Relevant bibliographies by topics / Tragediya

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Tragediya'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Tragediya"

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Xurshida YULDASHEVA. "ABU ALI IBN SINONING “SHE’R SAN’ATI” VA ABU NASR FOROBIYNING “SHE’R SAN’ATI” RISOLALARINING QIYOSIY TAHLILI." UzMU xabarlari 1, no. 1.4 (2025): 344–46. https://doi.org/10.69617/nuuz.v1i1.4.7294.

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Ushbu maqolada Abu Ali ibn Sino va Abu Nasr Forobiyning SHe’r san’ati risolalari qiyosiy tahlil qilinadi. Tadqiqotda har ikki mutafakkirning poetik nazariyalari, drama, badiiy uslub va nutq hodisalari haqidagi qarashlari o‘rganiladi. Shuningdek, maqolada yuksak san’at va tuban san’at, tragediya va komediya janrlari haqida Ibn Sino va Forobiyning fikrlari, ularning o‘zaro o‘xshash va farqli jihatlari tahlil qilinadi.
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Makhlin, V. L. "Dostoevsky in Dostoevsky. M. Bakhtin and the methodological turnaround in the 1910s–1920s." Voprosy literatury, no. 5 (October 11, 2023): 83–104. http://dx.doi.org/10.31425/0042-8795-2023-5-83-104.

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The history of Dostoevsky’s reception knows a relatively brief but extremely intense and productive period of ‘paradigm shifting:’ displacing the philosophical journalism of Rozanov, Merezhkovsky, Shestov and others in the 1910s and 1920s was literary criticism proper. The paper is concerned with this methodological turnaround in Dostoevsky studies. Inspired by V. I. Ivanov’s article ‘Dostoevsky and the novel-tragedy’ [‘Dostoevsky i roman-tragediya’] (1911), young scholars of the day (V. Komarovich, L. Grossman, B. Engelgardt, and M. Bakhtin, among others) attempted to comprehend ‘Dostoevsky i
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Islomov, Jurabek Soxibnazarovich. "USMON AZIM DRAMATURGIYASIDA DRAMATIK JANRLAR RANG-BARANGLIGI." USTOZLAR UCHUN 57, no. 2 (2024): 341–47. https://doi.org/10.5281/zenodo.11148149.

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Annotatsiya. Mazkur maqolada Usmon Azim asarlari misolida hozirgi zamon adabiyotida dramatik janrlarning xilma-xilligi xususida so‘z yuritilgan. Chunonchi, ijodkorning ushbu turga mansub bo‘lgan tragediya, drama, dramatik doston, komediya, ertak-drama kabi bir qancha janrlarga oid asarlar yaratganligi hamda ayrim hollarda mazkur janrlarning nazariyalariga an’anaviy, ba’zan esa novatorona yondashganligi tahlillar asosida ko‘rsatib berildi.
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Nigina MAVLYANOVA. "O‘ZBEK DRAMATURGIYASI TADRIJI VA UNING TURLI JANRLARIDA BOLALAR OBRAZI TASVIRI." UzMU xabarlari 1, no. 1.1 (2024): 254–57. http://dx.doi.org/10.69617/uzmu.v1i1.1.469.

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O‘zbek dramaturgiyasining tadrijiy rivoji XX asrning boshlariga bog‘liq bo‘lib, XXI asrda ham davom etdi. Garchi, o‘zbek dramaturgiyasi cho‘qqi nuqtasiga chiqmagan bo’lsa-da, o’zbek dramalari mavzu va qahramonlar ko‘lami jihatdan boydir. O’zbek dramaturgiyasida drama, musiqali drama, komediya, fojia (tragediya) janriga mansub sahna asarlari yaratilib, tomoshabinlarga badiiy-estetik zavq berish hamda ularni mehnatsevarlik, qahramonlik, insonparvarlik, vatanparvarlik, xalqlar do‘stligi ruhida tarbiyalashga xizmat qildi. O‘zbek bolalar dramalarida bolalarni ilm olishga, o‘zaro do‘stona yashash, b
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Dikmonienė, Jovita. "Senekos dramų herojų jausmų raiška ir poveikis žiūrovams." Literatūra 50, no. 3 (2008): 36. http://dx.doi.org/10.15388/litera.2008.3.7826.

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Antikinës tragedijos esmë yra neatsiejamai susijusi su herojø jausmais, o prasmë ir vertë – su þiûrovø ir skaitytojø emocijomis. Pasak Oksfordo universiteto profesoriaus Oliverio Taplino, „jausmai yra tragedijos ðirdis“1 . Ákvëptas Thomo Stearnso Elioto apybraiþos „Seneka Elþbietos laikø vertimuose“, profesorius knygos Graikø tragedija scenoje (Greek tragedy in action) epigrafu pasirinko citatà, kurià perfrazavo taip: „Graikø tragedijoje uþ þodþiø slypi veiksmas, uþ veiksmo – jausmas: tai, kas abstraktu ir tai, kas konkretu, yra viena, jausmas ir prasmë yra nedalûs.“2 Pasak Taplino, jei traged
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Bauer, Una. "Postdramatic Tragedy and Fear." Narodna umjetnost 57, no. 1 (2020): 217–34. http://dx.doi.org/10.15176/vol57no110.

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This article engages with conceptual constellations which allow a contemporary postdramatic theatre production, specifically Socìetas Raffaello Sanzio’s theatrical series Tragedia Endogonidia (2002 – 2004) to be regarded as a tragedy or a series of tragedies. Particular emphasis is given to the role of fear in understanding Tragedia Endogonidia as a tragedy. My claim is that Tragedia Endogonidia contributed to the modification of contemporary understanding of tragedy to, at the same time, a more abstract and a more explicitly material one, where the anchoring of the tragic into a concrete huma
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Abdusalom, O'ktamov, and Murotova Otabek qizi Dilnozaxon. ""PADARKUSH" DRAMASIDA REMARKALAR TAHLILI." Results of National Scientific Research 2, no. 3 (2023): 67–70. https://doi.org/10.5281/zenodo.7772366.

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Jo'rayeva, Dilnozaxon Otabek qizi. "DRAMATIK ASARLARDA REMARKALAR HAQIDA." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 939–40. https://doi.org/10.5281/zenodo.15484388.

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Davydov, Ruslan. "The last Russian hunters on Spitsbergen in 1851—1852: the tragedy of the crew of the ship “Grigorij Bogoslov”." OOO "Zhurnal "Voprosy Istorii" 2020, no. 10-2 (2020): 185–95. http://dx.doi.org/10.31166/voprosyistorii202010statyi35.

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This publication is dedicated to the tragedy of the crew of the ship “Grigorij Bogoslov” during a Pomor hunting expedition to Spitsbergen in 1851. It is prepared mainly on the basis of documents from the State Archive of the Arkhangelsk Region and the Russian State Historical Archive, most of which publish for the first time.
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De Santis, Guillermo. "El Drama Satírico y el reverso de la Tragedia." CODEX – Revista de Estudos Clássicos 4, no. 2 (2016): 4. http://dx.doi.org/10.25187/codex.v4i2.5318.

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<p class="normal">El presente artículo presenta el Drama Satírico como el reverso teatral de la Tragedia. Como forma teatral inserta en el “espectáculo trágico”, la función del Drama Satírico no puede ser analizada separadamente de la Tragedia y se propone que el contraste con esta última es un modo acertado de análisis dada la escasez de fuentes que se poseen.</p><p class="normal">A partir del análisis de las implicancias humorísticas del lenguaje, la <em>ópsis</em> y la gestualidad, este artículo propone que el Drama Satírico opera fundamentalmente sobre las emo
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Dissertations / Theses on the topic "Tragediya"

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Żwirkowska, Elżbieta. "Tragedia kultur : studium o tragedii historycznej C. K. Norwida "Kleopatra i Cezar /." Lublin : RW KUL, 1991. http://catalogue.bnf.fr/ark:/12148/cb35714391d.

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Felix, García Maria del Mar. "Dos tragedias senewuistas : the Spanish tragedy y Los comendadores de Córdoba." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6758.

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Mippo, Daniela Manami. "O trágico e o cômico em A visita da velha senhora /." Araraquara, 2016. http://hdl.handle.net/11449/141454.

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Orientador: Wilma Patricia Marzari Dinardo Maas<br>Banca: Natália Corrêa Porto Fadel Barcellos<br>Banca: Tércio Loureiro Redondo<br>Resumo: É inegável que a sociedade com o passar dos anos tenha sofrido constantes transformações de ordem tanto social quanto econômica, o que não só promoveu uma mudança no homem moderno, como também passou a se refletir nas artes, possibilitando assim o surgimento do drama moderno como forma de representação desse homem em transformação e suas inquietações. Com o advento do drama moderno não se pode mais pensar em uma única maneira de se conceber o teatro, mas p
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Kucharski, Jan. "Attycka tragedia zemsty." Doctoral thesis, Katowice : Uniwersytet Śląski, 2007. http://hdl.handle.net/20.500.12128/5091.

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Jeśli nas ukłuć, czyż nie krwawimy? Jeśli połaskotać, czyż się nie śmiejemy? Jeśli otruć, czyż nie umieramy? A jeśli skrzywdzić, czyż nie dokonamy zemsty?’ (Kupiec Wenecki III.l)? W słowach Shylocka odnaleźć można ziarno narracyjnej wiedzy - wiedzy o człowieku i jego kondycji. Zemsta jest niewątpliwie wzorcem postępowania wspólnym, jeśli nie dla całego, to z pewnością dla większości przedstawicieli gatunku homo sapiens, pozostając jednocześnie fenomenem wysoce zróżnicowanym kulturowo. Problem zemsty doskonale znany jest człowiekowi czasów nowożytnych i najnowszych; znany nie tylko z nauk
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Arribas, Irazola Guillermo. "Macondo: Property and tragedies." THĒMIS-Revista de Derecho, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/107442.

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Property involves the possibility for men tocontrol their surroundings. Part of this control involves  the  exclusion of others from the benefits produced by their controlled goods.The possibility to exclude or not to excludeothers allows or prevents an efficient use of goods. So the tragedy of the commons ariseswhen there are no rights of exclusion; and the tragedy of anticommons, where there is anexcess of exclusion rights.In this article, the author makes a complete analysis of the tragedy of commons and anticommons, in relation with property rights, pointing out the differences and similar
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Weber, Minon. "Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894)." Thesis, Stockholms universitet, Engelska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574.

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Towards the end of the 19th century Oscar Wilde wrote the four society plays that would become his most famous dramatical works: Lady Windermere’s Fan (1892), A Woman of No Importance (1893), An Ideal Husband (1895) and The Importance of Being Earnest (1895). The plays combined characteristic Wildean witticisms with cunning social criticism of Victorian society, using stereotypical characters such as the dandy, the fallen woman and the “ideal” woman to mock the double moral and strict social expectations of Victorian society. These plays, and to an extent also Wilde’s symbolist drama Salomé (
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Hanza, Kathia. "Nietzsche sobre la tragedia." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/113078.

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Tomando en cuenta el título completo de El nacimiento de la tragedia del espíritu de la música título que alude al problema filológico de los orígenes- puede comprenderse mejor la concepción nietzscheana del arte y su crítica de las teorías estéticas tradicionales. El planteamiento aristotélico que subyace a estas teorías parte de la separación entre obra, autor y público, es decir del principio artístico de lo apolíne.Tal separación no es válida en el caso de la tragedia. Nietzsche rompe con la tradición aristotélica que convierte a la tragedia en un drama para la lectura, poniendo énfasis e
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Basile, Giuseppa. "Tucidide e la tragedia." Doctoral thesis, Università di Catania, 2012. http://hdl.handle.net/10761/1181.

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Il presente studio indaga le relazioni che intercorrono tra Tucidide e il dramma attico di V secolo a.C. L'argomento è così vasto e gli spunti di ricerca che esso offre sono tali da aver indotto a focalizzare l'attenzione su un passo specifico della Guerra del Peloponneso, l'episodio della "peste" d'Atene, e sull'Edipo Re di Sofocle, in particolare i versi dedicati alla pestilenza tebana, allo scopo di dimostrare, per questa strada, in che senso ed entro quali limiti sia possibile parlare di un rapporto intertestuale fra Tucidide e Sofocle. Il metodo intertestuale si è dimostrato particolarmen
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Brncic, Becker Carolina. "Tragedia y existencia : Nikos Kazantzakis en el horizonte de la tragedia y lo trágico." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/111239.

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No autorizada por la autora para ser publicada a texto completo<br>Licenciada en artes, mención en teoría e historia del arte<br>La interrogante que organiza este estudio es la pregunta por la vigencia y el sentido de la tragedia en una supuesta época postrágica a partir de la obra del escritor cretense Nikos Kazantzakis (1883-1956). Si la interrogación requiere antes que nada una indagación básica en el género como categoría transhistórica, con sus diversas actualizaciones empíricas, y como forma de significación que exhibe una experiencia trágica, surgen tres líneas de desarrollo que organiz
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Marian, Maria <1988&gt. "Tucidide storico della tragedia ateniese." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4522.

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Muovendo dalla definizione aristotelica di tragedia, si approda all'analisi della struttura compositiva dell'opera storica di Tucidide, marcandone gli elementi tematici e stilistici afferenti alla sfera del 'tragico' e alle modalità di concezione e rappresentazione del medesimo nell'Atene di V secolo a.C..Il focus si rivolge in particolare ai libri dedicati alla spedizione in Sicilia degli anni 415-413 a.C., evento fatalmente decisivo nella parabola discendente dell'impero ateniese.
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Books on the topic "Tragediya"

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Gubarev, Vladimir. Sarkofag: Tragediya. Iskusstvo, 1987.

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Pushkin, Aleksandr Sergeevich. Boris Godunov: Tragediya. Akademicheskiĭ proekt, 1996.

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1949-, Konyaev Nikolaĭ, ed. Nikolaĭ Rubtsov: Vologodskaya tragediya. Éllis Lak, 1998.

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Anikst, Aleksandr Abramovich. Tragediya Shekspira 'Gamlet': Literaturnyi kommentarii. Prosveshchenie, 1986.

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Vladimir, Yavorivskii, Eremchenko N. D, and Novikov Yu G, eds. Chernobyl': Tragediya, podvig, preduprezhdenie : [fotoal'bom]. Planeta, 1988.

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Dubinin, Nikolaĭ Petrovich. Istoriya i tragediya sovetskoi genetiki. Nauka, 1992.

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Pikul', Valentin. Rekviem karavany PQ-17: Dokumental'naya tragediya. Sov. Rossiya, 1987.

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Kolganov, A. I. Put' k sotsializmu: Tragediya i podvig. Ekonomika, 1990.

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Volkogonov, D. A. Triumf i tragediya: Politicheskii portret I.V. Stalina. Novosti, 1989.

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Mandel, Ernest. Byurokratiya i al'ternativy ekonomicheskoi politiki: Tragediya N.I. Bukharina. E d. en langues Est-europe ennes, 1989.

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Book chapters on the topic "Tragediya"

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Hauthal, Janine. "Fielding, Henry: The Tragedy of Tragedies." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8499-1.

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Alexander, Michael. "Tragedies." In Reading Shakespeare. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-29281-0_11.

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Hindle, Maurice. "Tragedies." In Shakespeare on Film. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-53172-8_22.

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Serra, Giuseppe. "«Tragedia» e «commedia»." In Da ›tragedia‹ e ›commedia‹ a ›lode‹ e ›biasimo‹. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02879-2_2.

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Euben, J. Peter. "The Tragedy of Tragedy." In Tragedy and International Relations. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230390331_7.

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Dukore, Bernard F. "Tragedy?" In Death of a Salesman and The Crucible. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-08599-6_13.

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Dukore, Bernard F. "Tragedy?" In Death of a Salesman and The Crucible. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-08599-6_7.

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Gill, Richard. "Tragedy." In Mastering. Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_20.

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Feagin, Susan. "Tragedy." In The Blackwell Guide to Aesthetics. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756645.ch16.

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O'Grady, Pat. "‘Tragedy'." In Bee Gees, Process and Latent Elements in Music Production. Routledge, 2024. http://dx.doi.org/10.4324/9781003364672-7.

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Conference papers on the topic "Tragediya"

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Ingle, Nagesh Wasudeo. "The Architecture of Tragedy: Analyzing Aristotle's Six Components in the Poetics." In Two Day National Interdisciplinary Conference on Script Writing. SK Publisher, 2024. https://doi.org/10.61165/sk.publisher.script.writing.2024.10.

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Wallace, Jennifer. "Global Plague, Local Pain: Mourning the Tragedy of Covid." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8191.

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The recent pandemic, originating in China but eventually spreading to every continent, highlighted the connections and tensions between the global and local, the collective experience and individual suffering. These tensions between the generic and the particular animate traditional dramatic tragedy. This paper therefore draws on the key features of Aristotle’s ideas of tragedy – hamartia, anagnorisis, catharsis – to attempt to “read” the tragedy of Covid. Our responses to the global pandemic both conformed to traditional tragic practices and also deconstructed them. But this resistance to tra
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Torres, Giorgio P. F. G., Willian C. Farago, and Alcione de Paiva Oliveira. "In-silico Simulation of Indoor Panic Situations using Reactive Agents." In Workshop-Escola de Sistemas de Agentes, seus Ambientes e Aplicações. Sociedade Brasileira de Computação, 2013. https://doi.org/10.5753/wesaac.2013.33197.

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Panic situations sadly happens frequently. Even in cases where there are people trained to deal with emergency situations, most people panic, resulting in possible tragedies. In this article, it is investigated how primitive agents, with low capacity for deliberation and limited perception of the environment, behave in a panic scene. We conducted a case study, taking as example the tragedy in Santa Maria, Rio Grande do Sul - Brazil, where a fire in a nightclub resulted in the deaths of 241 persons.
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Dima, Gabriela E. "ANNA BOLENA BY FELICE ROMANI: THE LIBRETTO AND ITS SOURCES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.15.

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Author of almost one hundred libretti for opera composers of the first half of the 18th century, Felice Romani has perfected a poetry technique that allows a successful combination of music and verse, thus becoming the favourite librettist of the belcanto authors Donizetti and Bellini. His stories are not original, but he masters the ability to adapt his sources in a light yet potent poetry with a strong impact upon the audience. Anna Bolena, put into music by Gaetano Donizetti, presents the tragic story of Henry VIII�s second wife. The sources of the libretto are generally considered to be tw
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Jayasinghe, Manouri K. "Overreaching Ambition, the Harbinger of Tragedy: Observing the English Literary Periods." In SLIIT International Conference on Advancements in Sciences and Humanities 2023. Faculty of Humanities and Sciences, SLIIT, 2023. http://dx.doi.org/10.54389/nrym5114.

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Ambition, innocently defined as ‘something one ardently desires to achieve,’ by the Oxford Learners Dictionary, harbors a paradoxical trait - its capacity for peril when taken to excess. This enigma finds early expression in the myth of Icarus, whose disregard for moderation led to his tragic demise. Across the annals of English literature, from the Renaissance to the Modern era, this theme of ambition’s double-edged sword echoes prominently. Works like Christopher Marlowe’s The Tragedy of Dr. Faustus, the Shakespearean tragedies both Macbeth and Julius Caeser straddling the Elizabethan and Ja
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Tolstaia, Svetlana. "Psychological resilience of patients in emergency situations." In Scientific-Practical Сonference ‘FAMILY RESILIENCE PERSPECTIVES IN THE CONTEXT OF MULTIPLE CRISES’. X Edition. Stratum plus I.P., High Anthropological School University, 2023. http://dx.doi.org/10.55086/prfcmcx163172.

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The issues of a person’s psychological resilience are of great practical importance, because resilience protects a person from disintegration and personality disorders, creates the basis for inner harmony, mental health and high work capacity. A person’s psychological resilience is an integral indicator that reflects the ability to overcome difficult moments in our life, suffering, trauma, tragedies or accidents. During emergency situations, children are especially susceptible to injury, illness, the danger of losing relatives and being alone, helpless in a large mass of people, and therefore
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Chuan, Ming-Yuan, and Chun-Wang Sun. "Cubic Tragedy." In the ACM SIGGRAPH 05 electronic art and animation catalog. ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086152.

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Hester, Josiah, Lanny Sitanayah, and Jacob Sorber. "Tragedy of the Coulombs." In SenSys '15: The 13th ACM Conference on Embedded Network Sensor Systems. ACM, 2015. http://dx.doi.org/10.1145/2809695.2809707.

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Gessiou, Eleni, Alexandros Labrinidis, and Sotiris Ioannidis. "A Greek (privacy) tragedy." In the 8th ACM workshop. ACM Press, 2009. http://dx.doi.org/10.1145/1655188.1655203.

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Dimarogonas, Andrew D. "Mechanisms of the Ancient Greek Theater." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0301.

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Abstract The word Mechanism is a derivative of the Greek word mechane (which meant machine, more precisely, machine element) meaning an assemblage of machines. While it was used for the first time by Homer in the Iliad to describe the political manipulation, it was used with its modern meaning first in Aeschylos times to describe the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term Deus ex machina. At the same time, the word mechanopoios, meaning the machine maker or engineer, was introduced for the man who designed, built and operated the m
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Reports on the topic "Tragediya"

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Sparks, Jason. Tragedy at My Lai. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada537093.

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Copeland, Brian, and M. Scott Taylor. Trade, Tragedy, and the Commons. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10836.

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Tan, Kaiming. Aflatoxin and Its Toxic Tragedies in Kenya. Journal of Young Investigators, 2020. http://dx.doi.org/10.22186/jyi.38.2.10-12.

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Mayroz, Eyal. Australia's response to atrocities – a tale of two tragedies. Edited by Lachlan Guselli. Monash University, 2024. http://dx.doi.org/10.54377/55a7-ea7b.

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Daley, Shawn. Centralia, Collective Memory, and the Tragedy of 1919. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2574.

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Diaz-Bonilla, Eugenio. Haiti and its multiple tragedies: Much more needs to be done. International Food Policy Research Institute, 2022. http://dx.doi.org/10.2499/p15738coll2.135035.

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Behrend, Wendy. The Birth of Tragedy in Lars von Trier's "Melancholia". Portland State University Library, 2014. http://dx.doi.org/10.15760/honors.99.

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Banzhaf, H. Spencer, Yaqin Liu, Martin Smith, and Frank Asche. Non-Parametric Tests of the Tragedy of the Commons. National Bureau of Economic Research, 2019. http://dx.doi.org/10.3386/w26398.

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Oosterhout, Gretchen. An Evolutionary Simulation of the Tragedy of the Commons. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1250.

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Scot, Barbara. Hegel and the Concept of Religion in Greek Tragedy. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2260.

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