Relevant bibliographies by topics / Transcribed oral traditions

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Transcribed oral traditions'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Transcribed oral traditions"

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Wright, Donald R. "Requiem for the Use of Oral Tradition to Reconstruct the Precolonial History of the Lower Gambia." History in Africa 18 (1991): 399–408. http://dx.doi.org/10.2307/3172074.

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For the simple truth is that much oral tradition is mutually contradictory, biased, garbled, nonsensical, and essentially codswallop.In 1974—the same year I ventured into the field to begin collecting oral data for my doctoral thesis, a precolonial history of a Mandinka state at the mouth of the Gambia River—Robert W. Fogel and Stanley L. Engerman published their now much maligned work on African American slavery, Time on the Cross. With publication of the book, Fogel and Engerman did something few historians had done before or have done since: they made public their evidence—all of it, data a
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2

Modouw, Wigati Yektiningtyas. "Fungsi Ehabla Pada Masyarakat Sentani, Papua." ATAVISME 10, no. 1 (2007): 1–20. http://dx.doi.org/10.24257/atavisme.v10i1.228.1-20.

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Ehabla is one of oral poetry in Sentani, Papua that is almost extinct. It is sung spontaneously, without background of notes and memorization. The singer prepares plot and theme that will be elaborated in the performance, Ehabla can be transcribed into 4 lines that is dominated by repetition and parallelism. The first line is repeated in the third line, the second line is repeated in the fourth line. Essentially, the third and the fourth lines are the repetition of the first and the second lines. The repetition is enriched by synonym and reduplication. Ehabla that expresses the socio-cultural
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3

Norris, H. T., Moustapha Kane, and David Robinson. "The Islamic Regime of Fuuta Tooro, an Anthology of Oral Tradition Transcribed in Pulaar and Translated into English." Journal of Religion in Africa 18, no. 3 (1988): 284. http://dx.doi.org/10.2307/1580951.

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Levtzion, Nehemia, Moustapha Kane, and David Robinson. "The Islamic Regime of Fuuta Tooro: An Anthology of Oral Tradition Transcribed in Puular and Translated into English." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 2 (1987): 291. http://dx.doi.org/10.2307/484395.

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5

FISHER, HUMPHREY J. "The Islamic Regime of Fuuta Tooro: an anthology of oral tradition transcribed in Pulaar and translated into English." African Affairs 85, no. 338 (1986): 138–39. http://dx.doi.org/10.1093/oxfordjournals.afraf.a097757.

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6

Zahoor Hussain, Iram Rubab, and Muhammad Ajmal. "A Structural Analysis of the Pakistani Fairy Tale the Moon King and Rose Princess." sjesr 3, no. 4 (2020): 168–73. http://dx.doi.org/10.36902/sjesr-vol3-iss4-2020(168-173).

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The purpose of this study was to have a structural analysis of fairy tales of Pakistan. Being a part of an old civilization, Pakistan has also the rich and centuries-old oral tradition of storytelling. The fairy tale The Moon King and Rose Princess of the same Pakistani traditional background was recorded and transcribed and analyzed using Propp's structural model. The analysis showed that all the 31 functions were present and these functions occurred in the plot in the same sequential arrangement as was given by Propp. The study had a conclusion that there are the same functions and their occ
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7

Deliana, Deliana, and Masdiana Lubis. "LOCAL WISDOM OF BADONCEK AS ORAL TRADITION IN PARIAMAN WEDDING CEREMONY." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 3, no. 1 (2019): 33–40. http://dx.doi.org/10.30743/ll.v3i1.942.

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This paper is concerned with an oral tradition called Badoncek program which is usually performed at night after the invited guests of a wedding party have gone home. In this study, 20 informants of Pariaman community were interviewed in two different locations, that is at Pasar Sukaramai, Medan and Naras Hilir village in Pariaman district. These interviews generated a total of 6 forms of local wisdom in badoncek ceremony and 5 forms of its weaknesses which were then recorded, transcribed, and documented. This research used in-depth interview and focussed on group discussion. The focus of disc
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8

Caesar, Thounaojam, and Reena Sanasam. "The Oral Folk Literature of the Ancient Meiteis of Manipur: An Analysis of its Cultural Significance." Space and Culture, India 6, no. 1 (2018): 29–37. http://dx.doi.org/10.20896/saci.v6i1.307.

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Oral narratives are the earliest forms of storytelling as they exist in every culture as a part of religious rituals, folk music and songs. They include ritual texts, curative chants, epic poems, musical genres, folk tales, creation stories, songs, myths, spells, legends, proverbs, riddles, tongue twisters, word games, recitations and other narratives not recorded in writing. With the invention of writing, the ancient forms of oral narratives have undergone a lot of changes and have become valuable works of literature. However, the charm of oral narratives often told by improvisation and even
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9

Edwards, Warwick. "Phrasing in medieval song: perspectives from traditional music." Plainsong and Medieval Music 5, no. 1 (1996): 1–22. http://dx.doi.org/10.1017/s0961137100001042.

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During the course of a series of articles relating medieval Italian songs to oral and unwritten traditions, Nino Pirrotta comments on a peculiar anonymous two-voice setting from the fourteenth century whose verses seem to have been broken and shattered by the music. Word repetition ‘does not result in a more effective or more understandable rendition of the text; on the contrary, it so fragments and stutters it that any meaning is lost, except as a pretext for the melody which submerges it’. The song in question, Dolce lo mio drudo, is part of a group of unica with Calabrian associations found
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10

Perković, Ivana. "The written-oral paradigm in the transcriptions of church music by Stevan Stojanović Mokranjac." New Sound, no. 44-2 (2014): 133–42. http://dx.doi.org/10.5937/newso1444133p.

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The question of the relation between the written and oral media of communication finds its application not only in linguistics, but also in philosophy, sociology, ethnology and other areas. Other possibilities for applying this theory in musicology were noted some fifty years ago, but when it comes to church music, such issues have not yet been subject to wider examination. This text considers the musicological implications of orality, literacy and "secondary literacy" in the collection of Serbian church chant transcribed and published by Stevan Stojanović Mokranjac. Psychodynamic elements of
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Dissertations / Theses on the topic "Transcribed oral traditions"

1

Faure, Éric. "De Kyôto à Dazaifu : sur les traces de Sugawara no Michizane." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF020.

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Sugawara no Michizane était un lettré du 9e siècle qui fut élevé au rang de kami et qui inspira un culte qui demeure encore extrêmement vivace de nos jours. Le personnage historique et sa forme divinisée inspirèrent quantité d’histoires qui furent, entre autres raisons, créées pour justifier l’édification de sanctuaires voués à son culte, expliquer l’origine d’un fait religieux local ou d’un toponyme. Dans ce travail, nous nous proposons d'étudier les récits fictifs qui mettent en scène le personnage historique de Sugawara no Michizane et d’aborder le sujet sous trois angles différents. La pre
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2

Faure, Eric. "De Kyôto à Dazaifu : sur les traces de Sugawara no Michizane." Thesis, 2018. http://www.theses.fr/2018USPCF020.

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Abstract:
Sugawara no Michizane était un lettré du 9e siècle qui fut élevé au rang de kami et qui inspira un culte qui demeure encore extrêmement vivace de nos jours. Le personnage historique et sa forme divinisée inspirèrent quantité d’histoires qui furent, entre autres raisons, créées pour justifier l’édification de sanctuaires voués à son culte, expliquer l’origine d’un fait religieux local ou d’un toponyme. Dans ce travail, nous nous proposons d'étudier les récits fictifs qui mettent en scène le personnage historique de Sugawara no Michizane et d’aborder le sujet sous trois angles différents. La pre
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Books on the topic "Transcribed oral traditions"

1

Namakaokeahi, Benjamin K. The history of Kanalu =: Mo'oku'auhau 'elua : a genealogical history of the priesthood of Kanalu transcribed. First Peoples Productions, 2004.

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Book chapters on the topic "Transcribed oral traditions"

1

"Evidence from Transcribed Oral Texts." In Oral Tradition and Synoptic Verbal Agreement. The Lutterworth Press, 2017. http://dx.doi.org/10.2307/j.ctvj4sw89.9.

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