Relevant bibliographies by topics / Trance music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Trance music'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Trance music"

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Aspden, Rachel. "Trance Music." Index on Censorship 39, no. 3 (2010): 156–60. http://dx.doi.org/10.1177/0306422010381166.

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Becker, Judith. "Music and Trance." Leonardo Music Journal 4 (1994): 41. http://dx.doi.org/10.2307/1513180.

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Rider, M. S. "Music and Trance." Journal of Music Therapy 25, no. 2 (1988): 110–12. http://dx.doi.org/10.1093/jmt/25.2.110.

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Perlman, Marc, and Gamelan Pacifica. "Trance Gong." Asian Music 30, no. 1 (1998): 194. http://dx.doi.org/10.2307/834269.

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Levin, Theodore, and David Lewiston. "Trance 1 and Trance 2." Ethnomusicology 41, no. 1 (1997): 158. http://dx.doi.org/10.2307/852590.

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El Houcine Ben Cherki. "Trance Music, Symbolic Interactions and Social Representations in Nass El Ghiwane’s Artistic Experience." Journal of Gender, Culture and Society 2, no. 1 (2022): 80–89. http://dx.doi.org/10.32996/jgcs.2022.2.1.8.

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This article explores trance, therapy and social representations related to the music of Nass El Ghiwane, established in Hay Mohammadi, Casablanca, in the seventies. My objective is to show that the rituals of possession and trance music have been shifted from the zaouia space to the stage scene coinciding with the social change and the political turmoil in the seventies. The structure of rituals and trance music is nourished by everyday life problems and routines such as pain, suffering, poverty, political oppression, and social injustice. Overtly the band and the public are engaged in a dyna
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Permadi Putra, Made Bagus. "Binaural Beat of Bringbrung Music." Jomantara: Indonesian Journal of Art and Culture 2, Vol. 2 No. 1 (2022): 46–53. http://dx.doi.org/10.23969/jijac.v2i1.4913.

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Bringbrung is a ritual music in the tradition of society in the Kampung Cidadap Hilir, Ledeng, Kota Bandung. In each of Bringbrung performances, there is always a trance from the player and the audience. This phenomenon becomes the background of this research. One of the musical elements that are thought to be highly influential stimulates trance is binaural sensation. This article explains how the music of Bringbrung can produce binaural sensation so that it can stimulate trance on the players and the audience. The research methods used in this article use qualitative methods with a phenomeno
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Rogerson, Rebecca G., Rebecca E. Barnstaple, and Joseph FX DeSouza. "Neural Correlates of a Trance Process and Alternative States of Consciousness in a Traditional Healer." Brain Sciences 11, no. 4 (2021): 497. http://dx.doi.org/10.3390/brainsci11040497.

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Trance processes are a form of altered states of consciousness (ASC) widely reported across cultures. Entering these states is often linked to auditory stimuli such as singing, chanting, or rhythmic drumming. While scientific research into this phenomenon is relatively nascent, there is emerging interest in investigating the neural correlates of altered states of consciousness such as trance. This report aims to add to this field of ASC through exploring how the perception of an experienced Sangoma (traditional South African healer) entering a trance process correlates to blood-oxygen-level-de
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Wirandi, Rika, and Magfhirah Murni B. P. "FUNGSI MUSIK DALAM UPACARA PERAYAAN RITUAL THAIPUSAM ETNIS HINDU TAMIL DI BANDA ACEH." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 415. http://dx.doi.org/10.24114/gr.v10i2.28379.

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Thaipusam is a celebration ceremony held sacredly in the form of a prayer ritual procession and the procession of the Lord Murugan statues which is held annually by the Tamil Hindu ethnic community in Banda Aceh. This ritual is held in the Thai month according to the Hindu Tamil calendar, as a form of respect for Lord Murugan for his victory in fighting evil. This celebration ceremony is also a place to fulfill vows and purify themselves for ritual participants - which is accompanied by the attraction of stabbing sharp objects into certain body parts such as the tongue, lips, cheeks, forehead,
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Omojola, Bode. "Stambeli: Music, Trance, and Alterity in Tunisia." Canadian Journal of African Studies / Revue canadienne des études africaines 46, no. 2 (2012): 329–30. http://dx.doi.org/10.1080/00083968.2012.705600.

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Dissertations / Theses on the topic "Trance music"

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Iler, Devin. "Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103332/.

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Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music.
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Feriali, Kamal. "Music-induced spirit possession trance in Morocco implications for anthropology and allied disciplines /." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024654.

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Smith, Dori Marie. "Lyric Possession: A Dramatization of Italian Tarantism in Song." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/560813.

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Lyric Possession: A Dramatization of Italian Tarantism in Song is a one-act creative project informed by research exploring the formation and evolution of Mediterranean musical, religious, and cultural identity through the practice of the tarantella. The tarantella is a musical form woven into the very fabric of the Mediterranean cultural landscape, in song, dance and folkloric history. The transformation of scholarly perspectives into dramatic format, recalling traditional Italian folk drama, illuminates the history and cultural relevance of the tarantella through the lives and songs of its p
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Mickey, Samuel Robert. "Sounding sacred: Interpreting musical and poetic trances." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5261/.

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This essay investigates the relationship between trance and various musical and poetic expressions that accompany trance when it is interpreted as sacred. In other words, the aim of this investigation is to interpret how experiences of the entrancing power of the sacred come to expression with the sounds of music and poetry. I articulate such an interpretation through the following four sections: I) a discussion of the basic phenomenological and hermeneutic problems of interpreting what other people experience as sacred phenomena, II) an account of the hermeneutic context within which modern
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Queiroz, Gregório José Pereira de. "Uma visão psicossocial do papel da música na umbanda e na reorganização das id/ entidades." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-25072017-093649/.

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A música é utilizada nos ritos de umbanda no momento da incorporação, ponto culminante deste ritual. Investigar o papel da música no ritual umbandista e, por meio deste, também na vida humana é ao que se propõe a dissertação. O primeiro passo é analisar de perto a natureza da música, assim como de seus elementos presentes na música feita na umbanda, a melodia e o ritmo, e a relação da música com o ser humano, no nível social, individual e neurológico. O segundo passo é investigar os conceitos de identidade, dissociação, mediunidade, alteração de consciência, transe e incorporação. Em seguida,
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Silvers, Michael Benjamin. "Musical Creation, Reception, and Consumption in a Virtual Place." Thesis, The University of Arizona, 2007. http://hdl.handle.net/10150/193303.

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Technologically mediated listening has changed the way in which music is heard as well as the way in which musical communities are constructed. Communities are no longer necessarily tied to place, and in the case of virtual communities, musicians can create a sense of community and a sense of place through their interactions. Some virtual communities of musicians - specifically those that specialize in electronic music - are ideally situated in cyberspace; what a producer of electronic music hears in his or her headphones when composing music is exactly what the audience hears after downloadin
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Pouchelon, Jean. "Les Gnawa du Maroc : intercesseurs de la différence ? étude ethnomusicologique, ethnopoétique et ethnochoréologique." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100019.

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Les Gnawa sont présents dans toutes les grandes villes du Maroc (Oujda, Tanger, Casablanca, Fès, Meknès, Rabat, Marrakech, Essaouira, Agadir etc.). Musiciens, officiants et adeptes se rassemblent dans un rituel nocturne baptisé la lîla (litt. "une nuit") lequel célèbre à la fois, Dieu, son prophète Muhammad, l'Afrique subsaharienne ainsi que de nombreux autres entités invisibles réparties en sept familles. La musique, la danse et la transe sont omniprésentes dans cette célébration. Cette thèse analyse l'identité des Gnawa, leurs représentations, leurs instruments rituels, leurs performances, l
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Rajathurai, Yogandran. "Hindu Caste Music in the Malaysian Thaipusam Festival." Thesis, University of Canterbury. School of Music, 2007. http://hdl.handle.net/10092/997.

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Thaipusam, is an annual festival beginning on a full moon day between January 14 and February 14. This festival is celebrated in Malaysia, Singapore, Indonesia, India, Sri Lanka, Mauritius and South Africa. It is celebrated by all Hindu castes, from the highest Brahmin to the lowest Dalit. An important feature of Thaipsam is the kavadi ritual. This follows the myth of Surapadma, the demon, who eventually became Lord Maruga's honest devotee, Idumban. This conversion is represented by purification ceremonies, around which the festival focuses, and in which participants enter a state of tra
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Hillion, Toulcanon Marie-Muriel. "Maloya dance and music: Réunionese Créole togetherness." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2532.

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La Réunion is a former French colony where the coffee, vanilla — and later the sugarcane industry — brought together the mostly enslaved and indentured people from Madagascar, Africa, India, China and France. A quintessential part of this hybrid culture has been the development of maloya, an improvised music-and-dance form that so alienated French colonial authorities and landowners that it was unofficially banned until 1981. While maloya music has been taught since 1987 at Conservatoire de La Réunion and has reached international stages, maloya dance itself has rarely been explored academical
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Nascimento, Ana Flávia Nogueira. "Festivais psicodélicos na era planetária." Pontifícia Universidade Católica de São Paulo, 2006. http://tede2.pucsp.br/handle/handle/2641.

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Made available in DSpace on 2016-04-25T20:21:42Z (GMT). No. of bitstreams: 1 CSO - Ana Flavia N Nascimento.pdf: 5408779 bytes, checksum: 34573493d0d4b2f61af407b0f6ed5c31 (MD5) Previous issue date: 2006-10-11<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This essay presents an attempt to a further understanding of a social phenomenon known as psychedelic trance global movement which has been gaining more and more incomers in the whole country through ritualistic festivities focused on an electronic music style psychedelic trance which stimulates dancing and the altered
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Books on the topic "Trance music"

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Jankowsky, Richard C. Stambeli: Music, trance, and alterity in Tunisia. The University of Chicago Press, 2010.

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Strobel, Wolfgang. Reader Musiktherapie: Klanggeleitete Trance, musiktherapeutische Fallsupervision und andere Beiträge. Reichert, 1999.

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Gianfranco, Salvatore, ed. Techno-trance: Una rivoluzione di fine millennio. Castelvecchi, 1998.

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Kapchan, Deborah A. Traveling spirit masters: Moroccan Gnawa trance and music in the global marketplace. Wesleyan University Press, 2007.

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Simão, Emília. Exploring psychedelic trance and electronic dance music in modern culture. Information Science Reference, 2015.

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Questin, Marc. Musiques de transe et d'éveil. L'Originel, 1990.

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Soler, Gino Dal. Trance & drones: Mappa delle musiche più visionarie degli anni novanta. Castelvecchi, 1996.

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Soler, Gino Dal. Trance & drones: Mappa delle musiche più visionarie degli anni novanta. 2nd ed. Castelvecchi, 1997.

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Rouget, Gilbert. La musique et la transe: Esquisse d'une théorie générale des relations de la musique et de la possession. Gallimard, 1990.

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Carmi, Elinor. Ṭransmishen. Resling, 2013.

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Book chapters on the topic "Trance music"

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Snoman, Rick. "Uplifting Trance." In Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-29.

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Turan, Dilara. "8. An Inquiry into Musical Trance." In Music and Spirituality. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0403.08.

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Establishing a comprehensive framework for investigating the profound connection between music and spiritual experiences, this chapter first introduces the Metaphysics of Quality by Robert Pirsig. This philosophical approach offers specific ontological positions on spirituality and empiricism, laying the groundwork for the exploration of music and trance phenomena, often considered outside of empirical studies. Drawing upon the Metaphysics of Quality, the study then adopts a multidisciplinary approach to unravel the intricate dynamics of musical trance. It addresses the prevailing dichotomy in existing literature, which often isolates either the socio-cultural significance or the psychoacoustic mechanisms of music in trance states. In order to bridge this gap, the inquiry simultaneously delves into music's role as a culture-specific sign and a sonic inducer within spiritual contexts. Through cognitive and psychological lenses, the study explores theories of altered states of consciousness (ASC), examines ethnographic examples of musical trance practices from nine distinct geographical regions, and provides comparative analysis of field recordings to gain insights into the psychoacoustic properties accompanying trance states. While direct causality between sound and trance induction remains elusive, the study identifies common sonic patterns hinting at a complementary function of music in ASC. Various units of statistical regularities in music emerge as significant elements linking sound to perceptual and socio-cultural contexts of trance rituals. Through integration within a non-dualist eco-social model of sonic signification, the chapter provides a nuanced understanding of music's multifaceted role in facilitating spiritual experiences across diverse cultural landscapes.
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Fachner, Jörg, and Sabine Rittner. "Ethno Therapy, Music and Trance: An EEG Investigation into a Sound-Trance Induction." In States of Consciousness. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-18047-7_11.

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Rosario, Eduardo F. "Sharing Traces." In Handmade Electronic Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-37.

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Hagmann, Lea. "Celtic Traces in Cornish Music and Dancing." In Celtic Music and Dance in Cornwall. Routledge, 2021. http://dx.doi.org/10.4324/9781003140559-3.

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Knees, Peter, and Markus Schedl. "Listener-Centered Data Sources and Aspects: Traces of Music Interaction." In Music Similarity and Retrieval. Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-49722-7_7.

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Rimmer, Mark. "Trans-Actions in Music." In John Dewey and the Notion of Trans-action. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26380-5_5.

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Thornton, Daniel. "Just Another Pop Song? The Music (Trace Analysis Pt 1)." In Meaning-Making in the Contemporary Congregational Song Genre. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55609-9_8.

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Snoman, Rick. "Trance." In Dance Music Manual. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-52107-7.00012-4.

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"Trance." In Dance Music Manual. Routledge, 2013. http://dx.doi.org/10.4324/9780203383643-27.

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Conference papers on the topic "Trance music"

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W. L. Fong, Michelle. "Music in Cyberspace." In InSITE 2004: Informing Science + IT Education Conference. Informing Science Institute, 2004. http://dx.doi.org/10.28945/2831.

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The music scene in cyberspace is an example of how a legal framework has been developed to curb online copyright infringement. The emergence, in the mid-1990’s, of online music websites and software programs such as MP3 technology to compress and download music, have delivered considerable copyright threat to the music industry. This threat has been further exacerbated by the remarkable development of technological innovations, such as high-speed broadband Internet connection and affordable CD burners, which are capable of delivering fast download and reasonably good audio and visual quality.
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Coetzee, Paulette. "Hugh Tracey, authenticity and (African) popular music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.12.

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Beer, Axel, Martin Bierwisch, and Kristina Krämer. "Das MMM2 – Ein regionalgeschichtliches Onlinelexikon der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.108.

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Based on two printed volumes Musik und Musiker am Mittelrhein (1974, 1981), the online encyclopaedia MMM2 (published in 2018) continues the original idea of a biographical and bibliographical documentation of musicians and musical sources in the middle rhine region. Exploring local music history often means to venture off the beaten track of well-known names and institutions. While perhaps not considered a worthwhile undertaking by some, the 570 articles on musicians, composers, publishers etc. that can currently be found in MMM2 are proof of networks that have hitherto been unknown or disrega
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Navarro, Jordan, and Emanuelle Reynaud. "Impact of Music Tempo on Simulated Driving Performance." In Applied Human Factors and Ergonomics Conference. AHFE International, 2021. http://dx.doi.org/10.54941/ahfe100706.

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It is known that drivers often listen to music when they are in their vehicle. Listening to music while driving can impact drivers’ behaviours in several ways, through emotion induction or arousal changes for instance. It has already been shown that various musical tracks with different tempos (i.e. the music pace) can impair drivers’ performances (Brodsky, 2002). The current study focused on the impact of music tempo on vehicular control by using the same music track played at different tempos. Four experimental conditions associated with four different versions of the same track, differing o
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Zhao, Jingwei, Gus Xia, and Ye Wang. "Q&A: Query-Based Representation Learning for Multi-Track Symbolic Music re-Arrangement." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/652.

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Music rearrangement is a common music practice of reconstructing and reconceptualizing a piece using new composition or instrumentation styles, which is also an important task of automatic music generation. Existing studies typically model the mapping from a source piece to a target piece via supervised learning. In this paper, we tackle rearrangement problems via self-supervised learning, in which the mapping styles can be regarded as conditions and controlled in a flexible way. Specifically, we are inspired by the representation disentanglement idea and propose Q&amp;A, a query-based algorit
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Kupková, Jana. "Vlastenectvo – fenomén nadčasový a aktuálny aj pre súčasnosť či prehliadaný v dnešnej hudobnej edukácii a pedagogike?" In Musica viva in schola. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p280-0028-2021-4.

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The paper focuses on the phenomenon of patriotism and traces its background in the modern history of music education and pedagogy in Slovakia. Particular attention is paid to the present time and current music-cultural and pedagogical activities.
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Santi, Matej. "Was erzählt Fritz Kreislers Geige?" In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.109.

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This short contribution shows the relevance of audiovisual sources for the history of 20th century music. It traces the role played by the violinist Fritz Kreisler (1875–1962) in shaping the widespread cliché of the “Viennese sound” via an examination of audiovisual sources. The sources stored in different online archives or social media portals play a key role, but the traceability of a given agent is not guaranteed. For this reason, controlled vocabularies and a digital tool which enable the addition of new metadata to already existing sources should be developed in the near future. This wou
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Shinohara, Vítor, Juliano Foleiss, and Tiago Tavares. "Comparing Meta-Classifiers for Automatic Music Genre Classification." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10434.

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Automatic music genre classification is the problem of associating mutually-exclusive labels to audio tracks. This process fosters the organization of collections and facilitates searching and marketing music. One approach for automatic music genre classification is to use diverse vector representations for each track, and then classify them individually. After that, a majority voting system can be used to infer a single label to the whole track. In this work, we evaluated the impact of changing the majority voting system to a meta-classifier. The classification results with the meta-classifie
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King, Rob. "‘Music of the People’: Music From Data as Social Commentary." In ICAD 2019: The 25th International Conference on Auditory Display. Department of Computer and Information Sciences, Northumbria University, 2019. http://dx.doi.org/10.21785/icad2019.007.

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Data-music reflects the ubiquity of data in modern society. Composers have not engaged widely with the opportunities opened up by this, despite the chance to overcome a gulf between academic art music and social engagement. Their reluctance might be traced to the challenge of reconciling abstract data and concrete sound, in political implications, and in technological barriers in computer music. The present paper argues that socially relevant music composition for the 21st century can adopt a programme of sonification grounded in politically acute data. As examples of such practice, two compos
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Qiu, Yao, Jinchao Zhang, Huiying Ren, Yong Shan, and Jie Zhou. "Humming2Music: Being A Composer As Long As You Can Humming." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/840.

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Creating a piece of music is difficult for people who have never been trained to compose. We present an automatic music generation system to lower the threshold of creating music. The system takes the user's humming as input and creates full music based on the humming melody. The system consists of five modules: 1) humming transcription, 2) melody generation, 3) broken chord generation, 4) accompaniment generation, and 5) audio synthesis. The first module transcribes the user's humming audio to a score, and then the melody generation module composes a complete melody based on the user's hummin
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Reports on the topic "Trance music"

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Ferreira, Fernando, and Joel Waldfogel. Pop Internationalism: Has A Half Century of World Music Trade Displaced Local Culture? National Bureau of Economic Research, 2010. http://dx.doi.org/10.3386/w15964.

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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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DeMetri, Olga, Samuel Moreno, and Gerardo Funes. Seizing the Market Opportunity of the Growing Latino and Caribbean Community in the United States. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005199.

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This study examines the transformative influence of the rapidly growing Latino and Caribbean community in the United States, both as a demographic and an economic powerhouse. Accounting for nearly one in five U.S. residents, this community is reshaping the nation's social, economic, and cultural landscapes. In 2019 alone, the economic output of Latinos in the U.S. was $2.7 trillion, marking them as a global economic force. The report highlights the community's role in enhancing trade and economic relations with Latin America and the Caribbean (LAC), including its influence on foreign direct in
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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