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Dissertations / Theses on the topic 'Transe – Au cinéma'

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1

Davila, Andrés. "Les formes de la transe dans le cinéma expérimental ethnographique contemporain." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030026.

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Cette recherche se concentre sur le travail de cinéastes contemporains dont la pratique artistique reprend l'un des thèmes centraux du cinéma ethnographique : le phénomène de la transe. Des artistes tels que Marc et Éric Hurtado (Jajouka, quelque chose de bon vient vers toi, 2012), Tiane Doan na Champassak et Jean Dubrel (Natpwe, le festin des esprits, 2013), Vincent Moon (Collection Petites Planètes), Soundwalk Collective et Patti Smith (Illuminations, 2018) ou Susana de Sousa Dias (Fordlandia Malaise, 2019), explorent de nouvelles voies de recherche ethnographique à travers le cinéma expérim
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2

Nova, Cristiane Carvalho da. "L'histoire en transe : le temps et l'histoire dans l'oeuvre de Glauber Rocha." Paris 3, 2003. http://www.theses.fr/2003PA030121.

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3

Figueirôa, Ferreira Alexandre. "La Vague du Cinema Novo en France fut-elle une invention de la critique ?" Paris 3, 1999. http://www.theses.fr/1999PA030034.

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Dans les annees 60 le cinema novo bresilien a occupe en france une place particuliere parmi les nouveaux cinemas. Cela fut rendu possible par la promotion de ce mouvement accomplie par certains critiques des revues cinematographiques specialisees. Les revues rendirent possible l'attribution d'une valeur culturelle aux oeuvres du cinema novo, permettant ainsi sa reconnaissance en tant qu'invention d'une conception originale du cinema. Les interpretations du cinema novo ont ete reperees a travers les textes parus dans les revues. L'orientation du travail est surtout historique et socioculturelle
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4

Steel, Roderick Peter. "Entre o corpo ritual e o corpo digital: mediações da imagem sagrada no candomblé." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-26112015-125349/.

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Esta dissertação se limita a registros de experiências e relatos documentais para evidenciar como as novas tecnologias alteram a prática religiosa, e refletir sobre a ressignificação de imagens sagradas do candomblé quando transitam entre meios audiovisuais e seus processos. A pesquisa objetiva seguir por trajetórias de registros do corpo humano em transe por diferentes dispositivos em diversos meios eletrônicos, para reuni-los em uma exposição de fotografias, vídeo e documentário expandido em múltiplas telas e diversos espaços dentro de uma série de instalações. O estudo amplia fronteiras ent
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5

Nakagawa, Iki. "Cinem-a-crobatic : trans-active cinema production in search of urban schizophrenia." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/69371.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.<br>Includes bibliographical references (p. 42-45).<br>On December 15, 1996, from 1:30 to 4:30, cinem-a-crobatic was formally presented at Columbus Park, New York City. The park is located at the intersection of China town and the Federal Court district. cinem-a-crobatic attempts to amplify the complex and shifting relationship between the urban landscape and the experience of its inhabitants, through the introduction of a new form of urban cinema production. Unlike most conventional cinematic productions, ci
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6

Ferreira, Bruna Machado. "Invenção em trânsito/transe." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/107402.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.<br>Made available in DSpace on 2013-12-06T00:01:39Z (GMT). No. of bitstreams: 1 320028.pdf: 954143 bytes, checksum: 1200835bc9033604c7f1adaf80f9e3cb (MD5) Previous issue date: 2013<br>Terra em Transe, Tropicália. É já conhecida a relação criadora, propulsora entre o filme e a canção. Em retrospectivas tropicalistas, é oficial esta associação: o longa-metragem de Glauber Rocha ? a música que desencadeou o tropicalismo ? a instalação
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Silva, Caio Ramos da. "Corpos (trans)formados no cinema." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/178447.

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A presente pesquisa busca empreender um mapeamento de produções cinematográficas, nacionais e internacionais, que abordam a transgeneridade. A partir desse procedimento, observamos as regularidades que emergiram desse conjunto de produções. Objetivamos traçar um percurso que inscreve esse esforço num plano micropolítico, uma vez que interroga criticamente as práticas comunicacionais e discursivas do cinema hegemônico. Para tanto, exploramos aproximações e tensionamentos provocados pelos estudos queer considerando, aqui, que é esse conjunto de noções que melhor dá conta de pensar a condição tra
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8

Miras, José-Louis de. "Entre cinéma et jeu vidéo : la fiction actable : sur les traces d'une forme filmique interactive en devenir." Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30030.

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Cinéma interactif, film jouable, actable : toutes ces désignations sont le reflet de tentatives visant à définir un cinéma où le spectateur aurait la possibilité d’intervenir sur le déroulement de l’histoire à partir d’alternatives proposées. Un cinéma où le spectateur serait capable de corriger et de modifier le déroulement du récit en fonction de ses choix et des conséquences de ses choix. Depuis son officialisation en 1967, le cinéma interactif n’a cessé de se chercher une forme stable, en épousant respectivement celle du cinéma, celle d’Internet et enfin celle du jeu vidéo où ce dernier se
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9

El-Horr, Dima. "Le cinéma libanais après la guerre civile. Un cinéma mélancolique et urbain (de 1990 à nos jours)." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0029.

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Depuis la fin de la guerre civile libanaise en 1991, le cinéma libanais décline le mal existentiel et le sentiment de mélancolie d’une génération dont les personnages étrangers au monde comme à eux mêmes, sans repères, font face à la répétition des violences, la séparation, le deuil, ou l’exil, trainent leur mal-être dans une ville en éternel chantier et où les morts tels des fantômes réapparaissent d’entre les ruines. Entre un monde qui s’effondre et un passé qui s’efface, la mélancolie habite ces films dont les récits fragmentés et éclatés ne s’achèvent jamais. Avec Ghassan Salhab, Michel Ka
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Dias, Filho Cláudio Aurélio Leal. "Iracema na Transa Amazônica." Universidade Federal de Mato Grosso, 2013. http://ri.ufmt.br/handle/1/580.

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Submitted by Valquíria Barbieri (kikibarbi@hotmail.com) on 2018-02-01T21:09:08Z No. of bitstreams: 1 DISS_2013_Claudio Aurelio Leal Dias Filho.pdf: 1109774 bytes, checksum: 363e1ecc5724ba085859933e6e0fbc15 (MD5)<br>Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2018-02-02T14:20:23Z (GMT) No. of bitstreams: 1 DISS_2013_Claudio Aurelio Leal Dias Filho.pdf: 1109774 bytes, checksum: 363e1ecc5724ba085859933e6e0fbc15 (MD5)<br>Made available in DSpace on 2018-02-02T14:20:23Z (GMT). No. of bitstreams: 1 DISS_2013_Claudio Aurelio Leal Dias Filho.pdf: 1109774 bytes, checksum: 363
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Castelo, Sander Cruz. "A Ãtica RevolucionÃria: Utopia e DesgraÃa em Terra em Transe (1967)." Universidade Federal do CearÃ, 2010. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=4579.

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FundaÃÃo de Amparo à Pesquisa do Estado do CearÃ<br>CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>Os cinemanovistas produziram narrativas audiovisuais sobre a teoria e a aÃÃo revolucionÃria, em concomitÃncia com as narrativas escritas no seio da militÃncia e da intelectualidade, consagrando-se, assim, como alguns dos principais formuladores da ideologia da revoluÃÃo brasileira. Com base nessa premissa, analisa-se como o filme "Terra em transe" (1967) problematiza o ideÃrio revolucionÃrio hegemÃnico em trÃs contextos distintos, separados pelo golpe civil-militar de 1964 e o AI-
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12

Motts, J. "Listening Beyond the Image: Toward a Trans-Sensory Cinema." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1501099367573869.

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Ramalho, Nayla Mendes. "A precariedade necessária na escrita de Terra em Transe : os três roteiros de Glauber Rocha." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/32171.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2018.<br>Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2018-06-26T16:41:26Z No. of bitstreams: 1 2018_NaylaMendesRamalho.pdf: 865506 bytes, checksum: 1b7a058f1e21c03872b6c0046a9ab28e (MD5)<br>Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2018-06-29T16:44:50Z (GMT) No. of bitstreams: 1 2018_NaylaMendesRamalho.pdf: 865506 bytes, checksum: 1b7a058f1e21c03872b6c0046a9ab28e (MD5)<br>Made available in DSpa
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Kerr, Junior Donald Hugh de Barros. "Cartografias da (Trans)Formação Docente: Uma Experiência Estética com o Cinema." Universidade do Vale do Rio dos Sinos, 2012. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4416.

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Submitted by William Justo Figueiro (williamjf) on 2015-07-10T23:27:23Z No. of bitstreams: 1 48b.pdf: 1371280 bytes, checksum: 808ab4396319944ceca20854a701d824 (MD5)<br>Made available in DSpace on 2015-07-10T23:27:23Z (GMT). No. of bitstreams: 1 48b.pdf: 1371280 bytes, checksum: 808ab4396319944ceca20854a701d824 (MD5) Previous issue date: 2012-12-21<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A presente tese resulta de uma captação de forças que procura esboçar, pelo uso que faz da cartografia, um mapa de possibilidades para um possível ato de (trans)formação
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CASTELO, Sander Cruz. "A ética revolucionária: utopia e desgraça em "Terra em transe" (1967)." reponame:Repositório Institucional da UFC, 2010. http://www.repositorio.ufc.br/handle/riufc/958.

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CASTELO, Sander Cruz. A ética revolucionária: utopia e desgraça em Terra em transe (1967). 2010. 345f. Tese (Doutorado em Sociologia) – Universidade Federal do Ceará, Departamento de Ciências Sociais, Programa de Pós-Graduação em Sociologia, Fortaleza-CE, 2010.<br>Submitted by Maria Josineide Góis (josineide@ufc.br) on 2011-10-27T16:41:54Z No. of bitstreams: 1 2010_Tese_SCCastelo.pdf: 2845277 bytes, checksum: 318175370864555b6ea03ec9171e6628 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2011-10-27T16:42:17Z (GMT) No. of bitstreams: 1 2010_Tese_SCCastelo.
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Barton, Joseph Frank. "Rupture and recuperation : technological traces in digital narrative cinema." Thesis, University of Newcastle upon Tyne, 2015. http://hdl.handle.net/10443/3058.

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In this thesis I analyse visual traces of digital technologies in narrative cinema as a way of exploring broader questions about the medium and the cultural status of its technological constituents. In so doing, I not only identify a number of areas of filmmaking that are currently under-researched or overlooked, but move the focus away from the questions of what digitisation means for cinema’s ‘identity’, and towards a consideration of how the implications of digitisation are at once exaggerated in rhetoric and tempered in practice by aesthetic, ideological, and economic factors. To do this,
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Bueno, Frederico Mael Silva Marques. "AYRÁBEJI DE XANGÔ O Cine-transe e sua rubrica etnográfica." Pontifícia Universidade Católica de Goiás, 2011. http://localhost:8080/tede/handle/tede/3320.

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Made available in DSpace on 2016-08-10T11:21:33Z (GMT). No. of bitstreams: 1 FREDERICO MAEL SILVA MARQUES BUENO.pdf: 39108789 bytes, checksum: 4fdc632f18a79ce9db6f6aaeb34f24af (MD5) Previous issue date: 2011-02-14<br>Este trabajo pretende abordar la cuestión de las imágenes audiovisuales del culto a Shangó en vista del cine documental. Al considerar la imagen como la contabilidad en el ámbito de la historia científica, utilizado como soporte teórico, la sede del cine etnográfico y cine vérité que dio lugar a la Cine-Trance.Basado en el estudio científico de sincretismo religioso en Brasil, q
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Rivero-Navarro, Sergio. "Epifanía, trance, arrebato y otras iluminaciones: manifestaciones extáticas en la cultura Ibero-Americana contemporánea." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467239.

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What do Salvador Dalí, Federico García Lorca, Val del Omar, Alejandro Jodorowski, Néstor Perlongher, Clarice Lispector, and Octavio Paz have in common? To the naked eye, they seem to feature more differences than similarities: besides the fact that all of them are Ibero-American artists, filmmakers and writers, their birthplaces, origins, generations, styles, and artistic disciplines are quite dissimilar. But there is at least one thing they share: their output was a perfect vehicle to reflect how they were all enthralled by ecstasy, epiphany, illumination, rapture, grace. In Psychology, thes
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Pina, Guadalupe Raquel Mrs. "Staging the Subject. Traces of globalization in Contemporary Argentine Cinema." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276812685.

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Di, Foggia Giacomo <1985&gt. "Tracce di cinefilia su Facebook." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6308/1/tesi_tutta_%21%21%21%21%21%21%21%21%21%21_STAMPA.pdf.

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La mia tesi approfondisce le dinamiche della cinefilia su Facebook: quali relazioni s'instaurano tra lo spettatore cinefilo, e dunque il suo particolare sguardo, e la moltitudine di frammenti di cinema dispersi nella rete; come si sono modificati i rapporti, gli atteggiamenti, i processi di negoziazione, le abitudini e soprattutto i discorsi dei cinefili al cospetto di tracce di cinema sui social network e in particolare su Facebook. Inoltreprovo a dimostrare che la cinefilia è un'esperienza costitutivamente autobiografica, cui il web permette il perpetuare potenzialmente infinito della (auto)
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Di, Foggia Giacomo <1985&gt. "Tracce di cinefilia su Facebook." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6308/.

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La mia tesi approfondisce le dinamiche della cinefilia su Facebook: quali relazioni s'instaurano tra lo spettatore cinefilo, e dunque il suo particolare sguardo, e la moltitudine di frammenti di cinema dispersi nella rete; come si sono modificati i rapporti, gli atteggiamenti, i processi di negoziazione, le abitudini e soprattutto i discorsi dei cinefili al cospetto di tracce di cinema sui social network e in particolare su Facebook. Inoltreprovo a dimostrare che la cinefilia è un'esperienza costitutivamente autobiografica, cui il web permette il perpetuare potenzialmente infinito della (auto)
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22

Santos, Messias Tadeu Capistrano dos. "O cinema em transe: a percepção cinematográfica à luz das metáforas do autômato e dos fenômenos da dissociação." Universidade do Estado do Rio de Janeiro, 2007. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=442.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>Os poderes hipnóticos e sensoriais do cinema foram encenados em vários filmes e teorizados, de diferentes modos, por diversos pensadores e cineastas. Desde seu início, o cinema tem sido assombrado por vampiros, fantasmas, duplos, sonâmbulos, loucos e alucinados que metaforizam a experiência espectatorial e suas metamorfoses. A partir deste tema, o trabalho consiste em discutir as relações entre cinema e percepção através de uma analise das metáforas do espectador como autômato e da experiência cinematográfica como fenômeno dissoc
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Voltzenlogel, Thomas. "Cinémas profanes : une constellation (Danièle Huillet, Jean-Marie Straub, Harun Farocki, Pedro Costa et quelques autres...)." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRACO21.

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Ce travail de recherche tente de redéfinir l’émancipation intellectuelle et sensible que permettent certaines expériences cinématographiques. « Le spectateur, pour l’auteur, n’est autre qu’un autre auteur » écrivait Pasolini. Danièle Huillet et Jean-Marie Straub, Harun Farocki et Pedro Costa (mais également Jean-Claude Rousseau,James Benning, Robert Kramer, ou parmi les jeunes cinéastes, Wang Bing, Albert Serra et Lisandro Alonso) inventent des dispositifs cinématographiques qui profanent le cinéma. En déconstruisant le langage cinématographique, en mettant au jour leur« armature artistique »,
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Andrade, Ana Carolina Negrão Berlini de. "Trans-formações (a) temporais em Il Decameron : de Pasolini a Boccacio /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/99091.

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Orientador: Maria Celeste Tommasello Ramos<br>Banca: Álvaro Luiz Hattnher<br>Banca: Maria de Lourdes Baldam<br>Resumo: O presente trabalho faz uma análise do diálogo intersemiótico estabelecido entre a obra literária Il Decameron (1348-1353), de Giovanni Boccaccio (1313-1375), e o filme homônimo, de Pier Paolo Pasolini (1922-1975), tendo como principal objetivo elucidar a transcriação artística operada por Pasolini, sobretudo no que diz respeito às construções metalingüísticas presentes no texto literário, que são cinematograficamente retomadas pelo cineasta. No texto sincrético, a metalinguag
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Gottwald, Junior Luis Alberto. "A DESCONSTRUÇÃO DO MITO DA TRANSAMAZÔNICA A PARTIR DA ÓTICA CINEMATOGRÁFICA: TRADIÇOES INTELECTUAIS E REPRESENTAÇOES DE JORGE BODANZKY E ORLANDO SENNA, NO FILME IRACEMA: UMA TRANSA AMAZÔNICA." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2016. http://tede2.uepg.br/jspui/handle/prefix/379.

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Made available in DSpace on 2017-07-21T14:49:45Z (GMT). No. of bitstreams: 1 Luis Alberto G Junior.pdf: 2140220 bytes, checksum: e145b6570ac187db3f86959b066db854 (MD5) Previous issue date: 2016-08-31<br>This work arose from the need to think about the ways in which national cinema seeks to deconstruct a particular worldview. From this, the objective of this study was to analyze the deconstruction of the myth of a Transamazônica the progress of a military government, from the intellectual traditions and representations of Jorge Bodanzky and Orlando Senna, in Iracema: uma transa amazônica. We
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Dumont, Catherine. "Du masculin au féminin: identités trans et intersexuelle dans quatre œuvres littéraires et cinématographiques contemporaines (Canada, 1987- 2012)." Mémoire, Université de Sherbrooke, 2015. http://hdl.handle.net/11143/7555.

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La pensée hétéronormative n’admet que deux sexes, mâle et femelle, auxquels correspondent deux genres, masculin et féminin. Sur l’horizon contemporain qui est le nôtre, certains individus refusent toutefois ces fatalités et décident de changer de sexe et/ou de genre, ou alors de le choisir (dans le cas des personnes intersexuées). Ce mémoire se penche sur les représentations de ces identités dites problématiques dans quelques œuvres littéraires et filmiques contemporaines. Parmi les œuvres illustrant des personnages transitant d’un sexe et/ou d’un genre à l’autre, force est de constater que le
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Panelli, Martina. "La réécriture comme autoportrait : médias, corps et archives dans le cinéma d'avant-garde féminin." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080086/document.

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Ce travail se pose pour objectif de démontrer la coïncidence de deux phénomènes, l'écriture subjective et le found footage film, tout en articulant des approches différentes autour des problèmes de l'autoportrait et de l'écriture subjective au cinéma, de la représentation de l'identité de genre, de l'histoire et de la critique du film d'avant-garde. Le rapprochement des notions de réécriture filmique (Marie-Claire Ropars) et d'entre-images (Raymond Bellour) conduit d'abord à la problématisation d'une question centrale concernant la pratique de l'autoportrait : le rapport de ressemblance entre
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Qin, Liyan. "Trans-media strategies of appropriation, narrativization, and visualization adaptations of literature in a century of Chinese cinema /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3258676.

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Thesis (Ph. D.)--University of California, San Diego, 2007.<br>Title from first page of PDF file (viewed Jun 4, 2007). Available via ProQuest Digital Dissertations. Vita. Filmography : p. 264-270. Includes bibliographical references (p. 271-284).
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Ezechielli, Elena <1982&gt. "Ubaldo Maria Del Colle: tracce, carte, documenti di un regista del cinema muto italiano." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3956/1/EZECHIELLI_TESI.pdf.

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Ezechielli, Elena <1982&gt. "Ubaldo Maria Del Colle: tracce, carte, documenti di un regista del cinema muto italiano." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3956/.

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Berto, Júnior Hedilberto Pessoa. "Performances melodramáticas QUEER: as personagens trans nos filmes de Pedro Almodóvar." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9793.

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Submitted by Leonardo Cavalcante (leo.ocavalcante@gmail.com) on 2018-04-10T17:47:48Z No. of bitstreams: 1 Aquivototal.pdf: 2468381 bytes, checksum: 8f96e778981206f36a1cb075bf76e1d8 (MD5)<br>Made available in DSpace on 2018-04-10T17:47:49Z (GMT). No. of bitstreams: 1 Aquivototal.pdf: 2468381 bytes, checksum: 8f96e778981206f36a1cb075bf76e1d8 (MD5) Previous issue date: 2016-08-19<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Based on gender studies, media representation and Queer Theory, this research discusses the construction of identities, bodies and sexualiti
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Straube, Wibke. "Trans Cinema and Its Exit Scapes : A Transfeminist Reading of Utopian Sensibility and Gender Dissidence in Contemporary Film." Doctoral thesis, Linköpings universitet, Tema Genus, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-110049.

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Trans Cinema and its Exit Scapes offers a critical and creative intervention into cultural representations of gendered body dissidence in contemporary film. The study argues for the possibility of finding spaces of “disidentification”, so-called “exit scapes” within the films. Exit scapes disrupt the dominant cinematic regime set up for the trans character, which ties them into stories of discrimination, humiliation and violence. In Trans Cinema, for instance films such as Hedwig and the Angry Inch (2001), Transamerica (2005), Romeos (2011) and Laurence Anyways (2012), scenes of singing, danci
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Andrade, Ana Carolina Negrão Berlini de [UNESP]. "Trans-formações (a) temporais em Il Decameron: de Pasolini a Boccacio." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99091.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-11Bitstream added on 2014-06-13T18:39:52Z : No. of bitstreams: 1 andrade_acnb_me_sjrp_parcial.pdf: 95719 bytes, checksum: 3df7d500d44864c24a4be68472305a13 (MD5) Bitstreams deleted on 2015-06-03T11:42:38Z: andrade_acnb_me_sjrp_parcial.pdf,. Added 1 bitstream(s) on 2015-06-03T11:44:05Z : No. of bitstreams: 1 000624271_20150811.pdf: 85704 bytes, checksum: df4eabdb828bcf26916aef6b650ceaea (MD5) Bitstreams deleted on 2015-08-13T15:38:50Z: 000624271_20150811.pdf,. Added 1 bitstream(s) on 201
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Takeuchi, Teresa Midori 1961. "Do texto literário às imagens : retalhos simbólicos do figurino no cinema brasileiro /." São Paulo, 2016. http://hdl.handle.net/11449/139511.

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Orientador: José Leonardo do Nascimento<br>Banca: Milton Sogabe<br>Banca: Omar Khouri<br>Banca: João Eduardo Hidalgo<br>Banca: Paulo Roberto Monteiro de Araújo<br>Resumo: A análise do figurino no cinema brasileiro parte da construção do personagem no imaginário da figura do sertanejo na visualidade discursiva da obra cinematográfica a qual foi derivada da matriz literária. Tal análise tem a intenção de investigar até que ponto o figurino reconstrói o personagem no cinema, uma vez que o traje que veste (ou desnuda) o personagem literário e o cinematográfico faz parte dos signos simbólicos no si
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Buarque, Marco Dreer. "Entre grãos e pixels, os dilemas éticos na restauração de filmes: o caso de Terra em Transe." reponame:Repositório Institucional do FGV, 2011. http://hdl.handle.net/10438/8466.

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BIANCHI, MATTEO. "Le tracce di un passato ancestrale: mito e storia in Pier Paolo Pasolini." Doctoral thesis, Università degli studi di Bergamo, 2017. http://hdl.handle.net/10446/77279.

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In a context of comparative theory this essay focuses on the myth of childhood in Pier Paolo Pasolini’s work. By analyzing his Friulan period in some of his films and several dreams, it can be noticed how some recurrent symbols of his work, realize that desire of retrogradation backward to barbarism, represented by his mother through a psychoanalytical perspective. The aim of the present dissertation is to present how Friuli is a constant presence in all Pasolini’s activity. For this persistence the poet shows a great interest in the past and in the otherness, embodied by the boys of Casarsa,
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ANDRADE, Agnaldo Machado de. "Biometria e locomo??o de equinos da ra?a Brasileiro de Hipismo." Universidade Federal Rural do Rio de Janeiro, 2014. https://tede.ufrrj.br/jspui/handle/jspui/2121.

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Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-10-24T17:20:42Z No. of bitstreams: 1 2014 - Agnaldo Machado de Andrade.pdf: 1647540 bytes, checksum: 99ee190f180231a22389dc30a31fa5eb (MD5)<br>Made available in DSpace on 2017-10-24T17:21:40Z (GMT). No. of bitstreams: 1 2014 - Agnaldo Machado de Andrade.pdf: 1647540 bytes, checksum: 99ee190f180231a22389dc30a31fa5eb (MD5) Previous issue date: 2014-09-05<br>CAPES<br>The aim of this study was to analyze horses? morphological traits and kinematics of pace, trot and gallop movements, as well as, upward and downward transitions on a high
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Thorslund, Linnéa, and Sofia Bergman. "”Ibland känns det som om att det finns en dragkedja i mig” : En undersökning av porträtteringen av transmän i filmernaPojkarna och Boys Don’t Cry." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27087.

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Denna uppsats behandlar porträtteringen av transmän i filmerna Pojkarna (2015) och Boys Don’t Cry (1999). Syftet är att undersöka hur karaktärernas könsidentiteter är porträtterade och även att kunna bidra med kunskap till filmskapare om hur man kan utveckla porträtteringar av transmän i film. Analysen skrivs ur ett queerteoretiskt och normkritiskt perspektiv och genomförs med hjälp av Jens Eders analysmetod Karaktärsklockan. Maskulinitetsteori används för att undersöka karaktärernas maskulina uttryckssätt. Resultatet av denna undersökning visar att karaktärerna är nyanserade men att filmskap
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Messer, Jonathan W. A. "Female to male gender transition in Perth and WA: an exploration through documentary film production." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2230.

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Using practice-led research methodologies, ten transgender men, who were at various stages of transition from female to male, were included in this study. The central research output is a feature-length documentary film called It's Not Just Me. The film project seeks to share the extraordinary and the mundane with specific focus on four individuals who were undertaking testosterone treatment. The aim of this research was to contribute to a wider understanding of the intricacies of gender transition for the individual, and their relationship to their surroundings and to document their agency in
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Araújo, de Siqueira Matheus. "Listening to Vincent Moon: musical encounters and the cinematic diagram." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/665066.

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This thesis confronts how, in Vincent Moon’s films, experience takes the spotlight in detriment of signification. I formulate that the director, rather than worrying about imbuing his films with an inherited sense, is instead searching that his work may express something unique each time it is encountered. To achieve this, his artistic practice is submitted through a set of procedures that are more in line with the field of sound than that of cinema. By transposing values that are deeply rooted into sound philosophy to film (particularly Listening by Jean-Luc Nancy), Moon’s work criticizes the
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YU, Chun-Hung, and 尤俊弘. "Aesthetics of Trance in Contemporary Asian Cinema." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/k6ha3g.

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碩士<br>國立臺南藝術大學<br>動畫藝術與影像美學研究所<br>106<br>Over the past ten years, the concept of "ambiguity" in the cinema has interested cinema studies significantly. In the 1970s, we found a struggling seesaw power: on the one hand, an anti-illusionism which demanded the "reflexivity" (la réfléxivité) existed in the cinema theories; on the other hand, cinema theorists hesitated a little as they destructed the cinema purely. The unsatisfaction with the (cinematic) semiotics (and psychoanalysis) had brewed when some important theorists or thinkers in the 1980s articulated newer ideas. Therefore, in the 1990s,
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Branco, Sara Marlene Serra de Almeida Castelo. "O cinema português e trans-temporalidade - a memória e o mito." Master's thesis, 2014. https://repositorio-aberto.up.pt/handle/10216/82551.

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Branco, Sara Marlene Serra de Almeida Castelo. "O cinema português e trans-temporalidade - a memória e o mito." Dissertação, 2014. https://repositorio-aberto.up.pt/handle/10216/82551.

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Branco, Ricardo Joaquim. "Transpor o Género: representação do corpo trans como um outro no cinema." Master's thesis, 2017. http://hdl.handle.net/10362/23487.

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O projeto desenvolvido no âmbito do mestrado de Ciências da Comunicação na vertente de Cinema e Televisão articula esta reflexão académica intitulada Transpor o Género: representação do corpo trans como um outro no cinema com a curta-metragem de nome Rute. A curta-metragem rodada em Setembro de 2016 e com pós-produção até Fevereiro de 2017, constrói uma narrativa em torno da sua personagem central – uma rapariga trans de nome Rute – e um rapaz (que lhe era antes desconhecido) com quem ela inicia um passeio por vários locais de Lisboa; procurando caminhar por locais abandonados ou vazio
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De, B'béri Boulou Ebanda. "Africanicity in Black cinema : a horizontal labyrinth of trans-geographical practices of identity." Thesis, 2003. http://spectrum.library.concordia.ca/2419/1/NQ90382.pdf.

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This dissertation examines the role of cinema as a conduit of black expressions of identity. It finds that since its inception, cinema has played an important part in generating, on the one hand, imaginary significations about black peoples, and, on the other hand; imaginative signifying(s) harmonized with black expressions of identity. This dissertation reviews the categories of cultural and-political identity in order to discern the reenacted practices of expression linking the socio-historical experience of black peoples to trans-geographical expressions of identity in film. It concludes t
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Obied, Amer. "Beirut 1975-1990: traces of war in cinema, architecture, and city." Master's thesis, 2019. http://hdl.handle.net/1822/61646.

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Dissertação de mestrado integrado em Arquitectura<br>During the Lebanese Civil War, and even after, Beirut was subject to devastation on many levels - social, political, economic, physical, and psychological. For more reasons than one, the end of the Civil War did not lead to any national dialogue or addressing of the trauma, but it slowly neutralised the Civil War by compromising or even erasing its Memory. Nevertheless, there are traces of the war still lingering on, mainly to be noticed, we believe, in Lebanese Cinema and in Architecture. It is in this sense that Lebanese Cinema is
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Légeron, Camille. "Traitement de la transidentité dans "Laurence Anyways"." Thèse, 2016. http://hdl.handle.net/1866/16149.

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Notre travail s'articule autour du film Laurence Anyways (2012), de Xavier Dolan. Nous y explorons la représentation du personnage de femme transgenre. Dans un premier temps, nous procédons à une analyse filmique axée sur la transidentité, puis à une analyse de réception à deux volets : celle dans la presse, mais aussi celle des personnes trans. Enfin, nous précisons la démarche de recherche-création ayant mené à la réalisation d'un documentaire où figurent deux personnes trans qui témoignent de leurs rapports à la représentation des personnes trans dans les médias audiovisuels contemporains.<
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Spear, Laura Susan. "Vanishing vectors : trains and speed in modern French crime fiction and film (1877--1955) /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3301229.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.<br>Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0624. Adviser: Andrea Goulet. Includes bibliographical references (leaves 320-337) Available on microfilm from Pro Quest Information and Learning.
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Olański, Piotr. "Isherwood’s Camera: Traces of Cinematic Narrative in Christopher Isherwood’s Oeuvre." Doctoral thesis, 2020. https://depotuw.ceon.pl/handle/item/3763.

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ENGLISH VERSION This thesis analyses the works of Christopher Isherwood in search for narrative strategies influenced by film aesthetics. Since Isherwood’s oeuvre is very often autobiographical, his life is considered as one of key perspectives used to interpret his texts. A traveler, British expatriate living in Hollywood, a homosexual, and a follower of Vedanta, Christopher Isherwood can be often referred to as “the Other”. Complicated relations with the surrounding environment, and therefore a sense of alienation is a perfect reason to present Isherwood’s observations in a distanced, pass
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Mello, Marie-Hélène. "Raoul Ruiz et la mnémotechnique : relations entre l'image défamiliarisante, l'art de la mémoire et les traces d'oralité dans Trois vies et une seule mort." Mémoire, 2006. http://www.archipel.uqam.ca/2866/1/M9354.pdf.

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Ce mémoire vise à éclairer la conception bien particulière du cinema et de la spectature du cinéaste Raoul Ruiz, par le biais de l'analyse de l'art de la mémoire (ou « mnémotechnique ») dans son film Trois vies et une seule mort, réalisé en 1995. En tant que réalisateur, scénariste et théoricien du cinéma, Ruiz propose une réflexion théorique originale sur son médium, réflexion qui fait appel à plusieurs champs du savoir et met en relief les relations entre diverses pratiques artistiques. Le caractère multidisciplinaire de sa démarche expliquerait en partie la difficulté qu'éprouvent les cri
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