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Books on the topic 'Trance (Electronic dance music)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Simão, Emília. Exploring psychedelic trance and electronic dance music in modern culture. Information Science Reference, 2015.

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2

1968-, St John Graham, ed. The local scenes and global culture of psytrance. Routledge, 2010.

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3

Carmi, Elinor. Ṭransmishen. Resling, 2013.

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4

Kosmicki, Guillaume. Musiques électroniques: Des avant-gardes aux dance floors. Mot et le reste, 2009.

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5

Hanf, Mathias Kilian. Detroit techno: Transfer of the soul through the machine. VDM Verlag Dr. Müller, 2010.

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6

Prendergast, Mark J. The ambient century: From Mahler to trance ; the evolution of sound in the electronic age. Bloomsbury, 2000.

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7

Jóri, Anita, and Martin Lücke, eds. The New Age of Electronic Dance Music and Club Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39002-0.

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8

Ludewig, Bianca. Utopie und Apokalypse in der Popmusik: Gabber und Breakcore in Berlin. Verlag des Instituts für Europäische Ethnologie, 2018.

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9

Weinel, Jonathan. Trance Systems. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0005.

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This chapter explores how sound systems place electronic sounds in a social context, eliciting powerful affective experiences that are framed by conceptual meaning. The chapter begins by tracing the origins of the sound system culture and dub-reggae of Jamaica. This approach, which prioritizes DJ performances over ‘live’ musicians, would prefigure the electronic dance music culture of the 1980s and 1990s. Exploring this area, this chapter examines how the design of Chicago house and Detroit techno provided high-energy dance experiences that reflected the ethos of the respective sub-cultures. L

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10

Saldanha, Arun. Psychedelic White: Goa Trance and the Viscosity of Race. Univ Of Minnesota Press, 2007.

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11

Saldanha, Arun. Psychedelic White: Goa Trance and the Viscosity of Race. Univ Of Minnesota Press, 2007.

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12

Psychedelic white: Goa trance and the viscosity of race. University of Minnesota Press, 2007.

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13

Psychedelic White: Goa Trance and the Viscosity of Race. University of Minnesota Press, 2007.

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14

Psychedelic White: Goa Trance and the Viscosity of Race. University of Minnesota Press, 2007.

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15

Sylvan, Robin. Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. Taylor & Francis Group, 2013.

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16

Weston, Rima. Life Is Better with Trance Music Vintage Electronic Dance Nice Notebook Lined: Trance Music, Halloween, Thanksgiving, New Years, Christmas Gifts for Men, Women, Adults, Teens, Kids, Boys, Girls,Lesson. Independently Published, 2021.

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17

Global tribe: Technology, spirituality and psytrance. Equinox, 2012.

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18

Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. Routledge, 2005.

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19

Sylvan, Robin. Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. Routledge, 2005.

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20

Sylvan, Robin. Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. Taylor & Francis Group, 2013.

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21

Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture. Routledge, 2013.

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22

Conner, Christopher T., and David R. Dickens. Electronic Dance Music. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666990003.

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Electronic Dance Music: From Deviant Subculture to Culture Industry explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. Conner and Dickens explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dolla

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23

Godard, Julie K. Electronic Dance Music (EDM). Mason Crest, 2019.

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24

Electronic dance music DJs. ReferencePoint Press, 2017.

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25

Wood, Jeffrey. Chords for Electronic Dance Music. Independently Published, 2017.

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26

Mazierska, Ewa, Les Gillon, and Tony Rigg. Evolution of Electronic Dance Music. Bloomsbury Academic & Professional, 2022.

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27

Evolution of Electronic Dance Music. Bloomsbury Publishing Plc, 2021.

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28

Weinel, Jonathan. Inner Sound. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.001.0001.

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Inner Sound explores how altered states of consciousness have shaped the design of electronic music and audio-visual media. The book begins by discussing consciousness, and how this may change during states such as dreaming, psychedelic experience, meditation, and trance. Next, a variety of shamanic traditions are reviewed, in order to explore how indigenous societies have reflected visionary experiences through visual art and music. This provides the necessary background from which to consider how analogue and digital audio technologies enable specific capabilities for representing or inducin

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29

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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30

Jori, Anita. Discourse Community of Electronic Dance Music. Columbia University Press, 2021.

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31

Jóri, Anita. Discourse Community of Electronic Dance Music. Transcript Verlag, 2021.

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32

The evolution of electronic dance music. Backbeat Books, 2011.

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33

Oxford Handbook of Electronic Dance Music. Oxford University Press, Incorporated, 2023.

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34

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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35

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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36

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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37

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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38

Dance Music Manual. Routledge, 2019.

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39

Dance Music Manual. Taylor & Francis Group, 2024.

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40

Dance Music Manual. Taylor & Francis Group, 2024.

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41

Lange, Barbara Rose. Local Identity, World Music 2.0, and Electronic Dance Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0009.

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Chapter 8 discusses the orientation of Central European musicians to aesthetics, production technologies, and distribution networks of the turn of the millennium that are collectively termed world music 2.0, arguing that study of local information flow enriches the overall notion of world music 2.0. The chapter reviews how electronic dance music (EDM) became a key component of the millennial sound world and of world music 2.0 in Central Europe. The chapter then describes musicians who continue to think locally as they merge sensibilities: the Slovak duo Longital developed a futurist aesthetic;

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42

Staff, Hal Leonard Corp. EDM Sheet Music Collection: 37 Electronic Dance Music Hits. Leonard Corporation, Hal, 2018.

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43

Staff, Hal Leonard Corp. EDM Sheet Music Collection: 37 Electronic Dance Music Hits. Leonard Corporation, Hal, 2018.

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44

Staff, Hal Leonard Corp. EDM Sheet Music Collection: 37 Electronic Dance Music Hits. Leonard Corporation, Hal, 2018.

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45

Garcia, Luis-Manuel, and Robin James, eds. The Oxford Handbook of Electronic Dance Music. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190093723.001.0001.

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This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.

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46

Jóri, Anita. The Discourse Community of Electronic Dance Music. transcript Verlag, 2021. http://dx.doi.org/10.1515/9783839457580.

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47

D'Errico, Mike. Electronic Dance Music in the Dubstep Era. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.74.

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48

Weekend Societies: Electronic Dance Music Festivals and Event-Cultures. Bloomsbury Publishing Plc, 2017.

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49

Beyond The Dance Floor Female Djs Technology And Electronic Dance Music Culture. Intellect (UK), 2012.

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50

Earl, David. LMMS: A Complete Guide to Dance Music Production. Packt Publishing, Limited, 2012.

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