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Relevant bibliographies by topics / Transatlantic criticism

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Academic literature on the topic 'Transatlantic criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Transatlantic criticism"

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Martynov, Andrei, and Yevgen Khan. "European Union – USA: transatlantic agreement free trade and investment: past and present." European Historical Studies, no. 3 (2016): 20–32. http://dx.doi.org/10.17721/2524-048x.2016.03.20-32.

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The paper deals with relationship between European Union and USA in the context of Transatlantic Trade and Investment Partnership. These are the need for the positive dynamic of world economic. The paper analyzes the criticism of this process. The debate itself takes place in the continuum Transatlantic Partnership. The USA president Barack Obama hope managed to define features of Transatlantic Trade and Investment Partnership between USA and EU. The author distinguishes social, geo-political and many factors of the analyzed phenomenon of this project.

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Immerfall, Stefan. "Perennial Anti-Americanism in Germany? Critical comments on Ruth Hatlapa’s and Andrei S. Markovits’ “Obamamania and Anti-Americanism as Complementary Concepts”." German Politics and Society 29, no. 4 (December 1, 2011): 78–81. http://dx.doi.org/10.3167/gps.2011.290405.

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The transatlantic fallout preceding and immediately following the openingof the Second Iraq War in 2003 was accompanied by an unusuallywidespread public contempt for U.S. President George W. Bush. No doubt,vast majorities in Germany (and in many other European countries)rejected the Iraq invasion. But how should we interpret their motives?Was criticism levelled against a specific policy or was it based on negativestereotyping of America? Three kinds of arguments have been broughtforward as to why the latter should be the case.

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Potts, George. "‘Influence poetry once more’: Allen Tate and Milton's ‘Lycidas’." Modernist Cultures 14, no. 2 (May 2019): 193–212. http://dx.doi.org/10.3366/mod.2019.0250.

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The standard narrative of the Milton Controversy in the early twentieth century has frequently regarded the New Criticism as part of the modernist antipathy towards Milton, which was fostered by articles such as F. R. Leavis's ‘Milton's Verse’ (1933) and T. S. Eliot's ‘A Note on the Verse of John Milton’ (1935). This essay challenges such depictions of two prominent New Critics – Allen Tate and John Crowe Ransom – as inveterately hostile to Milton, arguing instead that he occupies a significant place in their poetry and criticism. By also considering these American writers’ debts to Milton as a context in which to situate the early work of a British poet deeply influenced by them, Geoffrey Hill, the essay opens up new perspectives on Milton's transatlantic reception in the mid-century and his importance to modernist poetics.

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CLAPSON, MARK. "The new suburban history, New Urbanism and the spaces in-between." Urban History 43, no. 2 (February 19, 2016): 336–41. http://dx.doi.org/10.1017/s0963926816000067.

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What a word we live in. The existential reality of being ‘suburban’–an unpopular adjective at the best of times – has been subject to some astounding criticisms recently. People who choose to live in a suburban home are still deemed to be contemptible by a self-consciously urbane commentariat who could never live somewhere so vacuous. According to one newspaper journalist, the religious fascists who attacked Paris in November 2015 were at heart suburban, exhibiting contempt for the diversity and heterogeneity of the sophisticated metropolis because it upset their reactionary world view. The transatlantic celebrity-historian Simon Schama, appearing on BBC Television's Question Time in October 2015, denounced a critic of unfettered refugee migration to Europe for turning away his ‘suburban face’ to human tragedy. Can a suburbanite possibly find the wherewithal to bounce back from such criticism? Sadly, there is no great volume of historical literature to give them much inspiration, and more recent scholarship offers little that is truly revisionist.

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Holmes, Andrew R. "Biblical Authority and the Impact of Higher Criticism in Irish Presbyterianism, ca. 1850–1930." Church History 75, no. 2 (June 2006): 343–73. http://dx.doi.org/10.1017/s0009640700111345.

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The decades between 1850 and 1930 saw traditional understandings of Christianity subjected to rigorous social, intellectual, and theological criticism across the transatlantic world. Unprecedented urban and industrial expansion drew attention to the shortcomings of established models of church organization while traditional Christian beliefs concerning human origins and the authority of Scripture were assailed by new approaches to science and biblical higher criticism. In contradistinction to lower or textual criticism, higher criticism dealt with the development of the biblical text in broad terms. According to James Strahan, professor of Hebrew at Magee College, Derry, from 1915 to 1926, textual criticism aimed “at ascertaining the genuine text and meaning of an author” while higher “or historical, criticism seeks to answer a series of questions affecting the composition, editing and collection of the Sacred Books.” During the nineteenth century, the controversy over the use of higher critical methods focused for the most part upon the Old Testament. In particular, critics dismissed the Mosaic authorship and unity of the Pentateuch, arguing that it was the compilation of a number of early documentary fragments brought together by priests after the Babylonian Exile in the sixth century B.C. This “documentary hypothesis” is most often associated with the German scholar, Julius Wellhausen. Indeed, higher criticism had been fostered in the extensive university system of the various German states, which encouraged original research and the emergence of a professional intellectual elite. It reflected the desire of liberal theologians to adapt the Christian faith to the needs and values of modern culture, particularly natural science and history.

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Tatsumi, Takayuki. "Literary History on the Road: Transatlantic Crossings and Transpacific Crossovers." PMLA/Publications of the Modern Language Association of America 119, no. 1 (January 2004): 92–102. http://dx.doi.org/10.1632/003081204x23557.

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Literary history has always mirrored discursive revolutions in world history. In the United States, the Jazz Age would not have seen the Herman Melville revival and the completion of Carl Van Doren's The Cambridge History of American Literature (1917–21) without the rise of post–World War I nativism. If it had not been for Pearl Harbor, F. O. Matthiessen's American Renaissance (1941) could not have fully aroused the democratic spirit embedded in the heritage of New Criticism. Likewise, the postcolonial and New Americanist climate around 1990, that critical transition at the end of the cold war, brought about the publication of Emory Elliott's The Columbia Literary History of the United States (1988) and Sacvan Bercovitch's The Cambridge History of American Literature (1994–). I would like to question, however, the discourse that narrates American literary history in the globalist age of the twenty-first century.

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Bateman, David A. "Transatlantic Anxieties: Democracy and Diversity in Nineteenth-Century Discourse." Studies in American Political Development 33, no. 02 (September 4, 2019): 139–77. http://dx.doi.org/10.1017/s0898588x19000105.

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This article reconstructs a set of widely disseminated nineteenth-century ideas about the relationship between diversity and democracy and details how these informed state-building and political action. An emerging argument in nineteenth-century discourse held that representative governments in diverse societies would degenerate into anarchy without “amalgamation,” extermination, expulsion, or enslavement: Only in societies where there was sympathy across the entire community, constantly renewed through intercourse among social equals, could free institutions be sustained. This argument gave support for state-builders to regulate diversity either through an imperial politics of “moving people” or by interposing the state in intimate encounters of sexual and social intercourse. The intimate and imperial dimensions of state-building were thereby conceptually linked. This account helps explain important features of nineteenth-century politics, including the frequent criticism of abolitionists that by supporting racial civic or political equality they were encouraging “racial amalgamation.” In responding to this charge, American antislavery discourse contributed to a distinction between political and social equality that would fundamentally shape state-building after the Civil War. The article shows scholars of American political development how our accounts might be revised by situating debates and developments within a transnational perspective.

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Caballero Wangüemert, María. "Al hilo de la literatura latinoamericana: estudios literarios/estudios culturales / To the thread of Latin American literature: literary studies / cultural studies." Kamchatka. Revista de análisis cultural., no. 9 (August 31, 2017): 121. http://dx.doi.org/10.7203/kam.9.9932.

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Resumen: El presente trabajo constituye un recorrido bibliográfico por la crítica y la teoría literaria hispanoamericana de los últimos 50 años, sin afán de exhaustividad, como tarea colectiva (congresos etc) y personal. Sus hitos más significativos son: cómo se formó y fue derivando el canon literario en Hispanoamérica. Las teorías postcoloniales y su aplicación al Nuevo Mundo. Las orientaciones de la crítica y la teoría literaria en / sobre Latinoamérica. La irrupción y pervivencia de los estudios culturales. Nuevas modas críticas: estudios transatlánticos, tecno escritura, ecocrítica, crítica genética... Palabras clave: canon, crítica literaria, teoría literaria, teorías postcoloniales, estudios culturales.Abstract: The present work constitutes a bibliographical route by the criticism and the Hispano-American literary theory of the last 50 years. Its author did not pretendan exhaustiveness, but a collective task of congresses etc. Its most significant milestones are: how the literary canon was formed and was derived in Spanish America. Postcolonial theories and their application to the New World. The orientations of the critic and the literary theory in / on Latin America. The irruption and survival of cultural studies. New critical fads: transatlantic studies, tecno writing, ecocritics, genetic criticism …Keywords: Canon, literary criticism, literary theory, postcolonial theories, cultural studies.

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Gheyle, Niels, and Ferdi De Ville. "How Much Is Enough? Explaining the Continuous Transparency Conflict in TTIP." Politics and Governance 5, no. 3 (September 25, 2017): 16–28. http://dx.doi.org/10.17645/pag.v5i3.1024.

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Transparency has been a central issue in the debate regarding the Transatlantic Trade and Investment Partnership (TTIP), especially on the side of the European Union (EU). The lack of transparency in the negotiating process has been one of the main criticisms of civil society organizations (CSOs). The European Commission (EC) has tried to gain support for the negotiations through various ‘transparency initiatives’. Nonetheless, criticism by CSOs with regard to TTIP in general and the lack of transparency in specific remained prevalent. In this article, we explain this gap between various transparency initiatives implemented by the EC in TTIP and the expectations on the side of European CSOs. We perform a content analysis of position papers on transparency produced by CSOs, mainly in response to a European Ombudsman consultation, complemented by a number of official documents and targeted interviews. We find that the gap between the TTIP transparency initiatives and the expectations of CSOs can be explained by different views on what constitutes legitimate trade governance, and the role of transparency, participation, and accountability herein.

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Sperling, James, and Mark Webber. "Trump’s foreign policy and NATO: Exit and voice." Review of International Studies 45, no. 3 (May 13, 2019): 511–26. http://dx.doi.org/10.1017/s0260210519000123.

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AbstractDonald Trump assumed office in January 2017, committed to revamping US foreign policy and putting ‘America First’. The clear implication was that long-held international commitments would be sidelined where, in Trump’s view, the American interest was not being served. NATO, in the crosshairs of this approach, has managed to ride out much of the criticism Trump has levelled against it. Written off as ‘obsolete’ by the American president, it has fared better in the Trump era than many commentators had predicted. NATO exemplifies a tendency in US foreign policy, which pre-dates Trump, where open criticism stops short of abandonment. This pattern has continued since 2017 and indicates a preference for voice over exit. As such, it suggests that Trump’s foreign policy is not always as illogical as many have assumed. Logic is borne of institutional context: Trump has chosen to articulate voice where institutionalisation makes exit unviable. Institutional resilience in general and NATO’s case specifically has a wider relevance, both for transatlantic relations and international order.

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Dissertations / Theses on the topic "Transatlantic criticism"

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Stedall, Ellie. "Herman Melville, Joseph Conrad and transatlantic sea literature, 1797-1924." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648378.

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Geissler, Christopher Michael. "'Die schwarze Ware' : transatlantic slavery and abolitionism in German writing, 1789-1871." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610465.

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Wall, Brian Robert. "The Man in the Transatlantic Crowd: The Early Reception of Edgar Allan Poe in Victorian England." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1422.

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An important anomaly in transatlantic criticism is the contrast between transatlantic theory and the applied criticism of literature through a transatlantic lens. While most transatlantic scholars assert the value of individual strands of thought throughout the globe and stress the importance of overcoming national hegemonic barriers in literature, applied criticism generally favors an older model that privileges British literary thought in the nineteenth century. I claim that both British and American writers can influence each other, and that mutations in thought can travel both ways across the Atlantic. To argue this claim, I begin by analyzing the influence of Blackwood's Magazine on the literary aesthetic of Edgar Allan Poe. While Poe's early works read very similar to Blackwood's articles, he positioned himself against Blackwood's in the middle of his career and developed a different, although derivative, approach to psychological fiction. I next follow this psychological strain back across the Atlantic, where Oscar Wilde melded aspects of Poe's fiction to his own unique form of satire and social critique.

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Hsu, Li-Hsin. "Emily Dickinson's poetic mapping of the world." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7573.

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This thesis investigates Emily Dickinson's spatial imagination. It examines how her poetic landscape responds to the conditions of modernity in an age of modernization, expansionism, colonialism and science. In particular, I look at how the social and cultural representations of nature and heaven are revised and appropriated in her poems to challenge the hierarchical structure of visual dominance embedded in the public discourses of her time. Although she seldom travelled, her writing oscillates between experiential empiricism, sensationalistic reportage, and ecological imagination to account for the social and geographical transition of a rapidly industrialized and commercialized society. The notion of transcendence, progress and ascension in Enlightenment and Transcendentalist writings, based upon technological advancement and geographical expansion, characterized the social and cultural imagination of her time. Alternatively, an increasingly cosmopolitan New England registers a poetic contact zones as well as a Bakhtinian carnivalesque space, in which colonial relations can be subverted, western constructions of orientalism challenged, and capitalist modernity inflected. Dickinson voiced in her poems her critical reception of such a phantasmagoric site of a modern world. I explore how her cartographic projection registers the conflicting nature of modernity, while resists the process of empowerment pursued by her contemporary writers, presenting a more dynamic poetic vision of the world. In the first chapter, I explore her use of empirical mapping as a poetic approach to challenge the Enlightenment notion of progress and modernity. I look at her poems of social transitions, especially her poems of the Bible, the train, the pastoral, and the graveyard, to show how she addresses the issue of modernization. Her visit to Mount Auburn and the rural landscape movement are explored to show her complex poetic response toward modernity. In the second chapter, I focus on her poems of emigration and exploration to see how she appropriates frontier metaphors and exploratory narratives that dominated the discourses of national and cultural projects of her time. The colonial expeditions and national expansionism of her time are examined to show her revision and deconstruction of quest narratives. In the third chapter, I examine her commercial metaphors in relation to cosmopolitanism. I discuss her metaphors of tourism to see how her poems are based upon the notion of consumption as a poetic mode that is closely related to the violence of global displacement and imperial contestation. Her tourist experiences and reading of travel writings will be examined to show her critical response towards the dominant visual representations of her time. In the last chapter, I explore her poems of visitation and reception to show her elastic spatial imagination through her notion of neighbouring and compound vision. In particular, I discuss her poetic reception and appropriation of the theories of Edward Hitchcock and Thomas De Quincey. I conclude suggesting that her spatial imagination reveals her poetic attempt to account for the conditions of modernity.

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Sipley, Tristan Hardy 1980. "Second nature: Literature, capital and the built environment, 1848--1938." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10911.

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x, 255 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
This dissertation examines transatlantic, and especially American, literary responses to urban and industrial change from the 1840s through the 1930s. It combines cultural materialist theory with environmental history in order to investigate the interrelationship of literature, economy, and biophysical systems. In lieu of a traditional ecocritical focus on wilderness preservation and the accompanying literary mode of nature writing, I bring attention to reforms of the "built environment" and to the related category of social problem fiction, including narratives of documentary realism, urban naturalism, and politically-oriented utopianism. The novels and short stories of Charles Dickens, Herman Melville, Rebecca Harding Davis, Charlotte Perkins Gilman, Upton Sinclair, and Mike Gold offer an alternative history of environmental writing, one that foregrounds the interaction between nature and labor. Through a strategy of "literal reading" I connect the representation of particular environments in the work of these authors to the historical situation of actual spaces, including the western Massachusetts forest of Melville's "Tartarus of Maids," the Virginia factory town of Davis's Iron Mills, the Midwestern hinterland of Sinclair's The Jungle, and the New York City ghetto of Gold's Jews without Money. Even as these texts foreground the class basis of environmental hazard, they simultaneously display an ambivalence toward the physical world, wavering between pastoral celebrations and gothic vilifications of nature, and condemning ecological destruction even as they naturalize the very socio-economic forces responsible for such calamity. Following Raymond Williams, I argue that these contradictory treatments of nature have a basis in the historical relationship between capitalist society and the material world. Fiction struggles to contain or resolve its implication in the very culture that destroys the land base it celebrates. Thus, the formal fissures and the anxious eruptions of nature in fiction relate dialectically to the contradictory position of the ecosystem itself within the regime of industrial capital. However, for all of this ambivalence, transatlantic social reform fiction of the late-nineteenth and early-twentieth century provides a model for an environmentally-oriented critical realist aesthetic, an aesthetic that retains suspicion toward representational transparency, and yet simultaneously asserts the didactic, ethical, and political functions of literature.
Committee in charge: William Rossi, Chairperson, English; Henry Wonham, Member, English; Enrique Lima, Member, English; Louise Westling, Member, English; John Foster, Outside Member, Sociology

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Ridley, Sarah Elizabeth. ""That Every Christian May Be Suited": Isaac Watts's Hymns in the Writings of Early Mohegan Writers, Samson Occom and Joseph Johnson." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984204/.

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This thesis considers how Samson Occom and Joseph Johnson, Mohegan writers in Early America, used the hymns of English hymnodist, Isaac Watts. Each chapter traces how either Samson Occom or Joseph Johnson's adapted Isaac Watts's hymns for Native communities and how these texts are sites of affective sovereignty.

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SONI, RAJI SINGH. "Dissident Secularism: Queer Exegesis, Transatlantic Modernism, and the Discipline of Modernity." Thesis, 2014. http://hdl.handle.net/1974/8642.

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This dissertation examines the interplay of queer sexuality, theology, and transatlantic modernism in the oeuvres and critical receptions of T.S. Eliot (1888-1965), Hart Crane (1899-1932), and W.H. Auden (1907-1973). As an interdisciplinary study in literary criticism and of each author’s reception history, this thesis reads the poetry, critical prose, and correspondence of Eliot, Crane, and Auden with focused reference to queer theory and continental philosophies of religion extending from Immanuel Kant’s Religion within the Limits of Reason Alone and Søren Kierkegaard’s pseudonymous authorship to Jacques Derrida’s deconstruction of aesthetics, ethics, and politics in the post-Kantian legacy. Gauging the “post-secular turn” in cultural criticism, the dissertation develops a critique of “epistemic secularism,” which constitutes a normative framework for scholarship in many branches of the humanities. To examine “the secular limits of discipline” at the junction of queer theory and modernist studies, it examines how literary critics and queer theorists define modernity and conceptualize subjectivity at the secular limits (or limitations) of their fields. Imbrications of theology and queerness in the works of Eliot, Crane, and Auden occasion this study’s response to epistemic secularism and prompt its recalibration of secularism in the ethical terms of “mere reason,” rather than as an episteme rife with antireligious politics. Research undertaken for this thesis is guided by two foundational questions: 1) Do extant models for the study of queer sexualities presuppose secularism or enforce secularization as a benchmark for the “achievement of modernity”? 2) Are religious foundations conceivable for queer subjects to whom secularism remains a key factor in the emancipatory history of sexual cultures? The dissertation argues that, for better and for worse, secularism has become a blueprint in the metropolitan West for thinking sexual modernity as progressive and achievable. Notwithstanding such provisos, this study finds that the “proper” subject in queer-modernist studies is in essence neither nonreligious nor antireligious. Rather, reading with and against the grain of secularism’s episteme, it uncovers in the corpuses of Eliot, Crane, and Auden a radical conception of theology as a positively queer endeavour in an era of “liberated” secularist polities.
Thesis (Ph.D, English) -- Queen's University, 2014-02-28 10:37:43.026

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Therriault, Isabelle. "'Oh! La Que Su Rostro Tapa/No Debe Valer Gran Cosa': Identidad Y Critica Social En La Cultura Transatlantica Hispanica (1520 - 1860) / 'Oh! The one who covers her face / surely is not worth much': Identity and Social Criticism in Transatlantic Hispanic Culture (1520-1860)." 2010. https://scholarworks.umass.edu/dissertations/AAI3412061.

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In 1639, a law prohibiting women any head covering; veil, mantilla, manto for example, is promulgated for the fifth time in the Iberian Peninsula under the penalty of losing the garment, and subsequently incurring more severe punishments. Regardless of these edicts this social practice continued. My dissertation investigates the cultural representation of these covered women (tapadas) in Spain and the New World in a vast array of early modern literary, historical and legal documents (plays, prose, and regal laws, etc.). Overall, critics associate the use of the veil in the Spanish territories with religious tendencies and overlook the social component of women using the veil to simply explain it as a mere fashion practice. In my dissertation, I argue that it is more than just a garment; the veil was used by women to make political statements, thereby challenging the restrictive gender and identity boundaries of their epoch. A critical analysis of early modern historical and legal peninsular texts and close-readings of Golden Age literary works, together with colonial cultural productions, allow me to identify patterns in how the tapadas were represented both artistically and culturally. Accordingly, my project attempts to reassess the significance of the tapadas in Hispanic culture for 350 years and demonstrate how their resilience to stop using the veil publicly is symptomatic of the absolutist monarchy inefficiencies in imposing social control. I move away from the tendency to investigate works including tapadas exclusively, and I conclude by reconstructing more accurately their cultural impact on the social dynamics in Spain as well as the New World.

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House, Veronica Leigh. "Backward to your sources, sacred rivers: a transatlanitic feminist tradition of mythic revision." Thesis, 2006. http://hdl.handle.net/2152/2504.

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Books on the topic "Transatlantic criticism"

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Emerson's transatlantic romanticism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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Transatlantic women's literature. Edinburgh: Edinburgh University Press, 2008.

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Robert Burns and transatlantic culture. Burlington, VT: Ashgate, 2012.

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Ron, Spronk, Harvard University Art Museums, and Dallas Museum of Art, eds. Mondrian: the transatlantic paintings. New Haven: Yale University Press, 2001.

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Transatlantic literary studies, 1660-1830. New York: Cambridge University Press, 2012.

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Reimagining the transatlantic, 1780-1890. Burlington, VT: Ashgate, 2011.

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The transatlantic Indian, 1776-1930. Princeton, N.J: Princeton University Press, 2008.

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Romanticism and slave narratives: Transatlantic testimonies. Cambridge [England]: Cambridge University Press, 2000.

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Stanton, Kamille Stone, and Julie A. Chappel. Transatlantic literature of the long eighteenth century. Newcastle upon Tyne: Cambridge Scholars, 2011.

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Transatlantic literature of the long eighteenth century. Newcastle upon Tyne: Cambridge Scholars, 2011.

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Book chapters on the topic "Transatlantic criticism"

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Rzepka, Charles J. "‘The Unofficial Force’: Irregular Author Love and the Higher Criticism." In Transatlantic Literature and Author Love in the Nineteenth Century, 293–320. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32820-1_12.

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LaRocca, David. "George Santayana's Transatlantic Literary Criticism and the Potencies of Aesthetic Judgment." In Spain, the United States, and Transatlantic Literary Culture throughout the Nineteenth Century, 175–96. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003219460-10.

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Booth, Alison. "Helen A. Clarke and Charlotte Endymion Porter: Literary Criticism in Author Country a Century Ago." In Transatlantic Literature and Author Love in the Nineteenth Century, 203–36. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32820-1_9.

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Forsberg, Tuomas. "The rise and fall of criticism towards the United States in transatlantic relations." In The Routledge Handbook of Transatlantic Security, 218–30. Routledge, 2010. http://dx.doi.org/10.4324/9780203846698-16.

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Casal, Rodrigo Cacho. "Writing in the New World." In The Places of Early Modern Criticism, 125–42. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198834687.003.0009.

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Over the turn of the sixteenth and seventeenth centuries, Spanish American poetry and poetic theory experience a crucial moment of affirmation. Literary networks strengthen their circle of influence, and several authors, both creole and settlers, are able to promote their careers, further facilitated by the printing press. Books such as Miscelánea austral (Lima, 1602/1603) by Diego Dávalos y Figueroa, Grandeza mexicana (Mexico City, 1604) by Bernardo de Balbuena, and Parnaso antártico (Seville, 1608) by Diego Mexía contain a number of texts which lay the foundations for a new American poetics. They constitute a canon of New World authors who fashion themselves at the centre of a transatlantic exchange, both as followers and innovators of the peninsular literary tradition of the Renaissance. Framed within the rhetorical genre of “defences of poetry” and “defences of women”, these poets put forward an engaging critical representation of their own poetic identity.

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Volpicelli, Robert. "Guru." In Transatlantic Modernism and the US Lecture Tour, 81–107. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192893383.003.0004.

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Chapter 3 argues that Rabindranath Tagore followed W. B. Yeats in becoming a cultural representative while traveling on the circuit, but it also contends that Tagore’s reception as a popular guru ultimately hampered his ability to engage with political issues in the same way that Yeats had on his tour. More specifically, this chapter considers how this specific reception history evolved across Tagore’s first two US lecture tours, which took place in 1912–13 and 1916–17 respectively. While US audiences certainly played a large part in labeling Tagore as a guru, the poet was also a much cannier manipulator of his own reception than his critics have previously acknowledged. Through his public lecturing on his first tour, Tagore cultivated a spiritual image without playing to certain stereotypes that painted the East as a place of staid contemplation. Yet this effort became much more difficult during his next tour, when he began using his lectures on Hinduism as a platform for waging an explicit anti-colonial campaign. At this point, the poet was met with criticism, not only from Euro-Americans, but also from Bengali immigrants living in the US. This chapter therefore comes to the conclusion that Tagore’s success in altering his identity as a spiritual leader came at the expense of his popularity as an international literary figure.

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Clark, Justin T. "Epilogue." In City of Second Sight, 198–208. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469638737.003.0008.

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By the end of the antebellum period, Bostonians’ habit of idealizing the urban landscape was yielding to the new transatlantic fashion of realism. Rather than idealize the city, realist writers and artists such as Winslow Homer documented it in detached and comprehensive detail. The declining commitment to a collective and idealized way of seeing can be read in a variety of domains, including art criticism, psychology, and even ophthalmology. The epilogue explains the rise of realism in Boston in terms of the development of middle class cultural institutions, suburbanization and geographic stratification. Less concerned with how Bostonians saw, a new generation of reformers and censors (such as the Watch and Ward Society) became exclusively preoccupied with what Bostonians saw.

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Carretta, Vincent. "Revisiting Olaudah Equiano, or Gustavus Vassa." In Britain's Black Past, 45–60. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621600.003.0004.

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The backlash against challenging the origin story of Olaudah Equiano, author of the influential autobiography The Interesting Narrative of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself, is the subject of this chapter by Vincent Carreta. Since first being published in 1789, the text has achieved canonical status as a rare first-hand account of an African-born person describing the horrors of the Middle Passage and slavery. Interesting Narrative was successfully appropriated political propaganda by abolitionists to help end the transatlantic slave trade and abolish slavery. After revealing archival documents calling Equiano’s birth in Africa into question, Caretta describes the firestorm of criticism he faced, including threats of assault, from some scholars. He suggests that the unwillingness of some scholars to confront the possibility that Equiano may have lied about his birthplace is too high stakes as it opens the door to questioning how much of Interesting Narrative is fiction and how much work that relies on the text may require reexamination.

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Bulson, Eric. "Transatlantic immobility." In Little Magazine, World Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231179768.003.0003.

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Chapter Two dismantles the myth about magazine mobility by focusing on two failed transatlantic exchanges: the Little Review and The Egoist during and immediately after World War I and The Dial and The Criterion in the early 1920s. Though these two pairs of magazines regularly published many of the same writers and even swapped critics and reviews, neither could generate a substantial transatlantic reading community. If, in the first instance, wartime postal regulations and censorship laws were largely to blame, the second was the result of something else: a newly emerging little magazine culture that was entering “middle-age,” as Ezra Pound put it. One side effect of this aging process involved editors like Scofield Thayer, who wanted to enlarge a nation-based reading public by cutting ties with an international one.

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Vieira, Estela. "Transatlantic Modernisms: Portugal and Brazil." In Transatlantic Studies, 397–405. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0033.

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While the turn of the nineteenth to the twentieth century saw Portuguese and Brazilian writers and intellectuals reaffirm transatlantic cultural and literary ties, critics have tended to disassociate Portuguese and Brazilian modernist movements. This essay questions this cultural rupture of the literary ties and tries to show that while the nature of Luso-Brazilian cultural relations has evolved, literary and intellectual exchanges have been continuous, influencing conceptions in both countries of national and cultural identities. The Orpheu group and other important intellectual and literary figures of the period, both Portuguese and Brazilian, were not averse to a Luso-Brazilian intellectual endeavor, but conceived their modernist and avant-garde projects as joint efforts with platforms and aesthetic goals that would have a transatlantic impact. This paper reevaluates the links between Portuguese and Brazilian early modernist movements, using some productive juxtapositions to rethink Luso-Brazilian cultural exchanges at the beginning of the century.

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