Relevant bibliographies by topics / Traditions and Craftsmanship

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Traditions and Craftsmanship'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Traditions and Craftsmanship"

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Yi, Kuo Jze. "The Last Ten Years of Traditional Craftsmanship in Miaoxia Village." Cubic Journal, no. 3 (November 2020): 118–29. http://dx.doi.org/10.31182/cubic.2020.3.027.

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This article reflects on the disappearing carpentry tradition in a rural village called Miaoxia in Sichuan Province China. Since 2015, villagers, social workers, architects, and university scholars have been collaborating to look for alternative development possibilities in Miaoxia Village. The idea of using the local carpentry tradition has been one of the key focusses in the process. Since the Chinese Economic Reform in 1978, the influence of urbanisation and market economy in China has led the Chinese government to rethink the value of rural customs and traditions. While the country has bee
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Widadi, Zahir. "PEMAKNAAN BATIK SEBAGAI WARISAN BUDAYA TAKBENDA." Pena Jurnal Ilmu Pengetahuan dan Teknologi 33, no. 2 (2019): 17. http://dx.doi.org/10.31941/jurnalpena.v33i2.897.

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This research aims to improve the knowledge and understanding of the intangible culture heritage because many people do not understand the meaning of the confirmation of Indonesian batik as a intangible cultural heritage by UNESCO. This research uses qualitative research methods with descriptive format. The intangible cultural heritage means the practices, representations, expressions, knowledge, skills – as well as the instruments, objects, artefacts and cultural spaces associated therewith – that communities, groups and, in some cases, individuals recognize as part of their cultural heritage
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Cavalcante, Raniery Lopes da Silva. "Design and craftsmanship: an analysis of the role of designers in transforming artisanal practices." Concilium 23, no. 20 (2023): 650–63. http://dx.doi.org/10.53660/clm-2296-23r27.

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The article delves into the relationship between design and craftsmanship, highlighting the transformation in artisanal practices driven by collaboration with designers. Through a systematic review, the text explores interactions between designers and artisans, emphasizing manufacturing techniques of Batik and embroidery craftsmanship, both globally and in the Brazilian context. The employed methodology seeks to answer how these collaborations influence innovation, cultural preservation, and sustainability. Batik, an ancient dyeing technique, is showcased as a vibrant example, demonstrating ho
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Iancu, Bogdan. "Inside the Creative Traditions Workshops." Martor. The Museum of the Romanian Peasant Anthropology Review 22 (November 15, 2017): 197–203. http://dx.doi.org/10.57225/martor.2017.22.13.

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The interviews that make up this section of the journal illustrate some of the particular challenges facing recent initiatives to recover, in a creative way, a range of artisan products. These are projects that go beyond the standard efforts at re-activation and re-animation that created a cultural landscape generally characterised by inertia. Mention should also be made here of two other equally interesting projects, Mesteshukar ButiQ, a Bucharest-based social enterprise working at giving new value to traditional Roma craftsmanship, and PATZAIKIN Design, which grounds its inspiration in the f
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Nur Alia, Shamsul Bahri, Abd Wahab Norazilawati, Mohd Noor Arba’iyah, and Abdullah Mohd Firdaus. "THE BOATBUILDING PRACTICES AMONG BOATBUILDERS (TUKANG TIMBAL) IN TERENGGANU, MALAYSIA: A CASE STUDY IN WATER TRANSPORTATION, MARITIME HERITAGE AND CRAFTSMANSHIP IN ASEAN." ALAM CIPTA International Journal Of Sustainable Tropical Design & Practice 17, no. 1 (2024): 75–87. http://dx.doi.org/10.47836/ac.17.1.paper09.

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This case study explores the boatbuilding practices among boatbuilders (Tukang Timbal) in Terengganu, Malaysia, and their significance in preserving maritime heritage and craftsmanshipin ASEAN. By examining the techniques, materials, and cultural influences involved incontemporary boat construction, the research aims to document and analyse the unique practices of these skilled artisans. Employing a qualitative researchapproach, the study combines interviews, observation, and analysis of boatbuilding processes to uncover the knowledge andskills passed down through generations of boatbuilders i
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Bakhtiyor, R. Khalmuratov. "CRAFTSMANSHIP IN FERGANA VALLEY: ETHNIC AND REGIONAL CHARACTERISTICS." Look to the past 6, no. 2 (2023): 4. https://doi.org/10.5281/zenodo.7680672.

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This article is about hairdressing, one of the crafts that is widespread among the Uzbeks of the Fergana Valley and still preserves its age-old traditions. The main focus of the article is on regional and ethnic characteristics of hairdressing in the valley, secrets of the profession, methods, tools, other functions of the owners of this profession in society, customs and rituals related to hairdressing.
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Song, Yanzhi. "Research on the Digital Protection and Inheritance of Nanjing Goldleaf Forging Technology." Arts Studies and Criticism 5, no. 2 (2024): 65. http://dx.doi.org/10.32629/asc.v5i2.2201.

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Research Approach on the Digitization, Integration, and Visualization of Information Based on the Nanjing Gold Beating Craftsmanship — Key Technology Exploration for the Informatization Presentation. This essay explores the historical significance, technological intricacies, and digital preservation strategies surrounding Nanjing Goldleaf forging craft, a cherished tradition in China with a lineage spanning over 1,700 years. Amidst modernization, efforts to digitize this ancient craft are essential for its enduring legacy. Through the convergence of tradition and digital innovation, Nanjing Go
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Gavhar, Khabibullayeva. "thnographisms Related to Craftsmanship in The Prose Works of The Jadids." European International Journal of Philological Sciences 5, no. 1 (2025): 48–50. https://doi.org/10.55640/eijps-05-01-12.

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This article analyzes the ethnographies of crafts in the prose works of the Jadids from a linguistic and ethnographic perspective. It studies the terms of crafts found in the texts of the works, their meaning, function, and place in the cultural context. In the course of the research, the lexical units related to national terms related to crafts - embroidery, carpet weaving, jewelry, and headdress making - are analyzed. Also, the synonymous variants of these ethnographies and their interpretation in explanatory dictionaries are considered. The article aims to reveal the importance of language
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Sharma, Sarita. "THE ROLE OF RAJASTHAN'S TEXTILES IN WORLD OF FASHION." International Journal of Innovations & Research Analysis 05, no. 01 (2025): 185–90. https://doi.org/10.62823/ijira/05.01.7214.

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Rajasthan, India's desert state, is renowned for its rich cultural heritage, particularly its vibrant and diverse textile traditions. Rajasthani textiles embody a rich cultural legacy that continues to inspire the fashion world. These textiles, including printed textiles like block prints, dyed textiles like tie-dye (bandhani), hand-woven fabrics such as Kota Doria, and woollen textiles have gained global recognition for their craftsmanship and artistry. This article explores the role of Rajasthan's textiles in the fashion industry, whether it is traditional Attire, Global Runways, Accessories
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Yan, Mengran, and S. Siti Suhaily. "Decoding Traditional Malaysian Lanterns: Historical Cultural and Design Perspectives." PaperASIA 41, no. 3b (2025): 101–12. https://doi.org/10.59953/paperasia.v41i3b.506.

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The diversity of world cultures is a significant achievement of human social development, manifested through artistic creation, craftsmanship, dissemination, and commercialization. Among these, intangible cultural heritage (ICH) serves as a core component of cultural diversity, reflecting human creativity, national history, wisdom, and cultural traditions. Traditional handicrafts, due to their unique artistic value, symbolic meaning, and social function, play a crucial role in cultural heritage transmission. As a symbolic traditional handicraft in Southeast Asian cultures, lanterns in Malaysia
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Dissertations / Theses on the topic "Traditions and Craftsmanship"

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Corrente, Andrea Mariam <1995&gt. "The Topicality of Craftsmanship: Technology and Tradition Together for a New Concept of Craftsmanship." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17436.

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Starting from the literature that feeds this debate, I propose a key for rethinking in an ethical, creative and participatory sense of the role of technology in contemporary society. We imagined a digital that no longer accompanies the individual, but rather put itself at the service of a productive dimension in which man tends to disappear for the benefit of an artificial intelligence that puts the human figure even in a corner, literally excluding it. There has been a collapse of confidence in production technologies, but also in the tools that seemed to be of use to us and seemed to be the
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Das, Himanish. "Principles of design and craftsmanship in the traditional architecture of Jaisalmer." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/55594/.

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The study focuses on the sandstone havelis (urban courtyard houses) of the desert city of Jusahner, north-west Rajasthan, India. While the city has been much admired by cortempotary Indian architects, their understanding has been a Modernist one, based largely on the idea of 'spatial organisation'. This is the first systematic study of the architectural tradition of Jaisalmer. The approach taken is one of detailed formal analysis, through which principles of design have been deduced. Two sources have provided the primary material: the buildings themselves, and the present-day practitioners of
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Balksten, Kristin. "Traditional lime mortar and plaster : Reconstruction with emphasis on durability." Doctoral thesis, Chalmers Tekniska Högskola, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-220119.

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Lime mortar and plaster have been investigated with the aim to improve the knowledge on how to make them as durable as before the cement technology was developed. The background was the durability problems experienced for newly produced lime plaster on the medieval churches on the island of Gotland, Sweden. In some cases the new lime plaster façades showed severe frost damages after only one winter. Although the lime was burnt and produced according to old local traditions, the lime mortar was still mixed and worked onaccording to methods developed for lime-cement mortar. This often led to a v
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Chartsiri, Chamaikarn Pai. "Sitting with The Fisherman." Thesis, Konstfack, Textil, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5181.

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The scene of a local motorcycle taxi driver hand-knitting a small fishing net at his stand next to a canal will never fade away from my childhood memory. It was the first time I saw the life behind the fishing net. Throughout my textile practice, I’ve reconsidered the fishing net with curiosity and nostalgia. Behind its mesh and diamond shaped structure, I see craftsmanship and the story of its creation. I would like to preserve and encourage these precious values in the net with my Master project Sitting with The Fisherman. The fishing net is reinterpreted to everyday life with a trace of sto
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Schreiber, Raphael, and Moisin Monica Bota. "Rebranding “Made in India” through Cultural Sustainability : Exploring and Expanding Indian Perspectives." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-25395.

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This exploratory study is a first attempt to translate the Indian cultural context from a socio-cultural, and legal perspective by identifying the values attributed to Indian textile craftsmanship by Indian textile and fashion stakeholders, and how their perspective is influenced by the global recognition and perception of Indian textile crafts and connotation of “Made in India”. At the same time the study investigates the meaning of “sustainability” in the Indian cultural context, in relation to textile craftsmanship, and how this relates to the Western concept of “sustainability”. Through fi
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Serraille, Guillaume. "Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20011.

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L’identification et la définition des acteurs du verre italien actuel est complexe dans la mesure où leur situation est paradoxale : ils sont à la fois emblématiques et relativement absents dans l’art du verre « libre » actuel. Ce « mouvement » qui prit son essor dans le courant des années soixante aux États-Unis expérimenta à la fois de nouvelles pratiques et formes sculpturales, ainsi que des structures plus petites et plus souples que le traditionnel atelier-manufacture. En outre, cette révolution du Studio Glass Movement se produit aux prémices d’une postmodernité durant laquelle les arts
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Thai, Yang Chi, and 蔡楊吉. "Study on the Chiseling Craftsmanship of traditional Taiwanese buildings." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/x7g9dp.

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碩士<br>亞太創意技術學院<br>文化創意設計研究所<br>106<br>The late Ming Dynasty (1661) years Zheng Cheng-Gong landed Tainan Luermen, The Hans were getting on boat to Taiwan , gradually become the dominant ethnic groups in Taiwan, but also opened the Fujian-style traditional architecture in Taiwan's history, of which the two main branches of Fu Lao and Hakka people that both the architectural culture has no obvious differences, belong to the style of Fujian and Guangdong, As the main structure of the big wood masterpieces building, most of the local materials have been established in Taiwan's Han-style architectur
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Feng, Jia-Yu, and 馮家瑜. "The Craftsmanship of Lin Yi-Ya, a Traditional Mason of Dong-Yin." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/d72557.

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碩士<br>國立臺北藝術大學<br>建築與古蹟保存研究所<br>99<br>The aim of this paper is to explore the meaning of Dong-Yin history and culture that through a traditional mason craftsmanship of Lin, Yi-Ya .Tow periods traditional house of traditional village of Nan Ao. 1901-1954 “Free Trade” period, and 1955-1971 “Civil Affairs Military Government” period. Lin, Yi-Ya was a traditional mason in 1955-1971. His work built traditional house and stove, but in 1973 the military controlled goods and materials and supported people to build reinforced concrete house. In this situation, Lin turned to built reinforced concrete ho
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Leitão, Renata Marques. "Craftsmanship as a means of empowerment for the traditional population of Guaraqueçaba : a case study." Thèse, 2011. http://hdl.handle.net/1866/8727.

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Leitão, Renata M. "Craftsmanship as a means of empowerment for the traditional population of Guaraqueçaba : a case study." Thèse, 2011. http://hdl.handle.net/1866/8727.

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Cette recherche consiste en une étude de cas sur un groupe d’artisans qui a réussi à transformer sa production artisanale en importante source de revenus. Ces artisans, de culture caiçara, ont formé une coopérative dans la municipalité de Guaraqueçaba, dans l’État du Paraná au Brésil. Caiçara est le nom de la population traditionnelle métisse qui habite dans les zones côtières du Sud et Sud-est du Brésil. La région de Guaraqueçaba abrite des écosystèmes de biodiversité extrêmement riche et précieuse, dont la conservation est une priorité à l’échelle mondiale. Afin de réguler l’utilisation des
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Books on the topic "Traditions and Craftsmanship"

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Ballast, David Kent. Craftsmanship: An endangered architectural tradition. Vance Bibliographies, 1988.

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Zea, Philip. The Dunlap cabinetmakers: A tradition in craftsmanship. Stackpole Books, 1994.

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Shalom, Staub, Balch Institute for Ethnic Studies. Museum., American Folklore Society, and Governor's Pennsylvania Heritage Affairs Commission., eds. Craft & community: Traditional craftsmanship in contemporary society. American Folklore Society, 1988.

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Markowski, Phil. Farmhouse ales: Culture and craftsmanship in the Belgian tradition. Brewers Publications, 2004.

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Markowski, Phil. Farmhouse ales: Culture and craftsmanship in the Belgian tradition. Brewers Publications, 2004.

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Nath, Soni Lok, Kulirani B. Francis, and Anthropological Survey of India, eds. Crafts and craftsmanship: Studies in traditional knowledge in India. Anthropological Survey of India, 2009.

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Nath, Soni Lok, Kulirani B. Francis, and Anthropological Survey of India, eds. Crafts and craftsmanship: Studies in traditional knowledge in India. Anthropological Survey of India, 2009.

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Hull, Brent. Traditional American rooms: Celebrating style, craftsmanship, and historic woodwork. Fox Chapel Pub., 2009.

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Schalwijk, Bob. Traditions of Craftsmanship in Mexican Homes. Architectural Book Publishing Company, Incorporated, 2002.

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Rault, Lucie. Musical Instruments: Traditions and Craftsmanship from Prehistory to the Present. Harry N Abrams, 2001.

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Book chapters on the topic "Traditions and Craftsmanship"

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Pande, Shubhra, Monalisa Bhardwaj, and Pushplata Garg. "Distinctive Poetics and Craftsmanship in the Vernacular Building Traditions of Kumaon: Case of Almora." In Potency of the Vernacular Settlements. Routledge, 2024. http://dx.doi.org/10.4324/9781003389002-29.

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Motta, Martina, Giovanni Maria Conti, Giulia Lo Scocco, and Rachele Didero. "Craftmanship and Digitalization in the Italian Knitwear Industry. A Paradigm Shift for the Narrative of Made in Italy." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_67.

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AbstractKnitwear is a consolidated industry in Italy and, at the same time, a typical expression of the Made in Italy paradigm linked to the ideas of craftsmanship. While, on the one hand, knitwear is associated with the idea of craft and manufacturing traditions, on the other hand, it is nowadays produced by numerical control machines (CNC) where the technological contribution and the level of automation are very relevant. The convergence of physical and digital environments, at the heart of the Fashion Industry 4.0 debate, is an established feature of knitwear design practice.In the contempo
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Cannizzaro, Diego. "From the Fiffaro to the Voce Umana: Beating Stops in the Italian and Sicilian Organ Building Tradition." In Vox Humana Craftsmanship. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10290-5_2.

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Luo, Ying. "Lasting Luxury: Arts and Crafts with Xia Bu 夏布, a Traditional Handloomed Ramie Fabric." In Sustainable Luxury and Craftsmanship. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3769-1_5.

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Sbolzani, Sonia. "Artigianato e Made in Italy." In Idee di lavoro e di ozio per la nostra civiltà. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0319-7.169.

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The essay by Sonia Sbolzani on the current role of craftsmanship aims to outline the idea of work underlying this historic human activity, highlighting how it is based on creative power, personal self-realization, sense of autonomy, knowledge, aesthetic values, osmosis of manual skills and new technologies. Examining its evolution from ancient times to today, the author demonstrates how craftsmanship has become and can increasingly become a critical success factor of excellent Made in Italy, to which it contributes substantially from the economic point of view and in terms of soft power, combi
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Laurìa, Antonio, Valbona Flora, and Kamela Guza. "Three villages of Përmet: Bënjë, Kosinë and Leusë." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.01.

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Part I of the book focusses on three villages in the Municipality of Përmet: Bënjë, Kosinë and Leusë. Bënjë, which lies entirely within the "Bredhi i Hotovës - Dangëlli" National Park, has undergone anthropization processes since prehistoric times. Due to its landscape and architectural value, it was recognised in 2016 as a “historical centre” and as such has come under the protection of the National Institute for the Cultural Heritage. There is little information concerning the history of Kosinë. The inhabitants show a strong connection with the Byzantine Church of the Dormition of Mary, but
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Akhir, Noor Haslina Mohamad, Normaz Wana Ismail, Rusmawati Said, and Shivee Ranjanee A/P Kaliappan. "Traditional Craftsmanship: The Origin, Culture, and Challenges of Batik Industry in Malaysia." In Islamic perspectives relating to business, arts, culture and communication. Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-429-0_22.

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Rinke, M., and R. Haddadi. "Industrialising timber craftsmanship: Early glulam within the traditional timber construction in Switzerland." In History of Construction Cultures. CRC Press, 2021. http://dx.doi.org/10.1201/9781003173359-65.

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Rastogi, Twinkle, Kajal Thakuriya, and Kalpana Munjal. "Enhancing Traditional Craftsmanship: Impact of Training on Mandana, Bhil, and Gond Artisans." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-416-7_27.

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Acri, Marco, M. Xavier Greffe, and Saša Dobričić. "Intangible Matters: Cultural Heritage as a Driver for Circular Economy." In Adaptive Reuse of Cultural Heritage. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-67628-4_3.

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AbstractBy examining the experiences from the CLIC project, which integrates cultural heritage adaptive reuse with the concepts of circular economy, the paper highlights the historical significance of these principles and their contemporary relevance. Historically, the production of daily objects, works of art, and monuments adhered to economic principles of efficiency and efficacy, optimising the use of available materials while perfecting their primary uses. However, industrialisation and globalisation have altered this logic, making materials more accessible but diminishing specialised craf
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Conference papers on the topic "Traditions and Craftsmanship"

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Caseau, Cornelia. "Bean-to-Bar or How to Combine Sustainability and Creativity: The Example of an Iconic Austrian Chocolate Manufacturer." In 25th International Joint Conference Central and Eastern Europe in the Changing Business Environment. Vydavateľstvo EKONÓM, 2025. https://doi.org/10.53465/ceecbe.2025.9788022552257.36-49.

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Bean-to-bar is a movement born in San Francisco (USA) in the first decade of the 2000s. For the chocolate industry, it is a kind of modern re-interpretation of the ancestral craftsmanship of the chocolatier-torréfacteur, who controlled the whole production process from the bean to the bar. The Austrian chocolate manufacturer and family business Zotter, established in 1999 in Bergl, in the region of Styria in southern Austria, is equally committed to the bean-to-bar concept. The purpose of this paper is to investigate Josef Zotter's bean-to-bar philosophy and to understand the firm's founder's
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Özdemir, Bahar. "Carved and Moulded Glazed Tiles in the Shah-I Zinda Complex, Samarqand." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/624c5n58.

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The richness, variety, and technical craftsmanship of the decorative revetments of Timurid architecture is highly impressive. The craftsmen brought from different regions to Samarqand established a new art, by combining their style with the local traditions. The Shah-i Zinda Complex presents a group of buildings in which we can clearly follow the combination, change, and development of local traditions, resulting in the formation of the various Timurid styles created by the masters brought from various lands. In this development and formation process, carved and moulded ceramic tiles are among
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Kravcenko, Vladimir. "Illustrated books from the second half of the XXth century – beginning of the XXIst century and the visualization of national traditions included in the UNESCO Representative list of Intangible Cultural Heritage of Humanity." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.02.

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The paper is focused on the visual interpretations of the old-time customs: 1) Men’s group Colindat. Christmas-time ritual; 2) Traditional wall-carpet craftsmanship; 3) Mărţişor as cultural practice associated to the 1st of March. In the text there is provided data on both the body of traditions and the peculiarities of their depiction in book illustrations of outstanding aesthetical value. Seven two-part models were forged and described regarding the historic, cultural, stylistic, technical development of image production in the Republic of Moldova. Important data is offered on the illustrate
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Nascimento, Albio. "Reinventing Modernity Through Tradition: Product Development in Traditional Craftsmanship." In Nordes 2009: Engaging Artifacts. Nordes, 2009. http://dx.doi.org/10.21606/nordes.2009.030.

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Sawa, Kazuya, Toshiki Hirogaki, Eiichi Aoyama, Kazuya Okubo, and Keiji Ogawa. "Digital Manufacturing of Makyoh-Magic-Mirror for Difficult-to-Machine Material to Process." In ASME 2010 International Manufacturing Science and Engineering Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/msec2010-34203.

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The Makyoh, or “magic mirror,” is a bronze mirror originating from ancient Japan. The mirror reflects an image on a distant wall when parallel light such as sunlight shines on it. Craftsmen with a great amount of cumulative experience and intuition have produced the Makyoh, and the skill of these craftsmen has advanced continuously. However, there are very few craftsmen today who can make Makyoh mirrors. The problem of the diminishing number of craftsmen, which is not confined to creating the Makyoh, has drawn considerable attention. There have been attempts to digitize the skills (or inferred
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Dias, Joao, Ana Luisa Marques, and Pedro Costa. "Synesthetic Design and Intangible Heritage: Mixed Reality as a strategy for preserving and promoting endangered traditions." In Human Interaction and Emerging Technologies (IHIET 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006715.

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Intangible heritage is the name given to practices, expressions, different knowledge, and skills that several communities recognize as being part of their cultural identity. This includes aspects such as traditions, oral histories, rituals, performing arts, and craftsmanship passed down through generations. Intangible heritage, unlike its tangible counterpart, cannot be materialized. However, it plays a unique role in enhancing and deepening cultural diversity. More importantly, it fosters a sense of belonging, underlining the significance of preserving these living traditions. Intangible heri
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Flanagan, Robert, and Kelly Shannon. "Digital Studio Confronts Tradition." In eCAADe 1998: Computer Craftsmanship in Architectural Education. eCAADe, 1998. http://dx.doi.org/10.52842/conf.ecaade.1998.065.

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Flanagan, Robert, and Kelly Shannon. "Digital Studio Confronts Tradition." In eCAADe 1998: Computer Craftsmanship in Architectural Education. eCAADe, 1998. http://dx.doi.org/10.52842/conf.ecaade.1998.065.

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Muta, Takahiro, Yuka Jimbo, and Hirohiko Mori. "Tradition of craftsmanship through computer augmented tools." In 2006 SICE-ICASE International Joint Conference. IEEE, 2006. http://dx.doi.org/10.1109/sice.2006.315598.

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López García, Esmeralda. "La mediterraneidad en la obra de Le Corbusier. La bóveda catalana lecorbuseriana: Influencias y evolución." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.527.

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Resumen: Le Corbusier durante gran parte de su vida busca volver la vista hacia las tradiciones mediterráneas. Con el fin de desvelar la arquitectura y el paisaje españoles, realiza un gran número de viajes en tren y coche a lo largo de su territorio y será durante su visita a Barcelona en 1928 cuando nace su interés por la técnica de la bóveda catalana. Es una época de su carrera en la que empieza a interesarse por métodos de construcción y materiales tradicionales. Para el arquitecto la bóveda catalana es un sistema con grandes posibilidades formales y una gran flexibilidad frente a su senci
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Reports on the topic "Traditions and Craftsmanship"

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Casimiro, June Ann, Karenina Romualdo, and Via Shane Santiago. Innovation Strategies in Traditional Cultural Expressions MSMEs in the Philippines: A Case Study. Philippine Institute for Development Studies, 2025. https://doi.org/10.62986/dp2024.48.

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This study investigates the innovation strategies of cultural micro, small, and medium enterprises (MSMEs) in Northern and Central Luzon, Philippines, operating within the domain of traditional cultural expressions, particularly traditional crafts and culinary crafts. These enterprises play a dual role in preserving cultural heritage and contributing to local economic development. As cultural and creative industries (CCIs) gain increasing recognition for their economic and social contributions, cultural MSMEs in developing regions face unique challenges. Through a qualitative case study approa
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