Relevant bibliographies by topics / Trahison de Rita Hayworth

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Trahison de Rita Hayworth'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Trahison de Rita Hayworth"

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Lancaster, J. R. "My Dad and Rita Hayworth." English in Education 28, no. 3 (1994): 49. http://dx.doi.org/10.1111/j.1754-8845.1994.tb01129.x.

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Bianchi, Soledad. ""La traición de Rita Hayworth", una novela dialógica." Revista Iberoamericana 53, no. 141 (1987): 837–59. http://dx.doi.org/10.5195/reviberoamer.1987.4393.

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Corbatta, Jorgelina, and René Alberto Campos. "Espejos: La textura cinemática en La traición de Rita Hayworth." Chasqui 18, no. 2 (1989): 122. http://dx.doi.org/10.2307/29740205.

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Arriola, Joyce. "Channeling the Cinematic in Manuel Puig’s Betrayed by Rita Hayworth." Kritika Kultura, no. 35 (August 26, 2020): 161–79. http://dx.doi.org/10.13185/kk2020.03509.

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Sharrett, Christopher. ": If This Was Happiness: A Biography of Rita Hayworth . Barbara Leaming." Film Quarterly 43, no. 4 (1990): 24–25. http://dx.doi.org/10.1525/fq.1990.43.4.04a00090.

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CALLISON, DARCEY. "Review of McLean, Being Rita Hayworth: Labor, Identity, and Hollywood Stardom." Pacific Historical Review 75, no. 3 (2006): 501–2. http://dx.doi.org/10.1525/phr.2006.75.3.501.

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Hafter, Lea. "Entre la fascinación y el terror. La escritura del cine argentino de El desencuentro a La traición de Rita Hayworth." Orbis Tertius 25, no. 32 (2020): e172. http://dx.doi.org/10.24215/18517811e172.

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El cine en la obra de Manuel Puig es un tema vertebrador. Sin embargo, poco se ha dicho acerca de la presencia del cine argentino en su obra. A partir los manuscritos de La traición de Rita Hayworth y del archivo del escritor se propone una lectura, en clave de experiencia cinematográfica, de las películas argentinas que forman parte de la génesis de la novela.
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Rizzo Parse, Rosemarie. "Hope in “Rita Hayworth and Shawshank Redemption”: A Human Becoming Hermeneutic Study." Nursing Science Quarterly 20, no. 2 (2007): 148–54. http://dx.doi.org/10.1177/0894318407299567.

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Ravetti, Graciela. "Em estado de tradução: Manuel Puig e Lars von Trier." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 232–40. http://dx.doi.org/10.17851/2317-2096.8..232-240.

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Resumo: Leitura de dois textos (La traición de Rita Hayworth, romance de Manuel Puig e Dancer in the dark, filme de Lars von Trier) nos quais é possível capturar de que maneira certas formas como a dos musicais melodramáticos — muito difundidas e já clássicas do fazer cinematográfico hollywoodiano — foram recepcionadas por pessoas que viviam em sociedades periféricas, estigmatizadas por carências econômicas e culturais, entre outras. Trabalha-se também com a possibilidade de reconstruir hipoteticamente o modo como essas formas e suas significações, habitualmente rotuladas de alienantes, foram
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Williams, Drid. "A Review of: “McLean, Adrienne L.Being Rita Hayworth: Labor, Identity, and Hollywood Stardom.”." Visual Anthropology 18, no. 5 (2005): 485–88. http://dx.doi.org/10.1080/08949460590958455.

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Dissertations / Theses on the topic "Trahison de Rita Hayworth"

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Riel, Marie-Ève. "De Rita Hayworth à "l'être en détresse" le rôle de la photographie dans la construction de la figure de Gabrielle Roy." Mémoire, Université de Sherbrooke, 2008. http://savoirs.usherbrooke.ca/handle/11143/2552.

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Parmi les études portant sur les stratégies d'écrivains et la fabrication de l'auteur, il est un sujet encore peu exploité: celui du rôle attribué à la photographie d'écrivain. Bien que l'on se soit intéressé à quelques écrivains européens, les études de cas québécois sont inconnues, mis à part un chapitre du livre de Pascal Brissette portant sur Émile Nelligan dans son ouvrage Nelligan dans tous ses états. Un mythe national. L'objectif général de ce mémoire consiste à montrer quels peuvent être les rôles de la photographie d'écrivain dans la construction d'une figure d'auteur du champ littéra
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Larrieu, Gérald. "Genre et transgression dans trois romans de Manuel Puig : La traición de Rita Hayworth (1968), The Buenos Aires affair (1973) et El beso de la mujer araña (1976)." Paris 4, 2005. http://www.theses.fr/2005PA040137.

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Le genre psychosexuel peut-il imprimer aux textes une caractéristique générique particulière ? Ce travail se propose de remonter d'une identité sexuelle à une identité textuelle par le biais de l'étude de la double transgression de l'auteur et de ses oeuvres. La notion de genre (género en espagnol) ne peut ici se départir du tissu (textum) dans lequel elle est maillée par un certain nouage à partir du symptôme qui conduit à la création artistique spécifique de Manuel Puig. Le véritable tour de force de cette " voix féminine " (l'expression est de Borges) est de tramer la critique du signe -qui
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Fernández-Meardi, Hernán. "La violence du récit ou le récit de la violence : articulation de la violence narrative dans "La traición de Rita Hayworth" et "L'avalée des avalés"." Thèse, 2002. http://hdl.handle.net/1866/15107.

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Hsu, Wan-Jung, and 徐婉容. "Translation and Discussion of the Different Seasons - Rita Hayworth and Shawshank Redemption." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/16336404421015790323.

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碩士<br>長榮大學<br>翻譯學系碩士班<br>103<br>This thesis includes a translated text of Different Seasons - Rita Hayworth and Shawshank Redemption and a discussion of theory and methods to the task; it also details the author’s process and conclusion of translating the book. This thesis is divided into six chapters. Chapter I introduces the background, goals and methodology of this study. Chapter II gives a brief introduction of the author of the book and the book itself. Chapter III gives a thorough account of the entire translation process, including several steps through which translation task
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Books on the topic "Trahison de Rita Hayworth"

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Rita Hayworth. Editions PAC, 1985.

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2

Manuel, Puig. Betrayed by Rita Hayworth. Dalkey Archive Press, 2009.

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Manuel, Puig. Betrayed by Rita Hayworth. E.P. Dutton, 1987.

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4

Manuel, Puig. La traición de Rita Hayworth. 3rd ed. Biblioteca de Bolsillo, 1995.

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Rita Hayworth: A photographic retrospective. H.N. Abrams, 2001.

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6

Manuel, Puig. La traición de Rita Hayworth. Biblioteca de Bolsillo, 1991.

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7

Marlene Dietrich, Rita Hayworth & My Mother. University of Arizona Press, 2003.

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8

Manuel Puig, La traición de Rita Hayworth. Librería Hachette, 1986.

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9

Manuel, Puig. Materiales iniciales para La traición de Rita Hayworth. Universidad Nacional de La Plata, Facultad de Humanidades y Ciencias de la Educación, Centro de Estudios de Teoría y Crítica Literaria, 1996.

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10

If thiswas happiness: A biography of Rita Hayworth. Sphere, 1990.

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Book chapters on the topic "Trahison de Rita Hayworth"

1

Meißner, Thomas. "Rita Hayworth: Ihr Gehirn verwirrte die Ärzte." In Der prominente Patient. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-57731-8_20.

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Graf-Riemann, Elisabeth. "Puig, Manuel: La traición de Rita Hayworth." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13696-1.

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Williams, Michael. "Marketing the Post-War Goddess: Rita Hayworth and Down to Earth (1947)." In Film Stardom and the Ancient Past. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-39002-8_4.

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"8. Betty Grable and Rita Hayworth: Pinned Up." In What Dreams Were Made Of. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813550848-010.

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"3. Betrayed By Rita Hayworth: The Androgynous Text." In Narrative Irony in the Contemporary Spanish-American Novel. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501743696-005.

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Lindberg, Julianne. "Pal Joey Goes to Hollywood." In Pal Joey. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051204.003.0009.

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The 1957 screen adaptation of Pal Joey—starring Frank Sinatra as Joey, Rita Hayworth as Vera, and Kim Novak as Linda—redeems Joey. Now a singer rather than a dancer, Joey genuinely falls in love with Linda. In the end Joey gets the girl. The film promotes a set of emerging gender archetypes that defy middle-class, suburban constructions of masculinity and femininity. Joey’s stage-to-screen evolution—from heel to swinging bachelor—is mirrored by Linda’s transformation from stenographer to sex kitten. Both of these archetypes are responses to what cultural theorists have called the postwar “crisis” in masculinity. The character Vera too is altered. As played by Rita Hayworth, she is tamed by Joey. The anxiety over contested gender roles is reflected in the alteration of the original score, which is reworked, repurposed, and in some cases eviscerated in order to promote the ethos of the film.
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"4. Rita Hayworth and the Cosmetic Borders of Race." In Dance and the Hollywood Latina. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813550251-005.

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"Putting the Blame on Carmen: The Rita Hayworth Version." In Carmen. Brill | Rodopi, 2005. http://dx.doi.org/10.1163/9789401202787_009.

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Shuback, Alan. "La Princesse Aly Khan." In Hollywood at the Races. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178295.003.0011.

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Discovered while performing red-hot Spanish dance numbers with her father at Agua Caliente, Rita Hayworth would become one of Hollywood’s most prominent movie stars and sex symbols. Her roles in Gilda and TheLadyfromShanghai and her dance partnership with Fred Astaire in YouWereNeverLovelier and You’llNeverGetRich showcased her dual talents as actress and dancer. But when Rita met Prince Aly Khan on the Riviera in 1948, she was swept off her feet by his charm and good looks. The son of the Aga Khan, Aly was one of the world’s leading Thoroughbred owner-breeders. When they married, Aly gave Rita several horses, including Double Rose, who finished second in the 1949 Prix de l’Arc de Triomphe. The marriage quickly unraveled, and Rita returned to Hollywood and her adoring fans.
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"“Salome, Nice Girl”: Rita Hayworth and the Problem of the Hollywood Biblical Vamp." In The Reception of Ancient Virtues and Vices in Modern Popular Culture. BRILL, 2017. http://dx.doi.org/10.1163/9789004347724_010.

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