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Relevant bibliographies by topics / Trails – England – Fiction

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Academic literature on the topic 'Trails – England – Fiction'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Trails – England – Fiction"

1

Sun, Dawei. "Detective Fiction in Victorian England." Scientific and Social Research 6, no. 1 (2024): 42–46. http://dx.doi.org/10.26689/ssr.v6i1.5511.

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This paper explores the origins and evolution of detective fiction, debunking the myth surrounding SherlockHolmes’ famous quote and highlighting his enduring popularity. It traces the genre’s inception back to Edgar Allan Poe’sThe Murders in the Rue Morgue in 1841 and underscores the societal and political changes in 18th and 19th centuryEngland that paved the way for its rise. With the growth of the middle class and the demand for accessible entertainment,periodicals emerged as a key medium for short stories, with detective fiction becoming a prominent genre. This paper alsoemphasizes how Art

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Pablé, Adrian, Radosław Dylewski, and Agnieszka Urbańska. "Nonstandard Were and the Nonstandard forms of the Preterite Negative of to be in Nineteenth Century New England Civil War Letters and Literary Dialect Portrayals." Studia Anglica Posnaniensia 45, no. 2 (2009): 59–80. http://dx.doi.org/10.2478/v10121-009-0016-3.

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Nonstandard Were and the Nonstandard forms of the Preterite Negative of to be in Nineteenth Century New England Civil War Letters and Literary Dialect Portrayals The present paper presents the preliminary results of the study of were in nonstandard positions as well as nonstandard preterit negative forms of to be in mid- and late nineteenth century New England folk speech. More specifically, the aim of the study is to investigate whether the grammatical feature at issue, deemed to have been confined to the Mid- and South Atlantic states in several scholarly publications, is also attested in th

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3

Bandrovska, Olha T. "THE REALISM OF PRESENTATION: THE LITERARY DETAIL IN FICTION." Alfred Nobel University Journal of Philology 2, no. 28 (2024): 9–23. https://doi.org/10.32342/3041-217x-2024-2-28-1.

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This article explores the concept of “realism of presentation” as a key term in 20th-century British lit- erary studies, reflecting a drive to reproduce reality through literary detail, thereby creating verisimilitude and depth of character portrayal in a work of literature. It emphasizes the importance of literary detail, which functions as a tool in forming layered impressions of the readers and serves as an element that en- of the readers and serves as an element that en- the readers and serves as an element that en- hances their emotional resonance of a work. The study aims to define two m

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David, Alison Matthews. "First Impressions: Footprints as Forensic Evidence in Crime in Fact and Fiction." Costume 53, no. 1 (2019): 43–66. http://dx.doi.org/10.3366/cost.2019.0095.

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As skilled ‘detectives’, dress historians are experts in closely reading surviving artefacts and using them to glean evidence of the lives of those who made and wore them. With shoes and footwear, this rich, object-based approach can yield new information that challenges established histories. This article turns traditional object analysis on its head by interrogating instead the impressions and traces that objects leave behind, taking a forensic approach to footwear. It examines the rise of scientific policing and the history of footprints as a key form of evidence in crime fact and fiction.

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O’Brien, Ellen L. "“THE MOST BEAUTIFUL MURDER”: THE TRANSGRESSIVE AESTHETICS OF MURDER IN VICTORIAN STREET BALLADS." Victorian Literature and Culture 28, no. 1 (2000): 15–37. http://dx.doi.org/10.1017/s1060150300281023.

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To say that this common [criminal] fate was described in the popular press and commented on simply as a piece of police news is, indeed, to fall short of the facts. To say that it was sung and balladed would be more correct; it was expressed in a form quite other than that of the modern press, in a language which one could certainly describe as that of fiction rather than reality, once we have discovered that there is such a thing as a reality of fiction.—Louis Chevalier, Laboring Classes and Dangerous ClassesSPEAKING OF NINETEENTH-CENTURY FRANCE, Louis Chevalier traces the bourgeoisie’s elisi

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Ibáñez, José Ramón. "Identity and religious traits in Jewish literature : a Hansenian reading of the short fiction of Bernard Malamud and Nathan Englander." Brno studies in English, no. 2 (2021): 69–86. http://dx.doi.org/10.5817/bse2021-2-6.

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Linster, Jillian. "“Ye Lovers of Physick, come lend me your Ear”: Dangerous Doctors in Early Modern London." Explorations in Renaissance Culture 44, no. 2 (2018): 157–79. http://dx.doi.org/10.1163/23526963-04402002.

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The highly recognizable title-page illustration from Christopher Marlowe’s play Doctor Faustus was also used in the printing of a ballad to commemorate the death of “Doctor” John Lambe in 1628. This paper explores rhetorical, historical, visual, and bibliographic connections between the two works as well as the cultural significance of their relationship and the stories they tell, which are fraught with warnings regarding the inherent dangers of magic practiced by purported healers. The correspondence of the ballad and the play highlights challenges and changes in the medical marketplace of ea

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Kamrath, Mark L. "Yearning to "Break Their Yoke in Ireland": Robert Emmet, Irish American Republicanism, and Charles Brockden Brown." Early American Literature 60, no. 1 (2025): 43–71. https://doi.org/10.1353/eal.2025.a951903.

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Abstract: Contrary to readings of Brown's early novels that understand him as viewing the Irish as "savage" or "alien," this essay examines his depiction of the Irish over the course of his career in his political pamphlets, periodical publications, and editing against the Irish struggle for liberty and independence from England. It argues that court speeches like those of Robert Emmet in 1803 circulated in American print culture and inspired William Duane, Brown, and others to publish material that was sympathetic to the Irish cause. While Brown's understanding of the British "yoke" of oppres

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Toise, David W. "SEXUALITY'S UNCERTAIN HISTORY: OR, “NARRATIVE DISJUNCTION” INDANIEL DERONDA." Victorian Literature and Culture 38, no. 1 (2010): 127–50. http://dx.doi.org/10.1017/s1060150309990350.

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In between writingMiddlemarch(1872) and her final novel,Daniel Deronda(1876), George Eliot recorded in her notebook that she wanted her fiction to explore “great turning points” in history by depicting “in detail” not only “the various steps by which a political or social change was reached” but also “the pathos, the heroism often accompanying the decay and final struggle of old systems, which has not had its share of tragic commemoration” (Essays402). Indeed, by writingDaniel Deronda, the only one of her novels set in her contemporary moment, Eliot seems intent on examining shifts, presumably

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Ashmita Rai. "Self-Actualization and Identity: A Feminist Reading of Charlotte Bronte’s Jane Eyre." Eximia 13 (December 12, 2024): 1003–24. https://doi.org/10.47577/eximia.v13i1.519.

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One of the major works within feminism is the novel Jane Eyre written by Charlotte Bronte in 1847. Jane Eyre is claimed as one of the greatest and most popular works of English fiction. It is one of the most read, appreciated and discussed pieces of literature of the western world. Jane Eyre is a novel that narrates the story of protagonist’s growth and internal development on her search for a meaningful existence in the society. The purpose of this study is to examine self-actualization and identity in Charlotte Bronte’s novel Jane Eyre. This research shows the women’s status in the era of Pa

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Books on the topic "Trails – England – Fiction"

1

Awdry, W. The twin engines. Heinemann, 1993.

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Rhea, Nicholas. Constable along the trail. Robert Hale, 2006.

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Six Feet to Land's End. Footpath Touring, 2010.

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Ley, Rosanna. Saffron Trail. Quercus, 2019.

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Edwards, Martin. Coffin Trail. Poisoned Pen Press, 2010.

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Edwards, Martin. Coffin Trail, The. Allison & Busby Limited, 2005.

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Edwards, Martin. The Coffin Trail. Poisoned Pen Press, 2005.

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Starr, Mel. Trail of Ink. Lion Hudson PLC, 2013.

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Starr, Melvin R. Trail of Ink. Lion Hudson PLC, 2010.

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The Coffin Trail. ReadHowYouWant, 2013.

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Book chapters on the topic "Trails – England – Fiction"

1

Niayesh, Ladan. "8. Linguistic Reclaimings of Persia in Early Modern English Travelogues and Travel Fiction." In Writing Distant Travels and Linguistic Otherness in Early Modern England (c. 1550–1660). Brepols Publishers, 2025. https://doi.org/10.1484/m.peemb-eb.5.141314.

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Wild, Jonathan. "Department of Internal Affairs: England and the Countryside." In Literature of the 1900s. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748635061.003.0006.

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This chapter investigates the vexed question of the ‘Condition of England’ via an examination of ‘England’ as an entity in the period's poetry, its non-fiction topographical and nature writing, and lastly in that most Edwardian of literary forms, the country-house novel. It first traces the contested notions of England and Englishness that appeared in Edwardian verse. While the characteristic mode of the era's poetry is pastoral and nostalgic, writers such as Kipling defined a model of England that might provide a rallying cry to stimulate the defence of a battered and vulnerable post-war nati

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Herold-Zanker, Katharina. "‘Feeling Oriental’." In Decadence and Orientalism in England and Germany, 1880-1920. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191990489.003.0004.

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Abstract This chapter shift the focus onto German decadence. This portion of the book on Paul Scheerbart’s and German-Jewish author Else Lasker-Schüler’s Decadent Oriental fiction of the 1890s and the 1910s reads their shared Nietzschean ‘Anti-Europäertum’ [Anti-Europeanness] as a form of self-Orientalization. Scheerbart’s art historic journalism and interest in Ancient Babylon and Assyria shaped his dramas and short fiction, presenting the East as stage or mirror to Western modernity’s shortcoming. Scheerbart’s architectural writing dedicated to Glasarchitektur, however, also projects a hopef

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Holzer, Kellie. "Chapter 4: A New Formula for Fiction: Hossain’s Padmarag." In Trans-imperial Feminism in England and India. Lexington Books, 2024. https://doi.org/10.5771/9781666930061-105.

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Stevenson, Randall. "A Darker Route: Morality and History in the 1960s and 1970s." In The Last of England? Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780198184232.003.0017.

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Abstract The period’s opening was marked by a new readiness among writers to respond to the challenges of the Second World War. The war had obviously remained a huge influence on English life and society in the years immediately following, as several 1960s novels confirmed: Elizabeth Jane Howard’s After Julius (1965), for example, traces the continuing, inescapable consequences, for more than twenty years afterwards, of a death during the evacuation of Dunkirk in 1940. Yet extended treatment of the war in English fiction seemed long delayed —surprisingly, given the narrative opportunities it o

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Schwyzer, Philip. "Intimate Disciplines Archaeology, Literary Criticism, and the Traces of the Dead." In Archaeologies of English Renaissance Literature. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199206605.003.0002.

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Abstract When asked about what I teach and study, I find myself naming things that do not exist. Early modern England. The age of Elizabeth. Edmund Spenser. William Shakespeare. To say that these do not exist is not to assert that they are fictions, but simply to acknowledge that they are gone. The Virgin Queen and her courtier poets, the brilliant playwright and his flourishing company, have vanished and have no being in this world.

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Patten, Eve. "The Strange Death of Liberal England." In Ireland, Revolution, and the English Modernist Imagination. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780198869160.003.0003.

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Abstract Virginia Woolf provides a centrepiece for this book, and this chapter shows how the trajectory of her fictional oeuvre dovetails suggestively with the course of Irish history from the Home Rule crisis to the Civil War and into the formative years of Ireland’s independent statehood. In this temporal alignment, Woolf’s Irish references form a cryptic pattern of textual punctuation and interruption, her narrative allusions to Ireland providing a sideline commentary on her main theme: the post-war decline of English liberalism and the interwar rise of domestic patriarchy and international

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Knight, Stephen. "From Vidocq to the Locked Room." In Criminal Moves. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620580.003.0010.

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This chapter provides an in-depth history of the international development of the crime genre prior to the twentieth century. The chapter traces the emergence of a transnational genre from the 1700s through legal narratives and Romantic preoccupations and aesthetics in France, Germany, England, the United States, the Scandinavian countries and Australia. While crime fiction scholars have traditionally maintained that the genre emerged in Britain and America, this chapter places doubt on the supposed centrality of the genre’s British and American genealogy. By examining the genre’s early transn

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Townend, Matthew. "Folklore and the Past." In The Victorians and English Dialect. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198888123.003.0006.

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Abstract This chapter explores the connection between dialectology and the study of the past in the Victorian period. It shows how nineteenth-century scholars and collectors believed that regional dialect, as a form of historical evidence, cast a unique light on the language and culture of England in the early medieval period, as well as on the language of Shakespeare. It also explores the intimate connection between dialect study and the study of folklore, looking at such topics as flora and fauna, agriculture, trades and industries, and supernatural creatures. It concludes by reading a numbe

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Kolb, Laura. "Coda." In Fictions of Credit in the Age of Shakespeare. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198859697.003.0006.

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The coda tracks the afterlife of structures discussed earlier in the book, attending both to change and continuity. Today, personal creditworthiness is represented in numerical credit scores, and individuals often feel disconnected from the abstract, barely visible networks of global finance. Yet even within this economy—as different as it is from early modern England’s—the need for trust persists, and skills in rhetoric and interpretation remain valuable. The coda ends by linking classical theories of poetic and rhetorical efficacy to early modern practical literature, and both to modern advi

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