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Books on the topic 'Translated films'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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1

Rancière, Jacques. Film fables: Jacques Rancière ; translated by Emiliano Battista. Berg, 2006.

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2

Rancière, Jacques. Film fables: Jacques Rancière ; translated by Emiliano Battista. Berg, 2006.

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3

Geological Survey (U.S.), ed. LEX2WS2 and LEX2WS4: Programs to translate Lexitron and ASCII files to WordStar files. U.S. Department of the Interior, Geological Survey, 1989.

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4

Geological Survey (U.S.), ed. LEX2WS2 and LEX2WS4: Programs to translate Lexitron and ASCII files to WordStar files. U.S. Department of the Interior, Geological Survey, 1989.

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5

Maître, Nicolas, and Pelin Sekerler Richiardi. Adopting green measures in exporting firms. ILO, 2024. http://dx.doi.org/10.54394/rbjm6056.

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This study contributes to the literature on the relationship between trade, labour and environmental sustainability by providing empirical evidence at the firm level. For this purpose, it first explores whether exporting firms are more likely than non-exporting firms to adopt green measures. Second, it assesses how labour market outcomes such as productivity, wages, education level of workers, and training provided by firms may vary between green exporters and firms that do not engage in trade or undertake green measures. The study finds that exporting firms have a significantly higher probabi
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6

Reid, Phillips Benjamin, ed. Storyboarding essentials: How to translate your story to the screen for film and tv. Watson-Guptill, 2013.

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7

Buckland, Warren, and Daniel Fairfax, eds. Conversations with Christian Metz. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089648259.

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From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signifi cation au cinéma, tome1 et 2; Langage et cinéma; Le signifiant imaginaire; and L’Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz’s ideas were taken up, digested, refined,reinterpreted, criticized and sometimes dismissed, but rarely ignored. This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries,elaborations, and explanations o
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8

Saint-Exupéry, Antoine de. Der kleine Prinz. Karl Rauch Verlag, 1991.

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9

Saint-Exupéry, Antoine de. The little prince. Harcourt, 2000.

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10

Saint-Exupéry, Antoine de. The Little Prince. HARCOURT, 2000.

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11

Saint-Exupéry, Antoine de. El principito = The little prince. Passport Books, 1985.

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12

Saint-Exupéry, Antoine de. The little prince. Harcourt Brace & Co., 1993.

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13

Saint-Exupéry, Antoine de. Māṇakulo rājakũvara. Jāga Prakāśana, 1995.

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14

Saint-Exupéry, Antoine de. Xiao wang zi. 2nd ed. Ge lin wen hua, 1996.

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15

Saint-Exupéry, Antoine de. The Little Prince. Wordsworth, 1995.

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16

Saint-Exupéry, Antoine de. El principito. Editores Mexicanos Unidos, 2002.

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17

Saint-Exupéry, Antoine de. Le petit prince. Gallimard, 1987.

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18

Rolls, Alistair, and Marguerite Johnson, eds. Remembering Paris in Text and Film. Intellect Books, 2021. http://dx.doi.org/10.1386/9781789384185.

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Remembering Paris investigates Paris as an urban and poetic site of remembrance. For Charles Baudelaire, the streets of Paris conjured visions of the past even as he contemplated the present. This book investigates this and other cases of double vision, tracing back from Baudelaire into antiquity, but also following Baudelaire forwards as his poetry is translated, received and referenced in texts and films in the twentieth century and beyond.
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19

Marrone, Gaetana. The Cinema of Francesco Rosi. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.001.0001.

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Francesco Rosi’s work, which includes an impressive number of individually celebrated films, occupies a unique place in postwar Italian, indeed postwar world, cinema. Over the years, Rosi has offered films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading ineluctably
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20

Wiles, Mary M. An Interview with Jacques Rivette*. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036651.003.0002.

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Café de la Bastille, Paris, June 1999 (Translated by Yolanda Broad and Mary Wiles.)MW:How did you come to make films?JR:It was Cocteau, le coupable [the guilty one].1 It was while reading Cocteau’s La belle et la bête [his journal written between 1945–1946 as he was filming ...
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21

Hofmann, Bettina. Translated Memories. Lexington Books, 2020. https://doi.org/10.5040/9781978738324.

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This volume engages with memory of the Holocaust as expressed in literature, film, and other media. It focuses on the cultural memory of the second and third generations of Holocaust survivors, while also taking into view those who were children during the Nazi period. Language loss, language acquisition, and the multiple needs of translation are recurrent themes for all of the authors discussed. By bringing together authors and scholars (often both) from different generations, countries, and languages, and focusing on transgenerational and translational issues, this book presents multiple per
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22

Shakespeare translated: Derivatives on film and TV. Peter Lang, 2005.

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23

O'Sullivan, Carol, and Jean-François Cornu, eds. The Translation of Films, 1900-1950. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266434.001.0001.

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This rich collection of essays by film historians, translation scholars, archivists, and curators presents film translation history as an exciting and timely area of research. It builds on the last 20 years of research into the history of dubbing and subtitling, but goes further, by showing how subtitling, dubbing, and other forms of audiovisual translation developed over the first 50 years of the 20th century. This is the first book-length study, in any language, of the international history of audiovisual translation to include silent cinema. Its scope covers national contexts both within Eu
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24

A. Ritzenhoff, Karen, and Angela Krewani, eds. Apocalypse in Film. Rowman & Littlefield Publishers, 2015. https://doi.org/10.5040/9798881818531.

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We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays dis
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25

Ortega, Vicente Rodriguez. Homoeroticism Contained. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0014.

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This chapter compares John Woo's Hong Kong and Hollywood films in order to scrutinize the differing representations of gender they offer in relation to the different generic configurations at work in each production context. It seeks to identify which aspects of these representations have passed the test of cultural translatability and which have not. It examines how Woo's generation of a series of action and pathos driven films negotiates generically gendered bodies and how these undergo a radical shift within his Hollywood output. It asks what were the perceived assets of Woo's crossover app
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26

LEX2WS2 and LEX2WS4: Programs to translate Lexitron and ASCII files to WordStar files. U.S. Department of the Interior, Geological Survey, 1989.

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27

Vest, Jason P. Future Imperfect. Praeger, 2007. http://dx.doi.org/10.5040/9798400655203.

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Philip K. Dick was one of the most incisive, subversive, and entertaining authors of the last half of the twentieth century, and the increasing levels of respect and interest that his fiction and films have generated since the 1982 release ofBlade Runnerhave made a comprehensive assessment of these films a virtual necessity.Future Imperfectis the only work to examine the cinematic adaptations of Dick's work in their entirety. Not all cinematic adaptations of Dick's work have been equally successful, but they have all at least made a similar effort to capture his evocative, paranoid, and compas
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28

Döring, Sigrun. Kulturspezifika im Film : Probleme ihrer Translation: Probleme ihrer Translatio. Frank & Timme, 2006.

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29

Watson, Robert N. Throne of Blood. 2nd ed. Bloomsbury Publishing Plc, 2020. https://doi.org/10.5040/9781839021909.

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Throne of Blood (1957), Akira Kurosawa’s reworking of Macbeth, is widely considered the greatest film adaptation of Shakespeare ever made. In a detailed account of the film, Robert N. Watson explores how Kurosawa draws key philosophical and psychological arguments from Shakespeare, translates them into striking visual metaphors, and inflects them through the history of post-World War II Japan. Watson places particular emphasis on the contexts that underlie the film’s central tension between individual aspiration and the stability of broader social and ecological collectives - and therefore bet
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30

Pelican, Kira-Anne. The Science of Writing Characters. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781501357213.

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The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialog
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31

Westfahl, Gary. Science Fiction Literature through History. Greenwood, 2021. http://dx.doi.org/10.5040/9798216985761.

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This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. It
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32

Westfahl, Gary. Science Fiction Literature through History. Greenwood, 2021. http://dx.doi.org/10.5040/9798216985754.

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This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. It
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33

Nardi, Dominic J., and Keli Fancher, eds. Studio Ghibli Animation as Adaptations. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9798765127070.

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This collection investigates how Hayao Miyazaki, Isao Takahata, and other Studio Ghibli storytellers have approached the process of reimagining literary sources for animation. Studio Ghibli is renowned for its original storytelling in films like My Neighbor Totoro, but many of its most famous films, including Howl’s Moving Castle and Ponyo, have their origins in pre-existing novels, manga, or fairy tales. Studio Ghibli’s adaptations seldom directly translate source material to animation, but instead transform the works to incorporate themes or imagery central to the studio’s sensibilities. Stu
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34

Zamalin, Alex. BlacKkKlansman. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9798765103821.

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Aminute-by-minuteanalysis of Spike Lee's infamous film,BlacKkKlansman. Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits. Film scholars have examined Spike Lee’s inventive visual style, didactic argumentative structure, use of music, and cinematic movement, but his film,BlacKkKlansman, is also a meditation on questions of perennial concern to political theorists: what is the meaning of freedom under social constraint? How do
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35

Clouse, Lindsey. Stigmatized on Screen. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978726772.

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This book reveals how marginalized communities and women are underrepresented on our screens and, too often, depicted in stereotypical ways. This is doubly true for marginalized speakers—those who speak traditionally “nonstandard” dialects. Lindsey Clouse examines the origins of linguistic prejudice and how our public schools perpetuate the myth of “bad” English. By dissecting the 500 top-grossing films of the last 20 years, Clouse exposes how speakers of Black English, Southern U.S. English, Spanish-influenced English, and gendered speech patterns are represented, underrepresented, misreprese
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36

Foltz, Jonathan. Out of Focus. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676490.003.0004.

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This chapter explores the contacts and conflict between novelistic point of view and the practice of cinematic spectatorship. It focuses on H. D.’s singular contributions to the film journal Close Up (1927–1933). This film criticism was an important context for developing the forms of prose experimentation that would occupy her during the early 1930s. In detaching vision from a presumed subject, H. D. found that film asks its viewers not only to see but to translate encrypted “abstract . . . remote . . . symbolical” meanings from the “raw-picked” images that pass across the screen. This litera
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37

Schaefer, Sarah C. Gustave Doré and the Modern Biblical Imagination. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190075811.001.0001.

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Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832–83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré’s Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 mi
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38

Julien, Olivier, and Olivier Bourderionnet, eds. Serge Gainsbourg. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501365690.

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Serge Gainsbourg is arguably the Francophone songwriter whose contribution to the international appeal of French popular music has been the most significant in the post-war era. Sampled by Beck, De La Soul, Massive Attack and Fatboy Slim, remixed by Howie B. and David Holmes, translated by Mick Harvey, and covered by Iggy Pop, Donna Summer, Portishead, Madeleine Peyroux, the Pet Shop Boys and Franz Ferdinand, his music has crossed borders in a way no other modern French-language singer-songwriter’s has. The interdisciplinary approach of Serge Gainsbourg: An International Perspective engages in
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39

Pisters, Patricia. New Blood in Contemporary Cinema. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474466950.001.0001.

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Since the new millennium, a growing number of female filmmakers have appropriated horror aesthetics for their films. In this book Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadžihalilović and Ana Lily Amirpour, who put ‘a poetics of horror’ to new use in their work. In this way they expand the range of perspectives relating to gendered as well as racialized themes of the horror genre. Exploring such themes as rage, trauma, sexuality, family ties and politics New Blood in Contemporary Cinema takes avenging women, bloody vampires, lustf
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40

Chow, Rey. Leung Ping-kwan. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.29.

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In a writing career that spanned nearly half a century, Leung Ping-kwan produced tens of volumes of poems, essays, short stories, novels, and newspaper columns, as well as literary, film, and cultural criticism. His versatility was evident in the experiments he undertook in different genres and in the moves he made between artistic creativity and scholarly study. Leung also collaborated with photographers, visual artists, musicians, choreographers, translators, and academics in various multimedia projects, proving with his own work the rich possibilities of partnership that lie between academi
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41

Berliner, Todd. Hollywood Aesthetic. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001.

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Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The American film industry operates under the assumption that pleasurable aesthetic experiences, among large populations, translate into box office success. More than any other historical mode of art, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a mass scale. If the Hollywood film industry succeeds in delivering aesthetic pleasure both routinely and, at times, in an outstanding way, then we should ultimately regard Hollywood cinema as an artistic achieveme
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42

Persephone, Economou, and Karl P. Sauvant. FDI trends in 2010–2011 and the challenge of investment policies for outward foreign direct investment. Oxford University Press, 2013. http://dx.doi.org/10.1093/law-iic/9780199983025.016.0001.

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This chapter begins with a brief discussion of the latest trends in foreign direct investment (FDI). It then turns to an analysis of policies related to outward foreign direct investment and discusses issues that relate to them. It argues that FDI flows have managed to sustain their recovery in the aftermath of the 2008 financial crisis, but considerable uncertainty about prospects over the next few years remains. Emerging markets have strengthened their position in the global FDI landscape in terms of both inward and outward investment. Outward FDI policies can play a vital role in creating a
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43

Mann, Barbara Alice. Native American Speakers of the Eastern Woodlands. www greenwood com, 2001. http://dx.doi.org/10.5040/9798400689802.

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This collection of essays examines, in context, eastern Native American speeches, which are translated and reprinted in their entirety. Anthologies of Native American orators typically focus on the rhetoric of western speakers but overlook the contributions of Eastern speakers. The roles women played, both as speakers themselves and as creators of the speeches delivered by the men, are also commonly overlooked. Finally, most anthologies mine only English-language sources, ignoring the fraught records of the earliest Spanish conquistadors and French adventurers. This study fills all these gaps
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44

George, Amber E., Anthony J. Nocella II, J. L. Schatz, and Scott C. Hurley, eds. Screening the Nonhuman. Lexington Books, 2016. https://doi.org/10.5040/9781978731738.

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Screening the Nonhuman draws connections between how animals represented on screen translate into reality. In doing so, the book demonstrates that consuming media is not a neutral act but rather a political one. The images humans consume have real world consequences for how animals are treated as actors, as pets, and in nature. The contributors propose that altering the representations of animals can change the way humans relate to non/humans. Our hope is for humans to generate more ethical relationships with non/humans, ultimately mediating reality both in terms of fiction and non-fiction. To
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45

The Lady of the Camellias. Translated from the French [Of] Alexandre Dumas, Fils, with a Critical Introd. by Edmund Gosse. a Front. and Numerous Other. HardPress Publishing, 2012.

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46

Mullen, Rani D. India’s Soft Power. Edited by David M. Malone, C. Raja Mohan, and Srinath Raghavan. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780198743538.013.14.

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Indian foreign policy is increasingly drawing on a perception of its rising soft power. If effective, it should make global partners more open to Indian views and interests. However, significant impediments remain to cementing India’s fragile gains in leveraging its soft power on the global stage. Its assets include its ancient and distinct cultural heritage, the Bollywood film industry, and its status as the world’s largest democracy, albeit one that is developing and changing rapidly. The government’s increasing foreign assistance and public diplomacy programs are soft power instruments. It
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47

Scott, Peter Dale, and Freeman Ng. Poetry and Terror. Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781978724822.

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A study at many levels of Scott’s long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author’s initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem’s discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human
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48

Butler, Catherine. British Children’s Literature in Japanese Culture. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350195509.

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Whether watching Studio Ghibli adaptations of British children’s books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children’s literature. In this, the first comprehensive study to explore this engagement, Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Ra
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49

Jacobowitz, Seth, and Aaron William Moore, eds. Hirabayashi Hatsunosuke Reader. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350378186.

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This edited volume assembles a wide array of writings by Hirabayashi Hatsunosuke, one of 20th-century Japan’s foremost intellectuals, translated for the first time into English. It begins with an introduction by the editors, Seth Jacobowitz and Aaron William Moore, that contextualizes Hirabayashi’s significance as a non-doctrinaire Marxist cultural critic, visionary thinker, and much-beloved popular fiction writer. The ‘Short Stories’, features a selection of Hirabayashi’s literary work, including science fiction (‘The Artificial Human’), detective fiction (‘This is How I Died!’), and more idi
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50

Schelhorn, Jean E., and Joan M. Herbers. Beyond Discovery. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197512715.001.0001.

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The book is a guide for academic researchers, especially scientists and engineers, on how to move their discoveries to the marketplace. Few academics understand what tech transfer is or how it works, and many shy away from it because they equate commercialization with starting a company. Yet those same individuals can be intrigued to learn of additional pathways that enable discoveries to be translated into marketable products or services. This book helps researchers explore multiple routes for commercialization, guides them through the personal decisions they must face, describes programs des
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