.org/10.1088/1742-6596/2181/1/012038.

Full text
Abstract:
Abstract Smart textiles are a new era of smart textiles that not only have traditional textile functions, but also have information collection, feedback, and multiple intelligent interaction functions with users. As a manifestation of the combination of art and technology in the textile field, smart textiles are of great significance to traditional textiles, clothing, home textiles, and wearable devices. From the perspectives of the background, technology, and development prospects of smart textiles, this article systematically analyses the application technology of smart textiles in practice. Starting from the current state of smart textile research, the article explains the promotion of new material technology to the research of smart textiles. Focus on the technical improvement of capacitive sensing equipment based on flexible fabrics, and find a sensing fabric structure with lower hysteresis, fast response time, good repeatability and stability through design experiments.
APA, Harvard, Vancouver, ISO, and other styles
4

Ursíny, Petr, Martin Bílek, Eva Moučková, Martina Pokorná, Petr Tumajer, and Jakub Wiener. "Mechanical Properties Of Traditional And Nanofibre Textiles." Autex Research Journal 15, no. 3 (September 1, 2015): 198–206. http://dx.doi.org/10.1515/aut-2015-0005.

Full text
Abstract:
Abstract This study deals with a comparison of mechanical properties of a conventional yarn and a textile from nanofibres. The conventional yarn represents the textile objects with high degree of orientation of fibres and the textile from nanofibres represents the textile objects with low degree of orientation of fibres. The theoretical section is concerned with the issue of internal structure of plied yarn and resulting differences in the orientation and straightening of fibres and in utilisation of deformation properties of fibres in comparison to the referred nano textile. The experimental section describes the manner of realisation of both static and dynamic tests of conventional yarn and strips of nanofibres. The results show differences in the mechanical properties of conventional yarn and textile strip from nanofibres under static and dynamic loading conditions. The processing technology of conventional yarn has been verified in the long term. But textiles from nanofibres are a relatively new material and mechanical properties of the detected differences point out possible problems with their behaviour during standard technological processes.
APA, Harvard, Vancouver, ISO, and other styles
5

Winarno, Ira Adriati. "Analisis Motif Kain Tradisional Indonesia: Pemaknaan Visualisasi Abstrak hingga Naturalis." Jurnal Budaya Nusantara 1, no. 1 (January 1, 2017): 89–102. http://dx.doi.org/10.36456/b.nusantara.vol1.no1.a993.

Full text
Abstract:
Indonesia is a country with various cultures. One of cultural product that interesting to be analysis is textile.Indonesian traditional textiles are made by weaving and batik techniques. Traditional textiles have a deepphilosophical meaning related to the human existence in the universe. Traditional textiles have various motifs. It isinteresting to analyze the meaning of the motifs of Indonesian traditional textile. The approaches of this research aretraditional Indonesian aesthetics and cultural approach. Traditional textile motifs can be categorized into geometrics,figurative, and naturalist motifs. The motifs are influenced by textile making techniques. For instance, weavingtechnique has limitation in motif type. Weaving technique produces geometrics motif. The other technique is batik thathas freedom to produce various motifs for textile. The original Indonesian textile motifs generally are abstract motives.Figurative and naturalist motifs emerge after the entrance of other culture influence. Based on visualization analysis,abstract motif has deep meaning related to people life philosophy. Some of figurative motifs have philosophical meaning,but naturalist motifs generally do not have philosophical meaning in Indonesian people.
APA, Harvard, Vancouver, ISO, and other styles
6

Clarke, Robert C. "Traditional Nepali Hemp Textiles." Journal of Industrial Hemp 12, no. 2 (November 30, 2007): 97–113. http://dx.doi.org/10.1300/j237v12n02_07.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Uddin, Faheem, Komal Umer, and Syeda Tehniyat Anjum. "Textile solid waste in product development studies." Chemical Reports 3, no. 1 (2022): 203–9. http://dx.doi.org/10.25082/cr.2021.01.005.

Full text
Abstract:
Textile solid waste disposal and utilization is currently an important concern worldwide. Fashion and traditional articles of textiles are sourcing the solid textile waste generation. An increasing population and consumption of fiber and textile articles emphasize the development studies for the re-use of solid textile waste. Production of textiles is accompanied by the release of volatile emission and effluent during processing, and disposal of fibrous articles are producing solid waste. The hazardous waste generated from the textile can be seen as pre- consumer solid waste (fiber, yarn, and fabric pieces), processing waste (volatiles, chemicals and effluent release during the process), and post- consumer waste (textile fabric, yarn, apparel, home textiles, technical textiles, etc.) dispose to environment following the service life. Therefore, re-using the fiber and textile articles can significantly reduce undesired effects to environment. Designing the products using solid textile waste can be a useful source for reducing the environmental hazard. This study describes the re-use of various fiber and textiles, though the case studies, particularly denim fabric, in designing the products for home decoration.
APA, Harvard, Vancouver, ISO, and other styles
8

Ngo, Vuong M., Thuy-Van T. Duong, Tat-Bao-Thien Nguyen, Phuong T. Nguyen, and Owen Conlan. "An Efficient Classification Algorithm for Traditional Textile Patterns from Different Cultures Based on Structures." Journal on Computing and Cultural Heritage 14, no. 4 (December 31, 2021): 1–22. http://dx.doi.org/10.1145/3465381.

Full text
Abstract:
Textiles have an important role in many cultures and have been digitised. They are three-dimensional objects and have complex structures, especially archaeological fabric specimens and artifact textiles created manually by traditional craftsmen. In this article, we propose a novel algorithm for textile classification based on their structures. First, a hypergraph is used to represent the textile structure. Second, multisets of k -neighbourhoods are extracted from the hypergraph and converted to one feature vector for representation of each textile. Then, the k -neighbourhood vectors are classified using seven most popular supervised learning methods. Finally, we evaluate experimentally the different variants of our approach on a data set of 1,600 textile samples with the 4-fold cross-validation technique. The experimental results indicate that comparing the variants, the best classification accuracies are 0.999 with LR, 0.994 with LDA, 0.996 with KNN, 0.994 with CART, 0.998 with NB, 0.974 with SVM, and 0.999 with NNM.
APA, Harvard, Vancouver, ISO, and other styles
9

Kahdar, Kahfiati, and Adriane Yuanita. "Traditional Celebes textiles of Indonesia." Research Journal of the Costume Culture 21, no. 3 (June 30, 2013): 457–65. http://dx.doi.org/10.7741/rjcc.2013.21.3.457.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kahfiati Kahdar and Adriane Yuanita. "Traditional Celebes textiles of Indonesia." Research Journal of the Costume Culture 21, no. 3 (June 2013): 457–65. http://dx.doi.org/10.29049/rjcc.2013.21.3.457.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Traditional textiles"

1

Swarup, Ashish, and ash198@gmail com. "Application of Traditional Medicines on Textiles." RMIT University. Fashion and Textiles, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080521.114106.

Full text
Abstract:
As science and technology has developed, the manner by which drugs can be delivered has grown. This research explores an alternative method for the delivery of therapeutic compounds to the body. The basis of the study involves the application of traditional medicines on textiles. Boswellia Serrata Extract (B.S.E.) is a common traditional medicine used for curing body pains. The most common form of B.S.E. based products are creams that are applied directly to the skin. Experiments show that these creams were not suitable as a basis for applying to textile materials because the creams contain highly volatile compounds, which on drying the treated textile, post application, cause almost total loss of the B.S.E. The approach used was the application on textiles of a 'commercial' topical medicine applied as a cream for, where B.S.E. is a major constituent. Cotton woven fabric was padded with this cream and tested for washing and rubbing fastness. The presence of highly volatile substances in the topical cream resulted in a negligible amount of the medicine on the dried treated fabric. Another approach was used for the application of B.S.E. onto the textile substrate. A commercially available B.S.E. powder was applied to woven fabric using a pad mangle. Tests were carried out to validate the
APA, Harvard, Vancouver, ISO, and other styles
2

Raubenheimer, Hendrieka. "WARP + WEFT : translating textiles into interior architecture - in search for inspiration and continuation of African textile traditions." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/30222.

Full text
Abstract:
WARP and WEFT is a textile making guild, intricately woven into KNOOP, the proposed Clothing and Consumer Science building for the University of Pretoria. This building is situated in Hatfield next to the railway line, in close proximity to the Gautrain station and Rissik Station. KNOOP was designed in 2008 by Korine Stegmann in fulfilment of her MArch(Prof) at the University of Pretoria. Therefore, the building in which the intervention is proposed is, to date, only an architectural proposal and has not yet been built. The project was initiated due to a fascination with textiles and the relevance of textiles in interior architecture. This fascination with textiles is ascribed to the following: The first intriguing aspect of textiles is the structure and the underlying construction principles of textiles. The second aspect is the unique character of textiles compared to other building materials. Another interesting notion is the current international textile trend and current re-focus on textiles as a construction material after a long period of being neglected. The current hype about textiles is ascribed to the tactile qualities of textiles, which opposes an increasing movement towards virtualism. The raw and organic production process of handmade textiles is desirable and opposes automated production. Similarly to the Arts and Crafts movement, designers are once more interested in handmade products. Fourthly, textiles used in architecture has the intriguing ability to create an architecture which better relates to fashion in terms of fashion’s ability to easily change and adapt; fashion’s fleeting nature. Lastly, handmade textiles of a specific region have the ability to convey the identity of that specific region. This is a crucial ability to resist globalization and monotony in cultural identity. Appropriately, the fascination of this dissertation is with traditional African handmade textiles and its relevance in interior architecture. The contemporary unbuilt building was selected to demonstrate the value of a collaborative approach between an architect and interior architect prior to construction. The analysis of the architectural proposal shows that the interior architect can effectively recognize the strengths and weaknesses of a building from an interior perspective and enhance and improve these aspects. The aim is also to show that two programmes can function collaborative in one building and that intervention is possible within a building with a fixed programme. The site was selected due to the location and framework it falls within. The location of the site allows for exposure due to the pedestrian demand on the site. Also, the site is advantageously located within close proximity to main transportation nodes. The site falls within the extended Arcadia Arts and Cultural Corridor. The vision for this corridor is a lively and multicultural precinct which hosts a variety of arts and cultural facilities. The vision for these facilities is to portray the zest of local culture, especially to those disembarking the Gautrain. The textile making guild, WARP + WEFT is an important project within this precinct, due to the core concept of the guild to celebrate African textiles. The aim of the guild is to produce contemporary woven textiles which portray the identity of traditional African woven textiles. The vision for WARP + WEFT within the precinct is to exhibit textiles, expose the textile making processes and to create a unique African textile experience for both the public and the users of the guild. The interior intervention will celebrate African textiles by demonstrating how textiles are used to solve and embrace aspects identified through the analysis of the architectural proposal. These aspects include acoustic absorption, solar screening, adding softness, texture and colour to an environment predominantly defined by cold, hard, smooth and monotone surfaces, as well as providing versatile branding elements. The use of textiles in the interior intervention introduces the unique design question of how to design with textiles for a textile related programme, opposed to textiles being used for another programme, such as a theatre or a hotel. It is a matter of “textiles for textiles” instead of “textiles for music” or “textiles for sleeping”. The solution to this unique design problem is to differentiate between spaces which celebrate textiles by acting as a background or blank canvas for the exhibition and production of textiles and spaces which celebrate textiles by becoming textile-like. To create these spatial variations, the exclusive use of textiles is not sufficient. Textiles need to be translated into interior architecture which will be achieved through the following five methods: Translation through metaphor, translation through structure, interpretation of actual textiles, engagement through text and the translation of the unique qualities of textiles. Thus, the aim of the investigation is to celebrate textiles through the application of textiles and through the translation of textiles in interior architecture.
Dissertation MInt(Prof)--University of Pretoria, 2012
Architecture
MInt(Prof)
Unrestricted
APA, Harvard, Vancouver, ISO, and other styles
3

Haji, Wahsalfelah Siti Norkhalbi. "Traditional woven textiles : tradition and identity construction in the 'new state' of Brunei Darussalam." University of Western Australia. Anthropology and Sociology Discipline Group, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0013.

Full text
Abstract:
Since its independence in 1984, politicians and nationalists in Brunei Darussalam have appealed to traditions in their efforts to create a national identity based on Brunei Darussalam’s national philosophy, `Malay Islamic Monarchy’. Weaving is one of the traditions related to Brunei traditional culture, thus traditional textile is used to construct national identity. This study focuses on the role played by powerful institutions in the creation of new tradition in order to foster national awareness in the `new state’ of Brunei Darussalam and I examine how traditional textiles are incorporated into the project of nation building. In Bruneian society, traditional woven cloths have multiple roles whose meanings vary according to the situation in which the traditional cloth is utilized. This research explores the significance of traditional textiles in Brunei Darussalam, focusing on the consumption of locally woven textiles in its traditions and the relationships to the expression and construction of identity. Since Islam came to Brunei Darussalam, it has become one of the predominant markers of identity of the Malays. This study analyse the influence of Islam in the production and consumption of traditional textile in Brunei Darussalam. The continuity of the production and consumption of traditional woven textile in Brunei Darussalam is very much dependent on its significant in the traditions of Brunei society as a whole. In order to prove this, this study focuses its investigation upon the production and uses of traditional textiles in the social customs of Malay society in Brunei Darussalam. Traditional woven textiles are employed to construct social identity in the reproduction of distinction. Traditional textiles are also offered to signify privilege and power. I examine how traditional textile is being used to distinguish social status and political prominence, denote offices, and display wealth and prestige.
APA, Harvard, Vancouver, ISO, and other styles
4

Simmons, Kathryn Elizabeth. "Textiles in Rural Bolivia: Where Does the Art of Traditional Textile Making Fit Into Today's World?" University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1418306303.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brenya-Baah, Kwaku. "TRADITIONAL DEVELOPMENT AND GLOBAL IMPACT OF ASANTE KENTE AND ADINKRA." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1417632170.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Salaghor, Laila Mohammed Nour. "The re-invention of traditional weaving in Saudi Arabia." Thesis, Coventry University, 2007. http://curve.coventry.ac.uk/open/items/5a7cf3d3-f931-46db-e429-6eb1d1820c56/1.

Full text
Abstract:
This research seeks to create new woven artefacts by integrating elements of traditional weaving from western Saudi Arabia and different kinds of materials for the warp, thus offering a new dimension to the field of hand weaving in Saudi society, and contributing to its development. For the researcher’s MA study, she was interested in western modern weaving and textiles in terms of its new weave techniques, methods, forms, design and function. But, with the commencement of her PhD study, she thought more about Saudi traditional weaving as a key reference. Her interest developed when she worked as a weaver and teacher of the art. Through work experience, the researcher has observed that the field of hand weaving in Saudi Arabia, particularly the traditional Bedouin approach, is rich in aesthetic values and techniques, but is not widespread. Some effort is required to find ways to develop this kind of weaving and to introduce the new forms, appearance and techniques to Saudi Arabian society. At the same time, this might be considered an invitation to Saudi weavers to join the researcher in reclaiming our past to suit the needs of the present time.
APA, Harvard, Vancouver, ISO, and other styles
7

Twose, Megan Frances, and n/a. "Studies of Phormium tenax fibre prepared in the traditional Maori manner." University of Otago. Department of Clothing and Textile Sciences, 1988. http://adt.otago.ac.nz./public/adt-NZDU20070619.110247.

Full text
Abstract:
Museum textiles provide priceless documentation of the activities of people throughout time. They record human interests and serve as resources for students of many disciplines. In New Zealand there are artefacts made from Phormium tenax which are extremely important in terms of providing a record of early New Zealand life and links to our past as both artistic and cultural symbols: they present an insight into the many faceted nature of early Maori culture. However there are some which are clearly in need of preservative treatment. Others may need care in the future for inevitably they are, or will be, subject to degradation during storage, when on display and during cleaning and refurbishing. Conservators, who embark occasionally on restorative treatments designed to reverse or arrest the symptoms of degradation, have begun to address the causes and future fundamental affects of their procedures. However there have been few scientific studies of the properties of the fibres and, therefore, there is little information to help the conservators in their tasks. This study has a twofold purpose. The first aim is to provide a short survey of the literature on Phormium and relate it to other lignocellulosic fibres. The emphasis in the survey is to put the conservation problem in context and to point to those technical articles which may be relevant to someone dealing with ancient materials. Secondly there is a practical study of the impact of heating the fibres in the absence and presence of oxygen and in water. These two agencies are ones which are directly relevant to the conservator.
APA, Harvard, Vancouver, ISO, and other styles
8

Stone, Anasee Pengsaa, and n/a. "An Investigation of Isan Textiles at the Village Level in North-Eastern Thailand with Particular Reference to Design and Manufacturing Strategies." University of Canberra. Design, 2009. http://erl.canberra.edu.au./public/adt-AUC20091216.095908.

Full text
Abstract:
This research is set in the context of a collaborative agreement between the Industrial Design Department, University of Canberra and the Faculty of Applied Art and Design at Ubon Rajathanee University in the northeast or Isan region of Thailand. In this thesis the textile production of the region was studied with an objective of evaluating the potential for product design process to positively influence production outcomes. Traditional textile production techniques could be lost because these processes are complex and slow, and the current environment, both physical and operational, is changing rapidly. Product design and the design process are relevant to the industrial development of Thailand and village textile production could benefit from structured design and manufacturing strategies that have a consumer focus and improved production outcomes. From a critical review of the relevant literature, it was found that village weavers valued the traditions of their craft and traditional patterns and colours were important in terms of cultural identity and village social organization. Product design process or more specifically, the Generic Design Process (GDP) was reviewed and a model developed that adapted the GDP to the prevailing research environment. The findings led to a program of field research including village interviews where the major issue of the devaluation of traditional natural material dyeing techniques was identified. Field experiments tested alternative dyeing techniques which were evaluated in a survey by village weavers. During the field research care was taken to adapt to the way in which village weavers lived and worked as the two activities were closely interrelated. The degree of skill and knowledge residing in the aging women, who constitute the majority of village weavers, in extensive and profound, and is often described as an example of local wisdom. The theoretical and experimental work has been related, with appropriate results and conclusions, to the potential for maintaining traditional natural dyeing processes albeit with different preservation techniques. The findings from this research suggests that product design processes are appropriate for village production and that the tradition of natural material colour dyes will survive, new colours were created and the potential for new trade in preserved colour dye products. Substantial databases of useful relevant information have been compiled and recommendations are made for future research.
APA, Harvard, Vancouver, ISO, and other styles
9

Albehairi, Musaed. "Using the traditional textile Sadu as an element of the Kuwait traditions and representing it as a monumental modern art form." Thesis, University of South Wales, 2010. https://pure.southwales.ac.uk/en/studentthesis/using-the-traditional-textile-sadu-as-an-element-of-the-kuwait-traditions-and-representing-it-as-a-monumental-modern-art-form(ffc18e5a-787d-4097-a951-33a69a733dca).html.

Full text
Abstract:
This is a practice based research, based on a representation of motifs related to Kuwait's traditions and heritage through Sadu textile; the research starts with determining the factors needed by Sadu in order to move to the monumental modern art form. One of these factors is the analysis presented by the artists of the first generation in Kuwait concerning Sadu and what was presented by Sami Mohammed in his "Sadu Project" in the Eighties. From another side, to present what affected Sadu through the globalisation concept and to benefit from the same in order to show Kuwait visual culture, analyse and develop the colour philosophy in order to reach a colour group that represents Sadu modern art. This aspect of the research is bibliographic, along with other aspects, including a critical reflection on practice. The research begins by using Jacques Derrida's "Deconstruction" as a process to dismantle Sadu motifs as ornaments, symbols, colours and subject matter. It is original research as it is based on an interview with Sami Mohammed's, which revealed that, in the Sixties, he was one of the pioneer artists who used modern art as a different area in their art careers, while also building national abstraction in Kuwaiti art. The other interview is with Yahya Swailem, an art teacher and critic in Kuwait since the Sixties, who provided the research with an overview of the history of art in Kuwait. The research aims at attracting the current and young generations to the heritages and traditions of their country by transforming the Sadu textile to a Sadu modern art form in paintings and increasing the art appreciation and their cultural awareness. The research title is also the research aim and the selection of it was based on the existence of words that contributed in refining the twentieth century art as modern art and monumental and Kuwait for determining the research location that is considered the base of the research and linking them with the word "representing" that also shows something new presented by this research. Sadu was selected for this research since it is a major and essential part of the heritage and traditions of Kuwait and since it is a textile, it may be on a two dimension form and for what it witnessed through the art in Kuwait through the first generation artists. Sami Mohammed considered it a start to success in changing its form and making it more modern. The paintings produced in the research display Sadu motifs with a colour philosophy that is different from previous presentations, with a focus on large-scale paintings to gain a new meaning through monumental Sadu art.
APA, Harvard, Vancouver, ISO, and other styles
10

Plessner, Gayle Shapiro. "An Exploration into the Transformational Process of Traditional Hawaiian Quiltmaking." Thesis, Pacifica Graduate Institute, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10255954.

Full text
Abstract:

This research explored Jung’s development of the concept of soul and its manifestation in the material world. In particular, this phenomenological study investigated Hillman’s anima mundi, the soul in and of the world, and how individual and community transformation occurred through the making of traditional Hawaiian quilts by hand. Using qualitative organic inquiry, ten participants including the researcher were asked to describe their emotional, psychological, and relational experiences of quiltmaking—thus integrating the handmade art into the very heart of this dissertation. The findings validated the social, healthful, and emotional benefits of quiltmaking by hand, having strong implications for clinical work and the process of individuation. Individuation achieved through the making and completion of one’s quilt was not just the creative journey of an individual soul, but a shared community endeavor that created enduring social bonds serving to perpetuate the tradition of Hawaiian quiltmaking. One of the most significant findings addressed Jung’s belief that soul lives among us in the material world. Further studies might examine individual and co-creative endeavors to compare creative, social, and transformational experiences. Also, further exploration into Jung’s notion of the soul of the object may deepen our understanding of soul and its delivery into the tangible world through the work of our hands.

Keywords: depth psychology, Jungian soul of object, transformation, traditional Hawaiian quiltmaking, creativity, collective experience.

APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Traditional textiles"

1

Barry, Dawson, ed. Traditional Indonesian textiles. London: Thames & Hudson, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gillow, John. Traditional Indonesian textiles. London: Thames & Hudson, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Nicholas, Barnard, ed. Traditional Indian textiles. London: Thames and Hudson, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gillow, John. Traditional Indian textiles. New York, N.Y: Thames and Hudson, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gillow, John. Traditional Indonesian textiles. New York, NY: Thames and Hudson, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Textile innovation: Traditional, modern and smart textiles. London: Line, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Traditional Indian costumes & textiles. Chandigarh: Abhishek Publications, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Skidmore, Suki. Sanganer: Traditional textiles, contemporary cloth. Jaipur: AMHP Publications, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Harvey, Janet. Traditional textiles of central Asia. New York, N.Y: Thames and Hudson, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Harvey, Janet. Traditional textiles of central Asia. New York, N.Y: Thames and Hudson, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Traditional textiles"

1

Garg, Rashi, and Anila. "Doodling: Introducing Paper Art into Textiles." In Recent Trends in Traditional and Technical Textiles, 169–78. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Singh, Shubhra. "Moving Lights as Moving Spaces: Reinterpreting Traditional Bamboo Chik Making." In Functional Textiles and Clothing, 427–43. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7721-1_32.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Choudhery, Anju, Kiran Choudhery, Varinder Kaur, Parambir Singh Malhi, and Sachin Kumar Godara. "Impact of Demonetization on Textile and Apparel Industry." In Recent Trends in Traditional and Technical Textiles, 209–21. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sakthivel, J. C., and L. Sivashankar. "Studies on the Water Retention Properties of Coir Needle Punched Nonwovens." In Recent Trends in Traditional and Technical Textiles, 223–29. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_20.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hulle, Ashish, and Ravikumar Purohit. "Optimization of Fusing Process Conditions Using the Response Surface Design." In Recent Trends in Traditional and Technical Textiles, 155–68. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Uttam, Devanand, and Garima Ahlawat. "The Effect of Wet Processing on the Comfort and Mechanical Properties of Fabrics Made from Cotton Fibres and Its Blends with Modal and Tencel Fibres in Weft." In Recent Trends in Traditional and Technical Textiles, 113–25. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kaur, Maneet. "Traditional and Technical Assets of Punjabi Culture: Phulkari, Bagh and Chope Embroideries." In Recent Trends in Traditional and Technical Textiles, 145–54. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sikka, Monica, Mamta Devi, and Samridhi Garg. "The Effect of Structural Parameter on Pressure Behaviour of Tubular Bandage." In Recent Trends in Traditional and Technical Textiles, 39–52. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pattanayak, Ajit Kumar. "Investigation of Flammability Parameters of Different Types of Fabrics Using Digital Image Processing Technique." In Recent Trends in Traditional and Technical Textiles, 189–95. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Midha, Vinay Kumar, and S. Suresh Kumar. "Influence of Weft Density on Runoff Erosion Control Performance of Rolled Erosion Control Systems." In Recent Trends in Traditional and Technical Textiles, 1–16. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9995-8_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Traditional textiles"

1

Granberry, Rachael, Brad Holschuh, and Julianna Abel. "Experimental Investigation of the Mechanisms and Performance of Active Auxetic and Shearing Textiles." In ASME 2019 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/smasis2019-5661.

Full text
Abstract:
Abstract Anisotropic textiles are commonly used in wearable applications to achieve varied bi-axial stress-strain behavior around the body. Auxetic textiles, specifically those that exhibit a negative Poisson’s ratio (v), likewise exhibit intriguing behavior such as volume increase in response to impact or variable air permeability. Active textiles are traditional textile structures that integrate smart materials, such as shape memory alloys, shape memory polymers, or carbon nanotubes, to enable spatial actuation behavior, such as contraction for on-body compression or corrugation for haptic feedback. This research is a first experimental investigation into active auxetic and shearing textile structures. These textile structures leverage the bending- and torsional-deformations of the fibers/filaments within traditional textile structures as well as the shape memory effect of shape memory alloys to achieve novel, spatial performance. Five textile structures were fabricated from shape memory alloy wire deformed into needle lace and weft knit textile structures. All active structures exhibited anisotropic behavior and four of the five structures exhibited auxetic behavior upon free recovery, contracting in both x- and y-axes upon actuation (v = −0.3 to −1.5). One structure exhibited novel shearing behavior, with a mean free angle recovery of 7°. Temperature-controlled biaxial tensile testing was conducted to experimentally investigate actuation behavior and anisotropy of the designed structures. The presented design and performance of these active auxetic, anisotropic, and shearing textiles inspire new capabilities for applications, such as smart wearables, soft robotics, reconfigurable aerospace structures, and medical devices.
APA, Harvard, Vancouver, ISO, and other styles
2

Čuk, Marjeta, Matejka Bizjak, Deja Muck, and Tanja Nuša Kočevar. "3D printing and functionalization of textiles." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p56.

Full text
Abstract:
3D printing is used to produce individual objects or to print on different substrates to produce multi-component products. In the textile industry, we encounter various 3D printing technologies in fashion design, functional apparel manufacturing (protective, military, sports, etc.), including wearable electronics, where textile material is functionalized. 3D printing enables the personalization of the product, which in the apparel industry can be transformed into the production of clothing or parts of clothing or custom accessories. Additive technology allows a more rational use of the material than traditional technologies. In the textile industry we meet different uses of it, one is the printing of flexible structures based on rigid materials, another is the printing with flexible materials and the third is the printing directly on textile substrate. All rigid, hard and soft or flexible materials can be integrated into the final design using 3D printing directly on the textile substrate. We speak of so-called multi-material objects and systems, which have many advantages, mainly in the increasing customization and functionalization of textiles or clothing. The article gives a broader overview of 3D printing on textiles and focuses mainly on the influence of different parameters of printing and woven fabric properties on the adhesion of 3D printed objects on the textile substrate. In our research we investigated the influence of twill weave and its derivate as well as different weft densities of the woven fabric on the adhesion of printed objects on textile substrate. Therefore, five samples of twill polyester/cotton fabrics were woven and their physical properties measured for this research. 3D objects were printed on textile substrates using the extrusion based additive manufacturing technique with polylactic acid (PLA) filament. Preliminary tests were carried out to define printing parameters and different methods of attaching the fabric to a printing bed were tested. T - Peel adhesion tests were performed on the Instron dynamometer to measure the adhesion between 3D printed objects and textile substrates.
APA, Harvard, Vancouver, ISO, and other styles
3

Takeyama, Nanci. "An investigation into the systems of traditional laotian textiles." In PDC '16: The 14th Participatory Design Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2948076.2948123.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kipöz, Şölen, and F. Dilek Himam. "Re-Inventing Traditional Textiles For The Contemporary Design Culture." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0062.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Miao, Haiqing, and Run Wen. "Wedding Bed Textiles Design Based on Chinese Traditional Auspicious Patterns." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.081.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Quinlivan, Brendan, Alan Asbeck, Diana Wagner, Tommaso Ranzani, Sheila Russo, and Conor Walsh. "Force Transfer Characterization of a Soft Exosuit for Gait Assistance." In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-47871.

Full text
Abstract:
Recently, there has been a growing interest in moving away from traditional rigid exoskeletons towards soft exosuits that can provide a variety of advantages including a reduction in both the weight carried by the wearer and the inertia experienced as the wearer flexes and extends their joints. These advantages are achieved by using structured functional textiles in combination with a flexible actuation scheme that enables assistive torques to be applied to the biological joints. Understanding the human-suit interface in these systems is important, as one of the key challenges with this approach is applying force to the human body in a manner that is safe, comfortable, and effective. This paper outlines a methodology for characterizing the structured functional textile of soft exosuits and then uses that methodology to evaluate several factors that lead to different suit-human series stiffnesses and pressure distributions over the body. These factors include the size of the force distribution area and the composition of the structured functional textile. Following the test results, design guidelines are suggested to maximize the safety, comfort, and efficiency of the exosuit.
APA, Harvard, Vancouver, ISO, and other styles
7

Secareanu, Lucia-Oana, Irina-Mariana Sandulache, Elena-Cornelia Mitran, Mihaela-Cristina Lite, Adrian Alexandru Apostol, Ovidiu Iordache, and Elena Perdum. "Protocol for identification and assessment of natural and synthetic textile fibers." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.v.12.

Full text
Abstract:
Proper identification of textile materials is essential, as people use textiles for clothing and shelter, dental and medical devices, protective firefighting, or even military clothing. There have been several developments regarding fiber identification using instruments such as Fourier transform infrared spectroscopy, Raman spectroscopy, or electron microscopy. However, the traditional methods are prevalent as they are the cheapest alternative. In the present paperwork, an accelerated weathering test was conducted on two different textile materials – cotton (natural fiber) and polypropylene (synthetic fiber). Alternating cycles of UV exposure, along with humidity and relatively high temperatures were employed for the weathering test. In order to evaluate the degradation degree of the two fibers, the results were compared and investigated using non-destructive and micro-destructive analysis techniques such as Scanning Electron Microscopy (SEM), to evaluate the surface modifications of the fibers, and colorimetry, to quantify the color changes. In addition, Fourier-Transform Infrared Spectroscopy (FT-IR) indicated the modifications of functional groups that occurred after the weathering test. A non-destructive technique – X-Ray Diffraction (XRD) was also performed to obtain information about the crystalline structure. The obtained information will be used for cultural heritage studies.
APA, Harvard, Vancouver, ISO, and other styles
8

Martz, Y., J. Frechard, and D. Knittel. "Advanced Motion Control Design for Longitudinal Web Dynamics in Roll-to-Roll Systems: Velocity or Position Control?" In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-13503.

Full text
Abstract:
Roll-to-Roll systems handling web material such as papers, polymers, textiles or metals are very common in the industry. One of the main objectives in web handling plant is to reach an expected web speed while maintaining the web tension within an acceptable range around the tension reference in the entire processing line. In the recent years, several works have focused on the topic of web tension control using H∞ approaches. In the traditional way, each motor driven roller is controlled in speed and the web tension control is ensured by an external loop. This paper proposes to compare, for the first time, the traditional control strategy with a control strategy including position control rather than speed control. In fact, position control is commonly used in printing industry. The comparison will be ensured in frequency and time domain and take into account the reference tracking performances and the robustness to web elasticity variations.
APA, Harvard, Vancouver, ISO, and other styles
9

Bashir, Asad, and Abigail R. Clarke-Sather. "Reuse Potential of Used Textiles for American Industries." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-98521.

Full text
Abstract:
Abstract Increasing the recovery of textiles from municipal solid waste (MSW) is important for improving environmental sustainability. In 2015, over 10.5 million tons of textile waste was landfilled, which is 7.6% of total landfilled MSW according to the U.S. EPA. For all materials, recycling in the U.S. has increased over the past decade to 25.8% of the weight of the waste generated, textile recycling is below this level at 15.3%. This research quantifies the availability of used textiles by material type from Goodwill of Delaware (Goodwill-DE), a thrift store franchise, between 2012 and 2014. It examines the feasibility of recycling this amount of available discarded textiles, specifically cotton, into U.S. industrial subsectors that traditionally use new cotton textiles. A hybrid product model was created using EIO-LCA to compare economic and environmental impacts in the cut and sew apparel, airplane and automotive seating, upholstered furniture, and textile bag manufacturing industrial subsectors. Economic impacts on supply purchases and profits were considered. Environmental impacts in energy use and CO2 equivalent emissions were examined. As a result, utilizing all of Goodwill-DE’s annual discarded cotton textiles by the cut and sew apparel industrial subsectors would have positive impacts in terms of supply purchase and energy savings and reduction in CO2 equivalent emissions, but negative impacts on profits. Supply purchase savings are greater than the profit loss, resulting in a net economic gain for the cut and sew apparel industrial subsectors. Of the seven industrial subsectors considered, the U.S. cut and sew apparel industries would benefit the most from utilizing used cotton textiles.
APA, Harvard, Vancouver, ISO, and other styles
10

Oliveira, Victor, Fernando Castro, Jose Carlos Teixeira, Jorge Araujo, Andre Ribeiro, Joana Carvalho, and Maria Cândida Vilarinho. "Physicochemical Characterization of the Rejected Waste From the Mechanical and Biological Treatment of Municipal Solid Waste." In ASME 2021 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/imece2021-73595.

Full text
Abstract:
Abstract Mechanical and Biological Treatment units (MBT), are a key element in the management of municipal solid waste as they are the preferred route for minimization of the amount of waste delivered to landfills. However, taking into account the waste received by the MBT’s, it is observed that a significant part is sent to controlled landfills without any kind of valorization. Within this framework, a characterization of the rejected waste produced in one of these facilities was carried out in order to assess their potential for energy recovery. The rejected waste is composed by different fractions, namely paper, textiles, plastic films, hard plastics, glass, metal, organic matter and undifferentiated waste. In the present work the rejected waste from a MTB unit is sorted into different classes and each one is fully characterized and assessed as an energy source. For the physicochemical characterization of different residues the following tests were performed: weight loss at 105 °C, elemental analysis, the determination of the heating value, thermogravimetric analysis and FTIR spectroscopy. Considering the potential for energetic recovery of the different fractions, only paper, textiles, hard plastics and plastic films were characterized because of the high moisture content of organic material. According to the results, there is a great variability of the physical-chemical properties within the various samples, both in composition and moisture. Most notably the polymer based residues (hard plastics and plastic films) show a heating value that compares favorably with both traditional biomasses and fossil fuels. Therefore, providing their acceptance in terms of toxicity, they can provide a valuable source of energy and contribute to the reduction of waste delivered to landfills.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Traditional textiles"

1

Myin, Mon Thu, and Carol J. Salusso. U.S. Consumer Response to Original Styles Featuring Traditional Burmese Textiles. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1749.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Traditional textiles' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography