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Journal articles on the topic 'Transformative placemaking'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Torres, Lourdes. "Transformative placemaking." Latino Studies 18, no. 2 (2020): 149–50. http://dx.doi.org/10.1057/s41276-020-00254-8.

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2

Nejad, Sarem, Ryan Walker, and David Newhouse. "Indigenous placemaking and the built environment: toward transformative urban design." Journal of Urban Design 25, no. 4 (2019): 433–42. http://dx.doi.org/10.1080/13574809.2019.1641072.

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3

Downey, Hilary, and John F. Sherry. "Public art and ritual transformation in Northern Ireland." Arts and the Market 10, no. 3 (2020): 187–203. http://dx.doi.org/10.1108/aam-04-2020-0008.

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PurposeThe actual uses to which public art is put have been virtually ignored, leaving multifarious dynamics related to its esthetic encounters unexplored. Both audience agency in placemaking and sensemaking and the agentic role of place as more than a mere platform or stage dressing for transformation are routinely neglected. Such transformative dynamics are analyzed and interpreted in this study of the Derry–Londonderry Temple, a transient mega-installation orchestrated by bricoleur artist David Best and co-created by sectarian communities in 2015.Design/methodology/approachA range of ethnog

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Ramli, Nurul Atikah, and Norsidah Ujang. "Adaptation of Social Attributes of Place in Creative Placemaking towards Social Sustainability." Asian Journal of Quality of Life 5, no. 18 (2020): 1–18. http://dx.doi.org/10.21834/ajqol.v5i18.202.

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Creative placemaking emerges as an evolving field of practice that leverages the power of arts, culture, and creativity to serve the community’s interests. Scholars have conveyed the values and benefits of creative placemaking in dealing with social issues and formulating agenda for urban transformation. An extensive review of the literature was conducted to understand the significance of social attributes of place in supporting creative placemaking strategies. A systematic search process yielded 14 articles from 121 documents that have been analyzed systematically. The review found that the s

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5

Maspoli, Rossella. "Outdoor Collaborative and Creative Space Renewal in a Smart City." Advanced Engineering Forum 11 (June 2014): 27–34. http://dx.doi.org/10.4028/www.scientific.net/aef.11.27.

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The paper analyzes the urban transformation and the development of criteria for the conception and design of outdoor urban space, in the smart city context. In the regeneration of peripheral historical and postindustrial neighborhoods, interactive storytelling and cultural mediation forcollaborative placemakingof public sites can generate not only art and culture - in accordance with the enhancement of historical memory and to the rediscovery of local identity - but also opportunities for redevelopment. The research evaluates case studies and explores the potential of innovative micro-communit

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Vukmirovic, Milena, and Suzana Gavrilović. "Placemaking as an approach of sustainable urban facilities management." Facilities 38, no. 11/12 (2020): 801–18. http://dx.doi.org/10.1108/f-04-2020-0055.

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Purpose This paper aims to present the potential of placemaking as an approach of sustainable urban facilities management and its impacts on the improvement of the planning procedures which was aimed at involving citizens in the process itself. The study is based on the general concept of placemaking represented as an “overarching idea and a hands-on approach for improving a neighbourhood, city or region”, that serves as a process that “inspires people to collectively reimagine and reinvent public spaces as the heart of every community” (PPS, 2007). Design/methodology/approach The study used p

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Ramli, Nurul Atikah, and Norsidah Ujang. "An Overview of Creative Placemaking as an Enabler for a Sustainable Urban Regeneration." Environment-Behaviour Proceedings Journal 5, no. 13 (2020): 345. http://dx.doi.org/10.21834/e-bpj.v5i13.2056.

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As the rapid growth of cities continues to pose a significant threat to the well-being of people, its adverse effects have moved to the forefront of social sustainability. Urban regeneration has become one of the adaptations in solving a social issue. Alongside these interventions, creative placemaking emerges as an evolving field of practice driving a broader agenda for growth and transformation of cities. This paper reviews the concept of creative placemaking as an approach to urban regeneration and theories extracted from planning and urban design literature. The findings provide an underst

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8

Christensen, Peter. "“As if she were Jerusalem”: Placemaking in Sephardic Salonica." Muqarnas Online 30, no. 1 (2014): 141–69. http://dx.doi.org/10.1163/22118993-0301p0007a.

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No Mediterranean city witnessed as dramatic a demographic shift as Salonica following the expulsion of the Jews from Iberia in 1492. This article explores the specific concept of placemaking in the context of this transformation, examining how the industries, devotional spaces, mythology, and material traditions of Iberian Jews tactically engaged with extant forms of Ottoman multicultural governance and social systems. Drawing upon a broad array of visual and textual information, this article argues that under the evolving mechanics of the millet and dhimmi systems, the nimbler aspects of mate

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9

Schjerning, Camilla. "An ancient and industrious place: visual geographies and urban identity in a Danish provincial town,c. 1780–1915." Urban History 47, no. 1 (2019): 63–85. http://dx.doi.org/10.1017/s0963926819000208.

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AbstractThrough the example of Danish provincial town, Odense, the article explores the role of visual culture in the construction and transformation of nineteenth-century provincial identities and placemaking in an industrial town. It demonstrates that while representations may follow certain aesthetic conventions of urban imagery and ideas of urban prestige, they both reflect and contribute to the construction and reproduction of a specific local, imagined geography; an imagined geography where initially history and nature and as time progresses signs of industriousness and in particular an

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10

Ashour, Kamila, and Wael Al-Shamali. "Pedestrianization as a Strategy for Placemaking. The case of the Wakalat Street in Amman." Journal of Public Space, Vol. 5 n. 1 (January 31, 2020): 263–76. http://dx.doi.org/10.32891/jps.v5i1.1261.

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Borrowing western strategies for organizing public spaces in Arab countries may have negative impacts. The Greater Amman Municipality (GAM) has public spaces interventions in different parts of the city. This paper discusses the development of the Wakalat Street as a public space, which is located in the Swiefieh District in Amman-Jordan. Tracing the newspapers and articles about the Wakalat Street shows that there is a debate with and against the transformation of the Wakalat Street from a street to a plaza. The actions and reactions of GAM regarding the development show also uncertainty and

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11

Romdhoni, Muhammad Fajri. "Historical Evolution of Placemaking in Historic City of Palembang, Indonesia." International Journal of Built Environment and Scientific Research 4, no. 2 (2020): 85. http://dx.doi.org/10.24853/ijbesr.4.2.85-100.

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Because of the rapid transformation of Southeast Asian cities with modernization and westernization, this paper aims to present the historical evolution of Palembang's city into clear morphological phases of the city. Palembang is essential because it represents one of the earliest and historical cities in Southeast Asia and could serve as a good case study to the morphological changes in Southeast Asia. Studies selected for this paper are historical maps on the 17th century, a combination and sets of the early 19th century, and post Indonesia's independence maps that include the latest map of

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12

Brosius, Christiane, and Axel Michaels. "Vernacular Heritage as Urban Place-Making. Activities and Positions in the Reconstruction of Monuments after the Gorkha Earthquake in Nepal, 2015–2020: The Case of Patan." Sustainability 12, no. 20 (2020): 8720. http://dx.doi.org/10.3390/su12208720.

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In an analysis of the reconstruction measures in the old city or Lalitpur (Patan) after the 2015 earthquakes in Nepal, it is shown that, contrary to usual assumptions, the reconstruction was not only concentrated on the prominent, strongly internationally promoted and financed world cultural heritage sites, but took also place at smaller sites—especially at arcaded platform (phalcā), small monasteries and shrines throughout the city. While the larger royal squares, often at the heart of tourism and heritage policies, are important for the status and hierarchy of kings, queens and associated ca

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13

Wolf, Garrett, and Nathan Mahaffey. "Designing Difference: Co-Production of Spaces of Potentiality." Urban Planning 1, no. 1 (2016): 59–67. http://dx.doi.org/10.17645/up.v1i1.540.

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Design and Planning professionals have long been influenced by the belief in physically and spatially deterministic power over people and the environment, a belief that their representations of space become space. As a result the goal of design often becomes “fixing” or directing behavior and culture instead of letting culture happen. This outlook often prevents designers from engaging critically with culture, through representational space and spatial practice, as a crucial, possibly the most crucial, aspect in the design process. Just as human cultures interact to constantly reproduce and co

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14

Stimeling, Travis D. "Country Comes to Town: The Music Industry and the Transformation of Nashville by Jeremy Hill, and: Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport by Jonathan R. Wynn, and: Beyond the Beat: Musicians Building Community in Nashville by Daniel B. Cornfield." Notes 73, no. 3 (2017): 518–25. http://dx.doi.org/10.1353/not.2017.0008.

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15

Mutero, Innocent Tinashe, and Ivan Gunass Govender. "Monitoring and Evaluation of Transformative Creative Placemaking on University Campuses." Journal of Asian and African Studies, December 3, 2020, 002190962097580. http://dx.doi.org/10.1177/0021909620975804.

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The study argues that the value of arts-based interventions in peacebuilding and development is yet to be fully realised due to a paucity of effective monitoring and evaluation models. In a context of growing attention to the benefits of university community engagement to social change, this article reports on how social practice creative placemaking embedded in engaged scholarship can be assessed for efficiency and its effectiveness in giving salience to silenced and ‘unusual’ voices in the pursuit of social justice. We propose an effective monitoring and evaluation model that shows the chang

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16

Repaj, Ermira. "Placemaking and Revitalization through Business and Tourism Improvement Districts in Albania." International Journal of Business & Economic Development 09, no. 01 (2021). http://dx.doi.org/10.24052/ijbed/v09n01/art-05.

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As a form of a public-private partnership with local authorities, the business improvement district (BID) is created when most businesses or business property owners agree through balloting to manage a delimited commercial area with prior authorization by the local authority. The district is managed through a non-profit organization that provides additional public services such as security, maintenance, infrastructure improvement, and marketing, to improve decaying commercial and residential areas. BIDs have been praised as engines for urban development, filling the need gap between the public

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17

Seale, Kirsten, and Emily Potter. "Wandering and Placemaking in London: Iain Sinclair’s Literary Methodology." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1554.

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Iain Sinclair is a writer who is synonymous with a city. Sinclair’s sustained literary engagement with London from the mid 1960s has produced a singular account of place in that city (Bond; Baker; Seale “Iain Sinclair”). Sinclair is a leading figure in a resurgent and rebranded psychogeographic literature of the 1990s (Coverley) where on-foot wandering through the city brings forth narrative. Sinclair’s wandering, materialised as walking, is central to the claim of intimacy with the city that underpins his authority as a London writer. Furthermore, embodied encounters with the urban landscape

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18

Timcke, Scott, and Shelene Gomes. "Placemaking in the Transnational Caribbean: A Rastafari Community in Ethiopia." Journal of Black Studies, October 26, 2020, 002193472096704. http://dx.doi.org/10.1177/0021934720967042.

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Considered a sacred place, Shashamane plays a foundational role in the Rastafari transnational social imaginary, especially when one considers how it is a purposeful response to the horrors of racial capitalism. Through an analysis of scenes of everyday life in Shashamane, Ethiopia, we examine the components of migrant Rastafari material culture and the resultant placemaking practices. Like other places in Ethiopia, in the last 20 years Shashamane has undergone a significant transformation in its basic infrastructure. The result is qualitative shift in everyday practices, with significant impr

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19

Breek, Pieter, Jasper Eshuis, and Joke Hermes. "Sharing feelings about neighborhood transformation on Facebook: online affective placemaking in Amsterdam-Noord." Journal of Urbanism: International Research on Placemaking and Urban Sustainability, September 4, 2020, 1–20. http://dx.doi.org/10.1080/17549175.2020.1814390.

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20

Abusaada, Hisham, and Abeer Elshater. "COVID-19 and “the trinity of boredom” in public spaces: urban form, social distancing and digital transformation." Archnet-IJAR: International Journal of Architectural Research ahead-of-print, ahead-of-print (2021). http://dx.doi.org/10.1108/arch-05-2021-0133.

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PurposeOver the coming decades, the widespread application of social distancing creates challenges for the urban planning and design profession. This article aims to address the phenomenon of boredom in public places, its main influences that generate change in repetition, monotony and everyday lifestyle, whether positive, negative or both – depending on the binding and governing rules of urban shape variations and daily lifestyles.Design/methodology/approachThis viewpoint relied on literary narration to discuss the phenomenon of boredom vis-à-vis urban design and placemaking solutions in the

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21

Cantrell, Kate, Ariella Van Luyn, and Emma Doolan. "Wandering." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1598.

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Wandering is an embodied movement through a landscape, cityscape, or soundscape; it is a venture that one may undertake voluntarily or reluctantly. It is similar to wayfaring and roaming, and different to walking. As a metaphor and as a figuration of subjectivity, wandering allows for a number of non-linear engagements: loitering, overhearing, wildflowering, meandering, even time travel. When coupled with an act of memory or imagination, wandering can instigate wondering, and vice versa. It can refer to the physical movement of the body through space or the abstract wandering of the mind throu

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22

Pardy, Maree. "Eat, Swim, Pray." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.406.

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“There is nothing more public than privacy.” (Berlant and Warner, Sex) How did it come to this? How did it happen that a one-off, two-hour event at a public swimming pool in a suburb of outer Melbourne ignited international hate mail and generated media-fanned political anguish and debate about the proper use of public spaces? In 2010, women who attend a women’s only swim session on Sunday evenings at the Dandenong Oasis public swimming pool asked the pool management and the local council for permission to celebrate the end of Ramadan at the pool during the time of their regular swim session.

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