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1

Elizabeth, Cary. The tragedy of Mariam, 1613. Published for the Malone Society by Oxford University Press, 1992.

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2

The tragedy of Mariam, 1613. Published for the Malone Society by Oxford University Press, 1992.

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3

1970-, Britland Karen, ed. The tragedy of Mariam, the fair queen of Jewry. Methuen Drama, 2010.

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4

Elizabeth, Cary. The tragedy of Mariam, the fair queen of Jewry. Broadview Press, 2000.

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5

Elizabeth, Cary. The tragedy of Mariam, the fair queen of Jewry. Methuen Drama, 2010.

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6

Elizabeth, Cary, and Cary Elizabeth. The tragedy of Mariam, the fair queen of Jewry. University of California Press, 1994.

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7

Cary, Elizabeth. The tragedy of Mariam, the fair queen of Jewry. Keele University Press, 1996.

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8

Barry, Weller, and Ferguson Margaret W. 1948-, eds. The tragedy of Mariam, the fair queen of Jewry. University of California Press, 1994.

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9

Stephanie, Hodgson-Wright, ed. The tragedy of Mariam, the fair queen of jewry. Broadview Press, 2000.

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10

1971-, Wray Ramona, ed. The tragedy of Mariam, the fair queen of Jewry. Methuen Drama, 2012.

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11

Shakespeare, William. William Shakespeare's The tragedy of Othello, the Moor of Venice: And, Elizabeth Cary's The tragedy of Mariam, fair queen of Jewry. Longman, 2003.

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12

Drugge, E. "Let all the world be topsy-turvèd quite": Reversals of fortune and order in "The tragedy of Mariam". University of Birmingham, 1994.

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13

Maideen, Haja. Tragedi Nadra : kontroversi Maria Hertogh. IBS Buku, 1989.

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14

The Nadra tragedy: The Maria Hertogh controversy. 3rd ed. Pelanduk Publications, 2000.

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15

Bardari, Giuseppe. Maria Stuarda: Tragedia in due atti. Teatro Regio, 1999.

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16

The barefoot emperor: An Ethiopian tragedy. HarperPress, 2007.

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17

Donizetti, Gaetano. Maria Stuarda: Tragedia lirica in due atti. Teatro regio, 1999.

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18

Rocca, Gianni. Fucilate gli ammiragli: La tragedia della Marina italiana nella seconda Guerra Mondiale. 7th ed. A. Mondadori, 1987.

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19

Desperate remedies: The tragedy of Santa Maria, California : a toxic waste landfill, government incompetence, and the inevitable poisoning of a public water supply. 5th ed. Fithian Press, 1997.

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20

Conrad, Les. Desperate remedies: The tragedy of Santa Maria, California : a toxic waste landfill, a negligent county government, the inevitable poisoning of a public water supply. Atlas Signs, 1987.

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21

Marriage to death: The conflation of wedding and funeral rituals in Greek tragedy. Princeton University Press, 1994.

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22

Ritt, Elke H. M. Mary Stuart, a tragedy (1801) von Joseph Charles Mellish: Die autorisierte englische Blankversübersetzung von Schillers Maria Stuart : Analyse und Text nebst einer Biographie des Übersetzers und handschriftlichem Dokumentationsmaterial. Tuduv, 1993.

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23

Antezana, António Antezana y. El hijo del conde y la tragedia de Maria Angela (novela): La guerra de los quince a~nos (perfiles biográficos de don Joaquín Mariano Antezana, protomártir de la Independencia boliviana). Editorial Radar, 1998.

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24

Wright. E. Cary: Tragedy of Mariam. Edinburgh University Press, 1996.

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25

Shakespeare, William. Othello and The Tragedy of Mariam. Longman, 2002.

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26

The Tragedy of Mariam (Renaissance Texts & Studies). Keele University Press, 1996.

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27

Kegl, Rosemary. Theaters, households, and a 'kind of history' in Elizabeth Cary's The tragedy of Mariam. 1999.

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28

Cary, Elizabeth. The Tragedy of Mariam, the Fair Queen of Jewry: with The Lady Falkland: Her Life, by One of Her Daughters. University of California Press, 1994.

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29

Pincombe, Mike, and Gavin Schwart-Leeper. John Foxe’s Book of Martyrs. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.16.

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This chapter traces the relationship between Reformist conceptions of tragedy, tyranny, and martyrdom in John Foxe’s Acts and Monuments. First published by John Day in 1563 and revised extensively in 1570, 1576, and 1583 prior to Foxe’s death, the Book of Martyrs (as it was popularly called) provided readers with sensational representations of the suffering and piety of the Marian martyrs as part of a Reformist ecclesiastic history. This chapter argues that Foxe presents this contention as a generic issue: the tragedy of death is transformed by an apocalyptic theology into a type of sacred tragi-comedy. Through Foxe’s keen sense of the polemical and conversional power of performance, the Book of Martyrs demonstrates the interplay between Reformist apocalyptic theology and early modern spectacle.
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30

(Editor), Diane Purkiss, and Countess of Pembroke Mary (Translator), eds. Three Tragedies by Renaissance Women: The Tragedie of Iphigeneia/the Tragedie Oa Antonie/the Tragedie of Mariam (Penguin Classics: Penguin Dramatists). Penguin UK, 1999.

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31

Shipwreck: A Saga of Sea Tragedy and Sunken Treasure. Sheridan House, 1999.

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32

Horner, Dave. Shipwreck: A Saga of Sea Tragedy and Sunken Treasure. Sheridan House, Incorporated, 2021.

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33

Schiller, Friedrich. Maria Stuart. A tragedy by Fr. v. Schiller. With explanatory notes by J.C. Oehlschlaeger ... Scholarly Publishing Office, University of Michigan Library, 2006.

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34

Donizetti, Gaetano. Maria Stuarda: Tragedia lirica in Two Acts, Libretto by Giuseppe Bardari. Casa Ricordi-Bmg Ricordi S.P.A., 2000.

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35

Verdi, Giuseppe. I due Foscari: Tragedia lirica in Three Acts by Francesco Maria Piave. University of Chicago Press, 2017.

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36

Burton, Derek, and Margaret Burton. Conservation and fish function. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198785552.003.0016.

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The future for fish is a matter of concern. Individual fish may need specific conditions and are increasingly constrained by habitat changes and destruction, such as the reduction of wetlands. Pollution and temperature change affect fish negatively. It has recently been suggested that extinction rates for freshwater fish are very high. Generally, the wild fishery has no owner, ‘the tragedy of the commons’ may apply with nobody taking adequate responsibility. Increasing awareness is promoting conservation and conservation physiology. This can involve aquaculture, reducing the wild fisheries and captive breeding to rehabilitate stocks. Problems arise with overoptimistic views of bony fish reproductive capacity, a proportion may omit gametogenesis dependent on nutrition or temperature conditions. Conservation measures include establishing ‘marine protected areas’ which help recovery of fish populations. Support for conservation depends on education and knowledge-based decisions rather than inappropriate political compromises, particularly when international groups discuss the problems.
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37

Prescott, Anne Lake. Du Bellay and Shakespeare’s Sonnets. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0003.

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Shakespeare’s Sonnets relate intriguingly to Joachim Du Bellay’s Antiquitez, probably through Spenser’s Ruines of Rome as well as to Du Bellay’s La vieille courtisanne (translated by Gervase Markham) and his ‘J’ai oublié l’art de petrarquizer’. Drawn to the discourse of ruination, as witness also passages in his Lucrece, Shakespeare would have found in Du Bellay’s poetry a vocabulary with which to lament the depredations of time, images of the human body as a vulnerable city, the ambiguities of anti-Petrarchan satire that exploits the same vocabulary it renounces, and the paradoxes of a nothing, a zero, that is also an all, a globe or Globe. That a ruined abbey makes a mystifyingly anachronistic offstage appearance in Titus Andronicus is also a reminder of the two writers’ shared interest in a city whose collapse both created tragedy and cleared room for later writers and nationhoods.
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38

Rehm, Rush. Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton University Press, 2019.

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39

Rehm, Rush. Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton University Press, 2018.

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40

Rehm, Rush. Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton University Press, 2018.

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41

Fortini Brown, Patricia. The Venetian Bride. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894571.001.0001.

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A true story of vendetta and intrigue, triumph and tragedy, exile and repatriation in early modern Venice, this book focuses on the marriage between the feudal lord Count Girolamo Della Torre and Giulia Bembo, daughter of a powerful Venetian senator and grand-niece of Cardinal Pietro Bembo. Exiled to Crete for pursuing vendetta to avenge the murder of his father, Girolamo marries Giulia with the aim of enlisting her father as a powerful ally. Thus begins a challenging itinerary that leads from the Mediterranean back to Venice and its mainland territories in the Veneto and the Patria del Friuli. It plays out against a backdrop of the birth of ten children, the Council of Trent, papal and imperial politics, the rise of Girolamo’s brother Michele to the cardinalate, the Ottoman threat, and the golden age of Venetian art. Once a pawn in a marital strategy that failed, Giulia is celebrated after her death with the first independent biography of an ordinary woman published in Italy. The fortunes and misfortunes of the Della Torre bloodline, which survived the end of the Venetian Republic in 1797, are emblematic of a change in feudal culture from clan solidarity to individualism and intrafamily strife, and ultimately redemption. This epic tale opens a precious window into a contentious period in which Venetian republican values clash with the deeply rooted feudal traditions of honour and blood feuds of the mainland.
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42

Rehm, Rush. Marriage to Death. Princeton University Press, 1996.

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