Relevant bibliographies by topics / Tragedy of Mariam

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
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  5. Conference papers

Academic literature on the topic 'Tragedy of Mariam'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Tragedy of Mariam"

1

Thompson, Ann, Elizabeth Carey, A. C. Dunstan, W. W. Greg, Isobel Grundy, and Susan Wiseman. "The Tragedy of Mariam." Modern Language Review 89, no. 3 (1994): 727. http://dx.doi.org/10.2307/3735147.

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Donawerth, Jane, Elizabeth Cary, Lady Falkland, et al. "The Tragedy of Mariam 1613." Shakespeare Quarterly 45, no. 1 (1994): 129. http://dx.doi.org/10.2307/2871307.

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Bennett, Alexandra G. "Female Performativity in The Tragedy of Mariam." SEL Studies in English Literature 1500-1900 40, no. 2 (2000): 293–309. http://dx.doi.org/10.1353/sel.2000.0012.

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Bennett, Alexandra G. "Female Performativity in "The Tragedy of Mariam"." Studies in English Literature, 1500-1900 40, no. 2 (2000): 293. http://dx.doi.org/10.2307/1556130.

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Miller, Naomi J. "Domestic Politics in Elizabeth Cary's The Tragedy of Mariam." Studies in English Literature, 1500-1900 37, no. 2 (1997): 353. http://dx.doi.org/10.2307/450838.

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Novy, Marianne, Elizabeth Cary, Lady Falkland, Barry Weller, and Margaret W. Ferguson. "The Tragedy of Mariam, The Fair Queen of Jewry." Shakespeare Quarterly 46, no. 3 (1995): 365. http://dx.doi.org/10.2307/2871128.

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Nesler, Miranda Garno. "Closeted Authority in The Tragedy of Mariam." SEL Studies in English Literature 1500-1900 52, no. 2 (2012): 363–85. http://dx.doi.org/10.1353/sel.2012.0013.

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Hamamra, Bilal Tawfiq. "Jerusalem and Arabia in Cary’s The Tragedy of Mariam." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 33, no. 1 (2019): 34–36. http://dx.doi.org/10.1080/0895769x.2018.1564011.

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Simpson-Younger, Nancy. "Reading the Partitioned Body in The Tragedy of Mariam." Women's Writing 27, no. 2 (2017): 165–83. http://dx.doi.org/10.1080/09699082.2017.1404188.

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Raber, Karen L. "Gender and the Political Subject in The Tragedy of Mariam." Studies in English Literature, 1500-1900 35, no. 2 (1995): 321. http://dx.doi.org/10.2307/451028.

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Dissertations / Theses on the topic "Tragedy of Mariam"

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Broumels, Monique Juliette. "The ambiguous female voice : recovering female subjectivity in Elizabeth Cary's The tragedy of Mariam, the fair queen of Jewry." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/13933.

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Includes bibliographical references (leaves 105-110).<br>The Tragedy of Mariam, The Fair Queen of Jewry (circ) 1604 deals with the difficulties of a woman to express herself in a society that enjoins women to silence and to the private realm of the home. In the play Cary debates the actions of several female characters, presenting the reader with the understanding that they are wilful subjects who act to push the boundaries of the patriarchal confines of the royal household in which they find themselves. But Cary does not unequivocally endorse these women's actions. The main protagonist of the play is Mariam whose public voice and failure to comply with her husband forms the central drama of the play. Drawing on the ambiguity that is evident in Cary's play, I explore female subjectivity in the play with regards to two of the most influential ideologies in early modern England: those of marriage and religion. Every woman in early modern England, as with all the women in Cary's play, were either married, to be married or had been married. Protestant ideology became the ambiguous space where women were for the first time considered as spiritually equal. But the family and marriage were social and gendered constructions that drew on Christian discourse in order to reinstate the notions of gender difference and ensure the submission of women in the home and in the family.
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Moran, Caitlin. "Social Class, Literacy, and Elizabeth Cary: The Participation of Servants in Early Modern Private Drama." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398612946.

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Jiménez, Morales Carolina. "El tránsito del ensueño a la tragedia: Investigación biográfica sobre la escritora Maria Carolina Geel." Tesis, Universidad de Chile, 2000. http://repositorio.uchile.cl/handle/2250/170773.

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Holtsträter, Knut. "„Drahtgestelle, die Wortdraperien tragen“: Zur Figurenführung in der Euryanthe von Helmina von Chézy und Carl Maria von Weber." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23336.

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Niemeyer, Friederike [Verfasser], Christoph [Gutachter] Anders, Frank Gutachter] Richter, and Alwin [Gutachter] [Luttmann. "Auswirkung des Tragens von Rumpfbandagen auf die Aktivität der Rumpfmuskulatur während Lokomotion / Friederike Johanna Maria Niemeyer ; Gutachter: Christoph Anders, Frank Richter, Alwin Luttmann." Jena : Friedrich-Schiller-Universität Jena, 2017. http://d-nb.info/117759577X/34.

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Chen, Shu-hsin, and 陳淑欣. "Dialogicality and Heteroglossia in Elizabeth Cary's The Tragedy of Mariam: The Fair Queen of Jewry." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/44644572143956303104.

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碩士<br>國立彰化師範大學<br>英語學系<br>96<br>Early modern women writers and their works are abidingly excluded from the Renaissance canon until the very recent decades. With the prosperous developments of feminist thoughts, the living condition and literary works of women writers in the early modern period are successionally discovered and researched. Elizabeth Cary’s The Tragedy of Mariam: The Fair Queen of Jewry, the first original play written by a woman in English, is one of the works that are believed to have probed into the topical issues about women in the early modern England. In a society where patriarchal ideologies prevailed and where women were confined to domestic affairs and private spheres, how a woman writer dealt with these issues in her work under the influence of the environment becomes a general concern for researchers. In the previous studies of The Tragedy of Mariam, the gendered conflicts, women’s wifely duties, the political and domestic structures within and without the text have received much attention. There are also many critics situating their analyses on the basis of Cary’s biography, The Lady Falkland: Her Life, written by one of her daughters. The aim of the thesis is to utilize two basic concepts of M. M. Bakhtin’s philosophy of language to scrutinize the complex operation of multiple voices in The Tragedy of Mariam— dialogicality and heteroglossia. In the introduction, previous research on Elizabeth Cary’s background and her work The Tragedy of Mariam is investigated. Besides, I describe my motivation and introduce the organization of this thesis. The second chapter is the theoretical framework. Bakhtin’s accounts of the dialogic nature of language and the inevitable phenomenon of heteroglossia in society are elaborated. Also, I illustrate the questioning of many critics about Bakhtin’s assertion that drama is a genre which does not possess the plurality of full-valued voices. In the third chapter, dialogicality in Cary’s play is observed in two sections. In the first section, I interpret the play as the utterance. In the second section, I regard the characters as independent speaking subjects, and discuss the Chorus’s contradictory voice. In the next chapter, I reveal the phenomenon of heteroglossia in the play by discussing the destabilization of the authority, or the centripetal forces, and the resultant emergence of multiple centrifugal voices and consciousnesses, which surround the central consciousness. The confrontation and collision of the centripetal/dominant forces and centrifugal/peripheral forces are complicated due to the different races, classes, and genders of the characters. The play is a microcosm of concrete society with heteroglossia. The concluding chapter contains a brief summary of the thesis. I offer my reflections on Bakhtin’s philosophy of language and my expectation that more early modern women writers and their works can be explored and valued.
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Van, Note Beverly Marshall. "Performing Women’s Speech in Early Modern Drama: Troubling Silence, Complicating Voice." Thesis, 2010. http://hdl.handle.net/1969.1/ETD-TAMU-2010-08-8327.

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This dissertation attempts to fill a void in early modern English drama studies by offering an in-depth, cross-gendered comparative study emphasizing representations of women’s discursive agency. Such an examination contributes to the continuing critical discussion regarding the nature and extent of women’s potential agency as speakers and writers in the period and also to recent attempts to integrate the few surviving dramas by women into the larger, male-dominated dramatic tradition. Because statements about the nature of women’s speech in the period were overwhelmingly male, I begin by establishing the richness and variety of women’s attitudes toward marriage and toward their speech relative to marriage through an examination of their first-person writings. A reassessment of the dominant paradigms of the shrew and the silent woman as presented in male-authored popular drama—including The Taming of the Shrew and Epicene—follows. Although these stereotypes are not without ambiguity, they nevertheless considerably flatten the contours of the historical patterns discernable in women’s lifewriting. As a result, female spectators may have experienced greater cognitive dissonance in reaction to the portrayals of women by boy actors. In spite of this, however, they may have borrowed freely from the occasional glimpses of newly emergent views of women readily available in the theater for their own everyday performances, as I argue in a discussion of The Shoemaker’s Holiday and The Roaring Girl. Close, cross-gendered comparison of two sets of similarly-themed plays follows: The Duchess of Malfi and The Tragedy of Mariam, and A Midsummer Night’s Dream and Love’s Victory. Here my examination reveals that the female writers’ critique of prevailing gender norms is more thorough than the male writers’ and that the emphasis on female characters’ material bodies, particularly their voices, registers the female dramatists’ dissatisfaction with the disfiguring representations of women on the maledominated professional stage. I end with a discussion of several plays by women—The Concealed Fancies, The Convent of Pleasure, and Bell in Campo—to illustrate the various revisions of marriage offered by each through their emphasis on gendered performance and, further, to suggest the importance of the woman writer’s contribution to the continuing dialectic about the nature of women and their speech.
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Books on the topic "Tragedy of Mariam"

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Elizabeth, Cary. The tragedy of Mariam, 1613. Published for the Malone Society by Oxford University Press, 1992.

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The tragedy of Mariam, 1613. Published for the Malone Society by Oxford University Press, 1992.

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1970-, Britland Karen, ed. The tragedy of Mariam, the fair queen of Jewry. Methuen Drama, 2010.

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Elizabeth, Cary. The tragedy of Mariam, the fair queen of Jewry. Broadview Press, 2000.

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Elizabeth, Cary. The tragedy of Mariam, the fair queen of Jewry. Methuen Drama, 2010.

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Elizabeth, Cary, and Cary Elizabeth. The tragedy of Mariam, the fair queen of Jewry. University of California Press, 1994.

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Cary, Elizabeth. The tragedy of Mariam, the fair queen of Jewry. Keele University Press, 1996.

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Barry, Weller, and Ferguson Margaret W. 1948-, eds. The tragedy of Mariam, the fair queen of Jewry. University of California Press, 1994.

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Stephanie, Hodgson-Wright, ed. The tragedy of Mariam, the fair queen of jewry. Broadview Press, 2000.

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1971-, Wray Ramona, ed. The tragedy of Mariam, the fair queen of Jewry. Methuen Drama, 2012.

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Book chapters on the topic "Tragedy of Mariam"

1

Hamlin, William M. "Mariam and the Critique of Pure Reason." In Tragedy and Scepticism in Shakespeare’s England. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230502765_10.

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Bell, Ilona. "Private Lyrics in Elizabeth Cary’s Tragedy of Mariam." In The Literary Career and Legacy of Elizabeth Cary, 1613–1680. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230601819_2.

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Beilin, Elaine. "Elizabeth Cary, The Tragedy of Mariam and History." In A Companion to Early Modern Women's Writing. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470693490.ch9.

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Shortslef, Emily. "Acts of Will: Countersovereignty and Complaining in The Tragedy of Mariam." In Early Modern Women's Complaint. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42946-1_6.

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Hopkins, Lisa. "Women and History: The Tragedy of Mariam, The Broken Heart and The Concealed Fancies." In The Female Hero in English Renaissance Tragedy. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230503052_6.

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Shell, Alison. "Elizabeth Cary’s Historical Conscience: The Tragedy of Mariam and Thomas Lodge’s Josephus." In The Literary Career and Legacy of Elizabeth Cary, 1613–1680. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230601819_4.

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Luckyj, Christina. "Marriage, Politics and Law in The Tragedy of Mariam and The Duchess of Malfi." In Staged Transgression in Shakespeare’s England. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137349354_7.

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Reimers, Sara, and Elizabeth Schafer. "Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam." In The Palgrave Handbook of the History of Women on Stage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23828-5_29.

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Kusunoki, Akiko. "Female Selfhood and Ideologies of Marriage in Early Jacobean Drama: The Duchess of Malfi and The Tragedy of Mariam." In Gender and Representations of the Female Subject in Early Modern England. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137558930_3.

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Mears, Kathryn, Eric Shouse, and Patrice A. Oppliger. "An Incongruous Blend of Tragedy and Comedy: How Maria Bamford Lightens the Dark Side of Mental Illness." In The Dark Side of Stand-Up Comedy. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37214-9_9.

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Conference papers on the topic "Tragedy of Mariam"

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Walker, Fred M. "Capsize of The Daphne – The World's Worst Launching Tragedy." In Learning From Marine Incidents 2. RINA, 2002. http://dx.doi.org/10.3940/rina.mi.2002.02.

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Cocks, R., A. Gutierrez, D. Berich-Henry, T. Weber, L. Rodenbeck, and S. Lingard. "Design of ''Assessment and Decision Aiding Software for Application in High Risk Fields'' with a Case Study: The Challenger Tragedy." In 10th Biennial International Conference on Engineering, Construction, and Operations in Challenging Environments and Second NASA/ARO/ASCE Workshop on Granular Materials in Lunar and Martian Exploration. American Society of Civil Engineers, 2006. http://dx.doi.org/10.1061/40830(188)4.

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