Relevant bibliographies by topics / Trame narrative

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Trame narrative'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Trame narrative"

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Sluzki, Carlos E. "La trasformazione terapeutica delle trame narrative." TERAPIA FAMILIARE, no. 100 (November 2012): 237–57. http://dx.doi.org/10.3280/tf2012-100012.

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Neumark, Devora. "Reprendre le fil de la trame narrative." Articles 27, no. 2 (January 5, 2015): 115–33. http://dx.doi.org/10.7202/1027921ar.

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L’oralité (storytelling) en tant que pratique artistique dans le Québec d’aujourd’hui allant à l’encontre des exposés narratifs publics courants, le projet Picking Up the Storylines (« Reprendre le fil de la trame narrative ») interroge les paramètres et les résultats du processus public de la storytelling. La Charte des valeurs québécoises et la Commission de vérité et de réconciliation du Canada y sont relues en parallèle avec le Scar Project (projet Cicatrice), de Nadia Myre, et le travail du Living History Ensemble, dans le contexte du projet Life Stories of Montrealers Displaced by War, Genocide and Human Rights Violations (« Récits de vie de Montréalais et Montréalaises déplacées par la guerre, le génocide et les violations des droits de la personne »). Une telle comparaison appelle une analyse critique en vue de déterminer quand et comment les récits supprimés, ignorés et inédits de personnes marginalisées peuvent contribuer à l’instauration de politiques libératoires.
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Rabaté, Dominique. "L’individu contemporain et la trame narrative d’une vie." Studi Francesi, no. 175 (LIX | I) (April 1, 2015): 54–62. http://dx.doi.org/10.4000/studifrancesi.282.

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Clément, Bruno. "Au commencement était le récit1." Études littéraires 42, no. 2 (July 24, 2012): 15–29. http://dx.doi.org/10.7202/1011517ar.

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Résumé Mon propos consiste ici à envisager les tenants et aboutissants d’une hypothèse aux termes de laquelle la pensée et tous les discours qui s’en réclament (dont la philosophie) résulteraient de la scission originaire d’avec le récit. Récit qui, selon l’hypothèse de Vernant, abritait en son sein à une époque mythique (présocratique) non seulement l’histoire des dieux et des héros mais les ingrédients nécessaires à l’élaboration d’un discours scientifique et même philosophique. Cette hypothèse comporte deux faces que j’examine successivement : d’abord la trame du récit est un composé indistinct de pensée et de narration ; ensuite, et surtout, la pensée conserve toujours la trace, plus ou moins visible, de cette origine narrative. Se pose alors la question de savoir si cette dette consubstantielle est de quelque conséquence sur la nature et la pertinence de ses propositions.
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Rodriguez, Antonio. "Verset et déstabilisation narrative dans la poésie contemporaine." Études littéraires 39, no. 1 (May 27, 2008): 109–24. http://dx.doi.org/10.7202/018106ar.

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Résumé La poésie française, dès 1980, permet d’interroger les variations historiques du verset et ses actualisations les plus récentes. Si une indétermination marque d’emblée cette forme, il apparaît progressivement que la porosité entre vers et prose engage une déstabilisation manifeste des identités discursives en poésie. Ainsi se détache-t-on de la seule structuration lyrique du verset pour l’associer à la trame narrative. Le verset contemporain favorise l’entrelacement des discours davantage que leur distinction. C’est ce que montrent les études sur la narrativité déceptive chez James Sacré et Olivier Barbarant, ainsi que sur la dimension épique chez Hervé Micolet.
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Payen, Pascal. "Discours Historique et Structures Narratives Chez Hérodote." Annales. Histoire, Sciences Sociales 45, no. 3 (June 1990): 527–50. http://dx.doi.org/10.3406/ahess.1990.278856.

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L'histoire est un roman vrai.Paul VeyneLorsque l'abbé Mably, dans un ouvrage publié en 1783, parle de « ces historiens grossiers qui bonnement mettent au bas des pages, en guise de notes, ce qu'ils n'ont pas l'art d'enchâsser dans leur narration », il insiste, en admirateur de l'histoire classique, sur un double fait, occulté depuis presque deux siècles par les productions de l'histoire scientifique : l'histoire est un récit ; de son organisation dépend le sens donné aux événements. Aussi, s'interroger « sur les capacités démonstratives de l'histoire et, inséparablement, sur son écriture » réclame, croyons-nous, l'aide des modes d'analyse du récit car une part des méthodes de preuve se loge et se dissimule dans la trame narrative et les procédés de composition.
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Hocine, Julien, and Patrick Deslauriers. "Le jeu vidéo comme vecteur d’expression du patrimoine culturel des Iñupiats d’Alaska." Emulations - Revue de sciences sociales, no. 30 (September 3, 2019): 79–92. http://dx.doi.org/10.14428/emulations.030.06.

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En 2014, une collaboration entre le studio Upper One Games et des conteurs et aînés iñupiats d’Alaska a mené au lancement du jeu vidéo Kisima Inŋitchuŋa (Never Alone). Ce jeu de plateforme invite à une immersion poétique dans un univers nordique guidée par une trame narrative inspirée d’une légende traditionnelle. Dans une perspective culturelle, les fonctions ludique et documentaire du jeu permettent d’acquérir des connaissances en lien avec les pratiques traditionnelles et la vision du monde des Iñupiats. Ainsi, l’étude exploratoire présentée dans cet article contribue à comprendre les caractéristiques du jeu (design, narration, mécaniques) et les stratégies relevant de sa conception. Les résultats invitent à reconsidérer des représentations dominantes du Grand Nord et soulignent en quoi le jeu vidéo se fait vecteur d’expression du patrimoine culturel, artistique et oral d’un peuple autochtone de l’Arctique.
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Evangelista, José. "Clés du Manuscrit trouvé à Saragosse." Circuit 12, no. 2 (February 23, 2010): 53–68. http://dx.doi.org/10.7202/902252ar.

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L’adaptation du roman Manuscrit trouvé à Saragosse constituait un défi en raison de la complexité de la trame narrative et de la multitude de personnages. L’article expose comment la mise en musique participe à l’identification de chaque personnage à partir de références culturelles et sociales qui lui sont propres. Les différents personnages sont ensuite classés par groupes et quelques situations permettent aussi le recours à des styles musicaux référentiels. Le tout est illustré par une vingtaine d’exemples tirés de l’opéra.
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Corin, Ellen, Gilles Bibeau, and Elizabeth Uchôa. "Éléments d'une sémiologie anthropologique des troubles psychiques chez les Bambara, Soninké et Bwa du Mali." Anthropologie et Sociétés 17, no. 1-2 (September 10, 2003): 125–56. http://dx.doi.org/10.7202/015254ar.

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Résumé Éléments d'une sémiologie anthropologique des troubles psychiques chez les Bambara, Soninké et Bwa du Mali Le recueil de récits de cas de personnes souffrant de troubles psychiques a permis de montrer que la sémiologie populaire (les marqueurs qui servent à déterminer la présence d'un problème) s'organise autour de quelques catégories clés qui varient selon l'ethnie et qui renvoient aux dynamiques relationnelles, aux valeurs culturelles, à la conception de la personne et à la vision du monde dominant dans le groupe culturel d'appartenance. L'analyse se centre sur une comparaison de l'importance relative des problèmes relationnels et des comportements d'isolement, des connotations particulières qui leur sont associées et de leur insertion dans une trame sémiologique et narrative, dans les ethnies bambara, soninké et bwa. Elle fait ressortir l'ancrage des sémiologies locales dans le contexte supranarratif que déterminent les cultures particulières et un processus d'organisation plus général. L'analyse procède suivant un va-et-vient entre l'articulation des récits et les configurations culturelles majeures qui leur servent de trame.
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Wénin, André. "La Cohérence narrative de 2 Rois 3: Une Réponse à Jesús Asurmendi La Cohérence narrative de 2 Rois 3: Une Réponse à Jesús Asurmendi." Biblical Interpretation 14, no. 5 (2006): 444–55. http://dx.doi.org/10.1163/156851506778767975.

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AbstractLa finale de 2 R 3 fait problème, comme l'a souligné dans un article récent J. Asurmendi (BibInt 13 [2005] 1-12). Selon lui, seule une étude historico-critique peut éclairer ce point qui résiste à l'analyse narrative. Cependant, si on considère que les vv. 1-3 font partie de l'exposition du récit, si on pousse l'enquête narrative plus loin et si on s'interroge sur l'ellipse dans le dernier verset, une cohérence d'ensemble apparaît. De soi, un dénouement avorté n'est pas impossible pour un récit, surtout lorsque celui-ci est intégré à une trame épisodique. Ici, il est même compréhensible dans la dynamique du récit. Dès le début de son règne, Yoram se détourne partiellement de l'idolâtrie de ses parents (v. 2), ce que confirme plus loin sa disposition à consulter Élisée et son insistence lorsque celui-ci le rabroue (vv. 12-13). Mais il ne se détourne pas pour autant de l'apostasie de Jéroboam (v. 3) ; aussi ne réagit-il pas lorsque Israël décampe devant la colère du dieu de Moab suite à l'holocauste du premier-né de Mésha (vv. 25-27) au lieu d'exécuter jusqu'au bout la demande d'Élisée de détruire toutes les villes de Moab une fois la victoire donnée par Yhwh (vv. 18-19). La finale de 2 R 3 fait problème, comme l'a souligné dans un article récent J. Asurmendi (BibInt 13 [2005] 1-12). Selon lui, seule une étude historico-critique peut éclairer ce point qui résiste à l'analyse narrative. Cependant, si on considère que les vv. 1-3 font partie de l'exposition du récit, si on pousse l'enquête narrative plus loin et si on s'interroge sur l'ellipse dans le dernier verset, une cohérence d'ensemble apparaît. De soi, un dénouement avorté n'est pas impossible pour un récit, surtout lorsque celui-ci est intégré à une trame épisodique. Ici, il est même compréhensible dans la dynamique du récit. Dès le début de son règne, Yoram se détourne partiellement de l'idolâtrie de ses parents (v. 2), ce que confirme plus loin sa disposition à consulter Élisée et son insistence lorsque celui-ci le rabroue (vv. 12-13). Mais il ne se détourne pas pour autant de l'apostasie de Jéroboam (v. 3) ; aussi ne réagit-il pas lorsque Israël décampe devant la colère du dieu de Moab suite à l'holocauste du premier-né de Mésha (vv. 25-27) au lieu d'exécuter jusqu'au bout la demande d'Élisée de détruire toutes les villes de Moab une fois la victoire donnée par Yhwh (vv. 18-19).
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Dissertations / Theses on the topic "Trame narrative"

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Carrière, Virginie. "L'État islamique raconté à l'Occident." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/36873.

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Cette recherche qualitative, une analyse structurale, vise à comprendre la trame narrative des vidéos de l'État islamique (ÉI) publiées depuis juin 2014 en français et en anglais. Elle fait état des objectifs, des thèmes et des symboles récurrents. Cette étude se base sur le schéma actanciel d'Algirdas Julien Greimas (1966) et sa théorie narrative bonifiée par l'apport de Vladimir Propp (1970), de Claude Lévi-Strauss (1973; 1974) et d'Anne Piret, Jean Nizet & Étienne Bourgeois (1996). La recherche a donné lieu à l'analyse de 40 vidéos de l'ÉI dont la catégorisation proposée par Bole & Kallmyer (2016) et Farwell (2014) a constitué le point de départ. L'interprétation des données a été guidée, dans un premier temps, par les théories portant sur l'opposition de Greimas, de Propp, de Lévi-Strauss et de Piret, Nizet & Bourgeois et, dans un deuxième temps, les théories de la narration de Nicole D'Almeida (2004) et les trois critères de la symbolique de Joseph Tuman (2010). À la lumière de cette recherche, 5 objectifs, dont ceux avancés par Bole & Kallmyer et Farwell, 7 thèmes et 59 symboles ont été répertoriés. Elle présente un portrait global de toutes les vidéos analysées grâce à une schématisation de la séquence de contenu et de la structure type, laquelle met en relief l'omniprésence de l'opposition dans la trame narrative de l'ÉI.
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Vicuna, Emma. "Le parfum des mots : étude phénoménologique de la trame olfactive dans trois romans de Lise Tremblay." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/33158.

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Cette thèse de maîtrise est une analyse thématique des odeurs telles qu’elles se présentent dans les trois premiers romans de l’écrivaine québécoise Lise Tremblay : L’hiver de pluie (1990), La pêche blanche (1994) et La danse juive (1997). Ses principaux objectifs sont d’abord l’analyse du thème de l’olfaction présent dans ces trois romans puis sa mise en relation subséquente avec la progression narrative du texte. Pour le cadre théorique, nous avons recours à l’approche phénoménologique de Gaston Bachelard. Ce travail veut démontrer de quelles manières les manifestations olfactives épousent la trajectoire intime des héros. À partir des résultats obtenus par l’étude des œuvres de Lise Tremblay, nous voulons jeter les bases d’un outil de classification des odeurs pouvant trouver sa mise en application à d’autres corpus littéraires.
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Doré, Roxane. "Qui père gagne : la problématique paternelle du personnage comme fondement de la trame narrative de Vie et aventures de Salavin (1920-1932) de Georges Duhamel." Sherbrooke : Université de Sherbrooke, 2001.

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Doré, Roxane. "Qui père gagne la problématique paternelle du personnage comme fondement de la trame narrative de Vie et aventures de Salavin (1920-1932) de Georges Duhamel." Mémoire, Université de Sherbrooke, 2001. http://savoirs.usherbrooke.ca/handle/11143/2247.

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La récurrence de la question d'un rapport au père conflictuel dans le discours critique qui se construit autour de Vie et aventures de Salavin de Georges Duhamel depuis les années 1980 était déjà un signe clair de l'importance de la place de la figure de père dans l'oeuvre de Georges Duhamel qu'une lecture attentive des cinq romans du cycle confirme. Par une analyse empruntant à la psychanalyse littéraire, Qui perd gagne montre que la trame événementielle du cycle procède d'une problématique paternelle. Cette problématique se manifeste d'abord chez le personnage éponyme par un geste anodin revêtant une valeur symbolique d'attentat contre une figure paternelle tyrannique. À compter de cet événement auquel le personnage fait correspondre le début de ses malheurs, celui-ci se met en quête d'un nouvel emploi. Sous le récit métaphorique de la recherche d'un nouvel emploi, repris après chaque congédiement ou démission, l'auteur a représenté un individu en quête de sa place dans un monde qui semble ne rien lui offrir qui satisfasse son insatiable besoin de se distinguer, d'être plus."--Résumé abrégé par UMI.
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Ollende-Etsendji, Tracy. "Littérature et musique : Essai poétique d'une prose narrative musicalisée dans Ritournelle de la Faim de Jean-Marie Gustave le Clézio, Tous les matins du monde de Pascal Quignard, Les ruines de Paris de Jacques Réda et Jazz de Toni Morrison." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2021/document.

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Les concepts de littérature et de musique ont toujours été liés depuis l'antiquité grecque. En effet, cette relation est le fruit de plusieurs affinités d'ordre esthétique qui les coordonnent dans la mesure où l’un structure et l’autre matérialise les données à exposer. Autrement dit, la littérature a toujours servi de structure ou de support au XX ème pour dire les phénomènes de langage qui incluent la mathématique, l’informatique et bien d’autres domaines. Aussi, l’esthétique musicale comportant essentiellement les codes rythmiques notamment les figures de silence, les codes acoustiques (notes de musique, instruments de musique), la fréquence des notes, leur hauteur et surtout leur amplitude; sous la forme musicale de la structure narrative, c’est-à-dire une articulation sémantique et discursive des mots et expressions qui cachent en réalité les codes de l’esthétique musicale se révèle une sorte de débordement de la diégèse....C'(est donc ce travail de correspondanc entre la discontinuité sémantique et discursive du texte du XXème siècle (contaminé par les codes de musique) et la constitution d'une partition musicale qui nous aidera à mieux cerner le lien entre littérature et musique... Notre étude prendra à cet effet appui sur quatre oeuvres : Tous les matins du monde de Pascal Quignard, Ritournelle de la faim de J.M G le Clézio, Les ruines de Paris de Jacques Réda et Jazz de Toni Morrison
Since ancient Greece, the music and literature concepts have always been linked. In fact, this relationship had started from the consequence of several aesthetic affinities that coordinate as much as one structure and one materializes the data to expose. In other words, literature has always served as a structure or support the twentieth century to say the language phenomena including mathematics, data processing and many other fields. Also, the musical aesthetics essentially containing the rhythmic codes including “figures de silence”, acoustic codes (music notes, musical instruments), the frequency of notes, especially their height and amplitude; under the musical form of the narrative structure that’s mean, semantic and discursive articulation of words and phrases that actually conceal codes music, reveals a kind of overflow of the literary text.....So, this work of correspondence between the semantic and discursive discontinuity text of the twentieh century (contaminated by the codes of music) and the creation of a musical game that will help us better understand the link between literature and music.... Our study supports on four works (books) : All the Mornings of the World Easter Quignar Ritournelle Hunger the JMG Le Clezio, The ruins of Paris Jacques Reda and Jazz bu Toni Morrison
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Filho, Abel Menezes. "A trama da vida." Pontifícia Universidade Católica de São Paulo, 2010. http://tede2.pucsp.br/handle/handle/2199.

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Made available in DSpace on 2016-04-25T20:20:01Z (GMT). No. of bitstreams: 1 Abel Menezes Filho.pdf: 3516626 bytes, checksum: 16d38d1a4c30b5388fbfbd87fba6f4c8 (MD5) Previous issue date: 2010-12-10
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On the basis of the knowledges are fragmented and placed in watertight compartments, this thesis proposes that art, by its transdisciplinary characteristics, may contribute to bridging, to make reconnections, entanglement. The complex thinking is the inspiration and literature was the method chosen to shows this possible dialogue. The narrative is woven by four characters, two women and two men, who proposes to write a collective book. The characters lives in different cities and began the dialogue by e-mails. The model chosen was the caduceus of Hermes, a bat where two snakes interwine , in seven vertexes. Unfolded in the plane there are three narratives, parallel, autonomous and simultaneously intertwined. The side snakes is the form I found to dialogue with the authors with more fluidity and break with the usual understanding of notes, which support or complement the main text, often by rote. Caduceu s doublé helix has resonances with the genetic code, that from four letters, combined in pairs, in different extents, create all forms of life. Although any of the four characters have their predominant thematic fields, the knowledges exchange became possible and the model suited as well
A partir da compreensão de que os saberes estão fragmentados e dispostos em compartimentos estanques, esta tese propõe que a arte, por suas características transdisciplinares pode contribuir para fazer pontes, religações, entrelaçamentos. O pensamento complexo é a inspiração e a literatura foi o método escolhido para mostrar esse possível diálogo. A narrativa é tecida por quatro personagens, duas mulheres e dois homens, que se propõem a escrever um livro coletivo. Os personagens moram em cidades diferentes e começam o diálogo por e-mails. O modelo escolhido foi o caduceu de Hermes, um bastão em que se entrelaçam duas serpentes, em sete vértices. Desdobradas no plano existem três narrativas, paralelas, autônomas e, simultaneamente entrelaçadas. As serpentes laterais é a maneira que encontrei para dialogar com os autores com mais fluidez e romper com a compreensão habitual de notas, que sustentam ou complementam o texto principal, muitas vezes de forma mecânica. A dupla espiral do caduceu tem ressonâncias com o código genético, que a partir de quatro letras, combinadas ao pares, em extensões diferentes, criam todas as formas de vida. Embora cada um dos quatro personagens tenha seus campos temáticos predominantes, foi possível a troca de saberes e o modelo mostrou-se adequado
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Menezes, Filho Abel. "A trama da vida." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/3263.

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Made available in DSpace on 2016-04-26T14:52:54Z (GMT). No. of bitstreams: 1 Abel Menezes Filho.pdf: 3516626 bytes, checksum: 16d38d1a4c30b5388fbfbd87fba6f4c8 (MD5) Previous issue date: 2010-12-10
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On the basis of the knowledges are fragmented and placed in watertight compartments, this thesis proposes that art, by its transdisciplinary characteristics, may contribute to bridging, to make reconnections, entanglement. The complex thinking is the inspiration and literature was the method chosen to shows this possible dialogue. The narrative is woven by four characters, two women and two men, who proposes to write a collective book. The characters lives in different cities and began the dialogue by e-mails. The model chosen was the caduceus of Hermes, a bat where two snakes interwine , in seven vertexes. Unfolded in the plane there are three narratives, parallel, autonomous and simultaneously intertwined. The side snakes is the form I found to dialogue with the authors with more fluidity and break with the usual understanding of notes, which support or complement the main text, often by rote. Caduceu s doublé helix has resonances with the genetic code, that from four letters, combined in pairs, in different extents, create all forms of life. Although any of the four characters have their predominant thematic fields, the knowledges exchange became possible and the model suited as well
A partir da compreensão de que os saberes estão fragmentados e dispostos em compartimentos estanques, esta tese propõe que a arte, por suas características transdisciplinares pode contribuir para fazer pontes, religações, entrelaçamentos. O pensamento complexo é a inspiração e a literatura foi o método escolhido para mostrar esse possível diálogo. A narrativa é tecida por quatro personagens, duas mulheres e dois homens, que se propõem a escrever um livro coletivo. Os personagens moram em cidades diferentes e começam o diálogo por e-mails. O modelo escolhido foi o caduceu de Hermes, um bastão em que se entrelaçam duas serpentes, em sete vértices. Desdobradas no plano existem três narrativas, paralelas, autônomas e, simultaneamente entrelaçadas. As serpentes laterais é a maneira que encontrei para dialogar com os autores com mais fluidez e romper com a compreensão habitual de notas, que sustentam ou complementam o texto principal, muitas vezes de forma mecânica. A dupla espiral do caduceu tem ressonâncias com o código genético, que a partir de quatro letras, combinadas ao pares, em extensões diferentes, criam todas as formas de vida. Embora cada um dos quatro personagens tenha seus campos temáticos predominantes, foi possível a troca de saberes e o modelo mostrou-se adequado
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Cann, Nicole B. Sutton David Lee. "The World Trade Center Site: Who Won? Fisher's narrative paradigm and conflicting narratives in the analysis of the World Trade Center Site controversy /." Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Summer/Theses/CANN_NICOLE_37.pdf.

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9

Fuller, Barry Stanley. "A trace of a trace : an analysis of trauma in Shoah perpetrator auto/biographical narratives." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/36658.

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In this study, I attempt to prove that many Shoah perpetrators potentially suffered the effects of trauma and that traces of their traumatisation exist within their auto/biographical narratives. In my endeavour to demonstrate this belief, I first discuss how many Shoah perpetrators were not merely prompted to take part in the Shoah because they were antisemitic, but that they were heavily influenced by the social and political environment around them. However, even though many of the perpetrators took part in othering processes as a response to their interpellation and socialisation, they still suffered from the effects of trauma. I then discuss the reasons for why many of the perpetrators wrote auto/biographical narratives, ultimately stating that an unconscious need to work through the effects of trauma was a possible reason for constructing these narratives and that traces of traumatisation do exist within the pages of these discourses. Finally, I make the case that many of the Shoah perpetrators suffered the effects of what Rachel M. MacNair terms Perpetration-Induced Traumatic Stress and that their traumatisation allowed them to perpetuate trauma on others through traumatic reenactment.
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Haydon, Liam David. "'I sing'? : narrative technique in epic poetry." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/i-sing-narrative-technique-in-epic-potry(3d7d23da-ade0-424c-93a2-9b183283e30e).html.

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This thesis examines the genre of epic, and particularly Milton’s Paradise Lost. It argues that it is only in attending to the contextual interactions within Paradise Lost that its full meaning can be comprehended. It demonstrates that the poem not only narrates the Fall, but actively performs its consequences in its thematic and linguistic structures, which continually stress the impossibility of approaching perfect (divine) totality. Chapter one outlines the theoretical response to epic, read as a petrified genre in contrast to the newness, openness and linguistic flexibility of the novel. It then challenges these assumptions through a reading of the invocation to book III of Paradise Lost. The chapter closes by examining seventeenth-century writings on epic, demonstrating that Milton’s contemporaries saw the epic as defined by the possibility of didactic intervention into its context. Chapter two examines the forms of the epic metaphor, which serve as a temporal link between the ‘mythic’ past of epic and contemporary events. It then shows that the nationalistic impulse of epic was a method by which the mythic past of a country was deployed as an exemplary narrative for the present. The chapter closes by considering the ways in which shifts in national conception were mapped onto the epic. Chapter three outlines Paradise Lost’s thematic engagement with the concept of representation. It focuses on the twin images of the music of the spheres and the Tower of Babel, used in Paradise Lost to represent man’s relationship with God. It argues that the poem uses these tropes to explore the linguistic effects of the Fall. Both these images are deployed to suggest that postlapsarian expression is too open and ambiguous to properly portray divinity. Chapter four moves that discussion to a linguistic level, arguing that the poem is characterised by indeterminacy. It argues that Paradise Lost calls into question the possibility of expressing perfect truth in fractured, postlapsarian language. It shows that punning is the mark of fallen creatures in the poem, and suggests that the poem’s own puns exploit this category to linguistically question its own status as representation through performances of ambiguity. The conclusion synthesises these local readings of Paradise Lost into a reading of the poem as a whole. It argues that these individual instances demonstrate the poem’s continual reflexive concern over its theodicean project. By continually expressing ambiguity, at the level of imagery and language, Paradise Lost draws attention to its status as postlapsarian art, and the consequent impossibility of approaching the divine perfection exemplified by the celestial music or prelapsarian language.
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Books on the topic "Trame narrative"

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Thackeray's skeptical narrative and the "perilous trade" of authorship. Aldershot, Hants, England: Ashgate, 2002.

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Cairns, Barbara. Cracker cow: A narrative of Florida history. Homosassa, FL: IRC Books, 2007.

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1951-, Payne Michael, ed. A narrative history of Fort Dunvegan. [Winnipeg?]: Watson & Dwyer, 1993.

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Corn, Charles. The scents of Eden: A narrative of the spice trade. New York: Kodansha International, 1998.

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Three western narratives. New York: Library of America, 2004.

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Richard, Batman, ed. Personal narrative of James O. Pattie. Missoula: Mountain Press Pub. Co., 1988.

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In the trade of war. Tunbridge Wells, Kent: Parapress, 1994.

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Narratives of free trade: The commercial cultures of early US-China relations. Hong Kong: Hong Kong University Press, 2012.

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Equiano, Olaudah. The interesting narrative and other writings. New York: Penguin Books, 1995.

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Equiano, Olaudah. The interesting narrative and other writings. New York: Penguin Books, 2003.

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Book chapters on the topic "Trame narrative"

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Gawrońska-Nowak, Bogna, Piotr Lis, and Joanna Konieczna-Sałamatin. "Free Trade or Trade Wars: Controversies, Political Interests, and Narratives." In Trade Wins or Trade Wars, 23–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76997-0_3.

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Steinberg, Guido. "Ecology, Knowledge, and Trade in Central Arabia (Najd) during the Nineteenth and Early Twentieth Centuries." In Counter-Narratives, 77–102. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981318_4.

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Peng, Hao. "Conclusive Discussions and Comprehensive Historical Narratives." In Trade Relations between Qing China and Tokugawa Japan, 141–55. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7685-6_10.

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Kukułka-Wojtasik, Anna. "Quelques aspects de la grammaire narrative du récit médiéval: Les stéréotypes végétaux et animaliers dans la construction des personnages et de la trame de l’intrigue. D’après Le Chevalier de la Charrette et Le Conte du Graal de Chrétien de Troyes." In Miroirs Arthuriens entre images et mirages, 125–36. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.csm-eb.5.117113.

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King-Savic, Sandra. "Narrating history through the prism of šverc." In Forging Transnational Belonging through Informal Trade, 29–61. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Southeast European studies: Routledge, 2021. http://dx.doi.org/10.4324/9781003022381-3.

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King-Savic, Sandra. "Recontextualizing narratives of šverc within the discourse of economic collapse." In Forging Transnational Belonging through Informal Trade, 117–35. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Southeast European studies: Routledge, 2021. http://dx.doi.org/10.4324/9781003022381-8.

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Keeble, Arin. "“Won’t Bow: Don’t Know How”: New Orleans and American Exceptionalism in Treme." In Narratives of Hurricane Katrina in Context, 65–90. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16353-2_3.

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Lisimba, Alpha Furbell. "The Rise of China: Reforms, Growth and Modernisation: Overview of China’s Development Narrative." In China’s Trade and Investment in Africa, 49–79. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-9573-8_3.

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"Family Ties and Narrative Confessions in Catalonia." In Monsters by Trade, 165–92. Stanford University Press, 2014. http://dx.doi.org/10.2307/j.ctvqsdxhh.10.

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Surwillo, Lisa. "Family Ties and Narrative Confessions in Catalonia." In Monsters by Trade, 165–92. Stanford University Press, 2014. http://dx.doi.org/10.11126/stanford/9780804788793.003.0006.

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Conference papers on the topic "Trame narrative"

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Castro, Bruno Morais Neves de, Matheus Breno Santos, and Jaline Mombach. "Um Mapeamento de Ferramentas Digitais para Criação de Narrativas Não-Lineares." In Workshop de Informática na Escola. Sociedade Brasileira de Computação, 2019. http://dx.doi.org/10.5753/cbie.wie.2019.256.

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A narrativa não linear permite ao usuário a condução do fluxo da história, podendo percorrer caminhos diversos durante a evolução da trama. No entanto, as ferramentas digitais que apoiam essa criação são desconhecidas por muitos educadores. Por isso, este artigo tem como objetivo apresentar um mapeamento sobre trabalhos que explorem narrativas não-lineares no contexto da Informática na Educação Brasileira. O método adotado é o mapeamento sistemático, com inclusão de literatura cinzenta. Os resultados indicam que o número de publicações sobre esse assunto é pequeno e também que as ferramentas existentes têm limitações quanto à facilidade de uso, principalmente pela tradução incompleta em português.
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Li, Wang, Ang Lay Hoon, Sabariah Md Rashid, and Hazlina Abdul Halim. "Narrative Constitution of Identities and Profiles of Multinational Corporations of China: A Case Study." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.15-1.

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Under the context of the ‘Trade War,’ Chinese multinational corporations are experiencing difficulty in overseas markets due to retarded globalization. Therefore, they have become increasingly aware of the significance of presenting themselves to foreign markets through ‘telling good stories.’ Narratives in these contexts are reframed from Chinese into English corporate profiles of these multinational corporations, so as to present the corporate identities of these corporations as more acceptable to target foreign stakeholders. This paper purports to investigate how profiles of Chinese corporations in the domestic market are reframed for overseas markets. Tthis paper thus creates a case study of English corporate identities of the corporate profiles of the CRRC (China Railway Rolling Stock Corporation), the world’s largest supplier of rail transit equipment. A combination of content analysis and thematic analysis is used in the data analysis. Narrative reframing strategies from source to the target texts are examined and analyzed by content analysis. Thematic analysis is employed for identifying the corporate identities constructed through this data.
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Ovodova, Svetlana. "Representation of Cultural Traumas in Contemporary Public Discourse: “New Frankness” of Meta-Modernism." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-04.

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The prerequisites for this study are criticism of postmodernism by theorists and philosophers of culture, and the actualisation of metamodernism as one of the most popular theories of postmodernism. The relevance of the study is determined by the appearance of a ‘new sensitivity’ having arisen from geopolitical events of the 2000s. Metamodernism theory authors declare the new structure of sensation to be different from the dominants of postmodernism and modernism. The article describes the transformation of the representation of cultural traumas in public discourse with the consideration of ideas of metamodernism and a new frankness. The article covers the methodological capabilities for using postmodernism and metamodernism discourses for analysing the principles of representation of cultural trauma within public discourse. Distinguishing features of new frankness are highlighted. Immortal Regiment action is analysed as an example of actualisation of personal experience and family history in public discourse. The concept of ‘new frankness’ increases the role and significance of the witness. The examples of works of contemporary mass culture and media resources are used to trace the actualisation of the witness’s narrative of cultural trauma. Warmth, depth, and affect, characteristic of metamodernism, actualise the demand for plausibility and personal experience of an event. An indirect effect of these hypotheses consists in that narratives on cultural trauma are multivariate as manifested in criticism of the conventional image of a historic event. Re-evaluating historical events from different points of view triggers mechanisms of latent trauma, potentially making almost any historical event a cultural trauma. The study resulted in the revelation of accentuation of sensitivity in narratives of cultural traumas, as opposed to manners prevailing in modernism and postmodernism discourses, i.e. practices of stigmatisation, suppression, and the commodification of cultural traumas.
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Lin-Lin, Xuan, and Ling Min. "The Narration and Forecast of Overseas Municipal Solid Waste Management Research." In 2014 International Conference on Economic Management and Trade Cooperation (EMTC 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/emtc-14.2014.64.

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Prokofiev, A. I. "«История в настоящем совершенном времени»: семиосфера нарратива Тринадцатилетней войны 1654−1667 гг. в российской имперской историографии (1864−1912 гг.)." In VIII Information school of a young scientist. Central Scientific Library of the Urals Branch of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.32460/ishmu-2020-8-0029.

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On the basis of an interdisciplinary synthesis of historiography and semiotics, the article proposes a new way of analysing the conceptions of historians, who studied the war between the Moscow state and the Commonwealth in the middle of the XVII century. The attention is paid not to the search for genetic links and biographical pages in the writings of researchers working in the same era. But discovery is presented of the speech units that affect the production of discourses that add up specific narratives. The author seeks to trace the processes of convergence or estrangement of scientific ideas with/from the state request, which was delivered after the January uprising of 1863–1864 in the provinces of the Kingdom of Poland (Congress Poland) and the Northwest Krai. Therefore, the aim of the study is to verify the author's vision of the usefulness and complementarity of the semiotic understanding of the interaction of the text and its creator with the history of ideas. Such understanding is a significant part of the process of historiographic accumulation of information. Concretely, the author applies this synthesis to the micro level, i. e., to the stage of specific historical research.
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Orestova, Vasilisa, Dmitry Khoroshilov, and Elena Belinskaya. "TRANSFORMATION OF COPING IN THE SOCIAL SITUATION OF TRANSITIVITY: CROSS-CULTURAL ASPECT." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact066.

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"In the modern world, when the situation of social transitivity is, in fact, a complex difficult situation, it is relevant to turn to the study of coping methods that are characteristic and specific to this situation. A special role in the study of coping in a transitive society can be played by turning to cross-cultural studies that allow us to trace the transformations of coping in the context of modernization society. The article presents the results of a thematic analysis of narratives and free-form interviews of respondents from Russia and Uzbekistan, which allow us to conclude that the transformation of coping strategies in the process of modernizing traditional culture goes along the path of individualization, which is expressed as the need to take individual responsibility for solving difficult situations, and in the formation of a flexible repertoire of coping strategies that correspond to an individualistic, rather than a receding traditional collectivist culture. The study allows not only to understand individual strategies of perception, categorization and affective assessment of difficult life situations by representatives of different cultures, but also makes it possible to interpret them in the broader context of studying coping processes in a situation of social uncertainty and variability."
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Vieira Terra, Tatiana. "El invisible y la no-materialidad de las cosas de la isla." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5761.

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Una isla situada en la meseta central del Brasil se convierte en el espacio gravitacional de un viaje artístico de la exploración. Despegues y fluctuaciones alternan durante la expedición. Estar en la isla también significa ser el punto focal de una luneta inversa donde el dialogo se construye a partir de las cosas que habitan en los espacios cercanos e infinitos, en el flujo de las relaciones entre ellas y el sujeto en el espacio. Las narrativas visuales proporcionadas por el viaje se hicieron a partir de los deseos, de las confrontaciones y de las sorpresas vividas durante las pausas y comuniones invocadas por la no materialidad de las cosas que viven allí. El texto narra la expedición a la isla, trae imágenes producidas a partir de la experiencia vivida e invita a una reflexión sobre las voces silenciosas de las cosas en el espacio, la visión invisible y la resonancia interna del sujeto.http://dx.doi.org/10.4995/ANIAV.2017.5761
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Ruiz Bañón, María Luz. "Temporalidad y espacialidad desbordada en la obra visual de Jesús Segura." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8989.

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Dentro de la extensa obra del artista español Jesús Segura (Cuenca, 1967) es constante el cuestionamiento y la reactualización de la noción espacio-temporal mediante el análisis crítico de la imagen. La presente aportación constituye un estudio sobre su obra visual y las diferentes estrategias utilizadas de reconstrucción espacial y delimitación de las cronologías presentes en la imagen para poner en cuestión la noción lineal del espacio-tiempo. Segura genera, a través del uso simultaneo de diferentes formatos: fotografía, vídeo, performance o instalación, lo que define como espacialidades desbordadas. Espacios que están sometidos al flujo migratorio de la globalización y que reaccionan desplegando una temporalidad heterocrónica que modifica el estatuto espacial del lugar e incorpora una hibridación de lo local y lo global, generando gran tensión heterotópica al yuxtaponer en un mismo espacio imágenes ambivalentes cuya veracidad resulta en muchos casos cuestionable para el espectador. A través de ellos plasma la vida cotidiana de las ciudades y sus múltiples y diversos habitantes, mostrándonos una realidad espacio temporal multi-rítmica en la que el tiempo experiencial no es homogéneo respecto a todas las personas, ya que individualmente los humanos somos capaces de experimentar y sentir, de forma simultánea, diferentes ritmos temporales dentro de un tramo común de tiempo. Su inquietud por temas como la temporalidad, la espacialidad o el contexto, está presente en todo su universo. En su obra las imágenes se convierten en construcciones culturales de cada uno de los contextos determinados donde surgen. Una muestra de cómo se articula y configura la imagen contemporánea afectada por las nuevas temporalidades y de la relevancia de las prácticas de ver y mostrar dentro de la nueva cultura visual, que nos hacen repensar la linealidad de la narrativa espacio-temporal modificando nuestro modo de percibir y habitar el mundo.
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Reports on the topic "Trame narrative"

1

Chervinchuk, Alina. THE CONCEPT OF ENEMY: REPRESENTATION IN THE UKRAINIAN MILITARY DOCUMENTARIES. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11063.

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Research methodology. The following methods were used in this research: general scientific methods (descriptive, analysis, synthesis, comparison) and special (structural, hermeneutic, narrative, method of content analysis). We identified words related to the concept of the enemy and determined the context in which they are used by the authors of the collections Results. The formats of reflection of military reality in collections of military documentaries are investigated. It is emphasized that the authors-observers of events as professional communicators form a vision of events based on categories understandable to the audience – «own» and «others». Instead, the authors-participants go events have more creative space and pay more attention to their own emotional state and reflections. It is defined how the enemy is depicted and what place he occupies in the military reality represented by the authors. It is emphasized that the authors reflect the enemy in different ways. In particular, the authors-observers of the events tried to form a comprehensive vision of the events, and therefore paid much attention to the opposite side of the military conflict. Authors-participants of the events tend to show the enemy as a mass to be opposed. In such collections, the enemy is specified only in the presence of evidence confirming the presence of Russians or militants. Novelty. The research for the first time investigates the methods of representation of mi­litary activity in the collections of Ukrainian military documentaries. The article is devoted to the analysis of how the authors represent the enemy. Practical importance. The analysis of collections of military documentaries will allow to study the phenomenon of war and to trace the peculiarities of the authors’ representation of military reality.
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