Relevant bibliographies by topics / Transatlantic influences

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Transatlantic influences'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 February 2023

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Journal articles on the topic "Transatlantic influences"

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STANKIEWICZ, MARY ANN. "Form, Truth and Emotion: Transatlantic Influences on Formalist Aesthetics." Journal of Art & Design Education 7, no. 1 (March 1988): 81–95. http://dx.doi.org/10.1111/j.1476-8070.1988.tb00732.x.

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Butler, Ryan J. "Transatlantic Discontinuity? The Clapham Sect's Influence in the United States." Church History 88, no. 3 (September 2019): 672–95. http://dx.doi.org/10.1017/s0009640719001847.

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William Wilberforce and his coterie of evangelical activists have regularly attracted research. Attention, however, has focused almost exclusively on the group's efforts in Britain, with little scholarly work to date on its connections and trajectories overseas. This article examines the influence of Clapham thought and activity in the early American republic. By tracing transatlantic correspondence and reconstructing international relationships, it unveils the direct influence of Clapham theological understandings, notably in their challenge to received interpretations of racial inequality and competing national virtues. Less directly, as Clapham principles shaped Britain's policing of the seas and became enacted in diplomatic decisions, British moralism created friction and resentment with the U.S. government. Although the threads of overt ideological influence by the Clapham Sect appear thin with respect to antislavery, more nuanced influences in terms of race, theology, and empire reveal profound contextual challenges. Yet, the factors limiting the Clapham Sect's impact are as instructive as the influences because they illuminate the contrasts across the Atlantic, which turn out in this case to be more important than the continuities. Transnational approaches to history have often erred by overlooking the transformation of religious and moral ideas across borders, leaving our understanding of transatlantic abolitionism theologically impoverished. By situating Britain's most famous abolitionist group in a wider context, this article exposes the neglected role of race and competing moralities in nineteenth-century international religious history, confounding notions of simple transference of ideas and intellectual continuity across the Atlantic.
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Poulin, Naythan R. "“Laws that make them slaves there, make them slaves here:” The Status of Slavery in England and its influence on the colony of Nova Scotia." General: Brock University Undergraduate Journal of History 4 (May 6, 2019): 84–95. http://dx.doi.org/10.26522/tg.v4i0.2127.

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Nova Scotia was the only colony in the transatlantic world to possess no statute laws or slave codes; thus, Nova Scotia did not have legal authorization to enforce slavery. The absence of statute law in Nova Scotia engendered significant legal ambiguities on the general status of slavery in the colony. Following 1783, Nova Scotia’s legislative and judicial institutions were greatly destabilized by Loyalist migration, and the colony searched across the transatlantic world for legal answers. England, similarly to Nova Scotia, did not possess any statute laws to enforce slavery; the metropole and the colony of Nova Scotia thus shared a similar ambiguity towards the status and regulation of slavery. Therefore, evidence suggests that judicial rulings made in Nova Scotia regarding the status of slavery were directly influenced by common law established in England. Specifically, Somerset v Stewart and subsequent cases in England legitimized and influenced Chief Justice Blowers and Strange to impose a judicial war of attrition against slavery in Nova Scotia. Although Nova Scotia’s legal system had become effective in eradicating slavery, the system did not always provide permanent freedom, and in many cases freed black men and women risked kidnapping and re-enslavement. Ultimately, slavery in the Canadian colonies is a topic that has been erased from the historiographical narrative and has been ignored by generations of historians. Nonetheless, it signifies that more work is required to establish stronger connections between the metropole and Canadian colonies, but also, the intercolonial and transatlantic influences on slavery.
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Pettersen, David. "Maurice Tourneur’sJustin de Marseille(1935): transatlantic influences on the French gangster." Studies in French Cinema 17, no. 1 (August 10, 2016): 1–20. http://dx.doi.org/10.1080/14715880.2016.1213586.

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Knutsen, Bjørn Olav. "A Weakening Transatlantic Relationship? Redefining the EU–US Security and Defence Cooperation." Politics and Governance 10, no. 2 (May 18, 2022): 165–75. http://dx.doi.org/10.17645/pag.v10i2.5024.

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The aim of this article is to discuss how a weakening transatlantic relationship influences European defence cooperation and integration. It also asks how these observed patterns of weakening EU–US relations can be explained and what the consequences might be for the EU’s efforts to build a stronger and more coherent security and defence policy. Building upon a “comprehensive neo-functionalist” approach first coined by the Norwegian scholar Martin Sæter, European security and defence policy should be seen as part of an externalisation of EU integration as a response to weakening transatlantic relations. The debate on European “strategic autonomy,” the Strategic Compass, and the European “defence package” should therefore be considered as part of such an externalisation process of actively influencing and reshaping the transatlantic relationship. When analysing European security and defence, the article also shows that it is misleading to regard European integration as something to be subordinated to NATO. Nevertheless, a European security deficit does exist due to differing perspectives among member states on how the EU process should relate to NATO. The article, therefore, concludes that strategic autonomy can only be developed with close EU–NATO cooperation. Furthermore, a more multipolar world order where the EU no longer can rely upon a transatlantic security community to the same extent as before challenges the EU’s role as a defender of multilateralism and poses new challenges to the EU’s common foreign and security policy.
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Gannon, Philip. "Between America and Europe: transatlantic influences on the policies of Gordon Brown." Journal of Transatlantic Studies 13, no. 1 (January 2, 2015): 1–19. http://dx.doi.org/10.1080/14794012.2014.990731.

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Trnka, Jamie H. "Genre and Geoculture." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 2 (November 8, 2019): 410–24. http://dx.doi.org/10.1515/iasl-2019-0019.

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Abstract Enzensberger’s sustained engagement with Latin American thinkers and literary forms was central to his attempts to shift the parameters of West German debates on literature and politics in the 1960 s. Attention to Latin American exchanges and influences challenges simplistic criticisms of his Eurocentrism and demonstrates how the novel cultural constellations that underlie Enzensberger’s genre innovation engender productive inroads into transatlantic comparative projects.
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Tara Helfman. "Transatlantic Influences on American Corporate Jurisprudence: Theorizing the Corporation in the United States." Indiana Journal of Global Legal Studies 23, no. 2 (2016): 383. http://dx.doi.org/10.2979/indjglolegstu.23.2.0383.

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Korchagin, Kirill M. "Bureau “Transatlantic”: French and US Poets on Rendezvous." Literature of the Americas, no. 12 (2022): 261–73. http://dx.doi.org/10.22455/2541-7894-2022-12-261-273.

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Since the middle of the 19th century, American literature has been perceived by French poets as a kind of Other, at the same time alien and attractive, capable of teaching the experience of liberation, which the French poets themselves lack. Nevertheless, the situation is more familiar when other poets of the world are looking for inspiration in French poetry. French poetry for American modernists of the first quarter of the 20th century was synonymous with everything that expands the horizons of literature. At the same time, the reverse situation, when French poetry is saturated with outside influences, in particular, American ones, is studied much worse. Abigail Lang's book tries to fill this gap, considering the transformations that the new, “post-Surrealist” French poetry is experiencing under the impression of the new American poetry. The book is divided into three chapters: the first one deals with the reception of objectivism since the 1970s to the present, the second one deals with the problem of the “transatlantic” poetic community, which manifests itself in various forms and genres, and, finally, the third one tells about the “speech turn,” which, from the author's point of view, takes place in French poetry of recent decades.
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Davidson, Ryan J. "Transatlantic Intersections: The Role of Ralph Waldo Emerson in the Dissemination of Blakean Thought into the Poetry of Walt Whitman." Hawliyat 17 (July 11, 2018): 33–50. http://dx.doi.org/10.31377/haw.v17i0.66.

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Whitman quoted no one in his poetry, at least not directly, as Matt Miller convincingly mgues in Collage of Myself However, Whitman was not above making use of the work of other writers in his poetry. It is through Whitman's early reading in conjunction with his collage approach to composition that he came to create Leaves of Grass as something which appears wholly original, but which resonates with so many echoes. It is often argued that Ralph Waldo Emerson is one of the most important influences on Whitman 's Leaves of Grass. The extent and significance of Emerson 's influence has been a subject of inquiry' since the advent of Whitman scholarship. This text will focus on Emerson's essays and lectures as the main influences on Whitman which can be read as providing a mediating influence between Blake and Whitman.
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Dissertations / Theses on the topic "Transatlantic influences"

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Heal, Benjamin J. "Transatlantic crosscurrents : European influences and dissent in the works of Paul Bowles and William S. Burroughs (1938-1992)." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/57120/.

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This thesis examines the European influences on the works of Paul Bowles and William S. Burroughs, focusing on the themes, styles, techniques and preoccupations derived from Existentialism, Surrealism and Primitivism. Their texts, informed by their interest in the transatlantic intellectual currents of the time and non-American influences, represent a dissenting voice against the commonly and officially held values of the post-World War II United States and Western ideological power structures, and offer an insight into the development of a twentieth century American cultural identity. Examining Bowles and Burroughs in parallel gives a unique insight into their differences and striking similarities with regard to their experiences of expatriation and European sensibilities. Analysis of the historical context and material history of the publication, underlying influences, themes, techniques and preoccupations of their works reveals a deeper political engagement than has been previously shown. Bowles and Burroughs participated in a broad transatlantic dialogue of ideas, as reflected in the geopolitical and chronopolitical similarities of their works. The thesis focuses on their use of similar themes such as alienation, derived from Sartrean Existentialism, and their shared existential negativity toward life in the United States. It is argued that their style and method of indirect ideological expression, derived from Existentialism, enables a form of expression that can effectively and covertly interrogate American identity. Their use of experimental techniques drawn directly from the politically charged European based art movements of Dada and Surrealism, such as automatism, is shown to create a politically useful distance between the work and the author, while Surrealist preoccupations with shock, intoxication and violence evoke a closer relationship between the work and the reader. The notion of 'primitivism' and a persistent interest in 'primitive cultures' that intersects with representations of sexuality and a rejection of modernity in their works is examined as a reflection of their negative attitudes toward the modernism represented by the United States. Examining the parallels between their works and the development of film noir also reveals an engagement with a broad transatlantic exchange of ideas, styles and techniques across media. Their experimentation with the constructed nature of authorship, which developed through literary practice in their later works is shown to interrogate the concurrent poststructuralist theories of authorship. The historical contexts, influences of European intellectual cross-currents and range of connections between Bowles and Burroughs combine to make a compelling case that their works are politically charged, transatlantic in style and technique, and stridently significant in the history of English language literature and our understanding of contemporary American and European cultures.
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Fuhrhop, Pia [Verfasser]. "Alliance Politics Under Unipolarity : European Influence on Transatlantic Military Interventions / Pia Fuhrhop." Berlin : Freie Universität Berlin, 2014. http://d-nb.info/1062537033/34.

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Hicks, Stephanie Marie. "Ralph Waldo Emerson's transatlantic relations : romanticism and the emergence of a self-reliant American reader." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33172.

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This thesis explores three of Ralph Waldo Emerson's seminal texts, Nature (1836), the "Woodnotes" poems (1840, 1841), and Representative Men (1850), in a transatlantic Romantic context. Augmenting typical transatlantic explorations of Emerson's literature which often use these three works in demonstration of the various European Romantic assimilations n Emerson's writing, the texts considered in this study are understood to engage with one British work predominately. Emerson engages antagonistically in the pages of Nature with Samuel Taylor Coleridge's Aids to Reflection (1825), in the "Woodnotes" poems with William Wordsworth's The Excursion (1814), and in Representative Men with Thomas Carlyle's On Heroes, Hero-Worship, and the Heroic in History (1841). In each instance, Emerson engages with a text that he understands to be particularly representative of the intellectual and creative genius that its British author wields and, as such, one that is anxiety-inducing in the influence that it wields. This thesis demonstrates that, in engaging with these works, Emerson performs with increasing sophistication a process of "'creative reading,' that is, an act of reading (influx) through which creation (efflux, expression) is made possible through a transcendence of the past. In doing so, Emerson confronts and attempts to gain independence both from the personal influence that these texts and, more significantly, their authors wield. In engaging in Nature, the "Woodnotes" poems, and Representative Men with Aids to Reflection, The Excursion, and On Heroes, Hero-Worship, and the Heroic in History respectively, Emerson assimilates into his works various elements of Coleridge's, Wordsworth's, and Carlyle's thought. Each of the three chapters comprising this thesis explores Emerson's intellectual indebtedness in this regard and, as such, the explorations incorporate a scholastic focus like that found in the majority of Emersonian transatlantic scholarship. In each instance, however, explorations of Emerson's works also reveal the American writer's performance of a liberating act of detachment or departure from the ideas with which he engages. These intellectual detachments distinguish Emerson's thought from that of Coleridge, Wordsworth, and Carlyle, and are often attended by formal departures from the texts with which Emerson engages. Augmenting typical transatlantic explorations of Emerson's works, this thesis focuses not only Emerson's Romantic assimilations, but also on his detachments. Finally, in each instance, Emerson's confrontations reflect Robert Weisbuch's assessment in Atlantic Double-Cross (1986) that nineteenth century Anglo-American literary relations are 'always more than personal and individual' (21). That is to say, in each instance, Emerson confronts not only Coleridge, Wordsworth's, and Carlyle's personal creative and intellectual influence, but their extrapersonal or national influence as British writers. This confrontation of national influence is reflected in the fact that Emerson's detachments incorporate temporal reimaginings, re-visions of time that nullify the potency of the past and of the influence wielded by tradition by emphasising the present and the future, focusing on the subjective power of the mind. As such, Emerson's conceptions of time demonstrate a conflation of two specifically American understandings of temporality as defined by Robert Weisbuch - vertical time and futurism - both developed by nineteenth century American writers in order to nullify the influence of Old World, specifically British, tradition, and to establish an account of time in which the United States' comparative lack of distinct cultural history is excused. In precis, this thesis demonstrates that Nature, the "Woodnotes" poems, and Representative Men issue from Emerson's creative reading of Aids to Reflection, The Excursion, and On Heroes, Hero-Worship, and the Heroic in History respectively. These acts of creative reading demonstrate in each instance the inextricability of Coleridge's, Wordsworth's, and Carlyle's 'personal' creative and intellectual influence, as well as their 'extrapersonal' or national influence.
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Sadaoui, Chérif. "Towards a Translatlantic Ethnotext : algerian Kabyle; Moroccan Rifian and Maghrebi; and US Choctaw and Canadian Mi'kmaq in Autobiographical Writings from North Africa and North America." Thesis, Paris 13, 2019. http://www.theses.fr/2019PA131071.

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Cette thèse explore la notion de l’ethnotext comme stratégie de résistance à la domination linguistique. Cette notion sera étudiée en relation avec trois formes de domination linguistique: la colonisation française en Algérie (1830-1962) et le protectorat français et espagnole au Maroc (1912-1956) ; les politiques linguistiques post-indépendances appliquées par ces deux Etats nation ; l’installation européenne au Canada et aux Etats Unis D’Amérique et les conséquences de ses politiques linguistiques néocoloniales sur les langues amérindiennes telles que le M’ikmaq (au Canada) et le Choctaw (USA). L’étude sera menée en s’appuyant sur un corpus de quatre romans autobiographiques, représentatifs des cultures berbères (kabyle et rifain) ainsi qu’amérindiennes (M’ikmaq et Choctaw). L’ethnotext kabyle sera étudié dans le roman de Mouloud Feraoun Le fils du pauvre (1950) ; le Rifian sera étudié dans le roman de Mohamed Choukri Le pain nu (1973) ; le M’ikmaq sera étudié dans le roman de Rita Joe : Song of Rita Joe : Autobiography of a M’ikmaq Poet (1996) et leChoctaw sera étudié dans le roman de Rilla Askew The Mercy Seat (1997). Cette étude comparative a pour objectif de comparer ces quatre cas de résistance linguistique pour chercher leurs points communs, leur ressemblances stratégiques et culturelles afin d’établir la dimension transatlantique de l’ethnotext
This thesis explores the notion of the ethnotext, which is, in Chantal Zabus’ terms, composed of: ‘[…] discursive elements ranging from rules of address, riddles, praise names and dirges to the use of proverbs”. (Zabus, The African Palimpsest) as a way of resistance to linguistic domination. This notion will be studied in relation to three forms of linguistic domination: French colonialism in Algeria and Morocco; postcolonial linguistic policies applied by these two new nation states; European settlement in Canada and the United States of America and the neocolonial linguistic policies affecting Amerindian languages such as Mi’kmaq and Choctaw. The study will be illustrated with a corpus of four autobiographies: Mouloud Feraoun’s The Poor Man’s Son (1954) [Kabyle in Algeria]; Mohamed Choukri’s For Bread Alone (1982) [Rifian from Morocco]; Rilla Askew’s The Mercy Seat (1997), [Choctaw from the U.S.A] and Rita Joe’s Song of Rita Joe: Autobiography of a Mi’kmaq Poet (1996) [in Canada]. This comparison aims at contrasting these four cases of linguistic resistance to seek their common points, resistance strategies and cultural resemblance in order to establish the ethnotext’s transatlantic dimension. Transatlanticism will in turn be contextualised against a broader canvas that of the possible extinction of endangered languages faced with globalised societies
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Gupta, Indranath. "Was Feist a catalyst for the structure of database directive? : a legal exploration of the implications of the Feist decision." Thesis, Brunel University, 2015. http://bura.brunel.ac.uk/handle/2438/11268.

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This thesis studies the influence of US Supreme Court judgement in Feist Publications Inc. v. Rural Telephone Service Co on Directive 96/9/EC. It primarily looks at the implications of Feist decision, and the influence that it had on European legislation. The decision in Feist Publications led the Commission to believe two things: Feist created a new-line of jurisprudence in US in the context of copyright protection of factual databases, and the decision will be detrimental for future production of electronic databases. This thesis shows that the Feist decision was a clarification of existing copyright law. As an example, the thesis observes that the US database market did not react to any apprehended negative impact of Feist. In the US, where there was no specific Database Right, Feist has had negligible practical and doctrinal impact. The Feist decision also left an indelible mark on the overall structure of the Database Directive. While Article 3 represented the positive impact, Article 7 was surrounded by uncertainties and ambiguities. This Article represents the outcome of apprehending negative impact of Feist. This has resulted in an imbalance which must be rectified and only a limited amount of protection should be offered to producers in absence of evidence.
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Thiébaut, Cyrille. "Opinions, information et réception : la réactivité du public français aux représentations médiatiques de l’Europe de la défense (1991-2008)." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010332.

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Après la création du marché unique et de l’euro, la mise en place d’une politique européenne de défense est vue comme le prochain défi de la construction européenne. Pourtant, celle-ci alimente peu le débat public en France. Les citoyens semblent désintéressés et sous-informés. Néanmoins, il ressort des sondages que la défense européenne jouit d’un très fort soutien au sein de la population française, autour des 80%, ce qui laisse penser qu’une forte connotation positive lui est attachée. Cependant, ce soutien est conditionné : il relève avant tout d’une volonté d’assurer l’autonomie de la France vis-à-vis des Etats-Unis sans que soit considéré pour autant un transfert de souveraineté au niveau européen. Comment expliquer un soutien aussi massif ? Comment les individus se représentent-ils l’Europe de la défense à laquelle ils se disent favorables ? D’où viennent ces représentations ? La défense européenne étant un enjeu à la fois non domestique et non prioritaire pour les citoyens, nous supposons que les opinions sur cette question reposent principalement sur ce qu’en disent les médias. À partir de cette hypothèse, nous menons une analyse de la couverture de l’Europe de la défense – en termes de cadrage – dans la presse quotidienne nationale française. Les résultats de cette étude révèlent un « cadrage transatlantique » dominant qui va dans le sens des observations faites à partir des sondages. De plus, la PESD bénéficie d’un environnement interprétatif homogène et positif : le discours médiatique sur l’Europe de la défense a tout d’un discours promotionnel. Enfin, il apparaît que la façon dont la presse en traite est typiquement française. Néanmoins, ce n’est pas parce que les médias proposent un cadre d’intelligibilité d’un enjeu que le public s’y rallie nécessairement. L’influence des médias n’est ni automatique ni directe. A partir d’entretiens exploratoires, nous confrontons les deux discours, celui de la presse et celui de citoyens. Il apparaît que si les discours des interviewés sur la défense européenne sont également positifs, ceux-ci semblent prendre leur distance avec les discours de la presse. Qu’ils soient capables de proposer des cadres alternatifs sur le sujet ou qu’il s’agisse d’un effet de la situation d’enquête reste cependant à déterminer
Since the creation of the Single Market and the launch of the Euro, a European defense policy has been considered the next challenge faced by the European Union. However, there has been little public debate about this policy in France. Citizens seem to lack both interest in it and information about it. Nonetheless, according to the surveys we collected, around 80% of the French population declare their support for European defense. We found that this support is linked to attitudes towards the United States, rather than attitudes towards European integration. How can we explain the support of such a significant majority ? Why do people have such positive representations of this issue ? Where do these representations come from ? As ESDP is an issue removed from daily-life, an unobtrusive issue, we assume that the opinions about it depend on what the media has to say. With this hypothesis in mind, we conducted a media analysis of European defense framing in French newspapers. Our results show that the dominant frame is what we have called a “transatlantic frame”, which is consistent with our analysis of the surveys data. Media discourse on ESDP is also very homogeneous from one newspaper to the other, and highly positive : it could easily be mistaken for a discourse of promotion. Finally, the way newspapers frame European defense appears to be specific to French media. In spite of the significant overlap in surveys and the media about ESDP, we cannot assume that people would necessarily accept and use the same frame as the media does : media influence is neither direct nor automatic. Conducting interviews, we compare individuals’ discourse and media discourse. People’s discourse on European defense is highly positive too, even though they distance themselves from the discussion in the press. However, we do not know if this distance is because they have constructed their own frames outside of media influence, or if it is a result of the interview situation
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Laroche, Loïc. "Le Monde et les États-Unis de 1944 à nos jours." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H023/document.

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Le journal «Le Monde est un témoin voire un acteur de la vie de la République et de ses relations avec ses partenaires étrangers, à commencer par le plus important et le plus influent d’entre eux : les États-Unis d’Amérique. Cette thèse analyse d’une part l’image de ce pays dans les articles du «Monde». Elle s’intéresse à la place consacrée aux États-Unis, à leur relation avec le reste du monde, à leur image économique et à leur niveau de développement, à la description de leur société et de leur peuple, à l’image de leur système démocratique et enfin à l’image de leur puissance. Cette thèse étudie d’autre part la relation entre les États-Unis et la rédaction du «Monde» au sens large, c’est-à-dire journalistes et direction, durant les soixante-dix années écoulées depuis sa création, au fil des administrations présidentielles américaines. Elle montre comment les directeurs successifs et les principaux rédacteurs concernés connaissent et apprécient ce pays, comment est réalisée la couverture de l’Amérique par le journal. Elle étudie les rapports entre la rédaction du «Monde» et les autorités américaines, comment celles-ci accueillent, informent, essaient d’influencer ouvertement ou non le journal et ses équipes. Au delà, elle montre comment la direction du «Monde» s’inspire des États-Unis et de leur presse. Elle étudie enfin la ligne éditoriale du journal sur les États-Unis. Trois grandes périodes se dessinent, la première correspond à la direction d’Hubert Beuve-Méry qui marque durablement le journal de son souci d’indépendance matérielle et éditoriale. Ses successeurs essaient de maintenir son héritage tandis que l’Amérique divise la rédaction. Après la chute du mur de Berlin, une nouvelle génération, moderne, transforme le regard du journal sur l’Amérique, alors que le numérique révolutionne les médias
The newspaper «Le Monde» gives testimony, and is almost an actor, of the French Republic and its relations to foreign partners, the most important and influential of which is the United States of America. On one hand we will look into the image given by this country throughout « Le Monde »’s articles. We will consider how the United States are being covered, the way they relate to the rest of the world, the way their economy is valued, their level of development, the description of their society and their people, the image given by their democracy and their power. On the other hand we will watch the acquaintances between the United States and « Le Monde »’s editorial staff in a broad way, that is journalists and directors, from its foundation along the seventy following years and the various US administrations, which will show how the successive directors of the newspaper and the main journalists have had a genuine knowledge and esteem for this country. We will also learn the way America is covered through the designing of the newspaper. We will see how the editorial staff and the american authorities intermate, the way the latter greet and convey informations in an attempt to influence, openly or not, «Le Monde»’s protagonists ans beyond this, how the directors of the newspaper are inspired by the United States and the american press. Last but not least, we will look into the editorial line «Le Monde» choses to refer to the United States. Three major periods will emerge, the first one of which corresponds to Hubert Beuve-Méry’s management with a longlasting concern ever since for financial and editorial independance. His successors will try to keep on with his heritage while America is dividing the editorial staff. After the fall of the Berlin wall the new generation will modify the vision « Le Monde » had of America whereas the digital technologies start revolutionizing the media
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Guerpin, Martin. "Adieu New York, bonjour Paris ! : les enjeux esthétiques et culturels des appropriations du jazz dans le monde musical savant français (1900-1930)." Thèse, Paris 4, 2015. http://hdl.handle.net/1866/15948.

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Thèse réalisée en cotutelle avec l'Université Paris-Sorbonne et l'Université de Montréal. Composition du jury : M. Laurent Cugny (Université Paris-Sorbonne) ; M. Michel Duchesneau (Université de Montréal) ; M. Philippe Gumplowicz (Université d'Evry-Val d'Essonne) ; Mme Barbara Kelly (Keele University - Royal Northern College of Music) ; M. François de Médicis (Université de Montréal) ; M. Christopher Moore (Université d'Ottawa)
Cette version de la thèse a été tronquée de certains éléments protégés par le droit d’auteur (exemples musicaux et iconographie). Par conséquent, ces éléments n'apparaissent pas dans le document.
Ce travail envisage les appropriations musicales et discursives du jazz dans le monde musical savant français. Fondé sur la méthode des transferts culturels, il propose une histoire croisée de la musique savante française, de la diffusion des répertoires de jazz en Europe et de leur perception. La réflexion s’appuie sur un corpus systématique des œuvres savantes influencées le jazz et des textes que lui consacrent compositeurs et critiques. La réflexion se fonde sur l’établissement d’un corpus systématique des œuvres savantes influencées le jazz et des textes que lui consacrent compositeurs et critiques. Une analyse informée par des données issues de l’esthétique et de l’histoire culturelle montre que ces œuvres contribuèrent à différentes entreprises de redéfinition d’une identité française de la musique. Les appropriations du jazz remettent également en cause une conception de la musique populaire propre au XIXe siècle. Elles valorisent des sujets auparavant considérés comme triviaux et proposent un son nouveau, tantôt associé au modernisme mécaniste des États-Unis, tantôt à l’énergie débridée attribuée au primitivisme nègre. Enfin, elles participent à la remise au goût du jour d’un classicisme protéiforme. Ces différents aspects font l’objet d’une périodisation et d’une thématisation. Si les premiers cake-walks des années 1900 sont mis au service d’un exotisme « nègre », les emprunts au jazz à la fin des années 1910 relèvent d’un geste avant-gardiste au service d’un projet nationaliste de rétablissement de l’identité française de la musique. À partir du milieu des années 1920, suite aux efforts fructueux de Jean Wiéner pour légitimer le jazz aux yeux du monde musical savant, un discours spécialisé émerge. De nouveaux compositeurs s’y intéressent, dans la perspective d’un classicisme désormais plus cosmopolite. Tout en faisant émerger différents paradigmes de l’appropriation du jazz (cocteauiste, stravinskien, ravélien, entre autres), ce travail vise à jeter un éclairage nouveau sur la production musicale savante dans la France de l’entre-deux-guerres et sur les rencontres entre différentes traditions musicales.
This thesis deals with the musical and discursive appropriations of jazz in the French musical world. Inspired the approach of cultural transfers and crosses the history of French art music in France and the history of its diffusion and perception in Europe. To do so, it draws upon a corpus of art music pieces influenced by jazz and of texts written by composers and critics. This corpus contributes to different redefinitions of an alleged French musical identity. What is more, appropriations of jazz renew a conception of popular music that goes back to the beginning of the 19th century. They also valorize topics previously considered as trivial, and they display a new kind of sound, evoking Anglo-saxon modernism or « negro » primitivism. The different aspects mentionned above are presented in a chronological and thematic fashion. In the 1900s, the first cake-walks contribute to a tradition of « negro » exoticsm. Ten years after, borrowing to jazz has become an avant-gardist gesture, and a response to nationalist motivations. Thanks to Jean Wiéner’s efforts in order to legitimize jazz, a new group of composers and critics take an interest in it. Jazz then becomes a means to assert a more cosmopolitan classicism. This thesis identifies different paradigms of the appropriation of jazz in France. More broadly, it sheds new light on musical creation in the French art music world between 1900-1930, and on musical encounters between different musical traditions.
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(9127250), Alexander C. Long. "Criminality and Capitalism in the Anglo-American Novel, 1830-1925." Thesis, 2020.

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This dissertation argues that the boundaries between capitalism and criminality have become increasingly blurred over the past two centuries, and it traces this development through the Victorian era into American modernity. Operating on the premise that popular literature reflects wide-spread concerns and anxieties of a common audience, each chapter focuses on one primary text as a cite for analysis through which we gain a window of insight into the popular perception of criminals and the role of criminality in developing capitalism. In an attempt to provide relevant context and establish a solid foundation on which to work, the dissertation begins with an introduction that outlines major developments in the British literary field, with a particular eye toward bourgeoning popular mediums, beginning in the eighteenth century and leading into the Victorian era. This foundational work establishes urban compression and rapid industrial development as major concerns for a Victorian audience and figures them as the backdrop on which the discourse of criminality will play itself out.

The first half of the dissertation focuses on the Victorian era, whereas the latter half analyzes works of American literature in the early-twentieth century. Chapter one looks to Oliver Twist as the preeminent example of Victorian criminality, with particular emphasis on middle-class complicity in reinforcing the social structures and environmental determinism that Dickens identified as major causes of Victorian crime. Chapter two progresses to the late-Victorian era and discusses Anthony Trollope’s The Way We Live Now. Doing so allows approaching Victorian criminality from the opposite vantage point, seeing the advent of white-collar crime and fraud as now more significant than the formerly dominant concern of petty crimes as seen in Oliver Twist. These early chapters mark a progression of criminality that gradually enmeshes itself in the habits of ambitious capitalists, which I argue is paramount to the construction of the discourse of criminality and capitalism. Rather than isolated incidents, I forward these texts as representative of thematic shifts in the literary field and public consciousness.

Such a progression is carried over into American modernism, which constitutes the focus of chapters three and four. In chapter three, systemic violence inherent in laissez-faire capitalism and cronyism become the focus of the discussion, as presented in Upton Sinclair’s The Jungle. This chapter presents Sinclair’s didacticism as a necessary and significant progression in popular social-critique literature, and it contends that the gradual shift away from the personalized narrative of Jurgis to the heightened awareness of his political awakening marks an important development that figures criminality as not only part of, but indeed integral to, capitalism and its smooth functioning. This is contrasted with chapter four which presents The Great Gatsby as a misinterpretation of the lessons presented in The Jungle and reverts back to individualism as a flawed solution to capitalism’s ills. Whereas The Jungle was critiqued based on socialist didacticism and so-called lack of artistry, The Great Gatsby experienced immense success for its artistry, despite the fact that it falls back into the trap of individualism, romanticizing the criminal and capitalistic success of its protagonist while ultimately slating him for sacrifice to reinforce the status quo.

These four chapters, I argue, constitute four major stages in progression of the discourse on criminality and capitalism, but leave many questions still unanswered, particularly as regards how society should appropriately and adequately engage the issues contained within these texts. An epilogue is included at the end of this project as an attempt to look forward to expansion of this research and continue to trace this progression up to present-day texts of popular culture. In doing so, my research will engage the development of the criminally-capitalist antihero in popular culture and argue that such figures are representative of the crisis of contemporary capitalism that sees no legitimate (nor illegitimate) ways of succeeding in capitalism.

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Bennett, Billie E. "The hero as woman of vocation Thomas Carlyle's transatlantic influence on nineteenth-century women writers /." 2007. http://purl.galileo.usg.edu/uga%5Fetd/bennett%5Fbillie%5Fe%5F200712%5Fphd.

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Books on the topic "Transatlantic influences"

1

1966-, Haar Roberta N., Wynn Neil A, and Maastricht Center for Transatlantic Studies, eds. Transatlantic conflict and consensus: Culture, history & politics. Cambridge [U.K.]: Cambridge Academic, 2009.

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The transatlantic Indian, 1776-1930. Princeton, N.J: Princeton University Press, 2008.

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Brenner, Francisco E. Iriarte. Orígenes y antigüedad del hombre americano. [Lima]: Universidad Nacional Federico Villarreal, 1988.

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Michael, Shea, ed. The rich tide: Men, women, ideas, and their transatlantic impact. London: Collins, 1986.

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Bruno, Schmidt. Eine ihrer Wurzeln weist nach Tyros: Rätselhafte Verbindungen zwischen Olmeken und Phöniziern. Paderborn: Snayder, 1997.

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1963-, Kohn Denise, Meer Sarah 1969-, and Todd Emily B. 1967-, eds. Transatlantic Stowe: Harriet Beecher Stowe and European culture. Iowa City: University of Iowa Press, 2006.

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Doreste, Tomás. El astronauta de palenque y otros enigmas mayas. México, D.F., Mexico: Editorial Planeta Mexicana, 1990.

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Cupello, Myriam. Incógnitas del Nuevo Mundo. Caracas: Departamento de Relaciones Públicas de Lagoven, 1990.

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Golden cables of sympathy: The transatlantic sources of nineteenth-century feminism. Lexington, Ky: University Press of Kentucy, 1999.

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Scherz, James P. Rock art pieces from Burrows' Cave in southern Illinois. Madison, WI: Ancient Earthworks Society, 1992.

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Book chapters on the topic "Transatlantic influences"

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Green, Roger K. "European Influences." In A Transatlantic Political Theology of Psychedelic Aesthetics, 65–114. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15318-2_3.

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Keating, Kester, and Gabriel Suprise. "Albion’s Global Reach: British Influences on US and EU Financial Regulation in the 1980s and the Era of the ‘Great Recession’." In Revisiting the UK and Ireland’s Transatlantic Economic Relationship with the United States in the 21st Century, 121–39. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-58550-9_6.

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Martin, Lisa L. "The Influence of National Parliaments on European Integration." In European and Transatlantic Studies, 65–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-57811-3_4.

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Wilkins, Christina. "Comparing Influence: Religion and Authority Across the Transatlantic." In Religion and Identity in the Post-9/11 Vampire, 21–82. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77149-6_2.

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Champroux, Nathalie. "British and American Monetary Policies Convergence: Structural Coincidence or Transatlantic Mutual Influence?" In Revisiting the UK and Ireland’s Transatlantic Economic Relationship with the United States in the 21st Century, 141–63. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-58550-9_7.

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Fitz, Karsten. "The visual aesthetics of privacy in American presidential politics and its transatlantic influence." In The Routledge Companion to Transnational American Studies, 232–53. London ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315163932-21.

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Sowels, Nicholas. "The Role of Finance in US–UK Relations Today and Its Global Influence." In Revisiting the UK and Ireland’s Transatlantic Economic Relationship with the United States in the 21st Century, 95–119. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-58550-9_5.

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Mahmutaj, Noela. "Russian Government Policy in the Western Balkans." In Securitization and Democracy in Eurasia, 125–35. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16659-4_8.

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AbstractThis article aims to explain the nature of Russian foreign policy towards the Western Balkan states, taking into account the role of other actors such as the European Union, an increasingly important player in this radically changed geopolitical context. Since the fall of the communist regime, the Western Balkans have faced major challenges and have been at the forefront of debates on critical issues such as transatlantic relations (with regard to NATO and EU enlargement, as well as EU defence policy and security). In recent times, the Balkan region has come under the influence of the Great Powers. Therefore, as a Great Power, Russia is building a foothold in the Balkans, a move criticized and not welcomed by other countries or actors. Furthermore, Moscow is unique in terms of its range of capabilities, including its “hard” and “soft power.” This article aims to understand and analyse Russia’s policy and strategy in the Western Balkans.
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Jones, Tudor. "Transatlantic Influences." In Bob Dylan and the British Sixties, 23–39. Routledge, 2018. http://dx.doi.org/10.4324/9780429435607-3.

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Rezek, Joseph. "Transatlantic Influences and Futures." In Irish Literature in Transition, 1780–1830, 381–401. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108632218.022.

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