Academic literature on the topic 'Translating into Dutch'

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Journal articles on the topic "Translating into Dutch"

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De Regt, Lénart J. "Translating Biblical Poetry as Poetry." Między Oryginałem a Przekładem 27, no. 3(53) (September 21, 2021): 103–16. http://dx.doi.org/10.12797/moap.27.2021.53.06.

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After an introduction into translating biblical poetry as a new communication event in the target culture (and not as a documentation of a source culture event), an analysis is made of a Dutch poetic translation of Psalms 23 and 121 and a Frisian poetic translation of Psalm 23. Of the poetic features and means of expression in these translations, Dutch and Frisian patterns ofmeter are the most important. When a poetic translation of biblical poetry follows genre conventions of the target language and culture (rather than attempting but failing to reproduce the poetic features of the source text), such a translation is able to generate a new, direct communication event that reduces the distance between the hearer/receiver of the target culture and the text of the source culture. Such a translation engages the hearer more effectively in responding to the text, because the poetic features of the target language facilitate the expressive, appellative and phatic functions of the communication. This should be an encouragement to translators to render different types of biblical poetry into different genres and poetic patterns of the target language that will actually fit the subject matter of the text into the context of the target culture.
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Degani, Tamar, Anat Prior, Chelsea M. Eddington, Ana B. Arêas da Luz Fontes, and Natasha Tokowicz. "Determinants of translation ambiguity." Linguistic Approaches to Bilingualism 6, no. 3 (January 25, 2016): 290–307. http://dx.doi.org/10.1075/lab.14013.deg.

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Abstract Ambiguity in translation is highly prevalent, and has consequences for second-language learning and for bilingual lexical processing. To better understand this phenomenon, the current study compared the determinants of translation ambiguity across four sets of translation norms from English to Spanish, Dutch, German and Hebrew. The number of translations an English word received was correlated across these different languages, and was also correlated with the number of senses the word has in English, demonstrating that translation ambiguity is partially determined by within-language semantic ambiguity. For semantically-ambiguous English words, the probability of the different translations in Spanish and Hebrew was predicted by the meaning-dominance structure in English, beyond the influence of other lexical and semantic factors, for bilinguals translating from their L1, and translating from their L2. These findings are consistent with models postulating direct access to meaning from L2 words for moderately-proficient bilinguals.
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Lobejón Santos, Sergio, and Francis Jones. "Creativity in collaborative poetry translating." Target. International Journal of Translation Studies 32, no. 2 (July 7, 2020): 282–306. http://dx.doi.org/10.1075/target.20087.lob.

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Abstract This study examines how creative solutions to translation problems are negotiated and selected in ‘poettrios’ (teams consisting of a source poet, a target-language poet and a bilingual language mediator working from pre-prepared, literal translation drafts of poems), and compares creativity in this mode to that in solo poetry translating (Jones 2011). The interactions and outputs taken from real-time recordings, work-in-progress drafts and participant interviews from several poettrios translating original poems from English into Dutch and from Dutch into English in two workshops were coded and analysed quantitatively and qualitatively. The results show that creativity in poetry translating is an eminently cognitive activity in which creative solutions typically emerge through the incremental contributions of the complementary expertises of the individual poettrio members, with occasional radical leaps. In this incremental scaffolding process, and similarly to solo translating, poettrios first consider non-creative options, then creative adjustments and, finally, creative transformations. Radical solutions are generally only accepted when a departure from the source-text surface meaning is deemed necessary to achieve the double aim of retaining the source poem’s message while producing an acceptable poem in the target culture (Holmes 1988).
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Tofighian, Omid. "Translation in Digital Times: Omid Tofighian on Translating the Manus Prison Narratives." Humanities 12, no. 1 (January 11, 2023): 8. http://dx.doi.org/10.3390/h12010008.

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On 12 February 2020, while on an international tour promoting Behrouz Boochani’s No Friend but the Mountains: Writing from Manus Prison, the translator of the book, Omid Tofighian, participated in a seminar at Utrecht University, organised by Australian academic, Anna Poletti (associate professor of English language and culture, Utrecht University). Poletti is also co-editor of the journal Biography: an interdisciplinary quarterly, which published a special issue on No Friend but the Mountains in 2020 (Vol. 43, No. 4). The seminar involved Poletti, Tofighian and translation scholar, Onno Kosters (assistant professor of English literature and translation studies, Utrecht University) in conversation. Iranian–Dutch filmmaker, Arash Kamali Sarvestani, co-director with Boochani of the film Chauka, Please Tell Us the Time (2017), was in attendance, as well as the Dutch publisher, Jurgen Maas (Uitgeverij Jurgen Maas, Dutch translation based on the English translation). The event was titled ‘No Friend but the Mountains: Translation in Digital Times’. The following dialogue, ‘Translation in Digital Times: Omid Tofighian on Translating the Manus Prison Narratives’, is derived from this seminar and focuses on Tofighian’s translation of the book from Persian/Farsi into English. The topics covered include the Dutch translation from Tofighian’s English translation, genre and anti-genre, horrific surrealism, Kurdish elements and influences, the Kurdish translation (from Tofighian’s English translation), translation as activism, process and technology.
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VANDEGHINSTE, VINCENT, INEKE SCHUURMAN LEEN SEVENS, and FRANK VAN EYNDE. "Translating text into pictographs." Natural Language Engineering 23, no. 2 (November 11, 2015): 217–44. http://dx.doi.org/10.1017/s135132491500039x.

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AbstractWe describe and evaluate a text-to-pictograph translation system that is used in an online platform for Augmentative and Alternative Communication, which is intended for people who are not able to read and write, but who still want to communicate with the outside world. The system is set up to translate from Dutch into Sclera and Beta, two publicly available pictograph sets consisting of several thousands of pictographs each. We have linked large amounts of these pictographs to synsets or combinations of synsets of Cornetto, a lexical-semantic database for Dutch similar to WordNet. In the translation system, the Dutch input text undergoes shallow linguistic analysis and the synsets of the content words are looked up. The system looks for the nearest pictographs in the lexical-semantic database and displays the message into pictographs. We evaluated the system and results showed a large improvement over the baseline system which consisted of straightforward string-matching between the input text and the filenames of the pictographs.Our system provides a clear improvement in the communication possibilities of illiterate people. Nevertheless there is room for further improvement.
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Tereshko, Ekaterina. "Translating Dutch modal particles ‘wel’ and ‘maar’ into Russian." Scandinavian Philology 19, no. 2 (2021): 375–85. http://dx.doi.org/10.21638/11701/spbu21.2021.210.

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The article considers ways of transferring the meaning of Dutch modal particles in Russian text. Modal particles in Dutch act as communicative markers that are specific to Dutch culture. In contrast to the popular opinion, that in translating modal particles the method of omission prevails, this article examines the lexical, grammatical, and syntactic methods for preserving the modal meaning of the Dutch text in Russian translations, using examples from fiction. In addition, the question of translatability of poetic texts is touched upon. Following N. M. Azarova and S. Y. Bochaver, the author accepts the thesis of the translatability of the poetic text. Modern poetry, however, has its own specific features, such as brevity, the importance of graphic appearance of the text, and discreteness of the statement. Within strict limits of the growing importance of visual culture in the modern world, Dutch poets practically refuse “superfluous” words, including modal particles, which are extremely rare in poetry. This observation has a great value, because in today’s world of computer technology, the zero is as important as the one.
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Vanderauwera, Ria. "Translating a Dutch Seventeenth-Century Poetess." Dutch Crossing 12, no. 35 (August 1988): 40–44. http://dx.doi.org/10.1080/03096564.1988.11783889.

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Badenoch, Alexander. "Translating ‘Liebeskummer’." Making Sense of Digital Sources 1, no. 1 (February 21, 2012): 48. http://dx.doi.org/10.18146/2213-0969.2012.jethc008.

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This article explores the possibilities for using TV archive documents for constructing transnational European heritage environments online. It looks closely at one episode of the Dutch popular music programme Combo from the mid-1960s, where artists from inside and outside the Netherlands perform in front of dancing teenagers. It points in particular to the acts of translation that take place within the programme, and argues that such acts must also be key in constructing television heritage online.
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Luger, Suzanne. "How do Dutch adolescents translate Latin into coherent Dutch? A Journey into the Unknown." Journal of Latin Linguistics 17, no. 2 (November 30, 2018): 333–65. http://dx.doi.org/10.1515/joll-2018-0015.

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Abstract This article discusses translation processes of proficient students who translate Latin fables into Dutch in secondary school. The participants performed two tasks on a computer. They translated a Latin fable and edited a Dutch translation of another Latin fable while their activities were monitored by eye-tracker, screencast and keystroke logging. Immediately after the tasks the participants were invited to view their eye-tracking film and retrace their thoughts at the time of translating (stimulated recall). The article focuses on the stimulated recall interviews, and more specifically on the role of revision in the translation process. It presents a case study of one participant, as well as the strategies participants described to have used in tackling two specific translation problems. Data suggest that proficient participants rely on text comprehension rather than morphological knowledge to solve translation problems. The research shows three key elements as indicators for successful translation process resulting in a coherent target text: (1) a wide variety of problem-solving strategies and the ability to switch strategies, (2) the availability and use of metalanguage to verbalise the chosen strategy, and (3) revision of the target text.
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De Sutter, Gert, Marie-Aude Lefer, and Bram Vanroy. "Is linguistic decision-making constrained by the same cognitive factors in student and in professional translation?" Learner translation corpus research 9, no. 1 (April 11, 2023): 60–95. http://dx.doi.org/10.1075/ijlcr.22005.des.

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Abstract This article analyses the extent to which four well-known general cognitive constraints – syntactic priming, cognitive routinisation, markedness of coding and structural integration – impact the linguistic output of translation students and professional translators similarly. It takes subject placement variation in Dutch as a test case to gauge the effect of the four constraints and relies on a controlled corpus of student and professional French-to-Dutch L1 news translations, from which all declarative main clauses with either a preverbal or a postverbal subject were extracted. All corpus instances were annotated for four random variables, the fixed variable expertise and ten other fixed variables, which were considered good proxies for the cognitive constraints. A mixed-effects regression analysis reveals that by and large the cognitive constraints have an identical effect on student and professional translators’ output, with priming and structural integration having the strongest impact on subject placement. However, students diverge from professionals when translating French clauses with a left-dislocated adjunct into Dutch, which is interpreted as an indication of a difference in automatisation when dealing with specific French-Dutch cross-linguistic differences.
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Dissertations / Theses on the topic "Translating into Dutch"

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Kratz, Julia. "Translating African folktales for children into German : challenges, strategies and solutions." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85776.

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Thesis (MPhil)--Stellenbosch University, 2013.
ENGLISH ABSTRACT: South African author Linda Rode‘s book In die Nimmer-Immer Bos (2009a) and Elsa Silke‘s English translation thereof In the Never-Ever Wood (2009b) have won a number of prizes in South Africa, which is evidence both of the quality of the anthology and its translation, as well as of the continued significance of the folktale genre in today‘s fast-paced, modern society. People continue to make sense of the world through telling stories and, although the stories told today might be marked by life in the 21st century, our ancestors‘ stories are still appreciated by many. Although Rode‘s tales are not unlike other folktales, her collection differs in that it is a mosaic of cultures and their folklore spanning the globe, a book that appeals to the whole family, and to young readers and listeners in particular. Through a practical translation into German of selected tales from Silke‘s English version of Rode‘s book, the present thesis investigates ways and means of translating folktales for children. A functional approach was suggested, taking into account the European audience as well as the original intention of the author. As such, the author‘s style was naturalised and an attempt was made to replicate it in the target language, whereas culture-specific items relevant to the setting of the individual tales were retained. Hans J. Vermeer‘s skopos theory, as enhanced by Christiane Nord, as well as Lawrence Venuti‘s concepts of foreignisation and domestication were discussed, amongst other relevant theories. Many of the challenges discussed in the annotations to the practical translation typically occur in the translation of literature for children, and the study thus hopes to make a contribution to research on the translation of literature for children. Interviews conducted for the purpose of the present study furthermore proved the positive impact of good cooperation between the people involved in a translation project on the final translation product. The resulting translation, meant to impart knowledge and pleasure to the audience, furthermore serves as a translation sample that is intended to entice German publishers to commission a translation of Rode‘s anthology for the German book market.
AFRIKAANSE OPSOMMING: Die Suid-Afrikaanse skrywer Linda Rode se boek In die Nimmer-Immer Bos (2009a), sowel as die Engelse vertaling daarvan deur Elsa Silke, getiteld In the Never-Ever Wood (2009b), is in Suid-Afrika met verskeie pryse bekroon. Hierdie erkenning is ‘n bevestiging van die gehalte van die antologie en van die vertaling, sowel as van die voortgesette belangrikheid van volksoorleweringe as genre in die gejaagde, moderne samelewing van vandag. Mense maak steeds sin van die wêreld deur stories te vertel, en hoewel die stories wat vandag vertel word meestal handel oor die lewe in die 21ste eeu, word die stories van ons voorouers steeds deur baie mense waardeer. Hoewel Rode se verhale nie besonder anders as ander volksverhale is nie, verskil haar versameling in dié opsig dat dit ‘n mosaïek van kulture en volksoorleweringe van regoor die wêreld is. Die boek is dus een waarby die hele gesin, maar veral jong lesers en luisteraars, aanklank kan vind. Hierdie tesis ondersoek, deur ‘n praktiese vertaling van enkele verhale uit die Engelse weergawe van Rode se boek in Duits, strategieë vir die vertaling van volksverhale vir kinders. ‘n Funksionalistiese benadering is gevolg, wat die Europese gehoor sowel as die oorspronklike bedoeling van die skrywer in ag neem. In die lig hiervan is die styl van die skrywer genaturaliseer en, waar moontlik, na die doeltaal oorgedra, terwyl kultuurspesifieke items behou is wat relevant is vir die agtergrond waarteen die individuele verhale afspeel. Hans J. Vermeer se skoposteorie, soos aangepas deur Christiane Nord, sowel as Lawrence Venuti se konsepte vervreemding en domestikering is bespreek, saam met ander relevante teorieë. Baie van die uitdagings wat in die annotasies by die praktiese vertaling bespreek word, kom dikwels in die vertaling van kinderliteratuur voor. Hierdie studie hoop dus om ‘n bydrae tot navorsing oor die vertaling van verhale vir kinders te lewer. Onderhoude wat vir die doel van die studie gevoer is, het verder bewys gelewer van die positiewe impak wat goeie samewerking tussen die rolspelers in ‘n vertaalprojek op die finale vertaalproduk kan hê. Die uiteindelike vertaling, wat bedoel is om kennis oor te dra en genot aan die gehoor te verskaf, dien verder as ‘n vertaalvoorbeeld wat Duitse uitgewers hopelik sal aanmoedig om Rode se antologie vir die Duitse boekemark te laat vertaal.
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Ntuli, Thomas Phaswana. "Quality interpreting service : the parliament of SA as a case study." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20002.

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Thesis (MPhil) -- Stellenbosch University, 2012.
The purpose of this study was to investigate the interpreting services in the Parliament of South Africa (POSA). The impetus to embark on such an investigation arose after Members of Parliament claimed that the interpreting service in the Parliament of South Africa (POSA) is poor. In seeking to determine why Members of Parliament made such claims, I therefore investigated the interpreting service rendered by staff of Parliament’s Interpreting Unit. Consequently, an investigation to whether the simultaneous interpreters currently employed by Parliament of South Africa possess the amalgam of skills attributes and qualifications necessary for them to render an interpreting service of good quality. Questionnaires were distributed to Members of Parliament and to interpreters, interviews were conducted with Control Language Practitioners (CLPs), observation of recruitment panels for interpreters also followed, and interpreters were recorded during the sitting of Parliament House in an attempt to check whether interpreters do deliver an interpreting service that is up to standard. The results of this study show that Members of Parliament have a valid claim as 65% of the sample of interpreters had joined Parliament without interpreting skills and had, to date, never been sent for interpreting training and most interpreters are demoralised by the working conditions of the Language Services Section at the Parliament of South Africa.
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Muller, Margaret Beatrice. "Die vertaling van The No.1 Ladies’ Detective Agency van Alexander McCall Smith : strategieë en besluite tydens die vertaalproses." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1689.

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Thesis (MPhil (Afruikaans and Dutch))—University of Stellenbosch, 2006.
This descriptive case study is based on the translation of the first part of Alexander McCall Smith’s book, The No.1 Ladies’ Detective Agency, into Afrikaans. Examples of the type of translational problems that this translator experienced, as well as the strategies that were implemented to solve these problems, are discussed in an accompanying annotation. In this way the translator has attempted to explain her thought and decision-making processes during the translation process. Various concepts from translation studies theory, including foreignization and domestication, are discussed with reference to the practical translation, and support the solutions suggested for translational problems. This translator mainly used a foreignizing approach, although some degree of domestication was inevitable at times in order to avoid the alienation of target readers from the target text. The required characteristics of the target text and the knowledge and cultural background of the target readers are therefore also discussed, as both these factors played a defining role during the translation process. The need for Afrikaans literature between the so-called “high literature” and light romantic fiction is discussed, as this contributed to the choice of source text: according to this translator the translation of The No.1 Ladies’ Detective Agency into Afrikaans will be able to help fill this gap. Although this translator understands that financial restrictions play a large role in publishers’ reluctance to publish translations, the statement is made that they should not accept without further ado that an Afrikaans translation will result in a financial loss if no research has been done into the possibilities of that specific translation. Recommendations regarding market research are made and the possibility of future study is indicated.
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Pienaar, Cherene. "Mediavertaling – die herskrywing van nuusvertalings." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20129.

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Thesis (MPhil)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: In this descriptive study, the rewriting of translated politically coloured texts on News24.com is investigated. Afrikaans articles, which were originally published in Die Burger, Beeld and Volksblad, are selected and then translated for the English target text reader. This reader does not necessarily differ from the source text reader in terms of geography and culture, but in terms of his or her past and the emotional baggage, such as the era of apartheid and the guilt that the white Afrikaans person has to carry. While it is claimed that the articles from the above-mentioned dailies are merely translated paragraph for paragraph for the purpose of being published online on News24, a lot more happens to the text. The texts are edited, rewritten, reshaped and repackaged to be presented in a new context. The target text is studied to establish whether it is rewritten with an ideological purpose in mind and what adaptations are made to achieve an ideological influence. Lexical and other linguistic means are used to reframe a text and present it differently in the target text. The way in which a post apartheid South Africa is being presented in the English texts (as opposed to the Afrikaans print version) is the focus of the study. The hypothesis is that the News24 rewriter’s purpose is to send an adapted ideological message with the text. These conclusions are being drawn based on narrative theory and the concepts of frames. This theory as well as other relevant theories form a framework according to which one can study and compare the texts and the rewriting of the source texts. While the literal changes made for practical reasons such as readability are broadly discussed, the focus is on the ideological implications these lexical and other linguistic adaptations cause. Conclusions are then made according to the skopos of News24 with the rewriting of the texts, namely to represent the image of a post apartheid South Africa more negatively than it is represented in the source text.
AFRIKAANSE OPSOMMING: In hierdie beskrywende studie word die herskrywing van vertaalde polities gekleurde berigte wat op News24.com verskyn, ondersoek. Afrikaanse berigte wat oorspronklik gepubliseer is in Die Burger, Beeld en Volksblad, word gekies en dan vertaal vir die Engelse doelteksleser. Hierdie leser verskil nie noodwendig van die bronteksleser ten opsigte van geografie en kultuur nie, maar wel ten opsigte van sy of haar verlede en emosionele bagasie, soos die apartheidsera en die skuld wat die wit Afrikaanssprekende dra. Hoewel daar beweer word dat berigte uit die bogenoemde dagblaaie bloot paragraaf per paragraaf vir News24 vertaal word, gebeur daar heelwat meer met die teks. Die tekste word redigeer, herskryf, hervorm en herverpak sodat dit in ’n nuwe konteks aangebied kan word. Die doelteks word ondersoek om vas te stel of dit herskryf is en watter veranderinge, spesifiek ideologiese, die teks tydens hierdie herskryfproses ondergaan het. Leksikale en ander linguistiese middele word gebruik om ’n teks te herraam en anders uit te beeld as in die bronteks. Die wyse waarop die beeld van ’n postapartheid Suid-Afrika in die aanlyn Engelse berigte teenoor die gedrukte Afrikaanse berigte voorgestel word, word hier ondersoek. Die hipotese is dat die News24-herskrywer ten doel het om ’n aangepaste ideologiese boodskap met die herskrywing daarvan oor te dra. Hierdie afleidings word in verband gebring met die narratiefteorie en die konsep van rame. Hierdie teorie, asook ander teorieë, vorm ’n raamwerk om die vergelyking van die tekste en die herskrywing daarvan te ondersoek. Die meer letterlike leksikale aanpassings wat gemaak word vir praktiese doeleindes, soos leesbaarheid, word eerstens bespreek. Daarna word die aanpassings wat gemaak word ter wille van ’n ideologiese motivering bespreek. Afleidings word dan gemaak en in verband gebring met News24 se skopos of doel met die herskrywing van die tekste, naamlik om die beeld van die regering in ’n postapartheid Suid-Afrika negatiewer as die bronteks uit te beeld.
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Green, Benjamin Stephen. "A skopos-based analysis of Breytenbach’s Titus Andronicus." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20107.

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Thesis (MPhil)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: Breyten Breytenbach's Afrikaans translation of William Shakespeare's Titus Andronicus is a little known member of the corpus of Afrikaans Shakespeare plays. Published without annotations in South Africa in 1970 and performed in Cape Town in the same year, it has never been performed again and the text has attracted no academic review or led to any subsequent editions. However, situated in 1970 in the heyday of the Apartheid regime, the play's production broke attendance records in Cape Town and was accompanied by substantial public controversy. In this thesis, the author analyses Breytenbach's translation in order to determine whether the translator had an ideological agenda in performing the translation. The analysis is based on a preliminary discussion of culture and ideology in translation, and then uses the Skopostheorie methodology of Hans J. Vermeer (as developed by Christiane Nord) to assess the translation situation and the target text. The target text has been analysed on both a socio-political and microstructural level. The summary outcome of the analysis is that the translator may possibly have tried to promote an anti-Apartheid ideology by translating the play. The outcome is based on several contextual factors such as the socio-political situation in South Africa in which the translated play was published and performed, the translator's stated opposition to the Apartheid system, the choice of Titus Andronicus for translation and production, and to a lesser extent the level of public controversy that accompanied the target text's production in the theatre.
AFRIKAANSE OPSOMMING: Breyten Breytenbach se Afrikaanse vertaling van William Shakespeare se Titus Andronicus is 'n min bekende eksemplaar van die versameling Shakespeare toneelstukke in Afrikaans. Dit is sonder enige annotasies in 1970 in Suid-Afrika uitgegee, en is dieselfde jaar in Kaapstad opgevoer. Sedertdien is dit nooit weer opgevoer nie, en die teks het geen akademiese kritiek ontlok nie. Die teks is ook nooit weer herdruk nie. Maar in 1970, tydens die toppunt van die Apartheidregime, het hierdie toneelstuk se opvoering bywoningsrekords oortref en dit is deur aansienlike openbare omstredenheid gekenmerk. In dié tesis ontleed die skrywer Breytenbach se vertaling om te bepaal of die vertaler 'n ideologiese agenda in die vertaling van die toneelstuk gehad het. Die ontleding word op 'n voorlopige bespreking van kultuur en ideologie in die vertaalproses gegrond, en maak dan gebruik van die Skopostheorie van Hans J. Vermeer (soos verwerk deur Christiane Nord) om die omstandighede ten tyde van die vertaalproses sowel as die doelteks self te ontleed. Die doelteks is op sowel sosiaalpolitiese as mikrostrukturele vlak ontleed. Die samevattende uitkoms van die ontleding is dat die vertaler moontlik 'n anti-Apartheid ideologie probeer bevorder het deur hierdie toneelstuk te vertaal. Hierdie uitkoms is gegrond op verskeie samehangende faktore, soos die sosiaalpolitiese omstandighede in Suid-Afrika waarin die toneelstuk uitgegee en opgevoer is, die vertaler se vermelde teenkanting teen die Apartheidstelsel, die keuse van Titus Andronicus vir vertaling en opvoering, en tot 'n mindere mate die vlak van openbare omstredenheid wat gepaard gegaan het met die doelteks se opvoering in die teater.
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Spies, Carla-Marie. "Die Agterhuis – Lina Spies se vertaling van Anne Frank se dagboek, Het Achterhuis, in Afrikaans : besluite, benaderings en strategieë." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4146.

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Thesis (MPhil (Afrikaans and Dutch))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: This study investigates the translation approaches and strategies used by Lina Spies in her translation of Anne Frank's diary, Het Achterhuis, from Dutch into Afrikaans (Die Agterhuis). The researcher mainly works descriptively to discuss the decisions made regarding translation approaches and strategies adopted and applied in this translation. However, when necessary, a critique of the translation is also offered. The first chapter deals with the background of, and rationale for, the study; it provides a hypothesis, problem statement, methodology and the research questions. The next chapter provides background information on the source text, as well as considering reasons why this source text was translated into Afrikaans. The translator (Spies) as an agent of power is discussed as well. In the third chapter, the literature review, the most prominent translation theories which are relevant to this study are discussed. There are amongst others focused on functionalism (Nord 1997), intercultural communication (Katan 200), descriptive translation studies (DTS) (Toury 1995), and foreignization and domestication (Venuti 1995). Chapters 4 and 5 present the practical application/empirical study. In the macro-analysis aspects such as genre, overall translation approach and the paratext are looked at. The micro-analysis investigates the translation strategies which were used on the micro-level in order to achieve the overall effect this translation has on macro-level. Pragmatic, intercultural, interlinguistic and text-specific translation problems/challenges and the way that Spies (possibly) resolved these in the target text are discussed. The conclusion is drawn that Spies adopts a functionalist approach towards the translation as she takes into consideration both Nord's (1995) yardsticks for a "good"/"adequate" translation, namely (1) the source text and source text author, as well as (2) the target text reader. The foreignization approach is the primary approach used in this translation and the translator is very faithful to the source text and loyal to the source text author. Domestication is used as a secondary approach as the target text is made accessible to the target text reader on a grammatical level. The thesis finds that the authenticity of the source text and the literary value of this text are preserved, and that the voice and style of the source text author are conveyed to the target text reader.
AFRIKAANSE OPSOMMING: In hierdie studie word ondersoek ingestel na die vertaalbenaderings en -strategieë wat Lina Spies gebruik in die vertaling van Anne Frank se dagboek, Het Achterhuis uit Nederlands in Afrikaans (Die Agterhuis). Die navorser gaan hoofsaaklik deskriptief te werk om die besluitneming ten opsigte van watter vertaalbenaderings en vertaalstrategieë wat gevolg en toegepas word, te beskryf. Kritiek word wel uitgespreek waar nodig. Die eerste hoofstuk behels die agtergrond en rasionaal vir die studie, 'n hipotese, probleemstelling en navorsingsvrae en beskryf die metodologie wat in die tesis gevolg word. Die volgende hoofstuk verskaf 'n agtergrond van die bronteks en redes vir die vertaling daarvan in Afrikaans. Daar word hier ook na die vertaler (Spies) as magsagent gekyk. In die daaropvolgende hoofstuk, die literatuurstudie, word die vernaamste vertaalteoretiese benaderings bespreek wat van toepassing is op hierdie studie. Belangrike teorieë waarop daar gefokus word, is funksionalisme (Nord 1997), interkulturele kommunikasie (Katan 2004), deskriptiewe vertaalstudies (Toury 1995) en vervreemding en domestikering (Venuti 1995). Hoofstuk 4 en 5 beslaan die praktiese toepassing/empiriese studie. In die makro-analise word aspekte soos die genre, oorkoepelende vertaalbenadering en parateks bespreek. In die mikroanalise word daar gekyk na die vertaalstrategieë wat op mikrovlak gevolg is om die effek wat die doelteks op makrovlak het, te bewerkstellig. Daar word gekyk na pragmatiese, interkulturele, intertalige en teksspesifieke vertaalprobleme/-uitdagings en Spies se oplossings (of pogings tot oplossings) daarvoor. Daar word na afloop van die studie tot die gevolgtrekking gekom dat Spies funksionalisties te werk gaan, aangesien sy albei Nord (1995) se maatstawwe vir 'n "goeie"/"voldoende" vertaling, naamlik, eerstens, die bronteks en bronteksouteur, sowel as, tweedens, die doelteksleser, in ag neem. Die vervreemdingsbenadering word hoofsaaklik in die vertaling gevolg en daar word baie lojaal aan die bronteksouteur en getrou aan die bronteks gebly. Domestikering word as sekondêre benadering gevolg, deurdat die doelteks meestal grammatikaal toeganklik vir die doelteksleser gemaak word. Daar word bevind dat die outentiekheid van die bronteks en die literêre waarde daarvan, sowel as om die stem en styl van die bronteksouteur in die doelteks behou word.
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Buitendach, Samantha Angelique. "Selling translation rights in trade publishing : case studies of Dutch translations of Afrikaans fiction in the Netherlands and Belgium." Diss., University of Pretoria, 2005. http://hdl.handle.net/2263/66256.

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The reading and buying market for Afrikaans fiction is limited due to historical and economical reasons. It can thus be argued that in order to expand the market for South African Afrikaans trade publishers and authors' novels, a work needs to be translated via the selling of translation rights with the assistance of the publisher or literary agents, into a language that has similar needs in terms of cultural consumption, for example book reading culture. Due to the colonial influence of the Dutch on South African culture and the development of Afrikaans, this study explores the selling of translation rights of Afrikaans fiction to trade publishers in The Netherlands and Belgium. The polystem theory is also used to illustrate the movement of languages from a peripheral position to semi-peripheral and central position within a global literary polysystem. A qualitative and exploratory research design is used. Secondary research in the form of a literature review combines theoretical information, clarifies terms and provides context from which primary research develops. In terms of primary research, interviews with key informants in the Belgian, Netherlands and South African publishing industry were conducted. Case studies of South African crime author Deon Meyer, and historical romance author Irma Joubert provide in-depth analysis of success factors, process and factors that influenced the selling of subsidiary rights to Dutch trade publishers. Lastly, visibility and discoverability of Afrikaans fiction on an international rights trading platform, as well as interaction amongst South African and foreign publishers were observed, at the largest book rights fair, the Frankfurt Book Fair. The findings of this study provide practical information and act as reference guide to role players in the publishing industry, including authors, trade publishers and literary agents. Recommendations for best practice in the selling of subsidiary rights are included, as well as initiatives for further research, experimentation, investment and development of the selling of subsidiary rights to European trade publishers to ultimately grow the Afrikaans fiction book buying and reading markets.
Dissertation (MIT)--University of Pretoria, 2017.
Information Science
MIS
Unrestricted
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Schoenaers, Dirk. "Getranslateerd uuten Franssoyse : translation from French into Dutch in Holland in the 15th century : the case of Gerard Potter's Middle Dutch translation of Froissart's 'Chroniques'." Thesis, University of Liverpool, 2010. http://livrepository.liverpool.ac.uk/1277/.

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This dissertation focuses on the intercultural relations between the French-speaking and Dutch-speaking world in Holland in the first half of the fifteenth century. After a turbulent war of succession between the claimants Jacqueline of Bavaria and her uncle John the Pitiless, the counties of Holland, Zeeland and Hainault were incorporated into the largely francophone Burgundian empire. It has been suggested that this event marked the end of a flourishing period of cultural production in the Dutch vernacular at the court of Holland. However, as it seems, throughout the fifteenth century translations of French texts were produced for regional and local administrators. Possibly, the Burgundian regional government of Holland, which consisted of foreign as well as indigenous noblemen, may have played an important role in the dissemination of these texts. In this thesis, the subject is addressed by means of the contextualisation of the Middle Dutch version of Jean Froissart’s Chroniques. An analysis of documentary sources suggests that the comital residence at the Hague is best characterised as a multicultural environment inhabited by both bilingual and monolingual individuals. The results of an analysis of the variant readings in the French manuscripts of the Chroniques as compared to its Dutch counterpart show that the French manuscript which served as a model for the translation was probably produced between 1410 and 1418 by the Parisian libraire Pierre de Liffol. A comparison of the translated and original text shows that the translator wants to provide his readership with a text that is optimally intelligible and relevant to their context. Gerijt Potter’s modifications show that his intended audience was familiar with the habits of European courts and had a considerable geographical horizon. Because of the presence of doublets, repetitions and French loans, Potter’s style of writing resembles the official style of the comital chancery. However, a similar style is also found in other late fourteenth and early fifteenth-century translations. In The Hague the translation was probably dispersed (be it on a small scale) among members of the council and their contacts among the high nobility of Holland. Through the intensive contact between the regional councillors and members of local administration, the translation of the Chroniques became available to an audience in the cities.
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Beyer, Herman Louis. "'n Metaleksikografiese ondersoek na konteksleiding in Afrikaanse vertalende woordeboeke /." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1214.

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Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2006.
This study reports on a metalexicographical investigation into contextual guidance in Afrikaans translation dictionaries. The problem that gives rise to the need for such an investigation is demonstrated from a practical perspective, after which attention is paid to determining the genuine purpose of a dictionary by looking at the component parts of the concept, i.e. the typological placement and the target user group of the dictionary in question. The discussion of the target user group evolves into an in-depth look at the user aspect, which results in the development and presentation of the model of lexicographical parameters for user-friendly dictionaries. This model aims to provide a scientific description of lexicographical user friendliness. Existing proposed definitions of the genuine purpose of a dictionary coupled with the benefit of insights derived from the model of lexicographical parameters for user-friendly dictionaries make the presentation of a new definition of the genuine purpose of a (translation) dictionary possible, which is followed by defining a polyfunctional translation dictionary for Southern Africa. Attention is also paid to some macrostructural issues pertaining to standard translation dictionaries, among others vertical and horizontal alphabetical macrostructures and niching and nesting as manifestations of horizontal alphabetical macrostructures. With regard to nesting, the classification of first and second level nesting is expanded by the description of third and fourth level nesting. The influence of the organisation plan and the dictionary conceptualisation plan on the selection of lexical items for the macrostructure of a standard dictionary is touched upon. An in-depth evaluation of contextual guidance in Afrikaans standard translation dictionaries follows the exposition of the rationale for it and the definitions of the terms context, contextualisation and contextual guidance. The discussion produces the identification of the types of contextualising entries, among others meaning explanations, lexicographical labels and glosses, which fall under the main class of discriminators and which in turn functions alongside the main classes of cotext entries and inserted texts. Each type and subtype is studied meticulously, and distribution structures are determined and evaluated through the study of dictionary data. The study of the data also results in the identification of different levels of contextualisation as well as different types of translation equivalent paradigms. The discussion of lexicographical labels takes on the form of a critical overview of the existing literature on this topic and results in the presentation of a new and scientifically sounder model for the description of labelling in dictionaries in general, i.e. the deixis model. The study of contextualising entries is followed by a discussion of certain elements of the composition of dictionary articles that can support successful contextual guidance, i.e. types of microstructures and the rapid internal access structure. The in-depth study of contextualisation makes the revision of the definition for the term contextualising entry possible. Ultimately a practical model for more effective contextual guidance in polyfunctional Afrikaans translation dictionaries is presented in three main components, i.e. (i) standards for the application of contextual entries, (ii) the proposal of an adapted rapid internal access structure, and (iii) the effective application of functional types of microstructures. The requirements of lexicographical accountability and user-friendliness remain central motives throughout the study.
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Brockman, S. (Suvi). "Dutch translations of character names in Harry Potter and the Philosopher’s Stone." Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201604071409.

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The topic of the thesis is the Dutch translations of character names in Harry Potter and the Philosopher’s Stone, which is a story about how Harry Potter discovers the magical world after spending the first 11 years of his life in the ordinary, non-magical world. The book has been translated by Wiebe Buddingh’. There are altogether 112 characters in the novel, all of which have been included because effort has been made to create and translate each name. The purpose of the study was to investigate the translation of the names into the Dutch language: how they have been translated exactly and how they compare with translations into other languages. The analysis has been conducted through a careful reading of the names. The origin of the target text names was briefly examined and compared with the source text names to discover the method of translation, after which the names were categorised based on what method has been used to translate them. The categories used in this paper are the ones used by Davies (2003), who analysed culture-specific items in the Harry Potter novels. The categories are preservation, addition, omission, globalisation, localisation, transformation and creation. After analysing each name individually, an overview of the translation was formed and the results of the analysis were discussed in the context of each category. The overview also included discussion on the translation in the framework of relevant translation theories introduced in the theoretical background section. Even though I have studied Dutch for some years, I am not yet fluent in it, which is why any problems or difficulties deducting the meaning of the name were solved by consulting a native speaker of Dutch. It was found that preservation was used the most, which is probably due to the closeness of the Dutch and English cultures. Transformation was also quite common and the new names were often linked to the personality of the character or the spelling of the original name. The names were fairly descriptive and unambiguous. The analysis also revealed that there has been a shift towards the Dutch culture because of the way localisation was used: very strange names were changed into more familiar ones and some English names into Dutch ones. Overall, the level of associations in the names was less difficult than in the source text, which indicates that the target audience has been limited to children. This is probably so because it is an extremely challenging task to translate all aspects of names into another language. An unexpected finding was that the Dutch and German translations appear to be different regarding the names despite the similarities in the cultures. On the other hand, the Finnish names in the novel seemed to be translated in a relatively similar manner compared to the Dutch names. Further studies could investigate the names in the other novels of the series, and perhaps the studies could also include other culture-specific items in addition to character names
Tutkielman aihe on hahmojen nimien hollanninkieliset käännökset teoksessa Harry Potter and the Philosopher’s Stone, joka on kertomus siitä, kuinka Harry Potter löytää taikamaailman vietettyään elämänsä tavallisessa maailmassa 11-vuotiaaksi asti. Hollanninkielisen käännöksen on tehnyt Wiebe Buddingh’. Romaanissa on kaiken yhteensä 112 hahmoa, ja tutkielmassa on tarkasteltu kaikkia, koska jokaisen nimen luomiseen ja kääntämiseen on nähty vaivaa. Tutkielman tarkoitus oli tutkia nimien käännöksiä hollannin kielelle: miten ne on käännetty tarkalleen ja mitä selviää, kun hollanninkielisiä nimiä verrataan muunkielisiin nimiin. Nimet on analysoitu tarkastelemalla nimiä huolellisesti. Kohdekielisten nimien alkuperät on selvitetty ja niitä on verrattu lähdekielen nimiin, jotta saadaan selville kääntämismetodi. Sen jälkeen nimet on jaettu kategorioihin kääntämismetodin perustella. Tässä tutkielmassa on käytetty samoja kategroioita kuin Davies (2003), joka tutki kulttuurisidonnaisia elementtejä Harry Potter -kirjoissa. Kategoriat ovat seuraavat: säilyttäminen, lisäys, poistaminen, globalisointi, lokalisointi, transformaatio ja luominen. Yksittäisten nimien analyysin jälkeen käännöksistä muodostettiin yleiskatsaus, jossa analyysin tulokset käydään läpi kategoria kerrallaan. Yleiskatsaus sisältää myös pohdintaa käännökseen liittyvistä käännösteorioista, jotka esitellään tutkielman teoriaosiossa. Vaikka olen opiskellut hollantia muutamia vuosia, en osaa sitä vielä sujuvasti, ja siksi tutkimuksessa on konsultoitu hollantia äidinkielenään puhuvaa henkilöä, jotta nimien tulkinnassa vastaantulevat epäselvyydet on saatu ratkaistua. Tutkimuksen tuloksista selviää, että säilyttämistä on käytetty kaikkein eniten, mikä johtunee siitä, että Hollannin ja Englannin kulttuurit ovat jokseenkin samanlaisia. Transfromaatio oli myös melko yleinen, ja sillä tavalla syntyneet uudet nimet liittyivät usein hahmon luonteeseen tai alkuperäisen nimen kirjoitusasuun. Nimet ovat kuvaavia ja yksiselitteisiä. Lokalisoinnin käyttö käännöksessä paljasti myös pienehkön muutoksen hollantilaiseen kulttuuriin päin: hyvin oudot nimet muutettiin tutummiksi ja jotkin englantilaiset nimet muutettiin hollantilaisiksi. Yleensä ottaen mielleyhtymät olivat kohdetekstissä yksinkertaisempia kuin lähdetekstissä, mistä voidaan päätellä, että käännöksen kohdeyleisöksi on rajattu lapsiin. Se johtuu nimien kääntämisen vaikeudesta, sillä on erittäin haastavaa kääntää nimen kaikki aspektit toiselle kielelle. Yllättävä havainto oli se, että hollanninkieliset ja saksankieliset nimien käännökset erosivat toisistaan, vaikka kulttuurit muistuttavat toisiaan läheisesti. Toisaalta selvisi myös, että suomenkieliset nimet on käännetty samalla tyylillä kuin hollanninkieliset. Jatkotutkimusta voitaisiin tehdä siitä, miten nimet on käännetty kirjasarjan muissa osissa, ja aineistoon voitaisiin myös sisällyttää nimien lisäksi muut kulttuurisidonnaiset elementit
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Books on the topic "Translating into Dutch"

1

Megen, Jan van. Verwante talen, vreemde vrienden: Leidraad voor het Nederlands-Duits vertalen. Muiderberg: D. Coutinho, 1992.

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Goris, Mariken. Boethius in het Nederlands: Studie naar en tekstuitgave van de Gentse Boethius (1485), boek II. Hilversum: Verloren, 2000.

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Waegemans, Emmanuel, and Marcel De Herdt. De taal van Peter de Grote: Russisch-Nederlandse contacten en contrasten. Leuven: Acco, 2006.

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1942-, Westerweel Bart, and Haen Theo dʼ, eds. Something understood: Studies in Anglo-Dutch literary translation. Amsterdam: Rodopi, 1990.

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Héroguel, Armand. Problèmes de traductions dans les droits civils français et néerlandais. Paris: Harmattan, 2000.

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Koster, Cees. De Hollandsche vertaalmolen: Nederlandse beschouwingen over vertalen 1820-1885. 's-Gravenhage: Stichting Bibliographia Neerlandica, 2002.

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Naaijkens, Antonius Bernardus Maria, and Cees Koster. Een vorm van lezen: Nederlandse beschouwingen over vertalen 1885-1946. 's-Gravenhage: Stichting Bibliographia Neerlandica, 2002.

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Messelaar, P. A. Linguistique contrastive: L'apprentissage inégalement difficile de deux langues et l'art de traduire. Leuven, Blijdë: Presses universitaires de Louvain, 1996.

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Héroguel, Armand. Traduire le néerlandais dans les affaires pénales (Pays-Bas, Beligique): Dicitonnaire néerlandais-français et français-néerlandais. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2014.

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Douglas, Peter A. Dutch renaissance: The story of the New Netherland Project. [Albany, N.Y.]: New Netherland Project, 2009.

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Book chapters on the topic "Translating into Dutch"

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Silver, Larry. "Translating Dürer into Dutch." In Invention, 208–23. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.mef-eb.3.833.

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Kosters, Onno. "Stopped in Holland: Samuel Beckett in Dutch Translation." In Translating Samuel Beckett around the World, 41–60. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71730-8_3.

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Thelen, Marcel. "Chapter 16. Translating into English as a Non-Native Language: The Dutch Connection." In In and Out of English, edited by Gunilla Anderman and Margaret Rogers, 242–55. Bristol, Blue Ridge Summit: Multilingual Matters, 2005. http://dx.doi.org/10.21832/9781853597893-019.

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Vandenberghe, Fauve. "Haywood in Holland: Translating the Passions in the French and Dutch Translation of Idalia; or the Unfortunate Mistress." In A Spy on Eliza Haywood, 232–47. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-12.

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Eickmans, Heinz. "John Bunyans Pilgerreise von London über Amsterdam nach Hamburg: Niederländisch als Intermediärsprache für Übersetzungen aus dem Englischen in der Frühen Neuzeit." In Neues von der Insel, 107–29. Berlin, Heidelberg: Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-66949-5_6.

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ZusammenfassungThe first part of this article is devoted to the origins of the early German translations of John Bunyan’s works that appeared until the end of the 17th century, especially his major work The Pilgrim’s Progress (1678, dt. Eines Christen Reise nach der Seeligen Ewigkeit 1685). By means of some textual examples it will be shown that this translation – like all other early translations of Bunyan’s works – is not based on the English original but on the Dutch translation, therefore that it is an ‘indirect translation’ which reached German by way of an intermediary language. The second part of the article first examines the general question of the proportion of indirect translations in the early modern period and then devotes itself specifically to the hitherto insufficiently considered importance of Dutch, which is hardly inferior to French as an intermediary language for indirect translations from English and even occupies first place for the field of English devotional literature of the 17th century.
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Gentile, Paola. "Chapter 12. Combining translation policy and imagology." In Translation Flows, 225–45. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/btl.163.12gen.

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This chapter establishes a connection between the fields of translation policy and imagology to scrutinize the strategies employed by governmental organizations in their support of literary translations. It aims to investigate the role of these strategies in facilitating cultural transfers and shaping evolving perceptions of a country internationally. An overview of the policy by the Dutch Foundation for Literature in transnational events will be followed by an examination of promotional strategies employed by the Italian publisher Iperborea. The similarities between the advertising material employed by the DFL and the images used by Iperborea to promote Dutch literature in Italy will be illustrated by means of paratexts and a series of interviews with relevant stakeholders.
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van Dalen-Oskam, Karina. "‘Could be the translation, of course’. Analysing the perception of literary fiction and literary translations." In Germanistische Symposien, 709–28. Stuttgart: J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05886-7_29.

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AbstractThe advent of information technology has greatly expanded the methodological toolkit of literary scholars. In the digital humanities project The Riddle of Literary Quality, methods from literary studies, linguistics and computer science are combined with sociological approaches. I will describe how this project went about mixing and blending methods from different research disciplines in search of more knowledge about the modern-day Dutch and European literary systems.
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Stellinga, Bart, Josta de Hoog, Arthur van Riel, and Casper de Vries. "Introduction." In Research for Policy, 1–16. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70250-2_1.

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AbstractThis book is a translation and adaption of the Dutch report ‘Geld en schuld. De publieke rol van banken’, published by the Netherlands Scientific Council for Government Policy (WRR). This report was the result of a formal request by the Dutch Minister of Finance for an advice on the functioning of the monetary system, as suggested in a motion adopted by the Dutch Parliament during a debate on money creation. In this introductory chapter, we first briefly introduce money and debt before discussing the role of trust and dynamism in the financial monetary system. The introduction ends with an overview of the book.
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Macken, Lieve, and Arda Tezcan. "Dutch compound splitting for bilingual terminology extraction." In Multiword Units in Machine Translation and Translation Technology, 148–62. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/cilt.341.07mac.

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Papilloud, Christian, and Eva-Maria Schultze. "Schlußbetrachtung. Translation durch Präzisionsmedizin." In Translation in der Nanomedizin, 245–60. Wiesbaden: Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-39836-1_6.

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Conference papers on the topic "Translating into Dutch"

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Babych, Bogdan, Jonathan Geiger, Mireia Ginestí Rosell, and Kurt Eberle. "Deriving de/het gender classification for Dutch nouns for rule-based MT generation tasks." In Proceedings of the 3rd Workshop on Hybrid Approaches to Machine Translation (HyTra). Stroudsburg, PA, USA: Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-1014.

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Tereshko, Ekaterina V. "(NON-)TRANSLATION OF MURALS POETRY IN THE NETHERLANDS: BACKGROUND AND REALISATION." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063589.

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When you come to the Netherlands, you don’t expect to see poems in Russian, Chinese, Berber, or North American Indian on city walls. Even more surprising is the lack of translation or explanation of these texts. However, the (non)translation of murals in the Netherlands has a social background: at the same time when the poetry projects were most active, there was a heated discussion in the Netherlands about the possibility of creating a multicultural society. This idea dictated to the creators of the projects the image of a potential reader and obviated the need to translate poetry. In this article we will look at the ideas behind Dutch poetry projects, as well as the realization and functions of (un) translated murals. The collapse of the idea of a multicultural society has led to the need to translate poetry through various means, including modern online media. This allows us to speak of the intermediality of poetry and the mutual influence of the original text and the translation.
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Fonteyne, Margot, Joke Daems, Maribel Montero Perez, and Lieve Macken. "A process-based perspective on the effects of machine translation on L2 writing." In EuroCALL 2023: CALL for all Languages. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2023. http://dx.doi.org/10.4995/eurocall2023.2023.16931.

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Most existing empirical work on the effects of Machine Translation (MT) use on second language (L2) writing has concentrated on its impact on writing products, with much less research addressing its effects on L2 learners’ behaviours during writing. We therefore investigate whether the L2 writing process varies depending on whether learners are provided access to MT or to an online bilingual dictionary. Twenty-seven L1 Dutch learners of Swedish were assigned four writing tasks, with two tasks completed in each condition (MT or dictionary). While writing, participants’ keystrokes were registered. Descriptive measures were used to summarize and compare participants’ writing speed, tool engagement, and pausing behaviour across the two conditions. Results indicated that participants wrote more in less time, consulted the tool more frequently but for shorter periods of time, and paused longer between higher textual units when provided access to MT.
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Kusumadewi, Angela, and Sri Mulatsih. "Nyai Ontosoroh’s Feminism Movement Against Dutch Colonialism in Pramoedya Ananta Toer’s “Bumi Manusia” Novel’s Movie Adaptation." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311266.

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deWit, Maarten, Wilfred Peter, Thea Vliet Vlieland, Ronald van Ingen, S. M. A. Bierma-Zeinstra, Astrid Dunweg, Hilda Buitelaar, et al. "AB1342 TRANSLATION AND ADJUSTING THE PATIENT GUIDE FOR OSTEOARTHRITIS INTO DUTCH. LESSONS LEARNED FROM THE JIGSAW-E PROJECT." In Annual European Congress of Rheumatology, EULAR 2019, Madrid, 12–15 June 2019. BMJ Publishing Group Ltd and European League Against Rheumatism, 2019. http://dx.doi.org/10.1136/annrheumdis-2019-eular.5516.

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Beckers, Esther, Casper Webers, Annelies Boonen, Peter Ten Klooster, Harald Vonkeman, and Astrid van Tubergen. "SAT0630 DUTCH TRANSLATION AND PSYCHOMETRIC PROPERTIES OF A PATIENT REPORTED EXPERIENCE MEASURE (PREM) FOR PATIENTS WITH RHEUMATOID ARTHRITIS AND SPONDYLOARTHRITIS." In Annual European Congress of Rheumatology, EULAR 2019, Madrid, 12–15 June 2019. BMJ Publishing Group Ltd and European League Against Rheumatism, 2019. http://dx.doi.org/10.1136/annrheumdis-2019-eular.5438.

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de Boon, J., D. Schaafsma, and J. van der Heide. "Possible Application of FRP Bridges in Renovation and Replacement Task of Rijkswaterstaat." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.1000.

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<p>An increasing number of existing bridges no longer comply to current standards or have become functionally obsolete. Complete renovation is costly, time-consuming, results in disruption of traffic and is not sustainable. Current repair alternatives are often time-consuming and heavy in weight. In addition to existing methods, fiber-reinforced plastics (FRP) could provide a repair alternative whereby applying a FRP deck will relieve the main girders and can mean that the greater part of the existing bridge can remain. The lifespan of existing structures can be longer extended. This offers new technical and strategic possibilities for the major renovation and replacement task of bridge structures of Rijkswaterstaat, explained in this paper. An updated version of the Dutch CUR-96 recommendation on the design of FRP structures was published in 2018 and an English translation in 2019. This document offers an improved framework and guidelines and is comparable to the Eurocodes regarding concrete and steel structures at material level. The recommendation may therefore be regarded as a desirable basis for the development of a Eurocode for FRP composite structures. Like other road authorities, Rijkswaterstaat is looking into the possibility of replacing current bridge deck structures of highway structures with FRP decks, mainly due to the favorable weight and durability performance. Various already applied FRP structures in Europe demonstrate the possibilities and value of its application.</p>
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Driessen, Tom, Lokin Prasad, Pavlo Bazilinskyy, and Joost De Winter. "Identifying Lane Changes Automatically using the GPS Sensors of Portable Devices." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002433.

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Mobile applications that provide GPS-based route navigation advice or driver diagnostics are gaining popularity. However, these applications currently do not have knowledge of whether the driver is performing a lane change. Having such information may prove valuable to individual drivers (e.g., to provide more specific navigation instructions) or road authorities (e.g., knowledge of lane change hotspots may inform road design). The present study aimed to assess the accuracy of lane change recognition algorithms that rely solely on mobile GPS sensor input. Three trips on Dutch highways, totaling 158 km of driving, were performed while carrying two smartphones (Huawei P20, Samsung Galaxy S9), a GPS-equipped GoPro Max, and a USB GPS receiver (GlobalSat BU343-s4). The timestamps of all 215 lane changes were manually extracted from the forward-facing GoPro camera footage, and used as ground truth. After connecting the GPS trajectories to the road using Mapbox Map Matching API (2022), lane changes were identified based on the exceedance of a lateral translation threshold in set time windows. Different thresholds and window sizes were tested for their ability to discriminate between a pool of lane change segments and an equally-sized pool of no-lane-change segments. The overall accuracy of the lane-change classification was found to be 90%. The method appears promising for highway engineering and traffic behavior research that use floating car data, but there may be limited applicability to real-time advisory systems due to the occasional occurrence of false positives.
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