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Dissertations / Theses on the topic 'Trance (Electronic dance music)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Iler, Devin. "Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103332/.

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Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music.

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Cookney, D. "Masked : depictions of anonymity in electronic dance music." Thesis, University of Salford, 2015. http://usir.salford.ac.uk/36101/.

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This thesis explores anonymity as an aspect of identity construction within electronic dance music (EDM). Its specific focus is on the production and control of image within genres that have arisen since the development and expansion of the club scene in the UK from the latter part of the 20th century and, then situated in visual culture and performance research, its examination of anonymity represents an area that, to date, has been overlooked in EDM. As part of this investigation, the thesis’ chapters notably analyse elements that are external to music recordings including record sleeve desi

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Hillion, Toulcanon Marie-Muriel. "Maloya dance and music: Réunionese Créole togetherness." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2532.

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La Réunion is a former French colony where the coffee, vanilla — and later the sugarcane industry — brought together the mostly enslaved and indentured people from Madagascar, Africa, India, China and France. A quintessential part of this hybrid culture has been the development of maloya, an improvised music-and-dance form that so alienated French colonial authorities and landowners that it was unofficially banned until 1981. While maloya music has been taught since 1987 at Conservatoire de La Réunion and has reached international stages, maloya dance itself has rarely been explored academical

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Jap, Lilian. "Mapping detected periodic dance movements to control tempo in the music playback of Electronic Dance Music." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-251668.

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Engaging in the music set of one’s favorite artist or DJ is oftentimes leading to the result of a powerful and euphoric felt experience, a sensation partly also induced from dancing in beat to the music. In an attempt to simulate a similar dance experience, a user-study was designed in order to investigate when a user is let to dance in rhythm to a music playback and in addition, in control of a music playback tempo through the induced dance movements. A proof-of-concept prototype was built and tested in an initial study, followed by a main study where the prototype had been modified and 12 pa

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Gómez, Marín Daniel. "Similarity and style in electronic dance music drum rhythms." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/543841.

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This thesis presents original research carried out in the topic of electronic dance music (EDM) drum sequencing, a fundamental and yet underdeveloped subject in the music production literature. The work undertaken is focused in two main areas: similarity between drum patterns and modeling of drumming style. The study of pattern similarity is rooted in current knowledge on human processing of monophonic rhythms, and is expanded until a model capable of predicting similarity sensations of polyphonic drum rhythms is reached. With this model, RhythmSpace, a graphical system for the continuous real

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6

Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.

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Kavanaugh, Philip R. "Solidarity and drug use in the electronic dance music scene." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.39 Mb., 70 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435827.

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Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.

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9

Carroll, Adrian Dominic. "Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61231/13/61231.pdf.

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This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic sections at the beginning and end of each musical work created a ‘DJ friendly’ environment. The term used in this thesis to refer to the application of beat-mixing in Rock music is ‘ClubRock’. Collaboration between a number of DJs and Rock music professionals applied the process of beat-mixing to blend Rock tracks to produce a continuous ClubRock set. The DJ technique of beat-mixing Rock music transformed static

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Merkowitz, Jennifer Bernard. "The Cardiac Dance—The Spirals of Life." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1185978849.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2007.<br>Advisor: Dr. Mara Helmuth. Title from electronic thesis title page (viewed Nov. 29, 2007). Includes abstract. Keywords: cardiac dance spirals electronic music composition. Includes bibliographical references.

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McDermott, Paul Francis. "From the dance floor to the concert hall: Creating a unique compositional voice fusing Electronic Dance Music traditions with experimental practice." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/27609.

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The aim of this practice-based research project is to investigate innovative techniques in the composition and presentation of electronic music that draw on the history of Electronic Dance Music (EDM) and seek to discover new modes of expressive listening experiences removed from the dance floor environment. This study will help illuminate the differing expectations of the dance floor and the concert hall as an investigation of ways to expand the creative potential of both perspectives. A review of electroacoustic and EDM music and the musicological literature will be undertaken to understand

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12

Murray, Sarah Joy. "Legitimating the Remix: Exploring Electronic Dance Music’s Hybrid Economy." Thesis, Boston College, 2009. http://hdl.handle.net/2345/701.

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Thesis advisor: Judith Schwartz<br>Increased access to media and production tools has given the civilized masses the means not only to consume an increasingly comprehensive wealth of content, but also the means to interact with that content in ways never before imagined. This has allowed the digital generation to grow ever more comfortable creating and editing content outside of the professional environment. Much of the creative output of our day comes in the form of the “remix,” a piece of content which is constructed, in full or in part, from bits (most often in the form of bytes) of other m

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Faraldo, Pérez Ángel. "Tonality estimation in electronic dance music: a computational and musically informed examination." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/463079.

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This dissertation revolves around the task of computational key estimation in electronic dance music, upon which we perform three interrelated operations. First, we attempt to detect possible misconceptions within the task, which is typically accomplished with a tonal vocabulary overly centred in Western classical tonality, reduced to a binary major-minor model which might not accomodate popular music styles. Second, we present a study of tonal practises in electronic dance music, developed hand in hand with the curation of a corpus of over 2,000 audio excerpts, including multiple subgenres an

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Lau, Stella Sai Chun. "Cultural and spiritual connections : examining evangelical activities within electronic dance music cultures." Thesis, University of Liverpool, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433871.

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15

Colombo, Ambrose. "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/83.

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Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA fe

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Romero, Ruiz Claudia Nicole. "El EDM (Electronic Dance Music), mediante campañas publicitarias, genera determinadas motivaciones hacia un servicio." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656688.

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EDM son las siglas de Electronic Dance Music, es el género madre de la música electrónica moderna. Actualmente, el género Pop, Rock y Latín utilizan el EDM como género complementario y esto se ha visualizado en la publicidad. Desde los inicios de la publicidad, la música ha estado presente como un complemento de mensajes publicitarios con el fin de generar conexión con los consumidores. En esta investigación cualitativa nace con el objetivo de conocer como el EDM (Electronic Dance Music), mediante campañas publicitarias, genera determinadas motivaciones hacia un servicio. Con el objetivo gener

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Palamara, Jason Andrew. "Dysphonia, for solo violin, chamber ensemble and live electronics." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1718.

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DYSPHONIA is a music and dance work, for violin soloist with a live chamber orchestra, including multiple laptops and a custom-built gesture detection system worn by a dancer. The piece was choreographed by Professor Charlotte Adams of the University of Iowa Dance Department and premiered at the Faculty Graduate Dance Concerts in February of 2015. This piece is inspired by ongoing research into computer programming, gesture and music-making, artificial intelligence (AI), and creative algorithms. While the actual algorithms I developed for use in this piece are far from sentient, it is my hope

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Herrington, James. "Towards an interactive environment for the performance of Dubstep music." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1582.

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This Masters by Research project explores the integration of different concepts relating to the presence of the human body in Dubstep music performance. Three intended performance systems propose that the body is the logical site for the interactive control of live Dubstep music. The physicality and gestures of instrumentalists, choreographed dancers, and audience members will be examined in order to develop new and exciting ways to perform this genre in a live setting. The systems take on a three-tiered hierarchical approach on two levels in regards to the extraction of gestural information f

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Lopez, Ramirez-Gaston Jose Ignacio. "Constructing musical spaces beyond technological Eden a participative initiative for musical interface development based in the Peruvian context /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1460011.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed Jan. 12, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 111-117.

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Ratcliffe, Robert James. "New forms of hybrid musical discourse; an exploration of stylistic and procedural cross-fertilisation between contemporary art music and electronic dance music." Thesis, Keele University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572424.

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This portfolio explores stylistic and procedural cross-fertilisation between contemporary art music and electronic dance music through musicological investigation and creative practice. Comprised of six compositional 'projects', the creative work examines the hybridisation of the two main genres under consideration, involving both a formalisation of hybrid compositional procedures and an exploration of established and newly developed forms of musical borrowing, which function as tools of negotiation in the transference of materials within my own creative practice. The musicological component i

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21

Rodgers, Naomi Alice. "“House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs." Thesis, Linköpings universitet, Tema Genus, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659.

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Berlin is heralded worldwide as being a city that is open, innovative and diverse: a true multicultural metropolis. Music plays a central role in the city’s claim to this title. Go to any one of Berlin’s many notorious alternative nightclubs and you will hear techno, house and electronic dance music blasting out to hoards of enthusiastic partygoers. Many of these clubs and their participants claim that these parties represent diversity, acceptance, equality and tolerance: Spaces within which social divisions are suspended, difference is overcome and people are united. This ubiquitous discursiv

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Röthig, Sabine [Verfasser], Peter [Akademischer Betreuer] Wicke, and Holger [Akademischer Betreuer] Schulze. "Windowlicker : der ästhetische Paradigmenwechsel im Musikvideo durch Electronic Dance Music / Sabine Röthig. Gutachter: Peter Wicke ; Holger Schulze." Berlin : Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://d-nb.info/1100447539/34.

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23

Chan, Michelle Stephanie. "Coping with Acculturative Stress: MDMA Usage among Asian American Young Adults in the Electronic Dance Music Scene." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/pomona_theses/194.

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The intersection of Asian American identity and illicit substance use is greatly understudied in psychological literature, especially with matters of mental health and drug use being stigmatized by Asian cultural norms. However, with an increasingly alarming number of fatal drug overdoses by Asian Americans at electronic dance music (EDM) events, attention must be drawn to the needs of this unique population. The present study characterizes this community by drawing from data of 1,290 Asian American young adults who participate in the EDM scene. This study also hypothesizes the impact of accul

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Formilan, Giovanni <1986&gt. "Essays on Identity Social Construction, Multidimensionality, and its Effect on Creative Products' Performance in Electronic Dance Music." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7331/1/formilan_giovanni_tesi.pdf.

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My Ph.D. thesis consists of three research papers focused on actors’ identity as social outcome, its intrinsic multidimensionality raised by multiple identity-shaping sources, and the relationship between identity dimensions and market performance. The first paper offers an overview of the literature on identity, social identity, and two identity-determining tools – social categories and network relations. It discusses how identity emerges from multiple identifying social forces that determines its multidimensionality. The second paper qualitatively explores the idea of multidimensionality in

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Formilan, Giovanni <1986&gt. "Essays on Identity Social Construction, Multidimensionality, and its Effect on Creative Products' Performance in Electronic Dance Music." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7331/.

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My Ph.D. thesis consists of three research papers focused on actors’ identity as social outcome, its intrinsic multidimensionality raised by multiple identity-shaping sources, and the relationship between identity dimensions and market performance. The first paper offers an overview of the literature on identity, social identity, and two identity-determining tools – social categories and network relations. It discusses how identity emerges from multiple identifying social forces that determines its multidimensionality. The second paper qualitatively explores the idea of multidimensionality in

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26

Pouchelon, Jean. "Les Gnawa du Maroc : intercesseurs de la différence ? étude ethnomusicologique, ethnopoétique et ethnochoréologique." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100019.

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Les Gnawa sont présents dans toutes les grandes villes du Maroc (Oujda, Tanger, Casablanca, Fès, Meknès, Rabat, Marrakech, Essaouira, Agadir etc.). Musiciens, officiants et adeptes se rassemblent dans un rituel nocturne baptisé la lîla (litt. "une nuit") lequel célèbre à la fois, Dieu, son prophète Muhammad, l'Afrique subsaharienne ainsi que de nombreux autres entités invisibles réparties en sept familles. La musique, la danse et la transe sont omniprésentes dans cette célébration. Cette thèse analyse l'identité des Gnawa, leurs représentations, leurs instruments rituels, leurs performances, l

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Barnes, Duncan Martin. "Selling the modern day tribe: The commodification of rave culture." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2107.

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This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local impact of rave. I provide a visual ethnographic study from 1999-2014, based on my work as a commercial photographer of the Perth, Western Australian scene. While critically reflecting on existing subcultural research this thesis adds another dimension – the effect that global corporations have had in reshaping subcultural practices, specifically the commodification of rave culture in the form of the contemporary electronic dance festival. The research incorpo

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Maksimović, Irina [Verfasser]. "The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries / Irina Maksimović." Mainz : Universitätsbibliothek Mainz, 2019. http://d-nb.info/1186079444/34.

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Oliver, E. John C. (Edward John Clavering). "Guacamayo's old song and dance : an opera in one act for 5 voices and amplified chamber ensemble." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=76520.

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The notion of identity between the ancient and the contemporary, which has its source in Mayan studies, informs the design principles of this work. Specific techniques are listed for the design of musical space and time in Guacamayo, which is "a musical drama that strives for synthesis." There follows an outline of the principle motivic material, approaches to melodic construction and text setting, techniques used to design space (or pitch) and time (or rhythm)--including traditional harmony, symmetrical modes, non-octaviating space and random number generation in the first case, and speech rh

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Nilsson, Viktor. "When mastering Electronic Dance Music, can two limiters in the mastering chain create a more desirable sound than a single limiter?" Thesis, Luleå tekniska universitet, Medier, ljudteknik och teater, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-79121.

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The loudness war has been a widely discussed topic for many years. Loudness normalization has begun to slow down the range of genres affected by this war, but Electronic Dance Music is one of the genres that is still affected. Because some genres are still in this war, there are still reasons to achieve a loud master while simultaneously trying to sound good. Claims have been made by different mastering engineers that using two limiters in a chain can create a more transparent loudness. To investigate the reliability of this claim, listening tests using different limiter configurations was per

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Green, Rachael Renee. "An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia." Thesis, Curtin University, 2012. http://hdl.handle.net/20.500.11937/1461.

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This thesis explores the social contexts and cultural significance of amphetamine-type stimulant (ATS) and alcohol use among a social network of young adults in Perth, Western Australia. The study is positioned by the “normalisation thesis” (Parker et al. 1998), a body of scholarly work proposing that certain “sensible” forms of illicit drug use have become more culturally acceptable or normal among young people in the United Kingdom (UK) population since the 1990s. Academic discussion about cultural processes of normalisation is relevant in the Australian context, where the prevalence of illi

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Špak, Richard. "Marketing v hudebním průmyslu se zaměřením na elektronickou taneční hudbu." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-264408.

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The purpose of this thesis is to describe, analyze and compare traditional and new marketing tools of music industry, focusing on distribution and promotion, and demonstrate through an example of succes of electronic dance music in recent years that digital era and internet development have significant influence on mujsic marketing. Based on analysis and primary research reveal basic segments of listeners and recommend a mix of tools for a starting artist.

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Petkovic, Vladimir. "Belgrade's Music Scenes: Local and Trans-local Interactions in the New Europe." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/409182.

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This thesis looks at three of Belgrade’s music scenes: indie pop, electronic dance and hip hop and their relationship with themes such as politics, trans-localism, the night-time economy, authenticity and gender, with special attention paid to Belgrade’s nightlife that has recently been proclaimed the best in the world by various media outlets (Vogue, BBC, The Guardian). The thesis illustrates how these themes like politics, trans-localism and the night-time economy shifted Serbia’s post-Socialist period and rejuvenated the music scenes in Belgrade The project aims to contextualise Belgrade’s

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Ferreira, Pedro Peixoto 1975. "Musica eletronica e xamanismo : tecnicas contemporaneas do extase." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280496.

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Orientador: Laymert Garcia dos Santos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-07T10:34:57Z (GMT). No. of bitstreams: 1 Ferreira_PedroPeixoto_D.pdf: 8937333 bytes, checksum: 17df3e5c647ad1becc52c5bfc711471a (MD5) Previous issue date: 2006<br>Resumo: Começamos com uma análise das relações entre música eletrônica de pista e xamanismo a partir de um assim chamado discurso nativo e descobrimos que elas se concentram principalmente na produção de uma experiência de transe pela imersão em um ambiente s

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Büscher, Barbara. "Gegenseitige Durchdringung und Nicht-Behinderung: Über das Verhältnis zweier Performance-Systeme am Beispiel der Live Electronic Music in Produktionen der Merce Cunningham Dance Company." map - media archive performance ; 2012/3 (E-Journal, URL: http://www.perfomap.de), 2012. https://slub.qucosa.de/id/qucosa%3A4363.

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Die Zusammenarbeit von Merce Cunningham und John Cage beruhte auf dem grundlegenden Prinzip der getrennten Entwicklung und Erarbeitung von Klang/Musik und Tanz/Bewegung (Cunningham 1994). Für den getrennten Arbeitsprozess wurden nur Zeitklammern und die Dauer der Gesamtaufführung als gemeinsame Parameter festgelegt. Diese Trennung von Musik und Tanz bildet die notwendige Voraussetzung für die erweiterte Arbeit der Merce Cunningham Dance Company (MCDC) mit Cage und anderen Composer-Performern in den 1960er und 1970er Jahren, die die elektronischen Klänge live, in der Aufführung, generierten. De

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Tallroth, Linus. "Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569.

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Syftet med denna undersökning är att få en djupare förståelse om hur elektronisk dansmusik i form av house skapas av etablerade musikskapare idag. Resultaten är användbara för forskning och brukare inom i stort sett alla genrer och all musik skapad i en DAW, vilket gör undersökningens resultat relevant för många. De två forskningsfrågorna som syftet brutits ned i är: Hur ser etablerade musikproducenters generella produktionsprocesser ut vid skapande av elektronisk dansmusik i form av house? Samt: Hur liknar och skiljer sig olika producenters produktionsprocesser? Analysprocessen består av anal

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Büscher, Barbara. "Live Electronic Arts und Intermedia : die 1960er Jahre." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-39497.

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Die in der Geschichte der Künste als Neoavantgarde der frühen 1960er Jahre bezeichneten Entwicklungen der Grenzüberschreitung und Prozessorientierung bilden in exemplarischen Analysen das Zentrum des Gegenstandsbereichs dieser Arbeit. Sie umfassen sowohl die grundlegenden Innovationen, die - von John Cages Ideen und Konzeptionen angestoßen – die Arbeit der Komponisten/Performer der Live Electronic Music prägten, wie die Erweiterung der künstlerischen Materialien und Veränderung der Verfahren der Bildenden Kunst seit Happening und Fluxus. Sie umfassen die minimalistischen Verschiebungen des Ver

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Nascimento, Ana Flávia Nogueira. "Festivais psicodélicos na era planetária." Pontifícia Universidade Católica de São Paulo, 2006. http://tede2.pucsp.br/handle/handle/2641.

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Made available in DSpace on 2016-04-25T20:21:42Z (GMT). No. of bitstreams: 1 CSO - Ana Flavia N Nascimento.pdf: 5408779 bytes, checksum: 34573493d0d4b2f61af407b0f6ed5c31 (MD5) Previous issue date: 2006-10-11<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This essay presents an attempt to a further understanding of a social phenomenon known as psychedelic trance global movement which has been gaining more and more incomers in the whole country through ritualistic festivities focused on an electronic music style psychedelic trance which stimulates dancing and the altered

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Hrnčíř, Petr. "Role marketingu v hudebním průmyslu se zaměřením na EDM a DJing." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193347.

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This thesis examines the influence of marketing communication on music industry with focus on electronic dance music. In theoretical part are processed basic terms defining marketing communication. Consequently is described development of electronic dance music from seventies. The main objective of this thesis is define important marketing tools in allotted age group and confirm knowledge of this area of music industry. The practical part is focused on the research of popularity, target group determination and also evaluates interview with specialists and artists. Base on the research results

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Carter, David. "Clever Children: The Sons and Daughters of Experimental Music." Thesis, Griffith University, 2009. http://hdl.handle.net/10072/367632.

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In the late 1990s critics, journalists and music scholars began referring to a loosely associated group of artists within Electronica who, it was claimed, represented a new breed of experimentalism predicated on the work of composers such as John Cage, Karlheinz Stockhausen and Steve Reich. Though anecdotal evidence exists, such claims by, or about, these ‘Clever Children’ have not been adequately substantiated and are indicative of a loss of history in relation to electronic music forms (referred to hereafter as Electronica) in popular culture. With the emergence of the Clever Children there

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Mustard, Jonathan A. "The integrated sound, space and movement environment : The uses of analogue and digital technologies to correlate topographical and gestural movement with sound." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/84.

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This thesis investigates correlations between auditory parameters and parameters associated with movement in a sensitised space. The research examines those aspects of sound that form correspondences with movement, force or position of a body or bodies in a space sensitised by devices for acquiring gestural or topographical data. A wide range of digital technologies are scrutinised to establish what the most effective technologies are in order to achieve detailed and accurate information about movement in a given space, and the methods and procedures for analysis, transposition and synthesis i

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Jelínková, Lucie. "Organizace hudebních akcí v pražských industriálních prostorech a halách." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-201761.

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The aim of this work is to map the current development on the Prague cultural scene set in the industrial spaces, it captures in a comprehensive way some common tendencies in the atypical industrial environment. Although there are marginally mentioned various cultural activities, work particularly focuses on the frequent presentation of electronic dance music in abandoned buildings. The work describes the historical development of industrial heritage on the territory of Prague, what kind of cultural businesses in this environment are currently taking part, how do they differ and what do they d

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Büscher, Barbara. "Gegenseitige Durchdringung und Nicht-Behinderung." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-140675.

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Die Zusammenarbeit von Merce Cunningham und John Cage beruhte auf dem grundlegenden Prinzip der getrennten Entwicklung und Erarbeitung von Klang/Musik und Tanz/Bewegung (Cunningham 1994). Für den getrennten Arbeitsprozess wurden nur Zeitklammern und die Dauer der Gesamtaufführung als gemeinsame Parameter festgelegt. Diese Trennung von Musik und Tanz bildet die notwendige Voraussetzung für die erweiterte Arbeit der Merce Cunningham Dance Company (MCDC) mit Cage und anderen Composer-Performern in den 1960er und 1970er Jahren, die die elektronischen Klänge live, in der Aufführung, generierten. De

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Liaukevičiūtė, Rasa. "Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420.

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Informacinė sklaida šiomis dienomis yra kaip niekad intensyvi ir įvairialypė. Komunikacinių kanalų gausa ir įvairovė sukuria galimybę aktyviai dalyvauti komunikaciniuose procesuose net pačioms mažiausioms ir uždariausioms visuomenės grupėms. Nuo to, kokiais visuomenės informavimo kanalais ir kokio pobūdžio informacija skelbiama apie tam tikrą grupę, gali priklausyti tiek jos visuomeninio įvaizdžio kaita, tiek tolimesnės raidos tendencijos. Elektroninės šokių muzikos subkultūra – viena iš įdomesnių sociokultūrinių grupių, kurios komunikacijos pobūdis su žiniasklaida ir yra šio darbo objektas. D

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Röthig, Sabine. "Windowlicker." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17491.

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In der Arbeit wird das Zusammentreffen der aus dem Club kommenden Electronic Dance Music (EDM) mit dem massenmedial konsolidierten Musikvideo untersucht. Diskutiert wird die These eines ästhetischen Paradigmenwechsels, der sich dadurch im Musikvideo vollzieht. Dieser beruht vor allem auf der musikalischen Figur des instrumentalen, modularen Tracks, die sich signifikant von der des Songs unterscheidet. Der originäre Zweck des Musikvideos, den Auftritt des Interpreten auf dem Monitor zu visualisieren, steht also mit dem Track zur Disposition oder wird gar obsolet; das erfordert neue Strategien d

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Ó, Nuanáin Cárthach. "Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/482191.

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The practice of music composition often stems from a small idea or motif that blossoms into a complete work through careful application of repetition, variation and a dash of inspiration. In the highly rhythmic and repetitive strain of music that is electronic dance, this motif is the fundamental building block known as the loop, and is accorded greater importance than any other style. While other genres can depend upon long-established rules governing things like harmonic structure and form, many dance tracks do not stray far from its fundamental central theme in the traditional sense. Rather

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Motl, Kaitlyne A. "“WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES." UKnowledge, 2018. https://uknowledge.uky.edu/sociology_etds/38.

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The purpose of this study was to explore emerging issues surrounding gendered fear, threat, and violence perpetration at music festivals – particularly events that feature a synthesis of jam band and electronic dance music acts – a genre termed jamtronica by its fans. Though gendered violence perpetration and prevention have been widely studied within other party-oriented settings (i.e., sexual violence perpetration on college campuses), very little research exists to address how wider disparities of gender and sexuality permeate a community whose members frequently claim the scene’s immunity

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TOMANOVÁ, Šárka. "Styly elektronické taneční hudby v rámci české scény." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-136578.

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This diploma thesis is focused on the topic of electronic dance music and its genre classification within Czech music scene. The main part of the thesis defines seven primary genres of EDM from the historical and musical perspective, and consequently it divides them into the subgenres that the audience can meet on the Czech dance floors most frequently. Moreover, the thesis describes the origin, evolution as well as the current situation of Czech EDM. The thesis also concerns with the differences among the subgenres by means of the drum pattern notation and sonic samples.

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Dion, Grahm, and 歌燃. "Appropriation, Authority, and Electronic Dance-Music:." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/64tntx.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>101<br>Taiwan, as a result of a long history of multiple colonial rules, is very familiar with the resistance, imposition and negotiation of power as it is assimilated through various cultural practices and institutions. Creating a crisis of recognition and homogeneity, stratified forms of similar conflict remain today. My thesis seeks to examine the current effects of these historical constellations (cosmopolitan, national and ‘taike’) on daily Taiwanese society, by following the flow of authoritative voices as they articulate western (Anglophone) electronic da

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WU, ALEXANDER, and 吳岳鴻. "The Combination and Application of Electronic Dance Music and Strings in Pop Music." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/b7289z.

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碩士<br>輔仁大學<br>音樂學系<br>106<br>EDM (Electronic Dance Music) has become the mainstream in pop music recently. Large number of works combining EDM elements and popular songs appear. Because the threshold of producing EDM is not very high as the buildup of a workstation goes much cheaper than before, there are more and more works seen in the market. Most of the works are similar to each other and eventually become bored. At this time, the musicians who make EDM began to search for different materials to create their own unique style. Among so many songs that use different materials, the British ba

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