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Relevant bibliographies by topics / Trance music / Dissertations / Theses

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Dissertations / Theses on the topic 'Trance music'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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1

Iler, Devin. "Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103332/.

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Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music.

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2

Feriali, Kamal. "Music-induced spirit possession trance in Morocco implications for anthropology and allied disciplines /." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024654.

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3

Smith, Dori Marie. "Lyric Possession: A Dramatization of Italian Tarantism in Song." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/560813.

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Lyric Possession: A Dramatization of Italian Tarantism in Song is a one-act creative project informed by research exploring the formation and evolution of Mediterranean musical, religious, and cultural identity through the practice of the tarantella. The tarantella is a musical form woven into the very fabric of the Mediterranean cultural landscape, in song, dance and folkloric history. The transformation of scholarly perspectives into dramatic format, recalling traditional Italian folk drama, illuminates the history and cultural relevance of the tarantella through the lives and songs of its p

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4

Mickey, Samuel Robert. "Sounding sacred: Interpreting musical and poetic trances." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5261/.

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This essay investigates the relationship between trance and various musical and poetic expressions that accompany trance when it is interpreted as sacred. In other words, the aim of this investigation is to interpret how experiences of the entrancing power of the sacred come to expression with the sounds of music and poetry. I articulate such an interpretation through the following four sections: I) a discussion of the basic phenomenological and hermeneutic problems of interpreting what other people experience as sacred phenomena, II) an account of the hermeneutic context within which modern

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5

Queiroz, Gregório José Pereira de. "Uma visão psicossocial do papel da música na umbanda e na reorganização das id/ entidades." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-25072017-093649/.

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A música é utilizada nos ritos de umbanda no momento da incorporação, ponto culminante deste ritual. Investigar o papel da música no ritual umbandista e, por meio deste, também na vida humana é ao que se propõe a dissertação. O primeiro passo é analisar de perto a natureza da música, assim como de seus elementos presentes na música feita na umbanda, a melodia e o ritmo, e a relação da música com o ser humano, no nível social, individual e neurológico. O segundo passo é investigar os conceitos de identidade, dissociação, mediunidade, alteração de consciência, transe e incorporação. Em seguida,

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6

Silvers, Michael Benjamin. "Musical Creation, Reception, and Consumption in a Virtual Place." Thesis, The University of Arizona, 2007. http://hdl.handle.net/10150/193303.

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Technologically mediated listening has changed the way in which music is heard as well as the way in which musical communities are constructed. Communities are no longer necessarily tied to place, and in the case of virtual communities, musicians can create a sense of community and a sense of place through their interactions. Some virtual communities of musicians - specifically those that specialize in electronic music - are ideally situated in cyberspace; what a producer of electronic music hears in his or her headphones when composing music is exactly what the audience hears after downloadin

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7

Pouchelon, Jean. "Les Gnawa du Maroc : intercesseurs de la différence ? étude ethnomusicologique, ethnopoétique et ethnochoréologique." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100019.

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Les Gnawa sont présents dans toutes les grandes villes du Maroc (Oujda, Tanger, Casablanca, Fès, Meknès, Rabat, Marrakech, Essaouira, Agadir etc.). Musiciens, officiants et adeptes se rassemblent dans un rituel nocturne baptisé la lîla (litt. "une nuit") lequel célèbre à la fois, Dieu, son prophète Muhammad, l'Afrique subsaharienne ainsi que de nombreux autres entités invisibles réparties en sept familles. La musique, la danse et la transe sont omniprésentes dans cette célébration. Cette thèse analyse l'identité des Gnawa, leurs représentations, leurs instruments rituels, leurs performances, l

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8

Rajathurai, Yogandran. "Hindu Caste Music in the Malaysian Thaipusam Festival." Thesis, University of Canterbury. School of Music, 2007. http://hdl.handle.net/10092/997.

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Thaipusam, is an annual festival beginning on a full moon day between January 14 and February 14. This festival is celebrated in Malaysia, Singapore, Indonesia, India, Sri Lanka, Mauritius and South Africa. It is celebrated by all Hindu castes, from the highest Brahmin to the lowest Dalit. An important feature of Thaipsam is the kavadi ritual. This follows the myth of Surapadma, the demon, who eventually became Lord Maruga's honest devotee, Idumban. This conversion is represented by purification ceremonies, around which the festival focuses, and in which participants enter a state of tra

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9

Hillion, Toulcanon Marie-Muriel. "Maloya dance and music: Réunionese Créole togetherness." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2532.

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La Réunion is a former French colony where the coffee, vanilla — and later the sugarcane industry — brought together the mostly enslaved and indentured people from Madagascar, Africa, India, China and France. A quintessential part of this hybrid culture has been the development of maloya, an improvised music-and-dance form that so alienated French colonial authorities and landowners that it was unofficially banned until 1981. While maloya music has been taught since 1987 at Conservatoire de La Réunion and has reached international stages, maloya dance itself has rarely been explored academical

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10

Nascimento, Ana Flávia Nogueira. "Festivais psicodélicos na era planetária." Pontifícia Universidade Católica de São Paulo, 2006. http://tede2.pucsp.br/handle/handle/2641.

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Made available in DSpace on 2016-04-25T20:21:42Z (GMT). No. of bitstreams: 1 CSO - Ana Flavia N Nascimento.pdf: 5408779 bytes, checksum: 34573493d0d4b2f61af407b0f6ed5c31 (MD5) Previous issue date: 2006-10-11<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This essay presents an attempt to a further understanding of a social phenomenon known as psychedelic trance global movement which has been gaining more and more incomers in the whole country through ritualistic festivities focused on an electronic music style psychedelic trance which stimulates dancing and the altered

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11

Koprivica, Ana. "Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040174.

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Le Cajón est un rituel de possession cubain dont la musique est une composante essentielle. Une approche musicologique et une étude d’anthropologie religieuse combinées permettent de mettre en avant les spécificités du Cajón au sein des différents cultes afro-cubains à La Havane. Considérant le Cajón comme un fait social total, cette recherche propose d’analyser la complexité du rituel en prenant en compte les niveaux social, musical autant que religieux. De fait, l’analyse montre que le Cajón s’inscrit de diverses manières dans la pratique religieuse des cultes afro-cubains, en dépassant même

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Hassnaoui, Amira. "Stambeli Awakening: Cultural Revival and Musical Amalgam in Post Revolution Tunisia." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149158044999529.

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13

Cain, Timothy. "Mentoring trainee music teachers." Thesis, University of Southampton, 2006. https://eprints.soton.ac.uk/192637/.

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This study analyses the relationships between Secondary school music trainee teachers and the mentors who are primarily responsible for training them to teach music. The methodology was an in-depth collective case study of a sample of trainee music teachers and their mentors, adopting primarily the methods of non-participant observations and interviews. The study is located within a review of pertinent theories of mentoring and an analysis of empirical research. This analysis compares studies of ITT mentoring in different contexts, and demonstrates that, despite the diversity of mentoring prac

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14

Ferreira, Bruna Machado. "Invenção em trânsito/transe." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/107402.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.<br>Made available in DSpace on 2013-12-06T00:01:39Z (GMT). No. of bitstreams: 1 320028.pdf: 954143 bytes, checksum: 1200835bc9033604c7f1adaf80f9e3cb (MD5) Previous issue date: 2013<br>Terra em Transe, Tropicália. É já conhecida a relação criadora, propulsora entre o filme e a canção. Em retrospectivas tropicalistas, é oficial esta associação: o longa-metragem de Glauber Rocha ? a música que desencadeou o tropicalismo ? a instalação

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15

Coetzee, Paulette June. "Performing whiteness; representing otherness : Hugh Tracey and African music." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1016502.

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This thesis provides a critical study of texts associated with Hugh Tracey (1903–1977). Tracey is well-known for his work in African music studies, particularly for his major contribution to the recorded archive of musical sound in sub-Saharan Africa and his founding of the International Library of African Music (ILAM) in 1954. My reading of him is informed by a postcolonial perspective, whiteness studies and African scholarship on ways in which constructions of African identity and tradition have been shaped by the colonial archive. In my view, Tracey was part of a mid-twentieth century movem

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Ghezzi, Daniela Ribas. "Música em transe = o momento crítico da emergência da MPB (1958-1968)." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280599.

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Orientador: Marcelo Siqueira Ridenti<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T16:13:32Z (GMT). No. of bitstreams: 1 Ghezzi_DanielaRibas_D.pdf: 2477441 bytes, checksum: d623bf06473e2dad3ee33ea33a69a7d7 (MD5) Previous issue date: 2011<br>Resumo: O trabalho analisa o processo de modernização da música popular brasileira compreendido entre 1958 e 1968, passando pelas tendências da bossa nova, da canção de protesto, da "moderna música brasileira" e do tropicalismo. No decorrer desse processo defla

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17

Araújo, de Siqueira Matheus. "Listening to Vincent Moon: musical encounters and the cinematic diagram." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/665066.

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This thesis confronts how, in Vincent Moon’s films, experience takes the spotlight in detriment of signification. I formulate that the director, rather than worrying about imbuing his films with an inherited sense, is instead searching that his work may express something unique each time it is encountered. To achieve this, his artistic practice is submitted through a set of procedures that are more in line with the field of sound than that of cinema. By transposing values that are deeply rooted into sound philosophy to film (particularly Listening by Jean-Luc Nancy), Moon’s work criticizes the

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18

Gumboreshumba, Laina. "Understanding form and technique : Andrew Tracey's contribution to knowledge of lamellophone (mbira) music of Southern Africa." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002303.

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This thesis interrogates Andrew Tracey’s career as an ethnomusicologist and the significance of his research and publications on lamellophone (mbira) music of the Shona/Sena in Zimbabwe and Mozambique to subsequent scholarship of lamellophones throughout southern Africa. Through a survey of authors who have cited Tracey’s publications, this study assess how his use of the pulse notation transcription method and his theory of form and harmonic structure in mbira music, which he terms ‘the system of the mbira’ (A. Tracey, 1989) have influenced and contributed to the work of ethnomusicologists, m

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19

Iogansen, Leonid. "Traces of wind (2015-2016) : for guzheng, orchestra and other soloists." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3111.

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“Traces of Wind” is a through-composed work in three movements: "Wind Chimes", "Incantation" and "Meditation". It is scored for a Western sinfonietta ensemble with the addition of a traditional Chinese instrument, guzheng — a 21-stringed traditional Chinese zither, one of the most common instruments of the prominent Chinese musical tradition. In this work, guzheng's role alternates between that of a soloist and of an orchestral instrument. As the piece develops across movements, guzheng takes on a progressively soloistic role: its solo sections become longer and more frequent, with the final m

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20

James, Anne. "Building competence and confidence in the trainee primary teacher to deliver music in the classroom : an exploration of how one ITE provider might impact upon the confidence and ability of its primary trainee teachers to teach music." Thesis, Liverpool Hope University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722159.

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21

Thompson, Robert Perry. "English music manuscripts and the fine paper trade, 1648-1688." Thesis, King's College London (University of London), 1988. https://kclpure.kcl.ac.uk/portal/en/theses/english-music-manuscripts-and-the-fine-paper-trade-16481688(22bef11c-e33c-4c08-90f5-dd118b77fa1c).html.

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22

McConnachie, Boudina. "Legal access to our musical history: an investigation into the copyright implications of archived musical recordings held at the International Library of African Music (ILAM) in South Africa." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002313.

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This thesis explores the South African Copyright Act No. 98 of 1978 as it pertains to the archived holdings at the International Library of African Music (ILAM) situated at Rhodes University, Grahamstown, South Africa. The purpose of analysing this law is to advise and assist ILAM in fulfilling royalty payment obligations as stipulated in a contract signed between ILAM and the Smithsonian Global Sound (formally Global Sound Network) in 2001. In order to clearly comprehend the scope of the royalty payment clause in the Smithsonian Institution’s contract with ILAM, this research includes an exam

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23

Maulois, Regis. "Atlantique noir et productions musicales : le reggaeton comme marque/trace de l'archipel caribéen." Thesis, Perpignan, 2015. http://www.theses.fr/2015PERP0006.

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La musique, moyen d’expression commun à toutes les civilisations, est au centre de l’explosion des productions culturelles et sociétales actuelles. Dans les Amériques, les années 1960 furent marquées par d’importantes luttes pour la conquête de l’égalité, la reconnaissance des cultures jusque-là considérées comme mineures, et par d’importantes migrations transrégionales et transcontinentales. Parmi ces luttes, celles des Noir-e-s ont retenu particulièrement mon attention, notamment les figures emblématiques comme Martin Luther King, Malcom X, Angela Davis, etc. mais aussi des organisations pol

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Pavard, Amélie. "Chanter l'extase : approche psycho-cognitive de la musique dans les rituels de transe soufis." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC004/document.

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Cette thèse propose d’étudier le rôle de la musique dans des contextes émotionnels intenses. Dans les rituels d’invocation de Dieu, les soufis tentent d’accéder à un état spirituel supérieur en s’approchant de la connaissance immanente du monde divin. La confrérie šaḏiliyya place la musique au cœur de ce processus : l’écoute de poèmes d’amour mystique chantés, puis la production collective de gestes dansés porte l’émotion à son paroxysme, en une extase contemplative (wajd). Entre ethnomusicologie et psychologie cognitive, cette thèse présente des pistes de réflexion pour l’étude des musiques v

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25

Sugg, Andrew Norman. "Tracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman : a thesis presented to the Elder Conservatorium, Adelaide University, in fulfillment of the requirements of the degree of Doctor of Philosophy." Title page, abstract and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phs947.pdf.

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Includes bibliographical references (leaves 350-359). Investigates the influence of Coltrane's music on the improvising of post-Coltrane saxophonists by inspecting selected improvisations of Jerry Bergonzi and David Liebman and comparing them to improvisations by Coltrane on the same repertoire piece. The comparision also demonstrates how two current jazz saxophonists have drawn on the past - the legacy of Coltrane - to create innovative music in the present.

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Oliveira, Arthur Rovida de. "Monografias sobre as timbila e a construção do Imperio Portugues em Moçambique." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279149.

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Orientador: Osmar Ribeiro Thomaz<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-11T06:03:51Z (GMT). No. of bitstreams: 1 Oliveira_ArthurRovidade_M.pdf: 4021966 bytes, checksum: 0fc70b67b946b00cf18f3f71ef8a10c5 (MD5) Previous issue date: 2008<br>Resumo: A nação e a nacionalidade cultural, tendo-se como destaque o Estado de Moçambique, são temas complexos, porque reúnem uma série de aspectos políticos, históricos e culturais do país e de sua população. Para desenvolver esta pesquisa, escolheu-se co

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27

Lobley, Noel James. "The social biography of ethnomusicological field recordings : eliciting responses to Hugh Tracey's 'The Sound of Africa' series." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:42da8899-6f92-4d65-9756-5c2be9656cad.

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This thesis is an ethnographic analysis of a collection of field recordings of music from sub-Saharan Africa: The Sound of Africa series made and published by Hugh Tracey between 1933 and 1973. I analyse the aims, methods, value and potential use of this collection, now held at the International Library of African Music (ILAM), in order to address a gap in the ethnomusicological literature and to begin to develop a critical framework for an evaluation of field recording and aural ethnography. An archival analysis of the collection enables me to trace the scope and intended uses of Tracey’s rec

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28

Lee, Sanghie. "Rachmaninoff's Early Piano works and the Traces of Chopin's Influence: The Morceaux de Fantaisie, Op.3 & The Moments Musicaux, Op.16." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1539960507461835.

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FAGER, MATTIAS, and NIKLAS LARSSON. "Medieteknisk Dans : Samspelet mellan dans, trans, teknik, och flow." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14881.

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We have seen a connection between the ritual dances us humans have been engaging in for a huge part of our evolution and the rave-culture of today. How they both use music and the moving body as a vehicle to access states of being beyond the everyday life. By diving head first in the world of dance and trance we have discovered even more similarities that we today share with the humans 10.000 years ago than we ever could have imagined. We have with the help of interviews and our personal experience tried to capture what the trance means for the human today, and with our research we want to ill

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De, Athayde Joao Augusto. "Bourian ou la danse des maîtres : circulations et enjeux identitaires des Agudàs, les Brésiliens du Bénin." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0389/document.

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Descendants à la fois de négriers et d'anciens esclaves du Brésil « retournés » tout au long du XIXe siècle aux actuels Bénin, Togo et Nigeria, les Agudàs, connus aussi comme « les Brésiliens du Bénin », basent leur identité sur des évocations à leurs origines brésiliennes. Un des principaux marqueurs identitaires des Agudàs est la fête de la bourian (« petite ânesse » en portugais), qui réunit chrétiens et musulmans autour d'une sortie de masques très codifiée, où l'on chante – sans comprendre les textes – des airs de samba en portugais, langue qui n'est plus parlée dans cette région d'Afriqu

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Pouchelon, Jean. "Les Gnawa du Maroc : intercesseurs de la différence ? Étude ethnomusicologique, ethnopoétique et ethnochoréologique." Thèse, 2014. http://hdl.handle.net/1866/12316.

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Colak, Murat. "Swan: for conducted amplified septet, electronics, and video projections." Thesis, 2018. https://hdl.handle.net/2144/30071.

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Swan is a multimedia work for conducted ensemble with amplified instruments, electronics and video projections. Swan is about going out: going out to the street, to the club, to a ritual, to a party or a funeral. It’s about real places with real people, but less about the realities of these places and more about their vibe. It’s about getting out of home, the studio, the institution, going to places where people connect and do things, sing, dance, laugh, cry, perform or celebrate. The music of Swan come from ‘outside.’ Swan’s aesthetic is a blend of Turkish/Islamic and pop-cultural elements. T

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TOMANOVÁ, Šárka. "Styly elektronické taneční hudby v rámci české scény." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-136578.

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This diploma thesis is focused on the topic of electronic dance music and its genre classification within Czech music scene. The main part of the thesis defines seven primary genres of EDM from the historical and musical perspective, and consequently it divides them into the subgenres that the audience can meet on the Czech dance floors most frequently. Moreover, the thesis describes the origin, evolution as well as the current situation of Czech EDM. The thesis also concerns with the differences among the subgenres by means of the drum pattern notation and sonic samples.

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Hempel, Hannes [Verfasser]. "Trance-Induktion mit Musik und Visualisierungen im MRT : Einfluss der Absorptionsfähigkeit / vorgelegt von Hannes Hempel." 2009. http://d-nb.info/1001877187/34.

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Drummond, Urvi. "Introducing the concept of the music generalist-specialist : A response to open access 'Music in Education' trainee school teachers." Thesis, 2008. http://hdl.handle.net/10539/5831.

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South Africa is engaged in social redress and Education at all levels reflects this commitment. The period of transition from the apartheid policy of the National Party, (1948 – 1994), to the democratic policy of the African National Congress and its alliances, (1994 - ), continues to be in a state of flux. Education authorities struggle to maintain a balance between widening access to previously disadvantaged students whilst maintaining standards at the same time. Much of the recent debate on good teaching and learning practices suggests that teachers not only need to have a firm grasp

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Young, Nina C. "Recalling the Traces of Ancient Fires: Memory and Composed Reinterpretation in Vestigia Flammae for sinfonietta and Agnosco Veteris for orchestra." Thesis, 2017. https://doi.org/10.7916/D8348R2C.

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The musical portion of this dissertation is comprised of my two compositions: Agnosco Veteris, a fifteen-and-a-half-minute work for orchestra, written in 2015 for Robert Spano and the Aspen Philharmonic Orchestra; and its partner and template Vestigia Flammae, a fourteen-minute work for sinfonietta (fifteen musicians) written in 2014 for the Nouvel Ensemble Modern. The written portion of this dissertation is an accompanying essay that provides a conceptual and musical analysis of the partnered pieces. The essay situates the compositions within the context of my recent musical output by speci

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KRUŽLIAKOVÁ, Anežka. "Tradice výroby fujar a lidových dechových nástrojů v rodu Kružliakových." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-394526.

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This diploma thesis is focused on four generations of Kružliak´s family from Podpoľanie, which produced and still produce folk musical instruments. This thesis is divided into chapters, which deals with general characteristics of aerophones and their manufacture and with four biographies of Kružliak members. My thesis is enriched with a chapter about manufacture of fujara, which was written from information of my uncle. One chapter deals with other fujara players in Slovakia. There are photos of instruments and four generations of Kružliak´s family.

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Marek, Tomáš. "Interkulturní mediace hudby: Hráči na djembé jako zprostředkovatelé západoafrické hudební tradice v České republice." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-343412.

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Tomáš Marek Intercultural mediation of music Abstract The thesis concerns in intercultural transmissing of music between Guinea and Czech Republic. I have dealt with traditional way of transmissing music in Guiney in my bachelor work but how is music transmissed interculturaly from local masters to the musicians from totally different culture? Besides the main goal this thesis concerns measure of how Guinean music production influences Czech musical production and how local ways of teaching foreigners the Guinean music influence the ways of teaching such music in the Czech Republic. It is base

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Kotlanová, Monika. "Pěvecký sbor Václav - hudební tradice Staré Boleslavi." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307902.

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The degree work is bent on story and present singing church choir VÁCLAV and its influence over cultural life citiies Brandýs nad Labem-Stará Boleslav. Maps his turn and incidence, namely how contemporary Church choir VÁCLAV, so and his predecessor from year 1861. Deal with diffusion spiritual musical traditions in Stará Boleslav from pasts to the today's time.

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Sugg, Andrew Norman. "Tracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman / by Andrew Norman Sugg." Thesis, 2001. http://hdl.handle.net/2440/21706.

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Includes bibliographical references (leaves 350-359).<br>xi, 359 leaves : music ; 30 cm.<br>Investigates the influence of Coltrane's music on the improvising of post-Coltrane saxophonists by inspecting selected improvisations of Jerry Bergonzi and David Liebman and comparing them to improvisations by Coltrane on the same repertoire piece. The comparision also demonstrates how two current jazz saxophonists have drawn on the past - the legacy of Coltrane - to create innovative music in the present.<br>Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2001

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Ciglbauer, Jan. "Cantiones Bohemicae - Kompozice a tradice." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371319.

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CHEN, PO-YUAN, and 陳柏元. "A Study on the Development of Dadi and it’s Application in Contemporary Flute Music─Taking the Bamboo Flute Solo“Trace of Bamboo” by Tan Dun as an Example." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/s763je.

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碩士<br>國立臺南藝術大學<br>中國音樂學系碩士班<br>102<br>This study explores the history of Dadi, a newly created Chinese low-pitched bamboo flute (including Gongdi and Wan Guan Di), and compares the difference between Dadi and other traditional Chinese flutes by analyzing the special playing techniques and popular sheet music for Dadi. Comparing with traditional flutes, Dadi is closer to the human voice, easier to achieve resonance, with a broader range of tone colors, and with more expressive dynamics. To examine structure and motivation of Tan Dun’s bamboo flute solo “Trace of Bamboo”, we investigated life, w

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Mráčková, Veronika. "Hymnus a jeho tradice v pozdně středověkých Čechách." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-326214.

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The Abstract The Hymn and its Tradition in Late Medieval Bohemia Veronika Mráčková, Charles University, Prague The present thesis concerns the monophonic and polyphonic office hymns preserved in late medieval Bohemian sources. The author is mainly focused on the repertoire of the hymns written in Strahov Codex from around 1467. This manuscript of uncertain provenance contains an enormous collection of three- and four- voice polyphonic hymns which show plenty of the local characteristics. These domestic traits may be identified not only through texts devoted to indigenous Saints, but also throu

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Zunová, Markéta. "Kulturní život v terezínském ghettu očima pamětníků." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-351866.

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This thesis, Cultural life in Terezin ghetto through the eyes of witnesses, is focused on cultural activities of Terezin prisoners with emphasis on sports, theatre and music. In the initial phase of the thesis I focus on the town of Terezin, from its foundation through the transformation into the ghetto up until its liquidation in 1945. Then follows the core work - Terezin culture. Individual subchapters are gradually dedicated to sports, music, theater and children's artwork as well. The goal of the thesis is an effort to transfer all the acquired findings into the ghetto environment, which s

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Novák, Josef. "Hudební aspekty fenoménu Living History v českém historickém šermu optikou etnomuzikologie." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-372900.

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The aim of this musical anthropology thesis focuses on "medieval music" as practiced by fans of historical fencing in the form of living history on the example of two Czech bands - Subulcus and Medieval Open Band as part of project Prácheňská manství. In my thesis I focus not only on sound and musical instruments, but also on the behavior of actors and their conceptualization of the Middle Ages, according to the concepts of music as culture of Allan Merriam, resp. of music as social life of Thomas Turino. I combine here the basic ideas of ethnomusicology with the ideas of musical memory in con

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