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Dissertations / Theses on the topic 'Transformations musicales'

Author: Grafiati
Published: 1 June 2024
Last updated: 19 July 2025

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1

Jacono, Jean-Marie. "Les révisions de "Boris Godounov" de Moussorgski : transformations musicales et transformations sociales." Aix-Marseille 1, 1992. http://www.theses.fr/1992AIX10028.

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Pourquoi boris godounov de moussorgsky, le plus celebre opera russe (redige en deux versions 1869, 1872) a t-il ete si souvent remanie ? l'etude des principales revisions, celles de rimski-korsakov (1896 et 1908) et de chostakovitch (1940) permet de dire que ce n'est pas seulement pour des raisons musicales. Le sujet de l'oeuvre, les rapports du pouvoir et du peuple, n'a cesse de representer un enjeu politique et culturel dans la societe russe. Or boris godounov a ete presente dans une forme si neuve par moussorgski qu'il n'a pu etre totalement apprecie et reconnu lors de sa creation (1874), e
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2

Normand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.

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3

Amiot, Emmanuel. "Modèles algébriques et algorithmes pour la formalisation mathématique de structures musicales." Paris 6, 2010. http://www.theses.fr/2010PA066680.

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Cette thèse sur travaux est fondée sur cinq articles, sélectionnés tant pour leur intérêt que pour leur représentativité. Les deux premiers traitent des canons rythmiques, un sujet riche, d'origine musicale, lié à de nombreux problèmes de mathématique, de combinatoire, d'algorithmique et même d'algèbre fondamentale (théorie de Galois). Ces articles prêtent une attention particulière à l'étude de la conjecture de Fuglede, ou conjecture spectrale. Le plus ancien traite de propriétés algébriques et combinatoires générales, mettant en avant l'importance du concept (musical) de "canons de Vuza". Le
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4

Cifka, Ondrej. "Deep learning methods for music style transfer." Electronic Thesis or Diss., Institut polytechnique de Paris, 2021. http://www.theses.fr/2021IPPAT029.

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Récemment, les méthodes d'apprentissage profond ont permis d'effectuer des transformations du matériel musical basées sur les données (data-driven). L'objet de cette thèse est le transfert de style musical, dont le but est de transférer de manière automatique le style d'un morceau à un autre. Dans la première partie de ce travail, nous nous concentrons sur les méthodes supervisées pour le transfert de style des accompagnements dans une représentation symbolique, visant à transformer un morceau donné en lui générant un nouvel accompagnement. La méthode proposée est basée sur l'apprentissage sup
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Roads, Curtis. "Synthèse et transformation des microsons." Paris 8, 1999. http://www.theses.fr/1999PA082890.

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En dessous du niveau de la note se tient le royaume du microson et des particules sonores. Les avancées technologiques récentes nous permettent d’explorer ce monde auparavant inconnu. Les techniques microsonores dissolvent les briques rigides de l’architecture musicale – les notes – et les transforment en un matériau plus souple et fluide. Cette thèse, dédiée à l’étude du microson, est le fruit d’une longue période d’activité en recherche expérimentale, programmation, et composition. Commence�� à partir de quelques fils directeurs, le texte est devenu par la suite un réseau d’informations inté
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Foster, Nicholas Elgin. "Structural and functional correlates of mental musical transformation." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=96781.

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Music represents both a ubiquitous element in human cultures and a highly complex discipline to which some individuals devote decades of practice. Music is therefore an ideal medium with which to probe human auditory perception over a wide range of skill. Differences in brain structure and function have been reported in musicians (vs. untrained individuals), but because of methodological limitations, the links bringing together behavior, structure and function have remained indirect. This thesis consists of three neuroimaging studies that, together, elucidate some of the functional and anatomi
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7

Sayrs, Elizabeth Paige. "Approaches to Wolf : Schenker, transformation, function /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243358893.

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8

Verfaille, Vincent. "Effets audionumériques adaptatifs : théorie, mise en œuvre et usage en création musicale numérique." Phd thesis, Université de la Méditerranée - Aix-Marseille II, 2003. http://tel.archives-ouvertes.fr/tel-00004448.

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Ce travail de thèse porte sur la théorie, la mise en œuvre et les applications musicales des effets audionumériques adaptatifs. Dans la première partie, nous plaçons le sujet dans le contexte des transformations sonores. Un grand nombre de techniques de traitement du signal sonore numérique se complètent et fournissent un ensemble d'algorithmes permettant de transformer le son. Ces transformations sont appliquées selon les dimensions perceptives du son musical, à savoir la dynamique, la durée, la hauteur, la spatialisation et le timbre. Pour quelques effets, les contrôles évoluent de manière a
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9

Bonney, Michael. "The Compositional Transformation and Musical Rebirth of Leo Ornstein." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103292/.

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This study focuses on the transformation of Leo Ornstein’s (1893-2002) musical language of his early years into the strikingly different approach found in his later years. Ornstein’s initial radical compositions from the mid-1910s were no doubt representative of the direction in which modern music was moving. Despite the intense fame and notoriety of his early works, Ornstein did not feel connected to the trends of modern music development, and by the end of the 1930s he withdrew from the public scene and turned to teaching. By the 1950s Ornstein had been almost forgotten, and in later life
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10

du, Plessis Janine. "Transformation Groups and Duality in the Analysis of Musical Structure." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/math_theses/66.

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One goal of music theory is to describe the resources of a pitch system. Traditionally, the study of pitch intervals was done using frequency ratios of the powers of small integers. Modern mathematical music theory offers an independent way of understanding the pitch system by considering intervals as transformations. This thesis takes advantage of the historical emergence of algebraic structures in musicology and, in the spirit of transformational theory, treats operations that form mathematical groups. Aspects of Neo-Riemannian theory are explored and developed, in particular the T/I and P
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Cannas, Sonia. "Geometric representation and algebraic formalization of musical structures." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAD047/document.

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Cette thèse présente des généralisations u groupe néo-riemannien PLR, que agit sur l'ensemble des 24 triades majeures et mineures. Le travail commence par une reconstruction de l'histoire de Tonnetz, un graphe associé aux trois transformations qui génèrent le groupe PLR. La thèse présente deux généralisations du groupe PLR pour les accords de septième. Le premier agit sur le tournage des septièmes de dominantes, mineure, semi-diminuée, majeure et diminuée, le second comprend également la septième mineure majeur, majeure augmenté, l'augmentée et la septième dedominante bémol. Nous avons égaleme
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12

Derfler, Brandon Joel. "Single-voice transformations : a model for parsimonious voice leading /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11418.

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Masri, Paul. "Computer modelling of sound for transformation and synthesis of musical signals." Thesis, University of Bristol, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246275.

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14

Kunnuji, Joseph. "A chronicle of cultural transformation: ethnography of Badagry Ogu musical practices." Doctoral thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32279.

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This thesis examines the musical practices of Badagry Ogu people from both historical and contemporary perspectives and provides strategies for their further integration into the changing social and economic landscape characteristic of 21st-century Lagos. Badagry emerged as a Nigerian town bordering the Republic of Benin in the 19th-century colonial delineation processes, which neglected ethnic frontiers. Consequently, Badagry Ogu people, being a minority ethnic group and geographically peripheral in Nigeria, have been politically, economically and socially marginalized for generations. Using
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15

Hanna, Pierre. "Modélisation statistique de sons bruités : étude de la densité spectrale, analyse, transformation musicale et synthèse." Bordeaux 1, 2003. http://www.theses.fr/2003BOR12756.

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L'ordinateur offre de nouvelles possibilités en terme de traitement du son. Les travaux de recherche actuels concernent essentiellement la modélisation des parties périodiques d'un signal. Les sons bruités sont pourtant de plus en plus employés lors de la composition musicale. Les modèles existants considèrent ces sons, ou leurs parties bruitées, comme du bruit blanc filtré. Cette hypothèse est mise en défaut par les études psychoacoustiques sur la perception de la densité spectrale des fréquences. Nous présentons un nouveau modèle spectral et statistique, appelé CNSS, basé sur le modèle des b
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16

CLELAND, KENT DOUGLAS. "MUSICAL TRANSFORMATION AS A MANIFESTATION OF THE TEMPORAL PROCESS PHILOSOPHIES OF HENRI BERGSON." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1059403850.

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Myers, Karl J. "A system for the generation of tonal music based on transformations /." Online version of thesis, 1988. http://hdl.handle.net/1850/10293.

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18

Grachten, Maarten. "Expressivity-aware tempo transformations of music performances using case based reasoning." Doctoral thesis, Universitat Pompeu Fabra, 2006. http://hdl.handle.net/10803/7485.

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La recerca presentada en aquesta dissertació glossa sobre transformacions de tempo de gravacions monofòniques de saxo jazz preservant l'expressivitat musical. Es una contribució al processament d'audio basat en el contingut, un camp de recerca que ha emergit recentment com a resposta a la necessitat creixent de gestionar intel·ligentment la creixent quantitat d'informació digital multimedia disponible actualment. S'ha investigat com una execució musical, tocada a un tempo concret, es pot reproduir automàticament a un altre tempo mantenint l'expressivitat. Aquest problema no es pot reduir
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Marrero-Rivero, Juan Manuel. "Les rapports musique-technologie en tant qu'agents de transformation esthétique et sociale." Paris 8, 2004. http://www.theses.fr/2004PA082450.

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C'est aussi bien l'écho social atteint par les rapports constamment entretenus entre musique et technologie que leurs incidences réelles dans l'action et la facture artistique qui ont captivé tout l'intérêt de l'auteur et qui définissent et nourrissent tant son observation comme sa réflexion, en essayant de comprendre la mesure et l'importance même des transformations dûes aux situations esthétiques et sociales nouvelles, favorisées, sans aucun doute, par l'insertion en art des nouveaux outils et des nouvelles techniques, méthodes et procédés qui donnent forme à des concepts, à des contextes,
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Padilla, Rachel. "From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris"." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/297397.

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In 1951, Saul Chaplin, John Green, and Conrad Salinger adapted the music of composer George Gershwin (1898-1937) for a film musical titled An American in Paris, the finale of which was a 17-minute ballet scene set to a modified version of the composer’s tone poem from 1928. The plot bears broad similarities to isolated aspects of George Gershwin’s life. Such narrative elements offered a scaffold for an attractive subtext explored through the film score: a review of the trajectory and breadth of George Gershwin's compositional career from 1922-1937. My own analysis of the film and its score, us
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Shiina, Ryôsuke. "Recherches sur la transformation du temps musical sous l'angle de la philosophie japonaise." Nice, 1994. http://www.theses.fr/1994NICE2029.

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Après avoir examiné les thèses sur le temps musical de Michel Imberty, de Gisèle Brelet et d’Ivanka Stoianova, qui constatent une transformation du temps musical au tournant du siècle, nous faisons la lumière sur les caractères infini et abstrait du temps quotidien, nihilisant dans la société moderne. Le temps musical assure ce sens perdu au moyen de la fermeture en tant qu'œuvre-objet et d'une structuration sophistiquée. D'où la téléologie refoulante. Et tout cela, en engendrant le même genre de "différence ontologique" que Bin Kimura appelle la différence entre le koto et le mono, qui se tro
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Cleland, Kent. "Musical, transformation as a manifestation of the temporal process philosophies of Henri Bergson." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1059403850.

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23

Swindells, Rachel. "Klasik, kawih, kreasi : musical transformation and the gamelan degung of Bandung, West Java, Indonesia." Thesis, City University London, 2004. http://openaccess.city.ac.uk/8415/.

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The degung is a small game lan that is unique to the Sundanese people of West Java. Originating as a prestigious ensemble for the local nobility and formerly confined to the region's administrative courts, the provincial capital city of Bandung has been the geographic focus for the degung tradition since the first decades of the 20'h century. Following sixteen months of fieldwork in Bandung, the dissertation examines the evolution of the gamelan degung in the musical melting pot of this bustling urban centre. Situating the ensemble within the heterogeneous landscape of Bandung's regional arts
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Kallionpää, Roosa. "Reciprocal sound transformations for computer supported collaborative jamming." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280684.

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Collaborative jamming with digital musical instruments (DMI) exposes a need for output synchronization. While temporal solutions have been established, a better understanding of how live sound transformations could be balanced across instruments is required. In this work, a technology probe for reciprocal sound transformations was designed and developed by networking the instruments of four musicians and employing layered mapping between a shared interface, high-level sound attributes, and the sound synthesis parameters of each instrument. The probe was designed and used during a series of par
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Severinsson, Johanna. "Transformation från A till B : Vad sker i processen mellan förväntningar och insikt? En studie i musikalisk kreativ transformation." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2855.

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The purpose of the essay is to find an understanding of people's experiences of musical creation. How do we experience creative creation? What is happening in the process? Who decides what is music? Through observations and interviews I have analyzed the concepts that emerge when my informants talk about a creative process. Based on hermaneutical assumptions that a process is interpretable and leads from one point to another, I have wanted to get a deeper understanding of what is interpretable in the informants' experiences of the process. The starting point is that the truth changes a bit for
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Hoglund, Cara. "Transformations: A Folkloric Exploration of the Musical Comedy Into the Woods by Stephen Sondheim and James Lapine." TopSCHOLAR®, 2000. http://digitalcommons.wku.edu/theses/720.

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The purpose of this thesis is to examine the use of folktales in Stephen Sondheim and James Lapine's 1987 award-winning musical Into the Woods. In doing so, I hope to accomplish several directives. First, to enrich understanding of the musical for all audience members, especially those with a folklore or theater background. I feel that understanding the underlying goals and standards that Stephen Sondheim and James Lapine used in creating the musical will provide a much deeper understanding of the genius of their work. I also aim clearly elucidate the merger of folk narrative and popular music
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Paradzinets, Aliaksandr V. "Variable resolution transform-based music feature extraction and their applications for music information retrieval." Ecully, Ecole centrale de Lyon, 2007. http://www.theses.fr/2007ECDL0047.

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Dans le secteur de loisirs il y a un nombre considérable d’enregistrements numériques musicaux produits, diffusés et échangés qui favorise la demande croisante de services intelligents de recherche de musique. La navigation par contenu devient cruciale pour permettre aux professionnels et également aux amateurs d’accéder facilement aux quantités de données musicales disponibles. Ce travail présente les nouveaux descripteurs de contenu musical et mesures de similarité qui permettent l’organisation automatique de données musicales (recherche par similarité, génération automatique des playlistes)
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Popoutsis, Nickolas D. "Amenable Building: Designing for Change in the Musical Process." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242749951.

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Lindmäe, Maria. "Reimagining the city: hip hop and the social transformation of Comuna 13, Medellín." Doctoral thesis, Universitat Pompeu Fabra, 2020. http://hdl.handle.net/10803/668921.

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This dissertation studies the role of music making in the social construction of the city within the paradigm of the experience economy. Music making as collective organization of sound that requires decisions of what is being emitted and what not, of what creates harmony and what produces dissonance, is also the organization of the imaginary and real spaces where it is created. Looking at hip hop as a social process that is constitutive of and constituted by in-between differential spaces, the thesis puts into value vernacular practices of creativity, analysing their role in the social recons
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Beller, Grégory. "Analyse et modèle génératif de l'expressivité : application à la Parole et à l'Interprétation musicale." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2009. http://tel.archives-ouvertes.fr/tel-00431104.

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Cette thèse s'inscrit dans les recherches actuelles sur les émotions et les réactions émotionnelles, sur la modélisation et la transformation de la parole, ainsi que sur l'interprétation musicale. Il semble que la capacité d'exprimer, de simuler et d'identifier des émotions, des humeurs, des intentions ou des attitudes, est fondamentale dans la communication humaine. La facilité avec laquelle nous comprenons l'état d'un personnage, à partir de la seule observation du comportement des acteurs et des sons qu'ils émettent, montre que cette source d'information est essentielle et, parfois même, suf
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MacDonald, Jennifer Marie. ""Devil on the fiddle" : the musical and social ramifications of genre transformation in Cape Breton music." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99381.

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In 1995, fiddler Ashley MacIsaac released the album Hi, How Are You Today? that featured MacIsaac performing traditional Celtic tunes accompanied by modern rock instruments. The musical genre transformation on the album (notable because people who were not fans of Celtic music bought this album, tracks were released for airplay, and music videos accompanied the singles) can be studied according to the types of genre transformation outlined by Alastair Fowler in Kinds of Literature. If MacIsaac's goal was to offer a popular rock album while playing traditional tunes on the fiddle, critics and m
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Morgan, Sarah. "Community choirs : a musical transformation ; a review of my work in management, music, choir leadership and folk-song." Thesis, University of Winchester, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666336.

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My aims have always been to present an exploration of English community choirs, their music and their leadership from a very personal perspective, which brings together my background as a folk musician, my career in training and facilitation, and my developing understanding of a system of musical hierarchies which (though often unspoken) inform and colour not only my own musical experience but that of many others. My motivation for this is partly to put into words the story of a movement that has had relatively little attention from the academic world, and to bring into the foreground aspects
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Berman, Aaron. "Memento Mori." Pitzer College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,13.

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Animated color film with images of water, birds, winged humans, a man in a hooded sweatshirt, doors, the sea, a woman on a stool wearing a red scarf, marching soldiers, a gun, a knife, blood on hands, a dancing couple, a crowd of dancers, a seed, plants growing, clouds, a flying winged person, a figure playing an instrument. The images transform into each other in ever-changing sequences.
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Woodruff, Lawrence Theodore. "The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331202/.

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While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring and consciously derived trait of monophonic chant, modality in later polyphony shares neither the historical span nor the theoretical clarity of its monophonic counterpart. Modern theorists are left with little more than circumstantial evidence of the early development of modality in polyphony. This study attempts to shed light on the problem by detailed analysis of a select body of paraphrase masses from the early sixteenth century. First, it correlates the correspondence between the paraphras
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Catan, Liza. "Literacy and cognition a microgenetic study of the construction and transformation of rhythm representations during the aquisition of musical literacy /." Thesis, Online version, 1986. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.305401.

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Thomas, Maureen E. "The Divine Communion of Soul and Song: A Musical Analysis of Dante's Commedia." Kent State University Honors College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1450117394.

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Barthet, Mathieu. "De l'interprète à l'auditeur : une analyse acoustique et perceptive du timbre musical." Phd thesis, Aix-Marseille 2, 2008. http://tel.archives-ouvertes.fr/tel-00418296.

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Découvrir quels sont les paramètres acoustiques corrélés à l'expression musicale revêt un intérêt fondamental afin d'améliorer notre compréhension de la perception musicale, et trouve de multiples applications en synthèse sonore. L'interprétation musicale est un acte au cours duquel un instrumentiste traduit le signal notationnel d'un compositeur en sons musicaux, tout en impliquant son propre jugement. Si la plupart des études sur l'interprétation musicale portent sur le rythme, la dynamique, ou les hauteurs, bien moins se consacrent au timbre. Cet attribut perceptif du son, à la fois lié à l
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Oliveira, Augusto Brambilla de. "Bachianas Brasileiras nº 1: análise transformacional e hibridismo cultural." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-21022019-145528/.

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A proposta desta dissertação é analisar os três movimentos das Bachianas Brasileiras Nº 1: Introdução (Embolada), Prelúdio (Modinha) e Fuga (Conversa), de Heitor Villa-Lobos, a partir de uma abordagem transformacional, seguindo a linha proposta por Steven Rings (2011) na qual, ferramentas de análise neorriemannianas são utilizadas para iluminar aspectos familiares do tonalismo. Partindo desta abordagem, os resultados da análise musical serão apresentados através de gráficos e redes transformacionais, objetivando criar um suporte analítico musical que, numa fase posterior a esta pesquisa, apont
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Schellhas, Daniel H. "PEREGRINATION: A MUSICAL SKETCH OF EUROPE IN FOUR MOVEMENTS." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1174323599.

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Thesis (M.M.)--Bowling Green State University, 2007.<br>For alto saxophone in E♭, violoncello, piano, percussion (vibraphone, crystal glasses (C,E,G♯, B)) Document formatted into pages; contains 1 score (19 p.) Duration: ca. 13 min. Includes bibliographical references.
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Sheridan, David Allen. ""The things of peace" : the Council for the Encouragement of Music and the Arts and the transformation of the British musical experience, 1939-1945 /." Thesis, This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-02132009-171638/.

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Vitale, Claudio Horacio. "Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-28042009-101615/.

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O objetivo desta dissertação é descrever os processos graduais utilizados por György Ligeti na composição de sua obra Dez peças para quinteto de sopros (1968). Através dessa descrição, pretende-se pôr em evidência a gradação como uma ferramenta importante na construção da linguagem utilizada na obra. A análise das Dez peças é abordada em relação a diferentes parâmetros ou aspectos do discurso musical: movimento das vozes, harmonia, timbre, densidade, estrutura rítmica. São observadas as transformações mínimas dos materiais, os movimentos das alturas por proximidade ou contigüidade, bem como os
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Genuys, Grégoire. "Non-commutative homometric musical structures and chord distances in geometric pitch spaces." Thesis, Paris 6, 2017. http://www.theses.fr/2017PA066576/document.

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Nous étudions deux thématiques principales : l'homométrie non-commutative dans des produits semi-directs, et une notion de distance entre accords musicaux. deux melodies sont dites homométriques si elles possèdent le même ensemble d'intervalles : nous transposons cette notion a un enchainement d'accords et plus généralement a des produits semi-directs, ce qui permet d'élaborer un cadre pour l'étude de l'homométrie dans des groupes non-commutatifs, tels que le groupe diédral. nous définissons dans une deuxième partie une mesure de distances entre des accord musicaux n'ayant pas le même nombre d
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Bagnole, Rihab Kassatly. "Imaging the Almeh: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1132433330.

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Germiquet, Nicole Madeleine. "Religious musical performance as an articulation of transformation : a study of how the Tsonga Presbyterians of the Presbyterian Church of Mozambique negotiate their indigenous Tsonga and Swiss reformed church heritages." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020836.

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The Presbyterian Church of Mozambique (IPM) has its origins in the Swiss Mission and the European Reformed Church. An ethnomusicological study was conducted on the music of the IPM in order to uncover its musical influences. The musical influences were found to pertain to an indigenous Tsonga musical character, as well as to a Reformed Church musical tradition. By situating the discussion in this thesis within the perspective that music may reflect that which is not explicitly spoken about in words, the music of the IPM was shown to reflect the dual-heritage of the members of the IPM. Thus, th
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Meridan, Lissa. "De l'harmonie au chaos : émergence dans la musique de Gérard Pape." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30055.

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Les années soixante ont laissé libre expression aux pionniers d’une musique nouvelle — leurs expérimentations et l’avènement de la musique électroacoustique ont fait apparaître d’innombrables formes et théories qui ont définitivement changé les fondements du langage de la musique savante et la façon dont on l’aborde. Face à la musique contemporaine on se trouve dans une impasse quand on cherche à expliquer, par une démarche analytique classique, les interactions complexes de cette musique qui produisent des formes et des sons inédits. Nous cherchons à éviter cette impasse en nous appuyant sur
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Marcelino, Betsemens Barbosa de Souza. "A música e a sua influência na vida de jovens e adolescentes envolvidos no projeto Superhação : uma análise crítica do discurso." Universidade Federal de Mato Grosso, 2015. http://ri.ufmt.br/handle/1/207.

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Submitted by Jordan (jordanbiblio@gmail.com) on 2017-02-16T12:08:00Z No. of bitstreams: 1 DISS_2015_Betsemens Barbosa de Souza Marcelino.pdf: 2392509 bytes, checksum: a1c4e519bd64cd5fac8c3a52150b8163 (MD5)<br>Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2017-02-16T12:48:01Z (GMT) No. of bitstreams: 1 DISS_2015_Betsemens Barbosa de Souza Marcelino.pdf: 2392509 bytes, checksum: a1c4e519bd64cd5fac8c3a52150b8163 (MD5)<br>Made available in DSpace on 2017-02-16T12:48:12Z (GMT). No. of bitstreams: 1 DISS_2015_Betsemens Barbosa de Souza Marcelino.pdf: 2392509 bytes, checksum
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Carroll, Adrian Dominic. "Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61231/13/61231.pdf.

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This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic sections at the beginning and end of each musical work created a ‘DJ friendly’ environment. The term used in this thesis to refer to the application of beat-mixing in Rock music is ‘ClubRock’. Collaboration between a number of DJs and Rock music professionals applied the process of beat-mixing to blend Rock tracks to produce a continuous ClubRock set. The DJ technique of beat-mixing Rock music transformed static
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Loscos, Àlex. "Spectral processing of the singing voice." Doctoral thesis, Universitat Pompeu Fabra, 2007. http://hdl.handle.net/10803/7542.

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Aquesta tesi doctoral versa sobre el processament digital de la veu cantada, més concretament, sobre l'anàlisi, transformació i síntesi d'aquets tipus de veu en el domini espectral, amb especial èmfasi en aquelles tècniques rellevants per al desenvolupament d'aplicacions musicals.<br/><br/>La tesi presenta nous procediments i formulacions per a la descripció i transformació d'aquells atributs específicament vocals de la veu cantada. La tesis inclou, entre d'altres, algorismes per l'anàlisi i la generació de desordres vocals como ara rugositat, ronquera, o veu aspirada, detecció i modificació
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Steinebach, Mario, Christine Häckel-Riffler, Caroline Pollmer, et al. "TU-Spektrum 2/2006, Magazin der Technischen Universität Chemnitz." Universitätsbibliothek Chemnitz, 2006. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200601045.

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Kelley, Robert Tyler Buchler Michael Howard. "Mod-7 transformations in post-functional music." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04052005-175353/.

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Dissertation (PhD) Florida State University, 2005.<br>Advisor: Michael Buchler, Florida State University, College of Music. Title and description from dissertation home page (viewed 2005). Document formatted into pages; contains 155 pages. Includes biographical sketch. Includes bibliographical references.
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